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@ChillaiKalan__ • 13,181 subscribers

Future with Ai | Scaling Brands with AI | DM open for Promo 📩 | CPP @Higgsfield @RoboNeo_ai |

Shorts

East LA. One kick. One dream. ⚽️🔥 What begins on a neighborhood court transforms into a World Cup spectacle as the city itself becomes the stage. From local culture and community pride to a stadium-sized celebration, every frame builds toward the Hero Shot. Powered by RoboNeo seamless transformations, multi-character choreography, and cinematic scale.

East LA. One kick. One dream. ⚽️🔥 What begins on a neighborhood court transforms into a World Cup spectacle as the city itself becomes the stage. From local culture and community pride to a stadium-sized celebration, every frame builds toward the Hero Shot. Powered by RoboNeo seamless transformations, multi-character choreography, and cinematic scale.

62,837 次观看

Wan 3.0 is now available on Flova. To put it to the test, I gave Wan 3.0, Seedance 2.5, and MiniMax H3 the same live-action ice queen scene—and each model created a completely different frozen world. With Flova’s all-in-one Agent workflow, you can call multiple models, compare their results, and continue refining your film without switching platforms. Which version would you choose? FlovaAI x Wan 3.0! Limited-Time Offer for Wan3.0 480P: As Low As $0.013/sec

Wan 3.0 is now available on Flova. To put it to the test, I gave Wan 3.0, Seedance 2.5, and MiniMax H3 the same live-action ice queen scene—and each model created a completely different frozen world. With Flova’s all-in-one Agent workflow, you can call multiple models, compare their results, and continue refining your film without switching platforms. Which version would you choose? FlovaAI x Wan 3.0! Limited-Time Offer for Wan3.0 480P: As Low As $0.013/sec

21,774 次观看

This is one of those AI video models that makes you want to keep experimenting. Every generation gave me something different, and the quality kept surprising me. MiniMax H3 is definitely worth checking out. MiniMax Design (H3) #MiniMaxH3

This is one of those AI video models that makes you want to keep experimenting. Every generation gave me something different, and the quality kept surprising me. MiniMax H3 is definitely worth checking out. MiniMax Design (H3) #MiniMaxH3

29,945 次观看

AI video is dead. This is AI cinema. Higgsfield Cinema Studio 3.0 just changed the game. Real cinematic visuals, perfect physics, next-level action. No other GenAI tool comes close. This actually changes everything.

AI video is dead. This is AI cinema. Higgsfield Cinema Studio 3.0 just changed the game. Real cinematic visuals, perfect physics, next-level action. No other GenAI tool comes close. This actually changes everything.

56,328 次观看

Nano Banana Pro + Seedance 2.0 on higgsfield Prompt: FORMAT: 15s / 145 BPM / 14 SHOTS SUBJECT: @[image1] WARDROBE: Clean modern outfit ENVIRONMENT: Street / indoor transitions MOOD: Discovery → control → confidence MUSIC: Rhythmic cinematic beat COLOR LOGIC: Natural with motion blur effects STYLE: Sleek cinematic SHOT FLOW: She gestures hand → time slows People freeze mid-walk She moves freely Reverses hand → time rewinds Objects moving backward Shocked reaction Tests control again Walks through frozen moment Adjusts small detail (object/person) Releases time Everything resumes differently Subtle smile Walk away Final glance — power hinted

Nano Banana Pro + Seedance 2.0 on higgsfield Prompt: FORMAT: 15s / 145 BPM / 14 SHOTS SUBJECT: @[image1] WARDROBE: Clean modern outfit ENVIRONMENT: Street / indoor transitions MOOD: Discovery → control → confidence MUSIC: Rhythmic cinematic beat COLOR LOGIC: Natural with motion blur effects STYLE: Sleek cinematic SHOT FLOW: She gestures hand → time slows People freeze mid-walk She moves freely Reverses hand → time rewinds Objects moving backward Shocked reaction Tests control again Walks through frozen moment Adjusts small detail (object/person) Releases time Everything resumes differently Subtle smile Walk away Final glance — power hinted

40,804 次观看

Turn any photo into a realistic animated video with Mimic Motion on the Pollo AI mobile app. Just upload your image, pick a reference motion, and your photo comes to life in seconds. It's quick, simple, and perfect for creating short videos.

Turn any photo into a realistic animated video with Mimic Motion on the Pollo AI mobile app. Just upload your image, pick a reference motion, and your photo comes to life in seconds. It's quick, simple, and perfect for creating short videos.

15,868 次观看

Pushed MiniMax H3 on Hailuo AI (MiniMax) with a fast-paced cinematic fight scene and it absolutely delivered. Smooth action, dynamic camera work and impressive realism from start to finish. 🔥 #MiniMaxH3

Pushed MiniMax H3 on Hailuo AI (MiniMax) with a fast-paced cinematic fight scene and it absolutely delivered. Smooth action, dynamic camera work and impressive realism from start to finish. 🔥 #MiniMaxH3

15,607 次观看

Seedance 2.0 on Higgsfield Prompt: FORMAT: 15s / 135 BPM / 14 SHOTS SUBJECT: @[image1] WARDROBE: Casual → slightly elevated ENVIRONMENT: Room → street → brighter world MOOD: Neutral → excited → confident STYLE: Cinematic lifestyle CORE IDEA: One message shifts her whole vibe SHOT FLOW: Sitting bored Phone buzz Reads message → expression changes Quick stand up Outfit adjustment Mirror glance Lighting becomes warmer Walk outside Music kicks in Confident walk Hair movement slow-mo City feels brighter Subtle smile End on glow

