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Otsu Labs

@OtsuLabs • 4,658 subscribers

A creative studio. Art, Animation, IP Development • Ho Chi Minh City, Vietnam (HQ) | Seoul | Los Angeles | Hongkong

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From rough drawing to coloring. Here’s Neuro-sama 💜 before and after💜 Layout drawings are often raw and scratchy, but they help visualize the full movement and staging of the shot. As the cut moves through Genga (原画) and Douga (動画), the lines gradually get cleaned up and ready for coloring aka Shiage (仕上げ). Produced by Otsu Labs & Vedal

From rough drawing to coloring. Here’s Neuro-sama 💜 before and after💜 Layout drawings are often raw and scratchy, but they help visualize the full movement and staging of the shot. As the cut moves through Genga (原画) and Douga (動画), the lines gradually get cleaned up and ready for coloring aka Shiage (仕上げ). Produced by Otsu Labs & Vedal

26,163 görüntüleme

From land to sky, Neuro-sama 💜 moves freely in every direction. Her body rotates naturally in space, revealing multiple angles while staying smooth and weightless. The goal: make it feel like the camera is discovering her freedom in real time. Produced by Otsu Labs & Vedal

From land to sky, Neuro-sama 💜 moves freely in every direction. Her body rotates naturally in space, revealing multiple angles while staying smooth and weightless. The goal: make it feel like the camera is discovering her freedom in real time. Produced by Otsu Labs & Vedal

34,556 görüntüleme

Here’s the ending we made for Kamen America (仮面アメリカ) trailer. Ready to fight?⚡️ Animated portions by Otsu Labs for KAMEN AMERICA ALPHA: THE MANGA

Here’s the ending we made for Kamen America (仮面アメリカ) trailer. Ready to fight?⚡️ Animated portions by Otsu Labs for KAMEN AMERICA ALPHA: THE MANGA

12,070 görüntüleme

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Ever paused an anime fight scene and thought the character looked completely off? Before calling it a mistake, it helps to know how 2D animation actually works. #OtsuLabs

Ever paused an anime fight scene and thought the character looked completely off? Before calling it a mistake, it helps to know how 2D animation actually works. #OtsuLabs

73,279 görüntüleme • 3 ay önce

In some anime scenes, you will see characters partially hidden behind special objects. These are called “Books”. Unlike a normal background, Book is separated into its own layer. This allows it to move independently to create spatial depth. Let’s see how animators handle these unique background layers! #OtsuLabs

In some anime scenes, you will see characters partially hidden behind special objects. These are called “Books”. Unlike a normal background, Book is separated into its own layer. This allows it to move independently to create spatial depth. Let’s see how animators handle these unique background layers! #OtsuLabs

40,358 görüntüleme • 4 ay önce

In live-action, you move a camera. In animation, you “draw” the camera. So how do we execute cinematic movement in those drawings? Let’s see 👀🎥 #OtsuLabs #AnimationTechniques #CameraMovement

In live-action, you move a camera. In animation, you “draw” the camera. So how do we execute cinematic movement in those drawings? Let’s see 👀🎥 #OtsuLabs #AnimationTechniques #CameraMovement

47,072 görüntüleme • 6 ay önce

How do animators ensure that crucial details don’t “disappear” once the film is released? 🤔 The secret lies in three overlapping rectangles on a standard layout paper. Let’s have a closer look at this technical framing system to see how animators define the boundaries for every movement! #OtsuLabs

How do animators ensure that crucial details don’t “disappear” once the film is released? 🤔 The secret lies in three overlapping rectangles on a standard layout paper. Let’s have a closer look at this technical framing system to see how animators define the boundaries for every movement! #OtsuLabs

23,796 görüntüleme • 4 ay önce

More FPS doesn’t mean better animation. It’s about timing - “On Ones”, “On Twos”, and when fewer frames do more. Here’s a quick, clear breakdown explains why 24 FPS is almost the upper limit in animation and “enough” for the human eye. 👇

More FPS doesn’t mean better animation. It’s about timing - “On Ones”, “On Twos”, and when fewer frames do more. Here’s a quick, clear breakdown explains why 24 FPS is almost the upper limit in animation and “enough” for the human eye. 👇

27,262 görüntüleme • 7 ay önce

Neuro-sama is ready to hold your hand. We gave her a soft and painterly world, with just enough contrast to hint at a digital soul looking for connection. A surreal world that feels like a living painting. Produced by Otsu Labs & Vedal

Neuro-sama is ready to hold your hand. We gave her a soft and painterly world, with just enough contrast to hint at a digital soul looking for connection. A surreal world that feels like a living painting. Produced by Otsu Labs & Vedal

28,965 görüntüleme • 8 ay önce

When Neuro-sama 💜’s world closes in 🌙 The palette darkens, the space tightens. Soft watercolor layers slow the mood, letting her digital presence rest quietly in frame. Behind closed walls, a soul waits to be felt. Produced by Otsu Labs & Vedal

When Neuro-sama 💜’s world closes in 🌙 The palette darkens, the space tightens. Soft watercolor layers slow the mood, letting her digital presence rest quietly in frame. Behind closed walls, a soul waits to be felt. Produced by Otsu Labs & Vedal

24,923 görüntüleme • 8 ay önce

Did you know animation isn’t just about moving characters? Backgrounds are what sets the stage for the story. Today let’s see how a scene’s background is crafted! 🖌️

Did you know animation isn’t just about moving characters? Backgrounds are what sets the stage for the story. Today let’s see how a scene’s background is crafted! 🖌️

17,684 görüntüleme • 5 ay önce

Inside a single cut of Colorful Array. Flat landing. World spirals out of control. Tears fall upward. Chaos melts as Neuro accepts it. But everything changes in the next scene.

Inside a single cut of Colorful Array. Flat landing. World spirals out of control. Tears fall upward. Chaos melts as Neuro accepts it. But everything changes in the next scene.

13,883 görüntüleme • 9 ay önce

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