⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)
@Alastaura • 1,257 subscribers
— good to be back on the air ᝰ.ᐟ | writing or analyzing endlessly | 27 | ▶︎•။ currently broadcasting: staticradio | ❤︎ ⊹ 𖦹 : my screensavior @voxmaxxingg
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Alastor before being told no is respectful, charming, almost celebratory - he’s strategically setting the stage for a favor he expects her to grant. After Rosie denies fixing his staff, though, his confidence in believing an interaction will go his way collapses. His body language shifts towards sulking, pouting, passive-aggression. Rosie isn’t playing along with the performance he’s set, and there’s nothing Alastor hates more than when he’s not in control of a room.
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)68,486 görüntüleme • 2 ay önce
Alastor is known as a “big, creepy mystery in Hell” — very few souls know anything beyond his persona as the Radio Demon, let alone his human life. Vox, though — knows intimate details (he’s from the ‘30s, his favorite drink, which originated in his birthplace of New Orleans, etc) — solidifying how close they actually used to be.
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)60,076 görüntüleme • 3 ay önce
Alastor’s skin tone is very important to his perspective as a character, let’s be SO real right now. He was someone discriminated against in life who had to work all the harder to succeed - while the entertainment industry catered exactly to the exact types of people America did: rich, white men. Alastor wasn’t afforded ANY of that privilege, ESPECIALLY in the South. He started life that many systemic steps behind, while others he often interacted with had a head start. He learned that brilliance and talent was not always protection, not when his legitimacy was withheld, how his voice could be celebrated while his body remained suspect, his presence tolerated only when disembodied and entertaining. So what did he do? He made sure that he wouldn’t start in the afterlife at the bottom. He conducted rituals, murders, research - all to reach the other side, and essentially plan his OWN head start. Even in his dialogue, the reference to “I know what awaits a man like me,” “exist in Hell a tortured soul,” “I want to secure myself amongst the highest demons” — all can be read as metaphors of counter-containment and oppression. Alastor is far aware of how he is received in spaces on Earth, and how he wants to secure himself much higher & outside of those preconceptions - his own special privilege. Let’s not forget this critical part to Alastor’s character - it gives further context to how we see him navigate his afterlife. He has already lived inside hierarchies that assign punishment in advance, and he refuses to let that happen again.
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)51,718 görüntüleme • 3 ay önce
Alastor’s season 1 recap song is the perfect in establishing him as an unreliable narrator. He recounts events (seemingly) objectively, but his perception and performance is intentionally warped towards his benefit, his control. “Before we go forward / Let’s rewind” “Now let’s skip a page or three or four to be more expeditious” He’s deliberate in his narration, lending events to segments in a broadcast for him to compress, manipulate, and skip entirely — any objective reality, even more emotional moments between Angel and Husk, are dismissed as boring filler because he doesn’t find emotional sincerity entertaining. Also, unsurprisingly, he exaggerates his own importance in Adam’s defeat and conveniently minimizes his near-death. As always, Alastor reshapes events in ways that preserve his own image, his self-preservation paramount to his need for control. Positioning himself near the center of the story, and even suggesting he took “pity” on Charlie as an act of benevolence even though viewers know his intentions are far murkier, becomes a form of ego maintenance, adjusting the framing of events through deliberate calculation and playful manipulation. After all — “that is where the story is if all is as it seemed”
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)46,736 görüntüleme • 3 ay önce
Alastor’s lack of explicit emotional expression and outright avoidance of vulnerability, especially interpersonally, is absolutely going to be acknowledged in season 3. His entire identity is built on control, performance, and distance - to state a feeling plainly would be to collapse the carefully constructed persona of the Radio Demon into something legible, understood, or controlled. With the hotel, we’re already seeing the fracture line - he frames his involvement as entertainment, as curiosity, as a “project,” but his behavior fully contradicts that framing - he still defends it, returns to it, destabilizes when he can’t control outcomes. The more the hotel becomes something he cannot reduce to a game, the more pressure builds against his emotional repression. In the next season, I think this will be a core conflict for his character. But instead of instead of a clean arc where he “learns to express his feelings,” what we’re more likely to see is deeper contradictions between what he says and what he does, moments where others begin to interpret (and call out) his care even if he never confirms it, and potentially (hopefully!), a breaking point where his performance fails entirely - not in a soft, confessional way, but in something abrupt, defensive, violent.
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)31,880 görüntüleme • 2 ay önce
Hey so those two mirrored characters with a complex history and obsessive duality cumulate their rivalry in an attempted mass murder-suicide after one of them realizes he’s lost the other yet again, throwing away EVERYTHING he’s worked for for nearly a century in response to the very thought of not having him in his reach, because the systems and success he built are suddenly meaningless, because it was always, at some level, constructed for them, together. Oh, that sounds like a really incredible fanfiction. Oh, it’s canon? OH.
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)29,100 görüntüleme • 2 ay önce
Even though his goals here are pragmatic in that he does not want to exist a tortured soul after death and desires power - the countless rituals, persecutory certainty of his fate, and his belief in demonic scrutiny and hierarchy certainly implies Alastor’s lines between physical, mortal reality and the cosmic need for ritualistic control on a metaphysical level are entirely blurred. Alastor’s arrival in Hell was designed, by him, almost prophetic in its inevitability.
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)25,975 görüntüleme • 2 ay önce
Alastor telling Vox he respected him and believed they were as close to equals as he could imagine in Hell is likely the most transparently intimate compliment Alastor can give. This moment (and Alastor’s insistence that Vox was the one to ruin things) reveals something he actively tries to conceal: that Vox had, at one point, escaped categorization. Alastor organizes his world into hierarchies he can control - prey, entertainment, threats, tools - but Vox existed outside of that system. It means Alastor couldn’t fully challenge, define, or dismiss him - and that was rare enough to register as valuable, something he didn’t want changed. Alastor insisting he respected Vox is doing multiple things at once: it’s a correction (“you’ve misunderstood what we were”), a lament (“we had something rare and you ruined it”), and a subtle cruelty (“we could have been enough without asking for more”).
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)21,763 görüntüleme • 2 ay önce
There are so many subtle, but deliberate, animation choices with Alastor’s expressions during this scene that shift it from just a brutal, cruel rejection into something more complex. On the surface, the rejection is theatrical, performative. It’s too over-the-top with its mockery, so much so that Vox is taken aback by Alastor’s reaction, even tries to laugh along with him at first because it’s so seemingly misplaced. His body language is a contradiction: he hides his face initially, hiding that initial reaction from Vox and the viewer — almost as if he’s recalibrating, trying to reposition the hurt of thinking Vox was also just attempting to use him for his power. It’s a quick withdrawal from a character usually so present and visible. When he turns back to Vox, his eyes read wounded and confused at the suggestion. Canonically, Alastor is fixated on autonomy and control, both in life and in Hell. The partnership Vox poses, to Alastor, is interpreted as a transaction, one where he is reduced to a tool, an asset, a resource. His laugher is more defensive than genuine here — it’s the sound of Alastor refusing the premise before Vox can further define the relationship for him. He grabs at his hair, something we’ve only seen when he’s stressed and seemingly losing that control. It’s one of those rare moments where Alastor’s invulnerability shatters, where something has truly gotten under his skin, and where he’s felt it all. Alastor’s perpetual smile means that every small, physical shift is amplified as a more emotional tell. Especially here.
⊹ ࣪ ˖ ၊၊||၊ ⋆˙alastor fm 𐂂 (🎙)22,555 görüntüleme • 2 ay önce
Daha fazla içerik yok.