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While creating the visuals for a wormhole, I accidentally discovered the method for making the visuals of the iPhone 16. Here’s how it’s done—sharing it with everyone! iPhone 16 Visual Tutorial 1. Download a 3D software (C4D or Blender both work) 2.Create a donut model. 3.Add a material and... show more

Damonxart

8,866 subscribers

47,368 görüntüleme • 1 yıl önce •via X (Twitter)

Eğitim Bilim & Teknoloji Sanat

Anya Rossi• Live Now

Private livecam show

11 Yorum

Jordan profil fotoğrafı

Jordan1 yıl önce

Awesome work, thanks!

CASETiFY profil fotoğrafı

CASETiFY1 yıl önce

Personalize your #iPhone16 with Strap & Charms, and MagSafe Compatible accessories! Endless combinations to match your style. Shop now. #CASETiFY

Tony Elmore profil fotoğrafı

Tony Elmore1 yıl önce

Sweet, thanks!

Damonxart profil fotoğrafı

Damonxart1 yıl önce

🙌

simpati adalah pisau profil fotoğrafı

simpati adalah pisau1 yıl önce

this should be viral, it’s so cool!

Damonxart profil fotoğrafı

Damonxart1 yıl önce

🙌

alex.xyz profil fotoğrafı

alex.xyz1 yıl önce

Nice man!

Kadri Shazan profil fotoğrafı

Kadri Shazan1 yıl önce

That's a surprisingly creative approach to visualizing new tech, thanks for sharing your unique process!

Damonxart profil fotoğrafı

Damonxart1 yıl önce

🙌

Design Degods 🌚📈 profil fotoğrafı

Design Degods 🌚📈1 yıl önce

Can be done in Photoshop with less steps tho but keep cooking

Karl Pines profil fotoğrafı

Karl Pines1 yıl önce

That's crazy!

Benzer Videolar

Welcome to the new era of iPhone! Built for Apple Intelligence, the iPhone 16 lineup delivers a powerful, personal, and private experience right at your fingertips. And with the new Camera Control, you’ll never miss a moment.

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Tim Cook

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Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Seso

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You can click the Camera Control on iPhone 16 and iPhone 16 Pro to open Camera, or set it to open the Magnifier app, the Code Scanner, or your favorite third-party camera app. Here’s how.

You can click the Camera Control on iPhone 16 and iPhone 16 Pro to open Camera, or set it to open the Magnifier app, the Code Scanner, or your favorite third-party camera app. Here’s how.

Apple Support

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$🎓 Learn how to create a powerful Dynamic Snow gradient Map in a matter of seconds in my latest video series (AAA) Pro Tips! This special Map can be used to adjust the amount of snow coverage on any 3D asset straight inside a game engine or during in-game run time. In this video, the steps are as follows: 1. Bake out the following maps: World Space, AO, Curvature, and Position. 2. Create a fill layer and apply a dust generator to it. 3. Apply a histogram scan above the dust generator to preview the transition effect. 4. Add a Dirt 3 grunge just above the dust generator set to overlay. (This can be used to add small snowflakes around the pile of snow) 5. A blur slope filter can also be applied to the mask to help add randomness to it. 6. Apply the snow gradient information in a User Channel, that way the mask can be exported out of Painter. (Be sure the histogram scan is disabled before doing so) 7. You are finished and the mask is now ready to be utilized inside a Game Engine such as Unreal Engine or Unity. More AAA Game Dev Tips\Tutorials can be found on my YouTube channel here: Stay tuned for more weekly Tips. Happy Texturing! 💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing #substancepainter #art #ue4 #ue5$

🎓 Learn how to create a powerful Dynamic Snow gradient Map in a matter of seconds in my latest video series (AAA) Pro Tips! This special Map can be used to adjust the amount of snow coverage on any 3D asset straight inside a game engine or during in-game run time. In this video, the steps are as follows: 1. Bake out the following maps: World Space, AO, Curvature, and Position. 2. Create a fill layer and apply a dust generator to it. 3. Apply a histogram scan above the dust generator to preview the transition effect. 4. Add a Dirt 3 grunge just above the dust generator set to overlay. (This can be used to add small snowflakes around the pile of snow) 5. A blur slope filter can also be applied to the mask to help add randomness to it. 6. Apply the snow gradient information in a User Channel, that way the mask can be exported out of Painter. (Be sure the histogram scan is disabled before doing so) 7. You are finished and the mask is now ready to be utilized inside a Game Engine such as Unreal Engine or Unity. More AAA Game Dev Tips\Tutorials can be found on my YouTube channel here: Stay tuned for more weekly Tips. Happy Texturing! 💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing #substancepainter #art #ue4 #ue5

