Arthur Gain

@ArtGain • 51,788 subscribers

Squint 💀 Paint 🎨 Repeat ✨

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To see a painting I’ve made in a movie is an extraordinary feeling, but to see it in such film as 'Frankenstein' - that’s something truly transformative. Huge thanks to Guillermo del Toro, Tamara Deverell, and Kate Hawley for the opportunity and the unforgettable experience.

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1:00

it's so over 💀

Arthur Gain

1,174,682 views • 8 months ago

0:54

Teaching my method online this October 🎨

Arthur Gain

88,765 views • 19 days ago

0:38

The process

Arthur Gain

26,039 views • 18 days ago

1:03

The Creature and Elizabeth (SOLD) oil on linen. Painted it recently, in between commissions

Arthur Gain

32,853 views • 1 month ago

1:00

Alla prima sketch from quite time ago. Still love it

Arthur Gain

139,221 views • 2 years ago

0:30

Success of a portrait is determined in the block in stage - our ability to "read" the reference, to simplify big shapes and to compress the values is essential, especially when we paint wet-on-wet.

Arthur Gain

135,189 views • 2 years ago

0:35

Oil on linen, 20x24"

Arthur Gain

99,805 views • 3 years ago

0:46

The painting and the palette

Arthur Gain

71,743 views • 2 years ago

0:59

🧟‍♀️🧟‍♀️🧟‍♀️

Arthur Gain

90,629 views • 3 years ago

0:48

Oil on copper, 8x10"

Arthur Gain

16,095 views • 4 months ago

1:00

Alla prima portrait study, oil on linen. Join my upcoming Portrait Painting Bootcamp to learn and practice painting humans 🎨💀🖼️

Arthur Gain

62,443 views • 2 years ago

0:30

Commissioned portrait process. Oil on panel, 12x16"

Arthur Gain

42,324 views • 1 year ago

0:45

So what do I sacrifice? Everything.

Arthur Gain

26,495 views • 1 year ago

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Arthur Gain

Shorts

To see a painting I’ve made in a movie is an extraordinary feeling, but to see it in such film as 'Frankenstein' - that’s something truly transformative. Huge thanks to Guillermo del Toro, Tamara Deverell, and Kate Hawley for the opportunity and the unforgettable experience.

Videos

Watch Anya Live

it's so over 💀

Teaching my method online this October 🎨

The process

The Creature and Elizabeth (SOLD) oil on linen. Painted it recently, in between commissions

Alla prima sketch from quite time ago. Still love it

Success of a portrait is determined in the block in stage - our ability to "read" the reference, to simplify big shapes and to compress the values is essential, especially when we paint wet-on-wet.

Oil on linen, 20x24"

The painting and the palette

🧟‍♀️🧟‍♀️🧟‍♀️

Oil on copper, 8x10"

Alla prima portrait study, oil on linen. Join my upcoming Portrait Painting Bootcamp to learn and practice painting humans 🎨💀🖼️

Commissioned portrait process. Oil on panel, 12x16"

So what do I sacrifice? Everything.