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Aharon Rabinowitz

@ABAOProductions • 21,899 subscribers

VFX'er, mographer, filmmaker, software'er. My tweets are my own. Unless they are re-tweets, in which case they are yours. I don’t respond to anonymous accounts.

Shorts

Kling 01 Edit is 🤯. Using Nanobanana, I made 13 different versions of the white untextured video's first frame, and then used Kling AI edit tools to essentially do a style transfer and... wow... it's just crazy.

Kling 01 Edit is 🤯. Using Nanobanana, I made 13 different versions of the white untextured video's first frame, and then used Kling AI edit tools to essentially do a style transfer and... wow... it's just crazy.

22,013 views

A year ago I had never touched Unreal Engine. Then I took School of Motion’s Unreal Engine for 3D Artists class with Winbush. That started my Unreal Engine learning journey. 365 days later I’m making stuff like this.

A year ago I had never touched Unreal Engine. Then I took School of Motion’s Unreal Engine for 3D Artists class with Winbush. That started my Unreal Engine learning journey. 365 days later I’m making stuff like this.

77,411 views

You guys - I figured out the Adobe After Effects 3D Camera to Unreal Engine (and back to AE) workflow! Footage and music from Artlist.io. Worth a Tutorial?

You guys - I figured out the Adobe After Effects 3D Camera to Unreal Engine (and back to AE) workflow! Footage and music from Artlist.io. Worth a Tutorial?

40,575 views

I am getting super excited to share my workflow for sending the After Effects 3D Motion Tracked Camera to Unreal Engine and then bringing the 3D renders back to AE for compositing. It will be a free tutorial NEXT WEEK from School of Motion.

I am getting super excited to share my workflow for sending the After Effects 3D Motion Tracked Camera to Unreal Engine and then bringing the 3D renders back to AE for compositing. It will be a free tutorial NEXT WEEK from School of Motion.

13,023 views

Videos

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Here's my attempt at using AI to create the opening for a fictional late 80's/early 90's weekday afternoon cartoon. Made with Higgsfield AI 🧩 Kling AI DomoAI official Suno and more.

Here's my attempt at using AI to create the opening for a fictional late 80's/early 90's weekday afternoon cartoon. Made with Higgsfield AI 🧩 Kling AI DomoAI official Suno and more.

Aharon Rabinowitz

127,909 views • 4 months ago

OH MY GOD!!!! Cristopher Walken is no dummy and is totally irreplaceable, but for the purposes of this test of @WonderDynamics Wonder Studio, I've replaced him with a dummy. This took ~90 minutes to process, including Mocap, actor removal, and rendering.

OH MY GOD!!!! Cristopher Walken is no dummy and is totally irreplaceable, but for the purposes of this test of @WonderDynamics Wonder Studio, I've replaced him with a dummy. This took ~90 minutes to process, including Mocap, actor removal, and rendering.

Aharon Rabinowitz

198,672 views • 3 years ago

I made a fake fully AI-generated TEDTalk about what's wrong with AI Art culture. It also illustrates the severe limitations of trying to create anything longer than a few seconds with AI. Bring on the hate. PS: getting 19 clips I could *sorta* use took HUNDREDS of generations.

I made a fake fully AI-generated TEDTalk about what's wrong with AI Art culture. It also illustrates the severe limitations of trying to create anything longer than a few seconds with AI. Bring on the hate. PS: getting 19 clips I could sorta use took HUNDREDS of generations.

Aharon Rabinowitz

33,608 views • 6 months ago

I made this with Seedance 2.0 in just a few minutes. Hollywood is cooked.

I made this with Seedance 2.0 in just a few minutes. Hollywood is cooked.

Aharon Rabinowitz

10,639 views • 3 months ago

Folks - I am so excited to share this with you... Introducing the world's first library of Unreal materials, designed for professional high-end motion graphics. This changes everything.

Folks - I am so excited to share this with you... Introducing the world's first library of Unreal materials, designed for professional high-end motion graphics. This changes everything.

Aharon Rabinowitz

40,124 views • 2 years ago

Testing Zibra AI ZibraVDB. Took a 200 frame VDB I made in JangaFX Software Embergen and brought it into Unreal. As a standard VDB the file is 3.7GB. Compressed through ZibraVDB it's 145MB. I think Zibra's shader ia better than normal VDBs, but you can switch it to standard shading too.

Testing Zibra AI ZibraVDB. Took a 200 frame VDB I made in JangaFX Software Embergen and brought it into Unreal. As a standard VDB the file is 3.7GB. Compressed through ZibraVDB it's 145MB. I think Zibra's shader ia better than normal VDBs, but you can switch it to standard shading too.

Aharon Rabinowitz

19,128 views • 1 year ago

To learn something new, I try to give myself a project. I wanted to learn how to use Mocap data in Unreal, and this is the end result of my first real try. Thanks to Marta Svetek from #FNAF for lending her voice! And to Winbush who got me started through School of Motion

To learn something new, I try to give myself a project. I wanted to learn how to use Mocap data in Unreal, and this is the end result of my first real try. Thanks to Marta Svetek from #FNAF for lending her voice! And to Winbush who got me started through School of Motion

Aharon Rabinowitz

13,864 views • 2 years ago

Just finished recording a big tutorial on Bringing Adobe After Effects's 3D Camera into Unreal Engine, and then sending the 3D renders back to AE for compositing. Coming soon to School of Motion!

Just finished recording a big tutorial on Bringing Adobe After Effects's 3D Camera into Unreal Engine, and then sending the 3D renders back to AE for compositing. Coming soon to School of Motion!

Aharon Rabinowitz

10,235 views • 1 year ago

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