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History is an unending dialogue between present and the past, that's why few pages of history give more insight than all the metaphysical volumes. (9)

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A 1st Century AD, Roman fresco from the vestibule of the House of the Vettii in Pompeii depicts the rustic fertility god Priapus weighing his oversized phallus against a bag of coins on a pair of scales... In Greek mythology, Priapus was a minor rustic fertility god, protector of livestock, fruit plants, gardens and male genitalia. Priapos was depicted as a dwarfish man with a huge member, symbolising garden fertility, a peaked Phrygian cap, indicating his origin as a Mysian god, and a basket weighed down with fruit. Priapus was the god of vegetable gardens, and also a protector of beehives, flocks and vineyards. He was best noted for his huge, permanently erect penis, which gave rise to medical term 'Priapism'. Priapus was described in varying sources as son of Aphrodite by Dionysus; as son of Dionysus and Chione; as perhaps father or son of Hermes; or as son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for hero Paris having temerity to judge Aphrodite more beautiful than Hera. Other gods refused to allow him to live on Mount Olympus and threw him down to Earth, leaving him on a hillside. He was eventually found by shepherds and was brought up by them. Priapus joined Pan and satyrs as a spirit of fertility and growth, though he was perennially frustrated by his impotence. In a ribald anecdote told by Ovid, he attempted to rape goddess Hestia but was thwarted by an ass, whose braying caused him to lose his erection at critical moment and woke Hestia. The episode gave him a lasting hatred of asses and a willingness to see them killed in his honour. Emblem of his lustful nature was his permanent erection and his large penis. Another myth states that he pursued nymph Lotis until gods took pity on her and turned her into a lotus plant. According to some scholars, Priapus, was unknown to the most ancient poets, or not mentioned by them, was declared at god only in later (Roman) times. He was particularly honoured in the city of Priapus in the Troad, and it is said that his worship was probably transferred there from Orneae, a city west of Mycenae. Other phallic deities such as Attic Orthanes, Conisalus, and Tychon, resemble Priapus. His cult was introduced to Greece from Lampsakos (Lampsacus) in Asia Minor and his mythology subsequently reinterpreted. Primitive statues of the god were set-up in vegetable gardens to promote fertility. These also doubled as scarecrows, keeping the birds away. Some researchers believe that size of male sexual organ has little or no relevance, but this lustful god has been assumed to think that greatest advantage with his enormous penis is that no female can be too roomy for him. When a certain ass once had a contest with Priapus on the matter of the size of their sexual organs, beast was defeated by god and killed by him. Others say that ass was killed for a different reason; they tell that after a party in countryside, Priapus tried to ravish nymph Lotis and that when everybody was asleep after feasting and drinking, Priapus approached her silently. But when he was close to fulfil his wish, saddle-ass of Silenus gave out an ill-timed roar, which made nymph to start up. Lotis pushed off Priapus and fled, but only way to escape him was to turn into flower called lotus. For having caused him to lose this girl, Priapus killed Silenus' ass, and that is why in Lampsacus, a city on Hellespont in northwestern Asia Minor where he was more revered than any other god, they used to sacrifice this animal to god. National Archaeological Museum, Naples 🎥© davide.ferro.official #archaeohistories

A 1st Century AD, Roman fresco from the vestibule of the House of the Vettii in Pompeii depicts the rustic fertility god Priapus weighing his oversized phallus against a bag of coins on a pair of scales... In Greek mythology, Priapus was a minor rustic fertility god, protector of livestock, fruit plants, gardens and male genitalia. Priapos was depicted as a dwarfish man with a huge member, symbolising garden fertility, a peaked Phrygian cap, indicating his origin as a Mysian god, and a basket weighed down with fruit. Priapus was the god of vegetable gardens, and also a protector of beehives, flocks and vineyards. He was best noted for his huge, permanently erect penis, which gave rise to medical term 'Priapism'. Priapus was described in varying sources as son of Aphrodite by Dionysus; as son of Dionysus and Chione; as perhaps father or son of Hermes; or as son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for hero Paris having temerity to judge Aphrodite more beautiful than Hera. Other gods refused to allow him to live on Mount Olympus and threw him down to Earth, leaving him on a hillside. He was eventually found by shepherds and was brought up by them. Priapus joined Pan and satyrs as a spirit of fertility and growth, though he was perennially frustrated by his impotence. In a ribald anecdote told by Ovid, he attempted to rape goddess Hestia but was thwarted by an ass, whose braying caused him to lose his erection at critical moment and woke Hestia. The episode gave him a lasting hatred of asses and a willingness to see them killed in his honour. Emblem of his lustful nature was his permanent erection and his large penis. Another myth states that he pursued nymph Lotis until gods took pity on her and turned her into a lotus plant. According to some scholars, Priapus, was unknown to the most ancient poets, or not mentioned by them, was declared at god only in later (Roman) times. He was particularly honoured in the city of Priapus in the Troad, and it is said that his worship was probably transferred there from Orneae, a city west of Mycenae. Other phallic deities such as Attic Orthanes, Conisalus, and Tychon, resemble Priapus. His cult was introduced to Greece from Lampsakos (Lampsacus) in Asia Minor and his mythology subsequently reinterpreted. Primitive statues of the god were set-up in vegetable gardens to promote fertility. These also doubled as scarecrows, keeping the birds away. Some researchers believe that size of male sexual organ has little or no relevance, but this lustful god has been assumed to think that greatest advantage with his enormous penis is that no female can be too roomy for him. When a certain ass once had a contest with Priapus on the matter of the size of their sexual organs, beast was defeated by god and killed by him. Others say that ass was killed for a different reason; they tell that after a party in countryside, Priapus tried to ravish nymph Lotis and that when everybody was asleep after feasting and drinking, Priapus approached her silently. But when he was close to fulfil his wish, saddle-ass of Silenus gave out an ill-timed roar, which made nymph to start up. Lotis pushed off Priapus and fled, but only way to escape him was to turn into flower called lotus. For having caused him to lose this girl, Priapus killed Silenus' ass, and that is why in Lampsacus, a city on Hellespont in northwestern Asia Minor where he was more revered than any other god, they used to sacrifice this animal to god. National Archaeological Museum, Naples 🎥© davide.ferro.official #archaeohistories

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On the banks of the Danube River in Budapest 🇭🇺, not far from the Hungarian Parliament building, sit sixty pairs of old-fashioned shoes, the type people wore in the 1940s. There are women's shoes, there are men's shoes and there are children's shoes. They sit at the edge of the water, scattered and abandoned, as though their owners had just stepped out of them and left them there. If you look more closely, you see that the shoes are rusted, made of iron and set into the concrete of the embankment. They are a memorial and a monument to the Hungarian Jews who, in the winter of 1944-1945, were shot on the banks of the Danube River by the members of the Arrow Cross Party. Known as "The Shoes on the Danube Promenade", the memorial was conceptualized by film director Can Togay, and was created by Togay together with the sculptor Gyula Pauer. It was installed on the Pest bank of the Danube River in Budapest in 2005. At three separate places on the memorial, cast iron signs read in Hungarian, English and Hebrew: "To the memory of victims shot into the Danube by Arrow Cross militiamen in 1944-45." During that autumn and winter, after the Germans had toppled the government of Miklos Horthy bringing Ferenc Szálasi and his fascist, violently antisemitic Arrow Cross Party to power, the Arrow Cross introduced a reign of terror in Budapest. The Arrow Cross militiamen ran amok in the streets of Budapest, beating, plundering, and killing Jews publicly. Thousands of Jews were murdered all over the city. Shooting the Jews into the Danube was convenient because the river carried the bodies away. Often, the Arrow Cross murderers would force their terrified Jewish victims to remove their shoes before shooting them into the Danube. Shoes, after all, were a valuable commodity during World War II. The killers could use them, or trade them on the black market. This, then, is the historical reality behind the monument. Sometimes, though, the victims' shoes were so worn-out and useless, that the militiamen killed the Jews with their shoes still on. And sometimes, the Arrow Cross pulled the shoestrings out of children's shoes, and used them to tie the helpless Jewish victims' hands together before they were shot. Sometimes they used rope instead. The killers faced their victims without mercy; the victims faced the killers without blindfolds. In some cases the Arrow Cross men tied together the hands of two or three Jews – adults or children. Then they would shoot only one of the people who were tied together. When they did their work properly and positioned their victims at the edge of the water, all three would fall into the Danube, the dead body pulling the still-living victims with it. All the bodies, tied together by shoelaces or rope or fate, would either sink or float away down the river. If the militiamen noticed that Jews were still alive, they used them for target practice. However, most of the Jews – especially the children – died immediately because the water was freezing cold. During the days of horror in the winter of 1944-1945, the Danube was known as "the Jewish Cemetery." A firsthand account of the horrific scenes along the Danube was presented by Zsuzsanna Ozsváth, a Hungarian survivor who was saved by her nursemaid, Erzsi Fajo. “…I heard a series of popping sounds. Thinking the Russians had arrived, I slunk to the window. But what I saw was worse than anything I had ever seen before, worse than the most frightening accounts I had ever witnessed. Two Arrow Cross men were standing on the embankment of the river, aiming at and shooting a group of men, women and children into the Danube – one after the other, on their coats the Yellow Star. I looked at the Danube. It was neither blue nor gray but red. With a throbbing heart, I ran back to the room in the middle of the apartment and sat on the floor, gasping for air." #archaeohistories