Cohen Brawley

28,955 görüntüleme • 2 yıl önce

How to model a beautiful stylized tornado in Blender? ✨ 1. Model an amogus 2. With proportional editing enabled, gently rotate the head of the amogus, and then move it outwards! 3. Make a couple of copies of the amogus for more detail! 4. Tweak details to achieve your creative vision! 5. Realise that it looks nothing like a tornado. More like some weird-ass stylised flame from a torch 6. Cry a little 7. Model a torch 8. Maybe add a person holding the torch, because why not... 9. Enjoy your work! Important: when you're done modeling your tornado.. I mean torch, be sure to save your work by pressing Alt+F4! 🥰 #b3d

How to model a beautiful stylized tornado in Blender? ✨ 1. Model an amogus 2. With proportional editing enabled, gently rotate the head of the amogus, and then move it outwards! 3. Make a couple of copies of the amogus for more detail! 4. Tweak details to achieve your creative vision! 5. Realise that it looks nothing like a tornado. More like some weird-ass stylised flame from a torch 6. Cry a little 7. Model a torch 8. Maybe add a person holding the torch, because why not... 9. Enjoy your work! Important: when you're done modeling your tornado.. I mean torch, be sure to save your work by pressing Alt+F4! 🥰 #b3d

passivestar

101,944 görüntüleme • 3 yıl önce

i bought a iphone just to add tracking to my model 💀 2d live pixel texture face on a 3d body made in the #GodotEngine

i bought a iphone just to add tracking to my model 💀 2d live pixel texture face on a 3d body made in the #GodotEngine

byte 🕹️ nme64 | DEBUT: TBA

50,930 görüntüleme • 2 yıl önce

Customize the look of your photos with Photographic Styles on iPhone 16 and iPhone 16 Pro. You can choose a style in Settings and adjust it anytime in Camera in #iOS18. Here’s how.

Customize the look of your photos with Photographic Styles on iPhone 16 and iPhone 16 Pro. You can choose a style in Settings and adjust it anytime in Camera in #iOS18. Here’s how.

Apple Support

55,461 görüntüleme • 1 yıl önce

The Blender file of the 3D viewer of Tenochtitlan is released. You can download it from the main website. It's like a digital twin, made for tinkering. It has a lighting and material setup to get you started. It renders in both Cycles and EEVEE #b3d #tenochtitlan #threejs

The Blender file of the 3D viewer of Tenochtitlan is released. You can download it from the main website. It's like a digital twin, made for tinkering. It has a lighting and material setup to get you started. It renders in both Cycles and EEVEE #b3d #tenochtitlan #threejs

Thomas Kole (see 🦋 and 🐘)

95,036 görüntüleme • 7 ay önce

The AI Material Generator is now available as a Beta feature within Roblox Studio. To try it out, open the Material Generator window, type in a query, and watch the magic happen! You can then apply it to a base material and adjust the pattern and size. #Roblox #RobloxDev

The AI Material Generator is now available as a Beta feature within Roblox Studio. To try it out, open the Material Generator window, type in a query, and watch the magic happen! You can then apply it to a base material and adjust the pattern and size. #Roblox #RobloxDev

Bloxy News

185,305 görüntüleme • 3 yıl önce

It’s not a filter ! Jongin just ordered a screen protector for the iPhone 16, but accidentally ordered the iPhone 17 one, so the camera looks like this. and he just found out about it 😭

It’s not a filter ! Jongin just ordered a screen protector for the iPhone 16, but accidentally ordered the iPhone 17 one, so the camera looks like this. and he just found out about it 😭

🍊🧡🐣

1,169,811 görüntüleme • 1 ay önce

I decided to add Frank's details in Nomad Sculpt, and I'm quite happy with the results. Now, I'm going to send the model back to Blender 3D to work a bit more on the character.

I decided to add Frank's details in Nomad Sculpt, and I'm quite happy with the results. Now, I'm going to send the model back to Blender 3D to work a bit more on the character.