Seedance 2.0 on Higgsfield Prompt: FORMAT: 15s / 135 BPM / 14 SHOTS SUBJECT: @[image1] WARDROBE: Casual → slightly elevated ENVIRONMENT: Room → street → brighter world MOOD: Neutral → excited → confident STYLE: Cinematic lifestyle CORE IDEA: One message shifts her whole vibe SHOT FLOW: Sitting bored Phone buzz Reads message → expression changes Quick stand up Outfit adjustment Mirror glance Lighting becomes warmer Walk outside Music kicks in Confident walk Hair movement slow-mo City feels brighter Subtle smile End on glow

19,105 次观看

GPT Image 2 + Seedance 2.0 I used a movement sheet as a reference image to animate the dance. Prompt: Monochromatic grayscale illustration, 3D-rendered character, clean instructional reference sheet. White background, comic-style cell grid layout, technical diagram aesthetic. [LAYOUT] 4×4 grid layout (16 panels total). Each panel separated by thin black border lines. Panels are evenly sized and consistently aligned. Each cell is clearly numbered from 1 to 16. [CHARACTER] (Insert character description) Example: Young female dancer with an athletic build, ponytail hairstyle, wearing a crop top, baggy pants, and sneakers. The same character must appear consistently in all panels. [PANEL STRUCTURE – per cell] Top-left: bold number badge + Korean title text Center: full-body character pose illustration Bottom-left: Korean description text (3–4 lines) Overlay: directional arrows indicating movement flow [ARROWS / MOTION INDICATORS] Curved arrows, straight arrows, and circular rotation indicators. Arrows should be placed around the character to clearly show movement direction and flow. [RENDERING STYLE] Highly detailed 3D sculpted style. Soft studio lighting with subtle shadows. No color — grayscale only. Clean linework, polished finish, game concept art quality. [NEGATIVE PROMPT] No background scenery. No color tones. No additional characters. No cluttered or complex backgrounds.

GPT Image 2 + Seedance 2.0 I used a movement sheet as a reference image to animate the dance. Prompt: Monochromatic grayscale illustration, 3D-rendered character, clean instructional reference sheet. White background, comic-style cell grid layout, technical diagram aesthetic. [LAYOUT] 4×4 grid layout (16 panels total). Each panel separated by thin black border lines. Panels are evenly sized and consistently aligned. Each cell is clearly numbered from 1 to 16. [CHARACTER] (Insert character description) Example: Young female dancer with an athletic build, ponytail hairstyle, wearing a crop top, baggy pants, and sneakers. The same character must appear consistently in all panels. [PANEL STRUCTURE – per cell] Top-left: bold number badge + Korean title text Center: full-body character pose illustration Bottom-left: Korean description text (3–4 lines) Overlay: directional arrows indicating movement flow [ARROWS / MOTION INDICATORS] Curved arrows, straight arrows, and circular rotation indicators. Arrows should be placed around the character to clearly show movement direction and flow. [RENDERING STYLE] Highly detailed 3D sculpted style. Soft studio lighting with subtle shadows. No color — grayscale only. Clean linework, polished finish, game concept art quality. [NEGATIVE PROMPT] No background scenery. No color tones. No additional characters. No cluttered or complex backgrounds.

14,034 次观看

Seedance 2.0 on Higgsfield Prompt: FORMAT: 15s / 145 BPM / 14 SHOTS SUBJECT: @[image1] WARDROBE: Casual ENVIRONMENT: Public street MOOD: Curious → control → powerful STYLE: Cinematic surreal CORE IDEA: People freeze only when she looks directly at them SHOT FLOW: Walking Looks at someone That person freezes Looks away → they move Tests again Multiple people freeze Slight smile Walks through frozen crowd Looks around Everyone frozen Turns away Motion resumes Calm expression Walks off

Seedance 2.0 on Higgsfield Prompt: FORMAT: 15s / 145 BPM / 14 SHOTS SUBJECT: @[image1] WARDROBE: Casual ENVIRONMENT: Public street MOOD: Curious → control → powerful STYLE: Cinematic surreal CORE IDEA: People freeze only when she looks directly at them SHOT FLOW: Walking Looks at someone That person freezes Looks away → they move Tests again Multiple people freeze Slight smile Walks through frozen crowd Looks around Everyone frozen Turns away Motion resumes Calm expression Walks off

13,617 次观看

Bullet time effect using seedance 2.0 on SocialSight Prompt: Cinematic 8K, ultra-realistic slow-motion video of a woman in a white button-down shirt and black trousers mid-air as she slips on an icy New York City street. Large cubes of ice and a spilled cup of coffee with a massive brown splash are suspended in the air around her. She has a red patterned digital glitch mask over her eyes. The camera performs a 360-degree orbital pan around her frozen falling pose. Photorealistic, shallow depth of field, towering city skyscrapers in the background, overcast winter lighting, hyper-detailed textures.

Bullet time effect using seedance 2.0 on SocialSight Prompt: Cinematic 8K, ultra-realistic slow-motion video of a woman in a white button-down shirt and black trousers mid-air as she slips on an icy New York City street. Large cubes of ice and a spilled cup of coffee with a massive brown splash are suspended in the air around her. She has a red patterned digital glitch mask over her eyes. The camera performs a 360-degree orbital pan around her frozen falling pose. Photorealistic, shallow depth of field, towering city skyscrapers in the background, overcast winter lighting, hyper-detailed textures.