On the banks of the Danube River in Budapest 🇭🇺, not far from the Hungarian Parliament building, sit sixty pairs of old-fashioned shoes, the type people wore in the 1940s. There are women's shoes, there are men's shoes and there are children's shoes. They sit at the edge of the water, scattered and abandoned, as though their owners had just stepped out of them and left them there. If you look more closely, you see that the shoes are rusted, made of iron and set into the concrete of the embankment. They are a memorial and a monument to the Hungarian Jews who, in the winter of 1944-1945, were shot on the banks of the Danube River by the members of the Arrow Cross Party. Known as "The Shoes on the Danube Promenade", the memorial was conceptualized by film director Can Togay, and was created by Togay together with the sculptor Gyula Pauer. It was installed on the Pest bank of the Danube River in Budapest in 2005. At three separate places on the memorial, cast iron signs read in Hungarian, English and Hebrew: "To the memory of victims shot into the Danube by Arrow Cross militiamen in 1944-45." During that autumn and winter, after the Germans had toppled the government of Miklos Horthy bringing Ferenc Szálasi and his fascist, violently antisemitic Arrow Cross Party to power, the Arrow Cross introduced a reign of terror in Budapest. The Arrow Cross militiamen ran amok in the streets of Budapest, beating, plundering, and killing Jews publicly. Thousands of Jews were murdered all over the city. Shooting the Jews into the Danube was convenient because the river carried the bodies away. Often, the Arrow Cross murderers would force their terrified Jewish victims to remove their shoes before shooting them into the Danube. Shoes, after all, were a valuable commodity during World War II. The killers could use them, or trade them on the black market. This, then, is the historical reality behind the monument. Sometimes, though, the victims' shoes were so worn-out and useless, that the militiamen killed the Jews with their shoes still on. And sometimes, the Arrow Cross pulled the shoestrings out of children's shoes, and used them to tie the helpless Jewish victims' hands together before they were shot. Sometimes they used rope instead. The killers faced their victims without mercy; the victims faced the killers without blindfolds. In some cases the Arrow Cross men tied together the hands of two or three Jews – adults or children. Then they would shoot only one of the people who were tied together. When they did their work properly and positioned their victims at the edge of the water, all three would fall into the Danube, the dead body pulling the still-living victims with it. All the bodies, tied together by shoelaces or rope or fate, would either sink or float away down the river. If the militiamen noticed that Jews were still alive, they used them for target practice. However, most of the Jews – especially the children – died immediately because the water was freezing cold. During the days of horror in the winter of 1944-1945, the Danube was known as "the Jewish Cemetery." A firsthand account of the horrific scenes along the Danube was presented by Zsuzsanna Ozsváth, a Hungarian survivor who was saved by her nursemaid, Erzsi Fajo. “…I heard a series of popping sounds. Thinking the Russians had arrived, I slunk to the window. But what I saw was worse than anything I had ever seen before, worse than the most frightening accounts I had ever witnessed. Two Arrow Cross men were standing on the embankment of the river, aiming at and shooting a group of men, women and children into the Danube – one after the other, on their coats the Yellow Star. I looked at the Danube. It was neither blue nor gray but red. With a throbbing heart, I ran back to the room in the middle of the apartment and sat on the floor, gasping for air." #archaeohistories

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Climate activists targeted the Mona Lisa at the Louvre Museum on Sunday (02 - June, 2024), throwing soup at Leonardo da Vinci's masterpiece. Protesters belonged to the environmental group 'Riposte Alimentaire' (Food Response). The orange concoction splattered across the bulletproof glass protecting the famous painting but fortunately caused no damage to it... There is no one who does not know that Mona Lisa has a legendary reputation. This legendary painting is valued at nearly a billion dollars. We can find thousands of pages of articles written by art experts on reason for this extraordinary success. Mona Lisa was created by versatile genius of Renaissance period, Leonardo da Vinci. Da Vinci. Term Renaissance Man, which is still used for versatile artists, was used for him for first time. It is believed that da Vinci began painting Mona Lisa in Florence in 1503 or 1504. Although it is a very small painting, it took four years to complete the portrait. Leonardo da Vinci used unique and brand new techniques while making Mona Lisa. This painting has led to redefinition of contemporary art rules and has become an integral part of curriculum of today's art schools. Technique that Eliminates Lines and Borders. While Leonardo da Vinci was making Mona Lisa, he developed sfumato technique, which can translate into our language as "air perspective". This technique means painting objects without borders and lines. Until then, artists were sketching before painting. Whereas, da Vinci used different tones of paint to create the illusion of light and shadow rather than outline. Starting with a dark undertone, she used translucent thin layers and layers to create illusion of three dimensions. He used dark tones to emphasize features and boundaries of object. This technique was seen as a groundbreaking innovation in art world in Paris. One of many unique features of Mona Lisa has been view of landscape (river and mountain) behind it. At that time, background of portraits was usually a uniform image, such as sky, room, or floor. Placing a large image such as a mountain in background of a portrait was unlikely. However, explanations made so far can explain why an artist is interested in Mona Lisa. However, use of unique techniques cannot fascinate those who do not have close relationship with art. However, it is obvious that Mona Lisa has succeeded in influencing not only people who have received art education, but also people who are not very involved with art. Louvre Museum 🎥© rexachjose (IG) #archaeohistories

Climate activists targeted the Mona Lisa at the Louvre Museum on Sunday (02 - June, 2024), throwing soup at Leonardo da Vinci's masterpiece. Protesters belonged to the environmental group 'Riposte Alimentaire' (Food Response). The orange concoction splattered across the bulletproof glass protecting the famous painting but fortunately caused no damage to it... There is no one who does not know that Mona Lisa has a legendary reputation. This legendary painting is valued at nearly a billion dollars. We can find thousands of pages of articles written by art experts on reason for this extraordinary success. Mona Lisa was created by versatile genius of Renaissance period, Leonardo da Vinci. Da Vinci. Term Renaissance Man, which is still used for versatile artists, was used for him for first time. It is believed that da Vinci began painting Mona Lisa in Florence in 1503 or 1504. Although it is a very small painting, it took four years to complete the portrait. Leonardo da Vinci used unique and brand new techniques while making Mona Lisa. This painting has led to redefinition of contemporary art rules and has become an integral part of curriculum of today's art schools. Technique that Eliminates Lines and Borders. While Leonardo da Vinci was making Mona Lisa, he developed sfumato technique, which can translate into our language as "air perspective". This technique means painting objects without borders and lines. Until then, artists were sketching before painting. Whereas, da Vinci used different tones of paint to create the illusion of light and shadow rather than outline. Starting with a dark undertone, she used translucent thin layers and layers to create illusion of three dimensions. He used dark tones to emphasize features and boundaries of object. This technique was seen as a groundbreaking innovation in art world in Paris. One of many unique features of Mona Lisa has been view of landscape (river and mountain) behind it. At that time, background of portraits was usually a uniform image, such as sky, room, or floor. Placing a large image such as a mountain in background of a portrait was unlikely. However, explanations made so far can explain why an artist is interested in Mona Lisa. However, use of unique techniques cannot fascinate those who do not have close relationship with art. However, it is obvious that Mona Lisa has succeeded in influencing not only people who have received art education, but also people who are not very involved with art. Louvre Museum 🎥© rexachjose (IG) #archaeohistories