Juan Carlos Montes

29,630 görüntüleme • 1 yıl önce

An easy method to add a laser beam to the Guardsmen, and a quick method to paint the fabric. The rest of the armor is just a couple of reflections, and it's done. #warhammer40k #warhammer #gamesworkshop #paintingwarhammer

An easy method to add a laser beam to the Guardsmen, and a quick method to paint the fabric. The rest of the armor is just a couple of reflections, and it's done. #warhammer40k #warhammer #gamesworkshop #paintingwarhammer

Juan Sanz Elminiaturista

18,087 görüntüleme • 7 ay önce

DreamCraft3D: Hierarchical 3D Generation with Bootstrapped Diffusion Prior paper page: present DreamCraft3D, a hierarchical 3D content generation method that produces high-fidelity and coherent 3D objects. We tackle the problem by leveraging a 2D reference image to guide the stages of geometry sculpting and texture boosting. A central focus of this work is to address the consistency issue that existing works encounter. To sculpt geometries that render coherently, we perform score distillation sampling via a view-dependent diffusion model. This 3D prior, alongside several training strategies, prioritizes the geometry consistency but compromises the texture fidelity. We further propose Bootstrapped Score Distillation to specifically boost the texture. We train a personalized diffusion model, Dreambooth, on the augmented renderings of the scene, imbuing it with 3D knowledge of the scene being optimized. The score distillation from this 3D-aware diffusion prior provides view-consistent guidance for the scene. Notably, through an alternating optimization of the diffusion prior and 3D scene representation, we achieve mutually reinforcing improvements: the optimized 3D scene aids in training the scene-specific diffusion model, which offers increasingly view-consistent guidance for 3D optimization. The optimization is thus bootstrapped and leads to substantial texture boosting. With tailored 3D priors throughout the hierarchical generation, DreamCraft3D generates coherent 3D objects with photorealistic renderings, advancing the state-of-the-art in 3D content generation.

DreamCraft3D: Hierarchical 3D Generation with Bootstrapped Diffusion Prior paper page: present DreamCraft3D, a hierarchical 3D content generation method that produces high-fidelity and coherent 3D objects. We tackle the problem by leveraging a 2D reference image to guide the stages of geometry sculpting and texture boosting. A central focus of this work is to address the consistency issue that existing works encounter. To sculpt geometries that render coherently, we perform score distillation sampling via a view-dependent diffusion model. This 3D prior, alongside several training strategies, prioritizes the geometry consistency but compromises the texture fidelity. We further propose Bootstrapped Score Distillation to specifically boost the texture. We train a personalized diffusion model, Dreambooth, on the augmented renderings of the scene, imbuing it with 3D knowledge of the scene being optimized. The score distillation from this 3D-aware diffusion prior provides view-consistent guidance for the scene. Notably, through an alternating optimization of the diffusion prior and 3D scene representation, we achieve mutually reinforcing improvements: the optimized 3D scene aids in training the scene-specific diffusion model, which offers increasingly view-consistent guidance for 3D optimization. The optimization is thus bootstrapped and leads to substantial texture boosting. With tailored 3D priors throughout the hierarchical generation, DreamCraft3D generates coherent 3D objects with photorealistic renderings, advancing the state-of-the-art in 3D content generation.

AK

161,400 görüntüleme • 2 yıl önce

I've added a function to propagate a gradient across the mesh (it follows the curvature of the hair), and then copy that gradient to the Windows clipboard as a transparent picture, for use as a selection mask in the image editor

I've added a function to propagate a gradient across the mesh (it follows the curvature of the hair), and then copy that gradient to the Windows clipboard as a transparent picture, for use as a selection mask in the image editor

Haï~

13,261 görüntüleme • 1 yıl önce

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,145 görüntüleme • 2 yıl önce

Check out how Perception designed the main title for the end credits of #TheMarvels in this design breakdown. Using #Cinema4D, we created a 3D model of our type. A render of the type was brought into #Photoshop, painted over and mapped back on to the 3D geometry to create the illustrated look. Each outline, edge highlight and grunge texture was meticulously placed to get the perfect style.

Check out how Perception designed the main title for the end credits of #TheMarvels in this design breakdown. Using #Cinema4D, we created a 3D model of our type. A render of the type was brought into #Photoshop, painted over and mapped back on to the 3D geometry to create the illustrated look. Each outline, edge highlight and grunge texture was meticulously placed to get the perfect style.