10,979 次观看

Videos

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Your daily AI slop: John Wick vs Everybody

K

1,716,368 次观看 • 8 个月前

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Nobody asked AI to make this… but I’m glad i did Made with Pollo AI 365 days of unlimited MiniMax H3 unlimited generations, unlimited ideas. Prompt: Photoreal travel cinema, 16:9 24fps, spherical 35–50mm, 180° shutter, fine grain, mild halation. Nordic teal-grey skies, moss greens, warm skin; gold only if sun is in frame. Soft contrast. Real wind/hair/weight. 9 shots, HARD CUTS only. No dissolves, drone, FPV, crane, orbit, beauty filter, plastic skin, HDR, logos, phones, signs. 21.0s realtime. Thin white centered sans captions. Hold last frame. Unhurried coastal Norway + alpine meadows. Sincere, not an ad. LOCKS: bare face — no glasses/sunglasses on eyes. Vintage round goggles on forehead in B/C only, never on eyes. No hat ever (beanie, knit, red, silhouette). Hair down (A, 7–9) or rust-cream bandana (B/C). HER=image1: mid-20s, slim-athletic 168–172cm, long wavy dark hair in wind, real teeth, quiet contentment → unforced grin. Same person all shots. A (1,9): cream oversized knit, chocolate trousers, hair down, trail sneakers. B (2,3): sage long-sleeve, rust-cream bandana, goggles on forehead, black pack, brown trousers, sneakers. C (5,6): cream knit under teal-green vest, bandana + forehead goggles, brown trousers, sneakers. C var (7,8): same vest, hair down. Thin worn cord only; no logos. HIM: one man, late 20s, lean, dark messy hair, lived-in stubble, muted green/grey layers. Shots 4,7,8 only. Silent. Place: one N-European season — Lofoten granite into cold water, turf camps, misted hanging valleys, yellow-flower meadows, white/red fjord village. Milk/teal overcast except 7 sunset + 8 warm side-light. 1 0.0–2.2 CAMPSITE 35mm locked wide, slight rise. Grassy coastal camp, late overcast: green/rust/blue domes, dark-blue tunnel tent, jackets on grass. Atlantic left, granite massif. One seabird L→R upper third. HER A right third, three slow steps toward water, lifts face to the bird; hair/hem move. Tiny shore figures. Breath-handheld, no pan. END: still walking. 2 2.2–4.3 TRAIL 40mm. Dirt trail on grassy slope; teal fjord, sand crescent, tiny lot, red-roof farm below; milk overcast. HER B half-step to camera, right; pack tight, goggles on forehead, hair lifting. Turns to lens, real-eye smile. Slight follow. END: smiling mid-stride. 3 4.3–5.6 SHEEP 35mm 3/4 low. HER B crouched on berry-moss slope. One cream sheep, green ear tag. Palm on its back, one slow stroke, looking at it. Alpine lake in stone bowl behind, mist on ridge. END: stroke done. 4 5.6–8.2 MEADOW ground 24–28mm locked. Tall grass/flowers fill FG. HER+HIM on backs lower-left, heads close, toward sunlit peaks under green-gold sky. Light tee/layers; she shifts head, real breath. Spruce on walls. Grass may kiss lens. END: still lying. 5 8.2–11.2 FJORD 35mm follow from behind. HER C at dark still fjord; black-green peaks into water; harbor/vans far left. Two steps to water, arms wide palms-out, hair/vest lift. Pivots smiling, one arm toward lens. Eases to medium. Blur on turn only. END: faces camera, one arm out. 6 11.2–13.3 SUMMIT 35mm 3/4 from left. HER C sits onto pale granite (sit in-shot), knees in, tucks a strand, looks left along ridge then down-right at fjords, islands, white-red village. Private smile. Clouds drag peaks. Handheld eases closer. END: seated mid-look. 7 13.3–16.2 SUNSET low static 28mm. Two pack silhouettes L→R uphill through yellow globeflowers. Sun on ridge between them, orange flare into teal sky. HER right, hair loose, no hat outline, arms opening. HIM left, half-step back. FG flowers large/soft. END: mid-stride against sun. 8 16.2–19.0 BOOKS 40mm locked. Late meadow; pale mountain in warm side light beyond spruce. HER+HIM back-to-back in grass/yellow flowers, lower-right. She holds a paperback, head on his shoulder, turns a page, smiles at sky. He reads. END: page turned, still leaning. 9 19.0–21.0 BEACH static 50mm low. LOOK A. HER runs L→R on pale tidal beach, seaweed lines, hair streaming, wind in knit. Low mountains peach-sage dusk. Soft pink sea-thrift FG. Leg blur only. END: still running right, not exiting. 1/4/7/8/9 landscape+person; 2/5/6 human-forward, land still half. Breath-handheld only. Eyes sharp on faces; land sharp when land is the point. Light: 1 cool coastal; 2 milk-white; 3 wet mist; 4 thin sun+grass bounce; 5 cool, faces readable; 6 open wrap; 7 sunset cutouts; 8 warm rake on stone; 9 peach dusk. No rim/fill/smoke. Physics: wind in hair/knit/grass/straps; weighted steps; human gait; sheep has mass; pages turn by fingers; fjord water dark. Audio: original sparse warm acoustic + low wordless hum. VO close, unhurried, slight smile over 7–8, No speech, stock music, whooshes, known songs. One woman image_1i, one man. Same face/hair/body/season/grade. No extra close characters, hats, glasses on her eyes, phones, drones, logos, CGI, plastic skin, warped hands, extra fingers, extra text, 9:16, statue poses in ⅙