1,062,400 просмотров

Sakya Monastery Library; one of most incredible ancient libraries one can encounter is located inside Sakaya Monastery in Shigatse, Tibet. Built in 1073 CE, Sakaya library is home to 84,000 scrolls that have remained untouched for hundreds of years. Over 40,000 volumes of scriptures and books, handwritten in Tibetan, Sanskrit, Chinese and Mongolian, tell story of Tibet through prism of philosophy, opera, poetry, medicine and geology, among other disciples. Being examined by Tibetan Academy of Social Sciences, it is now known these ancient scrolls contain valuable knowledge on various subjects. © Inside History @visuals_china #archaeohistories

Sakya Monastery Library; one of most incredible ancient libraries one can encounter is located inside Sakaya Monastery in Shigatse, Tibet. Built in 1073 CE, Sakaya library is home to 84,000 scrolls that have remained untouched for hundreds of years. Over 40,000 volumes of scriptures and books, handwritten in Tibetan, Sanskrit, Chinese and Mongolian, tell story of Tibet through prism of philosophy, opera, poetry, medicine and geology, among other disciples. Being examined by Tibetan Academy of Social Sciences, it is now known these ancient scrolls contain valuable knowledge on various subjects. © Inside History @visuals_china #archaeohistories

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Kazakh Steppe; the world's largest steppe region : The steppe grasslands of Eurasia were once among the most extensive in the world, stretching from eastern Romania, Moldova and Ukraine in eastern Europe (often referred to as the Pontic steppe) east through Kazakhstan and western Russia). Together, the Pontic and Kazakh steppes, often collectively referred to as the Pontian steppe, comprise about 24% of the world’s temperate grasslands. They eventually link to the vast grasslands of eastern Asia extending to Mongolia, China and Siberian Russia, together creating the largest complex of temperate grasslands on earth. The remaining extent and ecological condition of these grasslands varies considerably by region. Today in eastern Europe, for example, only 3–5 % remain in a natural or near natural state, with only 0.2% protected. In contrast, the eastward extension of these steppes into Kazakhstan reveals lower levels of disturbance, where as much as 36% remain in a semi-natural or natural state. Although current levels of protection in this region are also very low, the steppes of Kazakhstan have the potential to offer significant opportunities for increased conservation and protection. The Kazakh steppe, also known as the Kirghiz steppe, is itself one of the largest dry steppe regions on the planet, covering approximately 804,500 square kilometres and extending more than 2,200 kilometres from north of the Caspian Sea east to the Altai Mountains. These grasslands lie at the southern end of the Ural Mountains, the traditional dividing line between Europe and Asia. This steppe ecosystem is actually comprised of five different ecological zones, including forest steppe, meadow steppe, dry steppe, desertified steppe and steppe semi-desert, collectively occupying about 59% of the area of Kazakhstan. Prior to the 1950’s, the Kazakh steppe was a contiguous intact grassland used extensively by nomadic Kazakh people for grazing their animals. Through the 1950’s, when Kazakhstan was still part of the Soviet Union, approximately 40% of the steppe was ploughed for intensive agriculture. While the remaining 60% continued to be used for grazing domestic livestock, the nomadic patterns of the Kazakh were largely interrupted through the collectivisation of Kazakh livestock into state managed farms. Within less than a decade, drought and wind erosion reduced much of these ploughed lands to desert-like conditions. Considerable reforms took place in agricultural land use practices and conditions improved through the 1970’s and 1980’s. During the post-Soviet 1990’s, agriculture decreased significantly and many ploughed fields were abandoned. Also, nomadic mobility virtually ceased. Much of the original steppe is now a mosaic of agricultural lands, with both active and abandoned fields, and the remaining unploughed steppe. 📽️© @adilet_rakhmetolla (IG) - Subscribe for Weekly Newsletter - #archaeohistories

Kazakh Steppe; the world's largest steppe region : The steppe grasslands of Eurasia were once among the most extensive in the world, stretching from eastern Romania, Moldova and Ukraine in eastern Europe (often referred to as the Pontic steppe) east through Kazakhstan and western Russia). Together, the Pontic and Kazakh steppes, often collectively referred to as the Pontian steppe, comprise about 24% of the world’s temperate grasslands. They eventually link to the vast grasslands of eastern Asia extending to Mongolia, China and Siberian Russia, together creating the largest complex of temperate grasslands on earth. The remaining extent and ecological condition of these grasslands varies considerably by region. Today in eastern Europe, for example, only 3–5 % remain in a natural or near natural state, with only 0.2% protected. In contrast, the eastward extension of these steppes into Kazakhstan reveals lower levels of disturbance, where as much as 36% remain in a semi-natural or natural state. Although current levels of protection in this region are also very low, the steppes of Kazakhstan have the potential to offer significant opportunities for increased conservation and protection. The Kazakh steppe, also known as the Kirghiz steppe, is itself one of the largest dry steppe regions on the planet, covering approximately 804,500 square kilometres and extending more than 2,200 kilometres from north of the Caspian Sea east to the Altai Mountains. These grasslands lie at the southern end of the Ural Mountains, the traditional dividing line between Europe and Asia. This steppe ecosystem is actually comprised of five different ecological zones, including forest steppe, meadow steppe, dry steppe, desertified steppe and steppe semi-desert, collectively occupying about 59% of the area of Kazakhstan. Prior to the 1950’s, the Kazakh steppe was a contiguous intact grassland used extensively by nomadic Kazakh people for grazing their animals. Through the 1950’s, when Kazakhstan was still part of the Soviet Union, approximately 40% of the steppe was ploughed for intensive agriculture. While the remaining 60% continued to be used for grazing domestic livestock, the nomadic patterns of the Kazakh were largely interrupted through the collectivisation of Kazakh livestock into state managed farms. Within less than a decade, drought and wind erosion reduced much of these ploughed lands to desert-like conditions. Considerable reforms took place in agricultural land use practices and conditions improved through the 1970’s and 1980’s. During the post-Soviet 1990’s, agriculture decreased significantly and many ploughed fields were abandoned. Also, nomadic mobility virtually ceased. Much of the original steppe is now a mosaic of agricultural lands, with both active and abandoned fields, and the remaining unploughed steppe. 📽️© @adilet_rakhmetolla (IG) - Subscribe for Weekly Newsletter - #archaeohistories

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A giant classical Greek statue prop on a stadium stage during the opening ceremony of the 2026 Mediterranean Games in Taranto, Italy 🇮🇹 One of the most striking images of the opening ceremony of the Mediterranean Games in Taranto was the monumental figure inspired by Taras, the mythical founder and eponymous hero of the ancient city. Presented almost as a colossal living statue, the figure offered a spectacular reference to the Greek origins of Taranto and to a mythology that has remained embedded in the city’s identity for more than two millennia. According to ancient tradition, Taras was a son of Poseidon and the nymph Satyria. The hero was closely associated with the foundation of the settlement that bore his name, ancient Taras, Τάρας, although Greek historical tradition attributes the actual colonial foundation of the city, around the late 8th century BC, to Spartan settlers known as the Partheniae under their leader Phalanthus. Taranto therefore preserved two intertwined foundation traditions, the mythical story of Taras and the historical memory of its Spartan origins. Taras became particularly recognizable through one of the most enduring symbols of the ancient city, the dolphin rider. Ancient Tarentine coins repeatedly depict a youthful figure riding a dolphin, an image associated with Taras and the protection of his divine father Poseidon. The motif became so deeply connected with Taranto that a dolphin rider remains part of the modern city’s coat of arms. Through its coinage, the image circulated throughout the Mediterranean world and became an unmistakable emblem of one of Magna Graecia’s most powerful Greek cities. The appearance of the colossal Taras at the ceremony therefore carried considerable historical symbolism. Behind the modern Italian city stands the ancient Greek polis of Taras, founded by settlers from Sparta and transformed into a major political, economic and cultural centre of Magna Graecia. By bringing its mythical founder dramatically back to life, the ceremony connected the contemporary Mediterranean Games with the ancient Mediterranean world from which so much of Taranto’s identity emerged. 🎥© greekgetaway #archaeohistories