Perception

56,831 görüntüleme • 2 yıl önce

[RLHF] by Hand ✍️ Yesterday, Jan Leike (Jan Leike) announced he is joining #Anthropic to lead their "super-alignment" mission. He is the co-inventor of Reinforcement Learning with Human Feedback (#RLHF). How does RLHF work? [1] Given ↳ Reward Model (RM) ↳ Large Language Model (LLM) ↳ Two (Prompt, Next) Pairs 🟪 TRAIN RM Goal: Learn to give higher rewards to winners [2] Preferences ↳ A human reviews the two pairs and picks a "winner" ↳ (doc is, him) Embeddings ↳ This prompt has never received human feedback directly ↳ [S] is the special start symbol [11] Transformer ↳ Attention (yellow) ↳ Feed Forward (4x2 weight and bias matrix) ↳ Output: 3 "transformed" feature vector, one per position ↳ More details in my previous post 8. Transformer [] [12] Output Probabilities ↳ Apply a linear layer to map each transformed feature vector to a probability distribution over the vocabulary. [13] Sample ↳ Apply the greedy method, which is to pick the word with the highest score ↳ For output 1 and 2, the model accurately predicts the next word ↳ For 3rd output position, the model's predicts "him" [14] Reward Model ↳ The new pair (CEO is, him) is fed to the reward model ↳ The process is same as [3]-[6] ↳ Output: Reward = 3 [15] Loss Gradient ↳ We set the loss as the negative of the reward. ↳ The loss gradient is simply a constant -1. ↳ Run backpropagation and gradient descent to update LLM's weights and biases (red border)

[RLHF] by Hand ✍️ Yesterday, Jan Leike (Jan Leike) announced he is joining #Anthropic to lead their "super-alignment" mission. He is the co-inventor of Reinforcement Learning with Human Feedback (#RLHF). How does RLHF work? [1] Given ↳ Reward Model (RM) ↳ Large Language Model (LLM) ↳ Two (Prompt, Next) Pairs 🟪 TRAIN RM Goal: Learn to give higher rewards to winners [2] Preferences ↳ A human reviews the two pairs and picks a "winner" ↳ (doc is, him) Embeddings ↳ This prompt has never received human feedback directly ↳ [S] is the special start symbol [11] Transformer ↳ Attention (yellow) ↳ Feed Forward (4x2 weight and bias matrix) ↳ Output: 3 "transformed" feature vector, one per position ↳ More details in my previous post 8. Transformer [] [12] Output Probabilities ↳ Apply a linear layer to map each transformed feature vector to a probability distribution over the vocabulary. [13] Sample ↳ Apply the greedy method, which is to pick the word with the highest score ↳ For output 1 and 2, the model accurately predicts the next word ↳ For 3rd output position, the model's predicts "him" [14] Reward Model ↳ The new pair (CEO is, him) is fed to the reward model ↳ The process is same as [3]-[6] ↳ Output: Reward = 3 [15] Loss Gradient ↳ We set the loss as the negative of the reward. ↳ The loss gradient is simply a constant -1. ↳ Run backpropagation and gradient descent to update LLM's weights and biases (red border)

Tom Yeh

79,758 görüntüleme • 2 yıl önce

I FINALLY managed to create a point cloud animation 💪 Here is how I did it using #GaussianSplatting, #Blender and 2 add-ons from KIRI Engine - 3D Scanner App . Creating point cloud animations has always been a dream of mine (inspired by masters like ), but the tech to create the point clouds and visual effects was always a huge barrier. Then I discovered these 2 Blender add-ons from Kiri engine after I had a chat with Jack Wang in my podcast, and it changed everything: 1- Create a splat with any tool or app you want 2- Install the free "Point Animate" add-on in Blender 3- Drag the 2 .ply you want to morph from --> to 4- Set source and destination in the add-on side panel At this point you could play around with various settings like noise scatter, noise intensity, wind and more. If you want to combine with the splat as well you can get also the 3DGS render to add cool dissolving effects, fancy lighting and really get the most out of your scans. If you end up using it please tag me. I am curious to see what much more skilled people than me can put together 😉

I FINALLY managed to create a point cloud animation 💪 Here is how I did it using #GaussianSplatting, #Blender and 2 add-ons from KIRI Engine - 3D Scanner App . Creating point cloud animations has always been a dream of mine (inspired by masters like ), but the tech to create the point clouds and visual effects was always a huge barrier. Then I discovered these 2 Blender add-ons from Kiri engine after I had a chat with Jack Wang in my podcast, and it changed everything: 1- Create a splat with any tool or app you want 2- Install the free "Point Animate" add-on in Blender 3- Drag the 2 .ply you want to morph from --> to 4- Set source and destination in the add-on side panel At this point you could play around with various settings like noise scatter, noise intensity, wind and more. If you want to combine with the splat as well you can get also the 3DGS render to add cool dissolving effects, fancy lighting and really get the most out of your scans. If you end up using it please tag me. I am curious to see what much more skilled people than me can put together 😉

Gabriele Romagnoli

10,392 görüntüleme • 1 yıl önce

donut! hi here’s a better version of the intro i made a while ago

donut! hi here’s a better version of the intro i made a while ago

slinky

167,247 görüntüleme • 11 ay önce

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

Cohen Brawley

78,660 görüntüleme • 2 yıl önce