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42,177 次观看 • 29 天前

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Made with Seedance 2.5 Prompt: VIDEO CONCEPT: A completely natural 30-second personal home-video recording of a young woman doing something ordinary on a quiet apartment rooftop during a breezy afternoon. She hangs freshly washed clothes, discovers that one sock has blown away, and casually runs after it. The moment feels spontaneous, funny, and completely unplanned. FORMAT: 30 seconds • 16:9 • 1080p • photorealistic live-action • raw consumer camcorder footage MAIN SUBJECT A young Turkish woman in her early 20s with long dark-brown hair tied loosely in a low ponytail. She wears a faded white T-shirt, loose olive-green trousers, simple house slippers, and a thin silver bracelet. Keep her face, hairstyle, clothing, body proportions, and accessories completely consistent throughout the entire video. SETTING A modest apartment rooftop in Izmir, Turkey, on a warm breezy afternoon. The rooftop has concrete flooring, metal railings, water tanks, plastic buckets, a simple clothesline, neighboring apartment buildings, satellite dishes, potted plants, and laundry moving in the wind. The environment should feel lived-in and ordinary. No famous landmarks, recognizable brands, advertisements, or tourist imagery. CAMERA / VISUAL AESTHETIC Shot on an inexpensive early-2000s consumer digital camcorder. Handheld and slightly shaky Occasional uneven framing Natural autofocus hunting Slight exposure changes when pointing toward the bright sky Mild digital compression Subtle image noise Natural motion blur Slightly faded colors No stabilization No cinematic lens effects No artificial bokeh No polished commercial look The camera operator should behave like a friend casually filming from a few feet away. TIMELINE 0–5 SECONDS — ROOFTOP The camera steps onto the rooftop. The woman is already standing beside the clothesline with a small plastic basket full of freshly washed clothes. Wind moves several shirts hanging nearby. She looks toward the camera and says casually: “It’s really windy today.” 5–12 SECONDS — HANGING CLOTHES She takes a white shirt from the basket and clips it onto the clothesline. The fabric immediately catches the wind and flutters strongly. She laughs quietly and uses both hands to secure it with another clothespin. The camera moves slightly closer. Natural sunlight reflects off the metal clips. 12–18 SECONDS — THE SOCK She pulls out a small sock from the basket. Before she can attach it, a sudden gust catches it from her hand. The sock flies across the rooftop. She freezes for half a second. Then says: “Oh, come on!” She quickly starts walking after it. 18–24 SECONDS — CHASING IT The camera operator follows her with slightly shaky movement. The sock slides across the concrete floor, pushed by the wind. She reaches down but misses it. The sock moves toward a rooftop corner. She laughs while chasing it. Her ponytail and loose shirt move naturally in the wind. 24–30 SECONDS — CAUGHT She finally catches the sock near the railing. She holds it up toward the camera with an amused expression. She shakes her head and says: “Got you.” She walks back toward the clothesline. The camera remains handheld and slightly imperfect as the recording ends mid-action. AUDIO Only natural location sound: Strong but realistic wind Clothes flapping Plastic basket movement Clothespins clicking Distant city traffic Birds Footsteps on concrete Her natural laughter Quiet neighborhood ambience NO MUSIC. Dialogue should sound spontaneous, slightly imperfect, and naturally recorded from several feet away. REALISM / PHYSICS Wind must affect the environment consistently. Clothes should flutter according to their size and weight. The lightweight sock should move more easily than the heavier clothing. Hair and loose fabric should respond naturally to gusts. The plastic basket should remain grounded unless physically moved. Hands must interact correctly with clothespins and clothing. No impossible wind direction changes, floating objects, duplicated clothes, or objects appearing/disappearing. Maintain perfect continuity of the woman’s face, hairstyle, outfit, bracelet, and slippers. NEGATIVE PROMPT CGI, 3D render, animation, game graphics, plastic skin, beauty filter, AI face, face morphing, identity drift, extra fingers, malformed hands, duplicated people, floating objects, impossible physics, fake wind, excessive slow motion, HDR, oversaturation, cinematic color grading, artificial bokeh, dramatic lighting, studio lighting, perfect stabilization, drone footage, commercial advertisement aesthetic, staged acting, exaggerated expressions, subtitles, captions, logos, watermarks, recognizable brands, background music, wardrobe changes, hairstyle changes, continuity errors. FINAL LOOK The footage should feel like a random afternoon memory captured by a friend on an old family camcorder. The camera should not behave like a professional filmmaker. Small shakes, missed framing, autofocus adjustments, imperfect exposure, ordinary rooftop clutter, and spontaneous reactions should remain visible. Make it feel like a real moment that happened once—not a scene created for a camera.