A giant classical Greek statue prop on a stadium stage during the opening ceremony of the 2026 Mediterranean Games in Taranto, Italy 🇮🇹 One of the most striking images of the opening ceremony of the Mediterranean Games in Taranto was the monumental figure inspired by Taras, the mythical founder and eponymous hero of the ancient city. Presented almost as a colossal living statue, the figure offered a spectacular reference to the Greek origins of Taranto and to a mythology that has remained embedded in the city’s identity for more than two millennia. According to ancient tradition, Taras was a son of Poseidon and the nymph Satyria. The hero was closely associated with the foundation of the settlement that bore his name, ancient Taras, Τάρας, although Greek historical tradition attributes the actual colonial foundation of the city, around the late 8th century BC, to Spartan settlers known as the Partheniae under their leader Phalanthus. Taranto therefore preserved two intertwined foundation traditions, the mythical story of Taras and the historical memory of its Spartan origins. Taras became particularly recognizable through one of the most enduring symbols of the ancient city, the dolphin rider. Ancient Tarentine coins repeatedly depict a youthful figure riding a dolphin, an image associated with Taras and the protection of his divine father Poseidon. The motif became so deeply connected with Taranto that a dolphin rider remains part of the modern city’s coat of arms. Through its coinage, the image circulated throughout the Mediterranean world and became an unmistakable emblem of one of Magna Graecia’s most powerful Greek cities. The appearance of the colossal Taras at the ceremony therefore carried considerable historical symbolism. Behind the modern Italian city stands the ancient Greek polis of Taras, founded by settlers from Sparta and transformed into a major political, economic and cultural centre of Magna Graecia. By bringing its mythical founder dramatically back to life, the ceremony connected the contemporary Mediterranean Games with the ancient Mediterranean world from which so much of Taranto’s identity emerged. 🎥© greekgetaway #archaeohistories

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Kazakhstan, believed to be birthplace of apple and also thought to be land where man first tamed wild horse. Alan Outram, a British archaeologist from University of Exeter, stated that his research team had discovered evidence that pushed back earliest signs of widespread riding and milking of horses by 1000 to 2000 years from previous estimates. The excavated remains of horses from Botai region of northern Kazakhstan. Radiocarbon dating established that these remains were around 5,500 years old – a period far earlier than Old Kingdom of Egypt or ancient Sumerian culture of Mesopotamia and even before the Mohenjo-Daro civilization of modern Pakistan. Teeth of these small steppe horses showed unmistakable evidence of having been subjected to bits – an indication that they were used either for riding or pulling carts. They also found broken pieces of pottery used by Botai culture that still contained elements of fat from horses and their milk. This was clear evidence that steppe horses were already being used at this early date to provide both meat and milk – substances which remain prized in Kazakh cuisine and culture today. Researchers also found that horse bones they excavated were slender – a sure sign throughout history of domesticated and carefully bred horses, not of wild ones that had not been subjected to controlled and selective breeding. Outram’s discoveries are also consistent with a wider emerging body of evidence that many of key developments in human civilization and agriculture took place across vast steppes of heartland of Asia, and not just in river valleys of Middle East and southern and Eastern Asia, as archaeologists for so long assumed. Archaeologists have discovered evidence of towns and therefore of urban civilization, in territories of modern Kazakhstan far earlier than experts previously assumed. This uncovered that horse was domesticated in Asian steppes at least 3100 to 3600 years ago in Botai region – a period of time parallel with New Kingdom of Egypt and Minoan Empire of ancient Crete. Early findings uncovered primitive tools for working leather that suggested, first, that cattle were being domesticated to provide leather and hides and, second, that leather was being worked to make harnesses that could only have been used on horses, not cattle. Outram team was surprised by amount of confirmation they actually uncovered and, most of all, by the far earlier dates that their data belonged to. New finds also suggest that traditional practices of ancient Kazakh tribes – eating meat of their horses and drinking their milk as well as using them for transportation – go back thousands of years to the dawn of civilization. They also suggest that spirit of innovation and technology in ancient history did not come only from towns and densely populated river valley cultures on rims of Africa and Asia, but also from heart of “grass ocean” of steppe. Though larger world’s discovery of Kazakhstan’s early domestication of horse is recent, Kazakh scholars have long argued that their homeland was origin of taming of horse. Location, climatic and environmental demands of steppe life would have logically focused the ingenuity and expertise of its people in this direction as essential skills to their survival. Latest findings confirm these long held local beliefs. Popularity and significance of horse in Kazakh culture today remains strong. New hippodromes or racetracks have opened in Almaty, nation’s largest city and in Kazakhstan’s new capital Astana. Equestrian sports centers have sprung up and horse trekking in nation’s national parks and mountains are popular pastimes. Kazakhstan has emerged from mists of history as both the most modern and ancient of nations along fabled Silk Road. And its long-cherished equestrian culture has now revealed to have provided a giant gallop forward for human progress. 🎥© adilet_rakhmetolla (IG) © National Geographic Magazine #archaeohistories

Kazakhstan, believed to be birthplace of apple and also thought to be land where man first tamed wild horse. Alan Outram, a British archaeologist from University of Exeter, stated that his research team had discovered evidence that pushed back earliest signs of widespread riding and milking of horses by 1000 to 2000 years from previous estimates. The excavated remains of horses from Botai region of northern Kazakhstan. Radiocarbon dating established that these remains were around 5,500 years old – a period far earlier than Old Kingdom of Egypt or ancient Sumerian culture of Mesopotamia and even before the Mohenjo-Daro civilization of modern Pakistan. Teeth of these small steppe horses showed unmistakable evidence of having been subjected to bits – an indication that they were used either for riding or pulling carts. They also found broken pieces of pottery used by Botai culture that still contained elements of fat from horses and their milk. This was clear evidence that steppe horses were already being used at this early date to provide both meat and milk – substances which remain prized in Kazakh cuisine and culture today. Researchers also found that horse bones they excavated were slender – a sure sign throughout history of domesticated and carefully bred horses, not of wild ones that had not been subjected to controlled and selective breeding. Outram’s discoveries are also consistent with a wider emerging body of evidence that many of key developments in human civilization and agriculture took place across vast steppes of heartland of Asia, and not just in river valleys of Middle East and southern and Eastern Asia, as archaeologists for so long assumed. Archaeologists have discovered evidence of towns and therefore of urban civilization, in territories of modern Kazakhstan far earlier than experts previously assumed. This uncovered that horse was domesticated in Asian steppes at least 3100 to 3600 years ago in Botai region – a period of time parallel with New Kingdom of Egypt and Minoan Empire of ancient Crete. Early findings uncovered primitive tools for working leather that suggested, first, that cattle were being domesticated to provide leather and hides and, second, that leather was being worked to make harnesses that could only have been used on horses, not cattle. Outram team was surprised by amount of confirmation they actually uncovered and, most of all, by the far earlier dates that their data belonged to. New finds also suggest that traditional practices of ancient Kazakh tribes – eating meat of their horses and drinking their milk as well as using them for transportation – go back thousands of years to the dawn of civilization. They also suggest that spirit of innovation and technology in ancient history did not come only from towns and densely populated river valley cultures on rims of Africa and Asia, but also from heart of “grass ocean” of steppe. Though larger world’s discovery of Kazakhstan’s early domestication of horse is recent, Kazakh scholars have long argued that their homeland was origin of taming of horse. Location, climatic and environmental demands of steppe life would have logically focused the ingenuity and expertise of its people in this direction as essential skills to their survival. Latest findings confirm these long held local beliefs. Popularity and significance of horse in Kazakh culture today remains strong. New hippodromes or racetracks have opened in Almaty, nation’s largest city and in Kazakhstan’s new capital Astana. Equestrian sports centers have sprung up and horse trekking in nation’s national parks and mountains are popular pastimes. Kazakhstan has emerged from mists of history as both the most modern and ancient of nations along fabled Silk Road. And its long-cherished equestrian culture has now revealed to have provided a giant gallop forward for human progress. 🎥© adilet_rakhmetolla (IG) © National Geographic Magazine #archaeohistories

