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Cabana Boy 🌴

@Alkibiades_ • 29,363 subscribers

6'6 A20 | Bachelorette S17

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Is this the longhouse?

Is this the longhouse?

45,702,065 просмотров

She's a 10 but...she's constantly gooning to smut and romantasy...and she's constantly comparing you to her alpha werewolf male character lead.

She's a 10 but...she's constantly gooning to smut and romantasy...and she's constantly comparing you to her alpha werewolf male character lead.

20,857 просмотров

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Fellas? The beacons of Japan have been lit, they call for aid. Will you meet their call?

Fellas? The beacons of Japan have been lit, they call for aid. Will you meet their call?

Cabana Boy 🌴

862,042 просмотров • 2 лет назад

Big fan of this type of content — pretty White girls talking about Germanic paganism. Unlike Christianity, in Germanic paganism exterminating your enemies violently is cool and actually morally good! Might be useful.

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Big fan of this type of content — pretty White girls talking about Germanic paganism. Unlike Christianity, in Germanic paganism exterminating your enemies violently is cool and actually morally good! Might be useful.

Cabana Boy 🌴

106,104 просмотров • 10 месяцев назад

Someone should do a PhD thesis on how K-Pop is weaponized misandry. Angry and confrontational facial expressions and choreography (stomping, sneering, etc.), lyrical themes of domination, dismissal of men, and emotional detachment. Stylized aggression of the 'girlboss' aesthetic. K-Pop at its root is theatricalized hostility, often aimed at a symbolic male other—ex-boyfriends, patriarchs, which in repetition, begins to resemble ritualized misandry for catharsis or commercial consumption. Furthermore, it's a market-friendly inversion of male gaze tropes, where now men are the disposable object. Insanely controlling female "fandoms" hyper-control their male idols' sexuality, infantilize them, or feminize them. I believe K-Pop is becoming a ritualized combat display: like war dances in tribal societies (e.g., haka). These performances are directed not toward a literal enemy, but symbolically toward men, patriarchal control, romantic betrayal, or social subjugation.

Someone should do a PhD thesis on how K-Pop is weaponized misandry. Angry and confrontational facial expressions and choreography (stomping, sneering, etc.), lyrical themes of domination, dismissal of men, and emotional detachment. Stylized aggression of the 'girlboss' aesthetic. K-Pop at its root is theatricalized hostility, often aimed at a symbolic male other—ex-boyfriends, patriarchs, which in repetition, begins to resemble ritualized misandry for catharsis or commercial consumption. Furthermore, it's a market-friendly inversion of male gaze tropes, where now men are the disposable object. Insanely controlling female "fandoms" hyper-control their male idols' sexuality, infantilize them, or feminize them. I believe K-Pop is becoming a ritualized combat display: like war dances in tribal societies (e.g., haka). These performances are directed not toward a literal enemy, but symbolically toward men, patriarchal control, romantic betrayal, or social subjugation.

Cabana Boy 🌴

87,069 просмотров • 1 год назад

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