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29,068 次观看 • 19 天前

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Made with Seedance 2.5 Prompt: 30 seconds | 16:9 | Ultra-photorealistic live-action Create a natural Korean summer day-in-the-life video featuring one young Korean woman spending a quiet afternoon preparing a simple chilled fruit snack at home. Use the reference image only for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her appearance consistent throughout the entire video. OUTFIT: Lightweight pale-yellow short-sleeve blouse, loose white cotton pants, simple canvas shoulder bag, white low-profile sneakers, minimal silver jewelry. Outfit remains unchanged from beginning to end. TIME & LIGHTING: Warm late-afternoon summer sunlight. Consistent weather, shadows, color temperature, and time of day across every scene. 00–05s — Neighborhood walk She leaves a small Korean apartment building carrying her canvas bag and walks down a quiet residential street. Trees move gently in the summer breeze. Parked scooters, apartment entrances, utility poles, bicycles, and distant pedestrians create an authentic neighborhood atmosphere. She briefly looks at the camera and says: “I need something refreshing today.” 05–10s — Local fruit stand She arrives at a small neighborhood fruit shop with crates of peaches, grapes, melons and Korean pears. Instead of immediately picking something, she walks around comparing the fruit. She notices a basket of peaches, picks one up carefully, examines it, smells it, and smiles. The shop owner says something casually off-camera. She responds: “This one looks perfect.” She places several peaches into her canvas bag. 10–15s — Walking home She walks back through the neighborhood carrying the slightly heavier bag. The camera follows from behind and then moves beside her. She adjusts the bag against her shoulder as the fruit shifts naturally inside. A bicycle passes in the background. Leaves move gently in the breeze. Her hair moves subtly with the air. 15–21s — Apartment kitchen She enters her apartment kitchen and places the peaches on the counter. She turns on the faucet and rinses them under cool running water. Water droplets collect on the fruit and fall naturally into the sink. She dries one peach with a clean kitchen towel and places it onto a small ceramic plate. 21–26s — Preparing the snack She sits at the kitchen counter. Using a small kitchen knife, she carefully slices the peach in half. The knife meets realistic resistance before passing through the soft fruit. She removes the pit, cuts several thin slices, and arranges them casually on the plate. Close-up of realistic juice and peach texture. 26–30s — First bite She picks up one slice and takes her first bite. She pauses for a moment, smiles naturally, and quietly says: “So good.” She looks toward the window as warm sunlight falls across the kitchen. The camera slowly drifts backward, capturing the cozy kitchen, open window, gentle curtain movement, and late-summer atmosphere. Cut naturally at the end. CAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, occasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens behavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics. AUDIO: Real environmental audio only — distant neighborhood sounds, footsteps, bicycle passing, fruit shop conversations, plastic bags, fruit being handled, apartment door, running water, knife against cutting board, refrigerator hum, subtle curtain movement, breathing, and natural eating sounds. No background music. PHYSICAL REALISM: The shopping bag reacts naturally to the weight of the fruit. Peach movement follows gravity and momentum. Hands maintain believable grip and pressure. Water flows naturally. Knife movement shows realistic cutting resistance. All body movements, walking, reaching, lifting, sitting, washing, cutting, and eating should feel spontaneous and physically accurate. CONTINUITY: Same woman, facial identity, hairstyle, body proportions, outfit, bag, fruit, apartment, kitchen, weather, lighting, and time of day throughout. No unexplained object changes. NEGATIVE PROMPT: No CGI look, synthetic skin, beauty filter, excessive sharpening, HDR, artificial blur, unrealistic depth of field, robotic movement, weightless objects, floating fruit, impossible hand positions, distorted anatomy, extra fingers, malformed hands, face drift, character replacement, wardrobe changes, hairstyle changes, teleportation, instant cutting, duplicated people, inconsistent shadows, sudden weather changes, excessive wind, text, subtitles, logos, watermark, background music, commercial advertisement style. >> >>

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30,832 次观看 • 1 个月前

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Created this cinematic music video with Supercool.com Prompt: Create a 30-second ultra-realistic cinematic music video for the provided English-language song, featuring three young adult singers performing inside and around a beautiful retro American-style diner at midnight. The video should feel like a real professionally directed music video, with cinematic storytelling, realistic human performances, clear English vocals, precise lip-sync, beautiful lighting, and natural chemistry between the three singers. CHARACTERS Character 1 — Female Lead: Young adult woman, early 20s, long dark hair, wearing a stylish red jacket over a simple white top and dark jeans. Confident, emotional and charismatic. Character 2 — Male Singer: Young adult man, early 20s, short textured dark hair, wearing a black denim jacket, white T-shirt and dark jeans. Relaxed but emotionally expressive. Character 3 — Female Singer: Young adult woman, early 20s, shoulder-length dark hair, wearing a stylish cream sweater and black skirt. Warm and expressive personality. CHARACTER CONSISTENCY IS CRITICAL: Their faces, hairstyles, clothing, body proportions, age and identities must remain exactly the same in every shot. LOCATION A retro roadside diner at midnight. Large glowing neon sign outside, chrome tables, red booths, warm interior lights, rain-covered windows, wet pavement, vintage cars outside, subtle steam rising from the road and colorful reflections on the ground. The atmosphere should feel nostalgic, romantic and cinematic. STORY & SHOT BREAKDOWN 0–4 seconds — OPENING Wide shot of the diner from across the wet road. Rain has just stopped. Neon lights reflect beautifully on the pavement. The camera slowly moves toward the diner window where the three singers can be seen inside. 4–8 seconds — FEMALE LEAD Cut to Character 1 sitting inside a booth. She begins singing the first English lyric while looking directly into the camera. Slow cinematic push-in toward her face. Her lips must clearly form every English word. 8–12 seconds — MALE SINGER Character 2 sings the next line while standing outside the diner beside a vintage car. Camera slowly moves around him. City lights and the glowing diner sign create beautiful bokeh behind him. 12–16 seconds — FEMALE SINGER Character 3 sings her section while walking through the diner. She passes the booths and looks directly toward the camera. Smooth tracking shot following her movement. 16–21 seconds — TRIO The three singers meet outside the diner. They perform the chorus together under the glowing neon sign. Camera moves in a smooth circular motion around them. Natural interaction, subtle choreography and genuine chemistry. 21–26 seconds — MUSICAL BUILD Create quick cinematic cuts synchronized to the beat: Female close-up → male close-up → female close-up → trio wide shot → dramatic low-angle shot. Each singer clearly sings their assigned words. 26–30 seconds FINAL CHORUS The three characters stand together in front of the diner. They sing the final English lyric directly toward the camera. The camera slowly pulls backward across the wet road while the neon diner becomes smaller in the background. End precisely on the final beat. ENGLISH VOCAL & LIP-SYNC REQUIREMENT Use the provided English song as the exact audio track. The characters must sing the actual lyrics from the song. Do not replace lyrics. Do not generate random syllables. Do not use French or any other language. Every English word must have believable mouth articulation. Prioritize: clear pronunciation + visible articulation + accurate phoneme-level lip-sync + natural singing expressions. The audience should be able to understand the English lyrics by listening to the audio and watching the singers. PERFORMANCE Natural professional music-video performance. Realistic breathing, subtle head movement, believable eye contact, natural hand gestures and facial expressions that match the emotion of the lyrics