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King Alfred Tower is one of many “follies” built in Britain. Follies are those buildings erected by the upper classes during the heights of British power for the sole purpose of displaying wealth and entertaining friends. This particular folly was built to celebrate a victory by the Saxon, King Alfred, over the Danes in 878 AD, and is the legendary site where the King raised his standard prior to the battle. This tower was mentioned in a poem by the British poet, Thomas Hardy, in his poem entitled “The Channel Firing” written in 1914 AD. Damage to the tower occurred during World War II when an American plane crashed into it, severely damaging the upper 10 meters of the structure. The turret was repaired in 1986 with a helicopter, which was used to lower the new cone onto the tower. Today visitors can once again climb the stairs to the viewing platform at the top. Built by the Hoare banking family, the triangular tower is constructed from over one million red bricks and stands 50m in height. Work on the tower began in 1762 AD, and was completed in 1779 AD, with the addition of a ten-foot-high statue of King Alfred in an alcove above the entrance. 📽️© @jack_hellyar #archaeohistories

King Alfred Tower is one of many “follies” built in Britain. Follies are those buildings erected by the upper classes during the heights of British power for the sole purpose of displaying wealth and entertaining friends. This particular folly was built to celebrate a victory by the Saxon, King Alfred, over the Danes in 878 AD, and is the legendary site where the King raised his standard prior to the battle. This tower was mentioned in a poem by the British poet, Thomas Hardy, in his poem entitled “The Channel Firing” written in 1914 AD. Damage to the tower occurred during World War II when an American plane crashed into it, severely damaging the upper 10 meters of the structure. The turret was repaired in 1986 with a helicopter, which was used to lower the new cone onto the tower. Today visitors can once again climb the stairs to the viewing platform at the top. Built by the Hoare banking family, the triangular tower is constructed from over one million red bricks and stands 50m in height. Work on the tower began in 1762 AD, and was completed in 1779 AD, with the addition of a ten-foot-high statue of King Alfred in an alcove above the entrance. 📽️© @jack_hellyar #archaeohistories

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Powwow dances are beautiful expressions of Indigenous spirituality, history and culture. There are a variety of regional dance styles performed by men, women and children across North America. For all dancers, spiritual centre of a powwow is always the Circle — a revered area blessed by a spiritual leader. Dancers must only enter Circle from east, as they walk in direction of sun. In addition, powwow dances, drum music and singers and regalia are sacred elements of celebration, meant not only to entertain, but also to tell important stories about personal and cultural history. Term “powwow” derives from Pau Wau, meaning “medicine man” in Narrtick, a language spoken by Algonquian peoples in Massachusetts. English settlers began misusing word to refer to meetings of Indigenous medicine men and later to any kind of American Indian gathering. American Indians have since reclaimed term. Although powwows are said to originate with Plains Indigenous peoples, cross-cultural exchanges have produced various regional variations to powwow dances. Most well-known of Northern styles (originating from northern Great Lakes and Great Plains regions) include men’s and women’s Northern Traditional Dances. Most well-known Southern styles (originating from central and western areas of Oklahoma and southern Plains peoples, including Kiowa, Comanche, Pawnee, Ponca), include men’s Southern Straight Dance and women’s Southern Cloth Dance. Some dances, namely men’s and women’s Fancy Dances, women’s Jingle Dance and men’s Grass Dance, are less geographically specific in modern times because they have been adapted in different ways by both Northern and Southern communities. There are also dances that are specific to certain First Nations, or that commemorate certain events or elements of nature. For example, Chicken Dance (Northern Plains), Crow Hop (Crow of Montana) and Rabbit Dance (Sioux) are regional dances that originate from observations of nature and animals. Sneak-Up Dance (Plains) and Smoke Dance (Haudenosaunee) are warrior dances. Hoop Dance (Anishinaabe) incorporates anywhere from one to 30 hoops in a story-telling dance. There are many other types of regional and ceremonial dances performed by various First Nations at some powwows. Most powwow dances are performed by individuals. There are dances for couples as well, such as Owl Dance (Northern Plains). Friendship Dances or Round Dances (Anishinaabe/Northern Plains) are intertribal dances that are open to general public, allowing both Indigenous and non-Indigenous peoples to celebrate together in song and dance. During Round Dance, all participants join hands and circle dance area, facing centre of circle. At times, Métis dancers (often performing the traditional jigging dance), Inuit dancers and dancers from Indigenous nations outside Canada and United States, such as Mexico, Australia, New Zealand, among others, are asked to perform at powwow celebrations. In this way, powwows can be a forum for cultural exchanges. Powwows can be defined as traditional or competitive. Traditional powwows are held in local communities, and do not have dance and drum group competitions. Competitive powwows have dance categories for women, men and children. Dancers who score the highest in their category receive awards or cash prizes. At contest powwows, dance categories can be gender- and age-specific. For example, jingle dress dance is typically performed by women, while Smoke Dance was historically performed by men. However, with resurgence of two-spirit traditions, and progression of women’s rights movements in 20th Century, some powwow organizers and First Nations allow dancers of opposite sex to participate in traditionally male or female specific dances. Most dances are also categorized by age: adult, teenager/youth and “tiny tot” (children). Panel of judges evaluating the competitive dances scores performers based on dance category as well as regalia and dancing abilities. #archaeohistories

Powwow dances are beautiful expressions of Indigenous spirituality, history and culture. There are a variety of regional dance styles performed by men, women and children across North America. For all dancers, spiritual centre of a powwow is always the Circle — a revered area blessed by a spiritual leader. Dancers must only enter Circle from east, as they walk in direction of sun. In addition, powwow dances, drum music and singers and regalia are sacred elements of celebration, meant not only to entertain, but also to tell important stories about personal and cultural history. Term “powwow” derives from Pau Wau, meaning “medicine man” in Narrtick, a language spoken by Algonquian peoples in Massachusetts. English settlers began misusing word to refer to meetings of Indigenous medicine men and later to any kind of American Indian gathering. American Indians have since reclaimed term. Although powwows are said to originate with Plains Indigenous peoples, cross-cultural exchanges have produced various regional variations to powwow dances. Most well-known of Northern styles (originating from northern Great Lakes and Great Plains regions) include men’s and women’s Northern Traditional Dances. Most well-known Southern styles (originating from central and western areas of Oklahoma and southern Plains peoples, including Kiowa, Comanche, Pawnee, Ponca), include men’s Southern Straight Dance and women’s Southern Cloth Dance. Some dances, namely men’s and women’s Fancy Dances, women’s Jingle Dance and men’s Grass Dance, are less geographically specific in modern times because they have been adapted in different ways by both Northern and Southern communities. There are also dances that are specific to certain First Nations, or that commemorate certain events or elements of nature. For example, Chicken Dance (Northern Plains), Crow Hop (Crow of Montana) and Rabbit Dance (Sioux) are regional dances that originate from observations of nature and animals. Sneak-Up Dance (Plains) and Smoke Dance (Haudenosaunee) are warrior dances. Hoop Dance (Anishinaabe) incorporates anywhere from one to 30 hoops in a story-telling dance. There are many other types of regional and ceremonial dances performed by various First Nations at some powwows. Most powwow dances are performed by individuals. There are dances for couples as well, such as Owl Dance (Northern Plains). Friendship Dances or Round Dances (Anishinaabe/Northern Plains) are intertribal dances that are open to general public, allowing both Indigenous and non-Indigenous peoples to celebrate together in song and dance. During Round Dance, all participants join hands and circle dance area, facing centre of circle. At times, Métis dancers (often performing the traditional jigging dance), Inuit dancers and dancers from Indigenous nations outside Canada and United States, such as Mexico, Australia, New Zealand, among others, are asked to perform at powwow celebrations. In this way, powwows can be a forum for cultural exchanges. Powwows can be defined as traditional or competitive. Traditional powwows are held in local communities, and do not have dance and drum group competitions. Competitive powwows have dance categories for women, men and children. Dancers who score the highest in their category receive awards or cash prizes. At contest powwows, dance categories can be gender- and age-specific. For example, jingle dress dance is typically performed by women, while Smoke Dance was historically performed by men. However, with resurgence of two-spirit traditions, and progression of women’s rights movements in 20th Century, some powwow organizers and First Nations allow dancers of opposite sex to participate in traditionally male or female specific dances. Most dances are also categorized by age: adult, teenager/youth and “tiny tot” (children). Panel of judges evaluating the competitive dances scores performers based on dance category as well as regalia and dancing abilities. #archaeohistories

