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Iris Quinn

@Iriss_Quinn • 40,069 subscribers

AI • Tech • Startups • Automation | Sharing useful tools, trends, and ideas worth your time. Open to Collabs

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OpenAI is set to unveil new Codex hardware on July 15..... The company teased a custom macro pad (in collaboration with mechanical keyboard maker Work Louder) designed as a physical control panel for its AI coding assistant. It features programmable buttons and shortcuts to streamline developer workflows with Codex.

OpenAI is set to unveil new Codex hardware on July 15..... The company teased a custom macro pad (in collaboration with mechanical keyboard maker Work Louder) designed as a physical control panel for its AI coding assistant. It features programmable buttons and shortcuts to streamline developer workflows with Codex.

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como pasan los años 🥹

Iris Quinn

4,243,591 views • 3 months ago

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If you want to know whether one of these models understands blocking, ask it for a scorsese hallway. It's not a flex shot, it's an introduction. by the time he's through the door you know his status, who he knows, and how comfortable he is in that world, and nobody's said a word. that only works if the people he nods at nod back, which is the bit i assumed would fail. It didn't fail. also the corridor actually has depth, there's stuff happening behind the main action. prompt: Cinematic, 1990s retro film look, 35mm grain, rich slightly warm colour. Steadicam following shot, smooth and unbroken, following a man in a black suit and soft felt hat in through the back door of a noisy nightclub. The camera stays tight on him as he walks confidently down a narrow, dim corridor with faded red velvet wallpaper. He nods to everyone in the hallway — a bartender counting cash, a woman fixing her makeup in a mirror, a bouncer leaning on the wall — and they all nod or smile back like they know him. As he moves the camera subtly orbits him, showing the depth of the corridor and more people and activity half-hidden in the dark. Muffled jazz and conversation from up ahead. Light comes mainly from a few vintage wall sconces — strong chiaroscuro, dramatic shadows. Finally he pushes through a heavy door into a bright, packed main ballroom and the frame blows out into noise and light. One take, no cuts at all, full of movement and energy. All of these came out of

Iris Quinn

19,565 views • 1 month ago

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