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20,388 次观看 • 20 天前

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AI is getting way too good at this. At this point, traditional Hollywood production might have some serious competition. A hyper-realistic look at everyday Tokyo in 1989, recreated with AI to feel like authentic archival footage. Made with Seedance 2.5. Prompt: Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Tokyo street life in 1989. The entire video must look like genuine footage recorded in Tokyo in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter. MAIN FOCUS: The video is primarily about ordinary daily life on the streets of Tokyo in 1989. Crowded sidewalks, people walking in different directions, period-correct Japanese taxis, Toyota sedans, Nissan cars, buses, bicycles, storefronts, convenience stores, vending machines, newspaper kiosks, small restaurants, and the constant movement of the city. The camera should feel like someone documenting everyday Tokyo, not showcasing its architecture or creating a cinematic scene. SCENE SEQUENCE: * 0–5s: Street-level view from a busy Tokyo sidewalk, such as Shinjuku, Shibuya, Ginza, or Ikebukuro. A crowd of pedestrians walks past the camera in both directions. Period-correct Japanese taxis and cars move through the street. People wear authentic late-1980s Japanese clothing. Natural handheld camera movement. * 5–10s: A crowded avenue intersection. Pedestrians wait at a crosswalk, then begin crossing together. Buses, taxis, compact Japanese cars, and bicycles move through the frame. The camera slowly pans with the street activity. * 10–15s: A closer street-level view of everyday pedestrians, Japanese storefronts, newspaper kiosks, vending machines, convenience stores, small restaurants, and passing cars. People carry shopping bags, talk to each other, smoke cigarettes, and go about their normal routines. Natural, unscripted-looking movement. * 15–20s: A slightly wider street view showing a busy Tokyo avenue filled with pedestrians and traffic. Dense buildings, Japanese signs, overhead utility cables, streetlights, and shopfronts appear only as background elements. A train line or elevated railway may naturally appear in the distance, but street activity remains the focus. * 20–25s: Another crowded sidewalk and intersection. Japanese taxis, buses, compact cars, bicycles, pedestrians, storefronts, and vending machines create a constantly moving urban scene. The camera gently follows the flow of people. * 25–30s: Final street-level view of a busy Tokyo avenue, with pedestrians crossing, cars passing, buses stopping, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion. CAMERA & CINEMATOGRAPHY: Real 1989 professional Japanese video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves. IMAGE QUALITY: Surprisingly sharp and detailed for 1989, with clear pedestrians, cars, storefronts, and street details. Slightly soft image edges, natural lens rendering, mild analog video noise, subtle highlight bloom, gentle chromatic aberration, and a very subtle late-1980s Japanese professional-video texture. The footage should look like an unusually good archival camera recording, not degraded VHS. COLOR & LIGHTING: Overcast or soft natural daylight typical of Tokyo, realistic diffuse sunlight, slightly muted highlights, natural shadows, and authentic late-1980s Japanese color reproduction. Colors should be realistic and slightly desaturated compared with modern digital footage, but still natural. No modern cinematic teal-and-orange grading, no excessive contrast, no fake film look, and no heavy retro effects. HISTORICAL AUTHENTICITY: Everything must look correct for Tokyo in 1989: period-correct Japanese taxis and automobiles, Japanese buses, bicycles, storefronts, vending machines, Japanese-language advertisements and signage, period clothing, hairstyles, street furniture, utility infrastructure, and architecture of the era. Use authentic late-1980s Japanese commercial signage and typography. No modern vehicles, smartphones, LED billboards, contemporary advertisements, modern clothing, or post-1989 redevelopment. REALISM: Natural traffic movement, believable pedestrians, realistic reflections, accurate building geometry, and physically correct lighting. People should move naturally and independently, with varied walking speeds, gestures, and directions. Cars must have realistic proportions, wheels, reflections, and motion. Japanese vehicles should have authentic 1980s proportions, license plates, body designs, and road behavior. Buildings, signs, utility poles, and railway infrastructure must remain stable and geometrically accurate. EDITING: Use several connected street-level shots with natural archival-video pacing. Most shots should be crowded sidewalks, intersections, shopping streets, and busy avenues. Keep skyline and architectural shots to a minimum. Buildings should mainly appear as background elements behind people and traffic. Use simple cuts between shots, like genuine archival footage from one recording session. No flashy editing, no music-video style, no artificial cinematic transitions, and no text or subtitles. FINAL RESULT: The viewer should genuinely feel that they are watching real Tokyo footage filmed in 1989 with an unusually good professional video camera. It should feel like an ordinary day in the city, full of people, cars, buses, bicycles, storefronts, Japanese signs, and natural street activity. The realism of the pedestrians, vehicles, lighting, signage, and camera behavior is more important than cinematic beauty. NEGATIVE PROMPT: AI-generated appearance, CGI, modern Tokyo, post-1989 Tokyo, modern cars, modern taxis, smartphones, LED screens, contemporary clothing, contemporary Japanese signage, modern advertisements, fake vintage filter, excessive film grain, VHS scanlines, heavy VHS distortion, oversaturated colors, teal-orange grading, cinematic movie look, drone footage, gimbal smoothness, impossible camera movement, empty streets, deserted sidewalks, excessive building shots, architectural showcase, futuristic Tokyo, anime aesthetic, manga aesthetic, cyberpunk, exaggerated neon, warped buildings, duplicated pedestrians, distorted faces, distorted cars, flickering architecture, incorrect Japanese text, garbled signage, text, subtitles, logos, watermarks.