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The World’s Oldest Banking System - The Morocco’s Ancient Granaries (Igudar) : According to historians, the Igudar granaries in Morocco are the world’s oldest bank, going back as far as the 13th Century CE. Some historians believe they may even go farther than that since the granaries are as old as the mountains they are built in. These granaries belonged to the Amazigh people who settled in Morocco more than 4000 years ago. The Amazigh tribes mainly lived in the South of Morocco which is a mountainous area. They started to build granaries in the caves and cliffs of the mountains. Each Amazigh family owned a granary and stored their valuables inside it. These valuables ranged from documents and weapons to food and jewelry. An interesting finding is that some granaries were big enough to act as shelters during war times. Some had enough room for cats to protect the valuables from mice. Amazigh had various ways of managing the granaries. Firstly, they had tablets (boards) to keep track of the valuables and who they belonged to. The management was the responsibility of a secretary called the Lamine. Secondly, each tribed selected representatives which formed another management body: the Inflas. The Inflas comprised 10 people and each granary had a key holder called the Amir. The tribes only paid the Amir for their efforts to keep the valuables safe. Additionally, tribe members could safeguard their own granaries as well. One of the oldest and biggest of the Igudar is Agadir Imchguiguiln which is more than 700 years old. Recent renovations reveal that it has 130 granaries, a central square, a mosque, and even a prison cell. Aside from their physical value, the world’s oldest bank, Igudar granaries represent the collective trust inside the community and between different groups of people. In recent years, the Moroccan government has been working to have Unesco recognize the granaries as an international heritage of great importance as well. 🎥© merzouga_destinations (IG) #archaeohistories

The World’s Oldest Banking System - The Morocco’s Ancient Granaries (Igudar) : According to historians, the Igudar granaries in Morocco are the world’s oldest bank, going back as far as the 13th Century CE. Some historians believe they may even go farther than that since the granaries are as old as the mountains they are built in. These granaries belonged to the Amazigh people who settled in Morocco more than 4000 years ago. The Amazigh tribes mainly lived in the South of Morocco which is a mountainous area. They started to build granaries in the caves and cliffs of the mountains. Each Amazigh family owned a granary and stored their valuables inside it. These valuables ranged from documents and weapons to food and jewelry. An interesting finding is that some granaries were big enough to act as shelters during war times. Some had enough room for cats to protect the valuables from mice. Amazigh had various ways of managing the granaries. Firstly, they had tablets (boards) to keep track of the valuables and who they belonged to. The management was the responsibility of a secretary called the Lamine. Secondly, each tribed selected representatives which formed another management body: the Inflas. The Inflas comprised 10 people and each granary had a key holder called the Amir. The tribes only paid the Amir for their efforts to keep the valuables safe. Additionally, tribe members could safeguard their own granaries as well. One of the oldest and biggest of the Igudar is Agadir Imchguiguiln which is more than 700 years old. Recent renovations reveal that it has 130 granaries, a central square, a mosque, and even a prison cell. Aside from their physical value, the world’s oldest bank, Igudar granaries represent the collective trust inside the community and between different groups of people. In recent years, the Moroccan government has been working to have Unesco recognize the granaries as an international heritage of great importance as well. 🎥© merzouga_destinations (IG) #archaeohistories

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A 4500 year old Egyptian dress that was painstakingly reassembled from approximately 7000 beads which were found in an undisturbed tomb (G7442, Shaft Z), at Giza and not put together for more than 60 years after it was discovered in 1927. Originally" it was put together slightly differently. Dress is thought to have belonged to a female contemporary of King Khufu (2589–2566 BC). Original strings had disintegrated over years but beads were still in their original position, which allowed for an accurate reconstruction. Color of beads had faded, but they were originally blue and turquoise. Dress was initially believed to have been worn for a dancing ritual but after it was assembled, the heavy weight suggested otherwise. Archaeologists now believe it may have been worn during funerals. The MFA writes : “Depictions of women in Egyptian art occasionally feature garments decorated with an overall lozenge pattern. This design is believed to represent beadwork, which was either sewn onto a linen dress or worked into a separate net worn over the linen. This beadnet dress is the earliest surviving example of such a garment. It has been painstakingly reassembled from approximately seven thousand beads found in an undisturbed burial of a female contemporary of King Khufu. Although their string had disintegrated, a few beads still lay in their original pattern on and around the mummy, permitting an accurate reconstruction. The color of the beads has faded, but the beadnet was originally blue and blue green in imitation of lapis lazuli and turquoise.” Museum of Fine Arts, Boston #archaeohistories

A 4500 year old Egyptian dress that was painstakingly reassembled from approximately 7000 beads which were found in an undisturbed tomb (G7442, Shaft Z), at Giza and not put together for more than 60 years after it was discovered in 1927. Originally" it was put together slightly differently. Dress is thought to have belonged to a female contemporary of King Khufu (2589–2566 BC). Original strings had disintegrated over years but beads were still in their original position, which allowed for an accurate reconstruction. Color of beads had faded, but they were originally blue and turquoise. Dress was initially believed to have been worn for a dancing ritual but after it was assembled, the heavy weight suggested otherwise. Archaeologists now believe it may have been worn during funerals. The MFA writes : “Depictions of women in Egyptian art occasionally feature garments decorated with an overall lozenge pattern. This design is believed to represent beadwork, which was either sewn onto a linen dress or worked into a separate net worn over the linen. This beadnet dress is the earliest surviving example of such a garment. It has been painstakingly reassembled from approximately seven thousand beads found in an undisturbed burial of a female contemporary of King Khufu. Although their string had disintegrated, a few beads still lay in their original pattern on and around the mummy, permitting an accurate reconstruction. The color of the beads has faded, but the beadnet was originally blue and blue green in imitation of lapis lazuli and turquoise.” Museum of Fine Arts, Boston #archaeohistories

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Mexico is the home to an ancient and spectacular ceremony that still succeeds - Danza de los Voladores (game of the fliers), a ceremonial ritual dance of Mexico, with deep spiritual significance originating from Veracruz, Mexico. The tradition ultimately originating among pre-Columbian Totonac and Huastec Indians of the region now occupied by Veracruz and Puebla, where it is still danced and spread across Mexico and down as far as Nicaragua. While it is now most closely associated with Totonac peoples of Veracruz, in particular in Papantla, (hence once of its names), this intriguing danza was likely invention of Nahua, Huastecs and Otomi. The original significance of the Danza de los Voladores was, like many other Mesoamerican rituals, connected with fertility, corn, and the harvest. According to Totonac myth, the Danza de los Voladores originated as a way to appease the gods and end severe drought. This theory perhaps explains why the ritual is most closely associated with rain and solar gods such as Tlazotlteotl, Xipe and Totec, as well as notable solar events such as the Spring Equinox. The Danza de los Voladores has been significantly revived in recent years (albeit mainly for commercial purposes) and nowadays, it’s so important to the cultural heritage of Mexico that it was recognised by UNESCO in 2009. Typically, five men dressed in striking red and white outfits, bedecked with mirrored elements and rainbow headdresses representing sun and rainbows, respectively, shimmy up, as all men (voladores, or “flyers”) dance on a platform atop a pole, 30m high, before four of them proceed to tie themselves to the top of the pole with rope. The 5th member, known as Caporal, either plays the flute, bangs on a drum or sings at the top of pole. The 4 voladores (representative of the earth’s cardinal directions and elements) then launch themselves backwards from pole, beginning their elegant (but terrifying) descent towards the ground. While it may look rather ill-calculated, a total of 13 rotations are completed each totaling 52 and cleverly mirrors the years in the Aztec calendar’s ‘Century.’ At the end of the dance, they circle downward around the pole as the ropes that fasten them to it unwind. Although the modern-day performance is close to what the original iterations would have been like, there have undoubtedly been modifications throughout the years. While early versions began with the felling of a tree that would become the central pole (process known as tsakáe kiki), it’s now far more common to see permanent metal poles used instead. Furthermore, the ritual was once far more complex, involving meditation and the impersonation of birds, whereas in Nahua and Otomí cultures, there is no pre-pole climbing dance. Other iterations feature six voladores, rather than five. According to some scholars their costumes and music show Spanish influence, the dance itself survives almost exactly in its original form. The ancient agricultural fertility significance of the dance has disappeared, but there remains in the number of dancers 4 or 6, pre-Christian ritual orientation to the four points of the compass plus the zenith and the nadir. Nowadays, the Voladores de Papantla are a popular tourist attraction, with shows being performed regularly in tourist destinations across the country, such as Puerto Vallarta, Playa del Carmen, and Mexico City’s Chapultepec Park. However, there are plenty of other more off-the-beaten-path places to catch a glimpse of the famous ‘flyers, ’including at the annual Encuentro de Voladores at El Tajín, Veracruz, the historic centre de Papantla, Veracruz and Cuetzalán, Puebla. Alternatively, you can catch the Guatemalan take on Danza de los Voladores, which is known as Palo Volador in Joyabaj, Chichicastenango or Cubulco on specific days of the year. 🎥© TheGlobeWonderer (IG) #archaeohistories

