Baleygr

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Baleygr

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Now that was a surprise standout sequence if I've ever seen one. This small SHAFT-like/Monogatari-esque exposition scene in Uma Musume Cinderella Gray #19 caught me off guard. Very unique creative direction here alongside some kagenashi touches just to underscore the severity.

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The punchline is so obvious yet still hilarious

"fuck them kids"

A-1 your degeneracy is showing 🤨

Horse racing show btw (very important)

Beyond mesmerizing visual splendor of creative ideas in Nama Anaru's ED, on top of paying specific homage to Immamura's CM! AoiSora's bombastic color script and storyboards employ substantial processing/chara acting cuts that flow seamlessly through playfully integrated osmosis.

Dang man I had literal chills

It may be isekai slop but it's MY ISEKAI SLOP

Surviving Romance animated MV was not on my bingo card for the year 2026 but I'm not complaining! Just wow. Getting PPURI of Link Click fame for the animation is a godsend, the expert boarding/direction nails the series' meta narrative on a microscopic level.

Tooru Iwazawa 岩澤亨 processing Sakazume and Enokido's crazy boards for Fate strange Fake's OP is visually ambitious on a huge scale. Incredibly polished character art and vfx work/layouts. The vibrant art and expedient transitions carry so much residual style.

I'm floored by how much the Magic Knight Rayearth reboot perfectly captures the distinct aesthetic vibes (and sharper design work) from the original CLAMP series. Even better is Sunghoo Park (who founded E&amp;H) helming the OP, which is chock-full of beautiful homages &amp; action cuts.

Genuinely in love with this ED, the breathtaking art suffused throughout its empowering song is so romantic Amazing debut for up-and-coming artist RLOEVO! They did a great job.

For good and bad this JJK OP is a simmering hotbed of chaotic visual presentation but you have to admit Gosso understood the assignment when it came to tackling the incoherent makeup of the Culling Games. Not to mention the impressive referential nods to contemporary art pieces.

Peak audiovisual experience

No offense to anyone still enjoying it but SasaKoi barely shows signs of holding itself together. So many visual discrepancies are a clear sign of poorly handled animation work. Even the live band segments and music don't necessarily mesh together well.

After almost three years of radio silence since their much beloved Kororon MV (forever rent-free in my head) ligton りく has come out of the woodworks to personally storyboard and direct a new hit from the likes of another popular trending artist: SUISEI HOSHIMACHI

The prospect of Witch Hat Atelier's anime adaptation faithfully encapsulating the extraordinary appeal of Kamome Shirahama's magnificent art is starting to become real with its new PV. Wondrous worldbuilding is actualized through exceedingly broad strokes and awe-striking appeal.

Without a doubt the standout animation powerhouse sequence in UmaMusu CinGray's climax was Dicta Striker's fierce comeback. Yuuta Haruna's 春名雄太 cuts borrowed thoroughly from Takeshi Maenami's prolific work on Road to the Top. You can really feel the latter's influence.

Never thought I'd see the day where some fairly competent 2D horse animation was a remote possibility but you never know with Fate/Strange Fake. Further complemented by some really good character drawings, vfx and BG debris, it's an amazing spectacle.

I'm floored by how much the Magic Knight Rayearth reboot perfectly captures the distinct aesthetic vibes (and sharper design work) from the original CLAMP series. Even better is Sunghoo Park (who founded E&H) helming the OP, which is chock-full of beautiful homages & action cuts.