
Av 🇵🇸🇾🇪
@AvalynWu • 7,437 subscribers
filmmaker, marxist, lesbian
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I have never seen Maestro (probably never will) but I reference this scene *all* the time. Not even the "reining it in" part but him saying that you walk outside in NYC and run into people you love. Like yes this happens to me all the time. I just had a Maestro Moment™ tonight.
Av 🇵🇸🇾🇪🇱🇧918,634 views • 1 year ago

Light and shadow, wind and fire in The Quiet Man. Can't believe this movie is real.
Av 🇵🇸🇾🇪🇱🇧485,918 views • 1 year ago
0:20
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Otto Preminger sure knows how to move his camera. Absolutely insane that this is all one shot.
Av 🇵🇸🇾🇪70,528 views • 10 months ago
1:55
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Happy birthday Howard Hawks. Thank you for making like ten of the best movies ever.
Av 🇵🇸🇾🇪🇱🇧31,655 views • 1 year ago

This single-take crane shot heist scene from Siodmak's The Killers is incredible
Av 🇵🇸🇾🇪🇱🇧32,285 views • 1 year ago

I adore the final moments of Ozu's An Autumn Afternoon so much: the way the shot pattern anticipates Hirayama's desire to look up the stairs before cutting back to him, the shift in the score, the sadness of seeing these familiar rooms so dark and empty. It makes me cry.
Av 🇵🇸🇾🇪🇱🇧26,394 views • 1 year ago

Adore this moment in John Ford's Wagon Master. The pause as she looks forward and smiles, the way the camera tracks her as she runs and falls, the dissolve into the shot of her smoking. A huge rupture for a very group-oriented film to take such care towards an individual
Av 🇵🇸🇾🇪🇱🇧15,878 views • 1 year ago
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