Mexico is the home to an ancient and spectacular ceremony that still succeeds - Danza de los Voladores (game of the fliers), a ceremonial ritual dance of Mexico, with deep spiritual significance originating from Veracruz, Mexico. The tradition ultimately originating among pre-Columbian Totonac and Huastec Indians of the region now occupied by Veracruz and Puebla, where it is still danced and spread across Mexico and down as far as Nicaragua. While it is now most closely associated with Totonac peoples of Veracruz, in particular in Papantla, (hence once of its names), this intriguing danza was likely invention of Nahua, Huastecs and Otomi. The original significance of the Danza de los Voladores was, like many other Mesoamerican rituals, connected with fertility, corn, and the harvest. According to Totonac myth, the Danza de los Voladores originated as a way to appease the gods and end severe drought. This theory perhaps explains why the ritual is most closely associated with rain and solar gods such as Tlazotlteotl, Xipe and Totec, as well as notable solar events such as the Spring Equinox. The Danza de los Voladores has been significantly revived in recent years (albeit mainly for commercial purposes) and nowadays, it’s so important to the cultural heritage of Mexico that it was recognised by UNESCO in 2009. Typically, five men dressed in striking red and white outfits, bedecked with mirrored elements and rainbow headdresses representing sun and rainbows, respectively, shimmy up, as all men (voladores, or “flyers”) dance on a platform atop a pole, 30m high, before four of them proceed to tie themselves to the top of the pole with rope. The 5th member, known as Caporal, either plays the flute, bangs on a drum or sings at the top of pole. The 4 voladores (representative of the earth’s cardinal directions and elements) then launch themselves backwards from pole, beginning their elegant (but terrifying) descent towards the ground. While it may look rather ill-calculated, a total of 13 rotations are completed each totaling 52 and cleverly mirrors the years in the Aztec calendar’s ‘Century.’ At the end of the dance, they circle downward around the pole as the ropes that fasten them to it unwind. Although the modern-day performance is close to what the original iterations would have been like, there have undoubtedly been modifications throughout the years. While early versions began with the felling of a tree that would become the central pole (process known as tsakáe kiki), it’s now far more common to see permanent metal poles used instead. Furthermore, the ritual was once far more complex, involving meditation and the impersonation of birds, whereas in Nahua and Otomí cultures, there is no pre-pole climbing dance. Other iterations feature six voladores, rather than five. According to some scholars their costumes and music show Spanish influence, the dance itself survives almost exactly in its original form. The ancient agricultural fertility significance of the dance has disappeared, but there remains in the number of dancers 4 or 6, pre-Christian ritual orientation to the four points of the compass plus the zenith and the nadir. Nowadays, the Voladores de Papantla are a popular tourist attraction, with shows being performed regularly in tourist destinations across the country, such as Puerto Vallarta, Playa del Carmen, and Mexico City’s Chapultepec Park. However, there are plenty of other more off-the-beaten-path places to catch a glimpse of the famous ‘flyers, ’including at the annual Encuentro de Voladores at El Tajín, Veracruz, the historic centre de Papantla, Veracruz and Cuetzalán, Puebla. Alternatively, you can catch the Guatemalan take on Danza de los Voladores, which is known as Palo Volador in Joyabaj, Chichicastenango or Cubulco on specific days of the year. 🎥© TheGlobeWonderer (IG) #archaeohistories

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The Egyptian Blue - more than just a colour... Around 200 years ago, chemist and inventor Sir Humphry Davy went to the ruins of Titus’ baths in Rome. There, ‘amongst some rubbish, [he] found several large lumps of a deep blue frit’. Soon after, Davy found the same material on a pot in Pompeii. He realised that he had rediscovered the material ‘of which the manufacture is said to have been anciently established at Alexandria’, the first synthetic pigment, Egyptian blue. The tale of Egyptian blue’s discovery, ‘disappearance’ and rediscovery is a fascinating one, and illustrates beautifully how art can act as a facilitator for the advancement of chemistry. For the ancient Egyptians, blue was a very important colour. It was associated with the sky and the river Nile, and thus came to represent the universe, creation and fertility. However, in ancient times, only the earth colours (colours provided by the surface soil) were used as pigments – blue could not be easily obtained by Egyptian artists. Indeed, the only natural source of blue was the rare and expensive mineral lapis lazuli, which was mined in what is now Afghanistan. However, at around 2600 BC, Egyptian blue enters the historical record, and use of the pigment gradually spread across the ancient world as far as Mesopotamia and the Roman empire before being apparently lost in the dark ages. Sadly no Egyptian recipe for the pigment remains, but Vitruvius, a Roman writer in the 1st century BC, stated that sand, copper (from a mineral such as azurite or malachite) and natron (a naturally occurring mixture of sodium compounds, including sodium carbonate) were the ingredients. Modern experiments show that Egyptian blue (chemical formula: CaCuSi4O10) can be obtained by heating these chemicals to 800–900°C with the addition of lime, a calcium-containing material, which must have been present in the ancient method, probably as an impurity in the sand. Whether its discovery came about by design or chance, the synthesis of Egyptian blue was a seriously impressive accomplishment. Achieving necessary temperature control for successful reaction would have been a major challenge, as indeed would the correct addition of oxygen. Another testament to the skill of Egyptian chemists is consistency of the pigment throughout history. Composition in artworks such as the mastaba (tombs) of Mereruka, from the Old Kingdom (2600–2100 BC), is almost exactly the same as that found in a mummy coffin dating from the Greco-Roman period (330 BC–AD 400), and there are other examples dated between these two that show similar compositions. In an exciting development for chemists and artists, it was reported in 2009 that Egyptian blue shows exceptional luminescence in the near-infrared region.3 This means that the pigment can be easily detected in a completely non-destructive fashion simply by illuminating ancient works of art with near-infrared radiation. The luminescence is so strong that the presence of minute amounts of Egyptian blue can be detected even when no blue colour is visible to the naked eye. The British Museum was able to use this technique to provide the first proof that the Elgin Marbles had once been painted, finding the pigment on several sculptures from the Parthenon. 🎥© Hidden Epochs #archaeohistories

The Egyptian Blue - more than just a colour... Around 200 years ago, chemist and inventor Sir Humphry Davy went to the ruins of Titus’ baths in Rome. There, ‘amongst some rubbish, [he] found several large lumps of a deep blue frit’. Soon after, Davy found the same material on a pot in Pompeii. He realised that he had rediscovered the material ‘of which the manufacture is said to have been anciently established at Alexandria’, the first synthetic pigment, Egyptian blue. The tale of Egyptian blue’s discovery, ‘disappearance’ and rediscovery is a fascinating one, and illustrates beautifully how art can act as a facilitator for the advancement of chemistry. For the ancient Egyptians, blue was a very important colour. It was associated with the sky and the river Nile, and thus came to represent the universe, creation and fertility. However, in ancient times, only the earth colours (colours provided by the surface soil) were used as pigments – blue could not be easily obtained by Egyptian artists. Indeed, the only natural source of blue was the rare and expensive mineral lapis lazuli, which was mined in what is now Afghanistan. However, at around 2600 BC, Egyptian blue enters the historical record, and use of the pigment gradually spread across the ancient world as far as Mesopotamia and the Roman empire before being apparently lost in the dark ages. Sadly no Egyptian recipe for the pigment remains, but Vitruvius, a Roman writer in the 1st century BC, stated that sand, copper (from a mineral such as azurite or malachite) and natron (a naturally occurring mixture of sodium compounds, including sodium carbonate) were the ingredients. Modern experiments show that Egyptian blue (chemical formula: CaCuSi4O10) can be obtained by heating these chemicals to 800–900°C with the addition of lime, a calcium-containing material, which must have been present in the ancient method, probably as an impurity in the sand. Whether its discovery came about by design or chance, the synthesis of Egyptian blue was a seriously impressive accomplishment. Achieving necessary temperature control for successful reaction would have been a major challenge, as indeed would the correct addition of oxygen. Another testament to the skill of Egyptian chemists is consistency of the pigment throughout history. Composition in artworks such as the mastaba (tombs) of Mereruka, from the Old Kingdom (2600–2100 BC), is almost exactly the same as that found in a mummy coffin dating from the Greco-Roman period (330 BC–AD 400), and there are other examples dated between these two that show similar compositions. In an exciting development for chemists and artists, it was reported in 2009 that Egyptian blue shows exceptional luminescence in the near-infrared region.3 This means that the pigment can be easily detected in a completely non-destructive fashion simply by illuminating ancient works of art with near-infrared radiation. The luminescence is so strong that the presence of minute amounts of Egyptian blue can be detected even when no blue colour is visible to the naked eye. The British Museum was able to use this technique to provide the first proof that the Elgin Marbles had once been painted, finding the pigment on several sculptures from the Parthenon. 🎥© Hidden Epochs #archaeohistories