K

16,264 次观看 • 24 天前

ChillaiKalan__'s profile picture

Made with Seedance 2.5 on Rezona Prompt: 30 seconds | 16:9 | Ultra-photorealistic live-action Create a natural Korean morning-routine day-in-the-life video featuring one young Korean woman waking up and easing into her quiet morning at home. Use the reference image as the EXACT starting frame — she is lying in bed, just waking up. Use the reference image for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her appearance consistent throughout the entire video. The video begins from this reference pose and moves forward naturally. OUTFIT: Soft cream/white cotton loungewear or a light pajama set to start; she stays in comfortable loungewear throughout (no wardrobe change). Minimal or no jewelry. Hair natural and slightly tousled from sleep at the start, settling as the morning goes on. TIME & LIGHTING: Soft early-morning summer sunlight, gradually warming as the morning progresses. Gentle, consistent natural light, shadows, color temperature, and time of day across every scene. 00–05s — Waking up (starts from reference image) The video opens on the exact reference pose — she is lying in bed, eyes just opening, waking up slowly. Soft morning light filters through sheer curtains onto the bed. She stirs gently, blinks, and slowly sits up, stretching her arms with a soft, sleepy motion. Her hair is naturally tousled. She rubs her eyes, looks softly toward the window, and quietly says: "Morning already…" 05–11s — Out of bed She swings her legs off the bed and stands, stretching gently. She pads across the room and opens the curtains — bright morning light floods in. She looks out the window for a moment at the quiet neighborhood outside (rooftops, trees, soft sky). Natural, unhurried movement. 11–17s — Washing up She walks to the bathroom sink. She turns on the faucet and splashes cool water on her face, then pats it dry with a soft towel. Water droplets fall naturally. She looks at herself briefly in the mirror, tucks her hair behind her ear, and takes a slow breath. Fresh and calm. 17–23s — Making breakfast / morning drink She moves to the kitchen. She fills a kettle and sets it to boil, then takes a mug and a tea bag (or pour-over coffee) from the counter. Steam rises as she pours the hot water — the liquid swirls naturally in the mug. She sets a simple breakfast on a small plate (toast, fruit, or a pastry). Gentle, homey morning movements. 23–30s — Quiet morning moment She sits by the window with her warm mug and breakfast, both hands wrapped around the cup. She takes a slow first sip, pauses, and smiles softly. She looks out at the morning light and quietly says: "Perfect start." The camera slowly drifts backward, capturing the cozy bedroom/kitchen, the open window, gentle curtain movement, soft morning light, and the calm start-of-day atmosphere. Cut naturally at the end. CAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, occasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens behavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics. AUDIO: Real environmental audio only — soft morning ambience, birdsong outside, sheets rustling, a gentle yawn, curtains sliding open, water running, towel patting, kettle boiling, water pouring into a mug, a spoon clinking, breathing, and natural sipping sounds. No background music. PHYSICAL REALISM: The bedsheets shift and drape naturally as she wakes and rises. Her stretching, standing, and walking feel spontaneous and physically accurate. Water flows and droplets fall naturally. The kettle steams and the liquid pours with realistic fluid dynamics. Hands maintain believable grip and pressure. All body movements — waking, stretching, walking, washing, pouring, sitting, sipping — should feel natural and unforced.

K

18,378 次观看 • 29 天前

ChillaiKalan__'s profile picture

Gpt image 2 + Seedance 2.5 on Higgsfield Prompt: 30-SECOND CINEMATIC SHORT Create a 30-second cinematic sequence with the visual discipline of a major feature film. The world is entirely made from paper, cardboard, ink, and delicate handcrafted materials. 00:00–00:05 — THE FIRST FOLD Begin with an extreme macro shot of a blank sheet of textured paper. A single fold slowly forms across its surface. Lens: 100mm macro Camera: Completely static Soft daylight moves across the paper as the fold continues. Cut precisely as the paper reaches its final shape. 00:05–00:11 — THE CITY EMERGES Transition into a 50mm shot. The folded paper begins forming miniature streets and architectural structures. Buildings rise naturally from the surface through carefully constructed paper folds. The camera slowly tracks sideways. Tiny windows catch the light. Nothing feels computer-generated; every surface should have believable paper fibers, folds, shadows, and imperfections. 00:11–00:17 — THE REVEAL Move into a 35mm shot. The camera pulls backward. The small arrangement is revealed as an enormous handcrafted paper city stretching across a large table. Roads connect different districts. Bridges cross miniature rivers. Paper trees move gently from an unseen breeze. 00:17–00:23 — MORNING Transition into a slow overhead crane shot. Warm sunlight gradually spreads across the paper city. Shadows from the buildings become longer and more defined. Tiny paper windows begin reflecting the sunlight. The camera continues rising, revealing the geometric relationship between the streets and buildings. 00:23–00:27 — THE DETAIL Cut to an 85mm close-up. Focus on a tiny paper clock mounted on one building. The clock moves forward by one minute. Rack focus from the clock to the miniature skyline behind it. 00:27–00:30 — FINAL IMAGE Return to an extreme wide shot. The entire paper city sits beneath a large studio window. The morning light completely fills the miniature world. Camera slowly pulls backward until the city becomes a small object within the larger room. Fade to black. CINEMATOGRAPHY Large-format feature-film aesthetic. 100mm macro for texture. 85mm for detail. 50mm for natural perspective. 35mm for environmental shots. Controlled dolly and crane movements. Realistic depth of field. Natural focus transitions. Soft motion blur. Subtle lens imperfections. No artificial camera shake. MATERIAL DIRECTION Every surface must visibly behave like physical paper. Visible paper fibers. Natural folds. Tiny imperfections. Soft cardboard edges. Realistic contact shadows. Believable paper thickness. Natural material deformation. LIGHTING Soft morning daylight. Large window as the primary source. Natural bounce light. Gentle shadows. Subtle warm highlights. No artificial neon effects. No excessive visual effects. CONTINUITY The same paper city throughout the entire sequence. Buildings maintain identical shapes and positions. Roads remain connected. Paper materials remain consistent. No random transformations. No flickering. No duplicated structures. No sudden environmental changes. DIRECTOR’S NOTE Treat this as a miniature feature film, not a visual-effects demonstration. The camera should discover the world gradually. Start intimate. Reveal scale. Return to detail. Finish wide. The audience should feel that they are watching a real handcrafted world photographed with a cinema camera. Photorealistic 4K • tactile materials • feature-film cinematography • sophisticated lighting • realistic miniature photography • cinematic depth • precise camera movement • seamless visual continuity.

K

22,472 次观看 • 1 个月前

ChillaiKalan__'s profile picture

Gpt image 2 + Seedance 2.5

K

19,654 次观看 • 1 个月前

ChillaiKalan__'s profile picture

A cinematic steampunk adventure where the crown is only the beginning. Made with SuperCool. Supercool.com Prompt: SUBJECT ANCHOR 1: >> — Ash Knight SUBJECT ANCHOR 2: >> — Obsidian Rival PROP ANCHOR: >> — Magma Greatsword DURATION: 30 seconds ASPECT RATIO: 16:9 STYLE: High-budget steampunk fantasy adventure film CAMERA: Large-format cinema, anamorphic lenses, stabilized tracking, aerial photography FRAME RATE: 24fps with selective 60fps slow motion STORY A colossal airship is crossing a futuristic Victorian city at night. Inside its armored cargo chamber is a priceless ancient crown. Ash Knight has secretly boarded the ship. The Obsidian Rival is already waiting for him. But neither realizes the airship is about to enter a massive electrical storm. Their rivalry turns into an unexpected race to escape. --- 00:00–00:05 — THE CITY Open on an enormous aerial view of a sprawling steampunk metropolis at night. Thousands of warm windows illuminate Victorian towers. Steam rises from elevated railways. Airships move between skyscrapers. The camera flies smoothly between the buildings and approaches one enormous black airship. Rain begins hitting the camera lens. 24mm anamorphic wide shot. --- 00:05–00:09 — THE CARGO HOLD Cut inside. A massive metallic cargo chamber. Wooden crates. Brass mechanisms. Hanging chains. A single glass container sits at the center. Inside is an ancient crown. Ash Knight steps into frame. The Magma Greatsword remains secured across his back. He approaches the container. --- 00:09–00:13 — THE RIVAL A shadow moves behind him. The camera slowly rotates. Obsidian Rival is standing at the opposite end of the cargo hold. His orange visor reflects the crown. Neither moves. The camera holds a wide composition with both warriors visible. Suddenly— LIGHTNING FLASHES OUTSIDE. The entire airship shakes. --- 00:13–00:17 — THE STORM Cut to exterior. The airship enters a gigantic electrical storm above the city. Lightning illuminates the clouds. Rain hits the hull. The airship tilts sharply. Cut back inside. Crates slide across the floor. The crown's glass container remains locked in place. Both warriors grab nearby structures to maintain balance. --- 00:17–00:21 — THE BREAK The airship suddenly loses power. All lights go dark. Emergency orange lighting activates. The cargo doors begin opening. Wind pulls objects toward the opening. Ash Knight reaches for the crown. Obsidian Rival reaches for it at exactly the same moment. Their hands stop. They look at each other. --- 00:21–00:25 — THE ESCAPE The airship breaks through the storm cloud. The city appears thousands of feet below. The cargo door is now completely open. Both warriors grab the crown container. The camera pulls outside with them as they move toward the edge. Use 60fps slow motion as lightning flashes behind them. --- 00:25–00:28 — THE TWIST The crown suddenly activates. A holographic map projects into the storm clouds. It reveals the location of an enormous hidden city floating above the clouds. Both warriors stop. The crown was never the treasure. It was a map. --- 00:28–00:30 — FINAL IMAGE The camera rapidly rises above the storm. The enormous hidden city appears between the clouds, illuminated by thousands of lights. Far below, the damaged airship continues through the storm. Ash Knight and Obsidian Rival stand at the open cargo doorway, staring toward the impossible city. The camera pulls farther away. CUT TO BLACK. No text. No logo. No title. CONTINUITY Preserve the exact appearance of both reference characters in every shot. Ash Knight: - Exact armor - Exact magma runes - Exact cape - Exact proportions - Exact silhouette - Exact character identity Obsidian Rival: - Exact obsidian armor - Exact horned helmet - Exact orange visor - Exact proportions - Exact silhouette - Exact character identity Magma Greatsword: - Exact geometry - Exact jagged edges - Exact handle - Exact dark forged texture - Exact red lava veins The airship must remain the same design throughout. The crown and glass container must remain identical. No character redesign, identity drift, weapon transformation, armor changes, duplication, morphing, flickering, or object inconsistency. CINEMATOGRAPHY 24mm — aerial city and airship. 35mm — cargo-hold movement. 50mm — character compositions. 85mm — crown details. Smooth aerial camera. Controlled Steadicam. Lateral tracking. Slow push-ins. Selective 60fps during the storm and reveal. Natural motion blur. Realistic rain interaction. Realistic reflections. Anamorphic highlights. Feature-film depth of field. VISUAL DESIGN Steampunk metropolis. Victorian architecture. Brass machinery. Dark iron airship. Warm city lights. Cold blue storm clouds. Orange emergency lighting. Wet reflective surfaces. Dense atmospheric depth. Lightning illuminating clouds naturally. The color palette should evolve from warm city tones → cold storm blues → dramatic orange emergency light → bright celestial reveal. NEGATIVE PROMPT text, subtitles, watermark, logo, modern cars, modern buildings, cartoon, anime, low-poly, plastic armor, character redesign, identity drift, face morphing, weapon redesign, duplicate characters, extra limbs, malformed hands, inconsistent proportions, flickering, random camera movement, environment changes, lighting resets, excessive explosions, graphic gore, blood, dismemberment, blurry subjects, flat lighting. DIRECTOR'S NOTE: This should feel like a steampunk adventure film, not a fantasy battlefield. The first half is a heist, the middle becomes a survival sequence, and the final three seconds reveal that the crown was actually a map to an impossible city. The audience should finish the 30 seconds thinking: “Wait… where is that city?”

K

14,501 次观看 • 1 个月前

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