23,100 просмотров

Smyrna Agora was founded in late 4th Century BC, immediately after the reign of Alexander the Great of Macedonia. Nestled in modern-day İzmir’s 🇹🇷 historic city center’s core, it is one of the largest agoras in the world that witnessed the Roman Empire. According to Pausanias, “Alexander, the son of Philippos, founded the present city after a dream. Rumour has it he was hunting atop Pagos Hill. On his return from the hunt, he arrived at temple of the Nemesis, and decided to take a nap under a tree that had grown out of the spring in front of it. Nemesis came in a dream and commanded him to build a city here, and relocate the people of Smyrna there.” He then adds, “The Smyrnians sent envoys to Claros (Apollo) to learn what he thought about the situation. This time, God answered, "Those to dwell in Pagos beyond the sacred Meles shall be happy beyond their wildest dreams." Smyrna Agora located in the heart of historical city center of İzmir, Smyrna Agora is one of the world’s largest of its kind. Excavation work on the site first began in 1933. In 2007, Assoc. Prof. Akın Ersoy (of İzmir Katip Çelebi University) and his team of archaeologists revisited the Agora and have remained there ever since – with permission of the Republic of Türkiye Ministry of Culture and Tourism. So far, they have uncovered a west portico, a basilica, a Bouleuterion, a mosaic hall, a roman bath, and a building from the Ottoman era that surrounds its courtyard. It was founded at the end of the 4th Century BC immediately following the reign of Alexander the Great. It served as Smyrna’s administrative, political, and judicial centre, as well as main hub of commerce and trade. Surrounded by porticos, it used to contain monuments meant for important occasions and agreements, altars for pagan religious ceremonies, statues honouring prominent local figures, exedras with marble seat, and both a temple and altar for the city’s patron deity. A major earthquake destroyed the Agora in 178 AD. Shortly thereafter, Roman emperor Marcus Aurelius set about rebuilding it. Nearly all surviving remains belong to that second period. Its overall character only remained intact until 7th Century. Over time, it began to lose its lustre as Smyrna shrank. Its courtyard moreover ended up being used as cemetery during Middle and Late Byzantine alongside Ottoman Empires. Ottomans moreover converted any surrounding buildings into dwellings – a tradition that would last until the end of 20th Century. Smyrna/İzmir has remained a major Mediterranean port city since antiquity. In Ottoman times, Agora and its environs played host to a bustling commercial life, as well as dozens of different ethnic and faith communities scattered across several neighborhoods. 🎥© arkeolojievreni #archaeohistories

Smyrna Agora was founded in late 4th Century BC, immediately after the reign of Alexander the Great of Macedonia. Nestled in modern-day İzmir’s 🇹🇷 historic city center’s core, it is one of the largest agoras in the world that witnessed the Roman Empire. According to Pausanias, “Alexander, the son of Philippos, founded the present city after a dream. Rumour has it he was hunting atop Pagos Hill. On his return from the hunt, he arrived at temple of the Nemesis, and decided to take a nap under a tree that had grown out of the spring in front of it. Nemesis came in a dream and commanded him to build a city here, and relocate the people of Smyrna there.” He then adds, “The Smyrnians sent envoys to Claros (Apollo) to learn what he thought about the situation. This time, God answered, "Those to dwell in Pagos beyond the sacred Meles shall be happy beyond their wildest dreams." Smyrna Agora located in the heart of historical city center of İzmir, Smyrna Agora is one of the world’s largest of its kind. Excavation work on the site first began in 1933. In 2007, Assoc. Prof. Akın Ersoy (of İzmir Katip Çelebi University) and his team of archaeologists revisited the Agora and have remained there ever since – with permission of the Republic of Türkiye Ministry of Culture and Tourism. So far, they have uncovered a west portico, a basilica, a Bouleuterion, a mosaic hall, a roman bath, and a building from the Ottoman era that surrounds its courtyard. It was founded at the end of the 4th Century BC immediately following the reign of Alexander the Great. It served as Smyrna’s administrative, political, and judicial centre, as well as main hub of commerce and trade. Surrounded by porticos, it used to contain monuments meant for important occasions and agreements, altars for pagan religious ceremonies, statues honouring prominent local figures, exedras with marble seat, and both a temple and altar for the city’s patron deity. A major earthquake destroyed the Agora in 178 AD. Shortly thereafter, Roman emperor Marcus Aurelius set about rebuilding it. Nearly all surviving remains belong to that second period. Its overall character only remained intact until 7th Century. Over time, it began to lose its lustre as Smyrna shrank. Its courtyard moreover ended up being used as cemetery during Middle and Late Byzantine alongside Ottoman Empires. Ottomans moreover converted any surrounding buildings into dwellings – a tradition that would last until the end of 20th Century. Smyrna/İzmir has remained a major Mediterranean port city since antiquity. In Ottoman times, Agora and its environs played host to a bustling commercial life, as well as dozens of different ethnic and faith communities scattered across several neighborhoods. 🎥© arkeolojievreni #archaeohistories

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The moment the Persian statue was inaugurated in Tehran - Iran 🇮🇷 The newly unveiled statue in Tehran, depicting the Roman emperor Valerian kneeling before the Sassanian king Shapur I, is far more than a simple historical reference. It is a deliberate act of cultural and political signalling by the Iranian regime. Although a theocracy, the regime often invokes ancient Persian history to reinforce a narrative of East–West conflict, highlighting moments of Persian triumph over Rome as symbols of national pride and historical legitimacy. Valerian (Publius Licinius Valerianus) was Roman emperor from 253 to spring 260 AD. He was taken captive by the Sassanid Persian 'King of Kings' Shapur I after the Battle of Edessa, becoming the first Roman emperor to be captured as a prisoner of war, causing shock and instability throughout the Roman Empire. The captivity and death of Valerian has been frequently debated by historians without any definitive conclusion. In today’s geopolitical climate, where tensions between Iran, the United States, and Israel have intensified, such references are becoming more frequent and more pointed. The statue serves as a tool of propaganda, promoting the idea that Persia, and by extension modern Iran, has always resisted Western domination and is capable of doing so again. It is a calculated effort to draw political strength from the distant past to justify the strategies of the present. 🎥© The Archaeologist #archaeohistories

The moment the Persian statue was inaugurated in Tehran - Iran 🇮🇷 The newly unveiled statue in Tehran, depicting the Roman emperor Valerian kneeling before the Sassanian king Shapur I, is far more than a simple historical reference. It is a deliberate act of cultural and political signalling by the Iranian regime. Although a theocracy, the regime often invokes ancient Persian history to reinforce a narrative of East–West conflict, highlighting moments of Persian triumph over Rome as symbols of national pride and historical legitimacy. Valerian (Publius Licinius Valerianus) was Roman emperor from 253 to spring 260 AD. He was taken captive by the Sassanid Persian 'King of Kings' Shapur I after the Battle of Edessa, becoming the first Roman emperor to be captured as a prisoner of war, causing shock and instability throughout the Roman Empire. The captivity and death of Valerian has been frequently debated by historians without any definitive conclusion. In today’s geopolitical climate, where tensions between Iran, the United States, and Israel have intensified, such references are becoming more frequent and more pointed. The statue serves as a tool of propaganda, promoting the idea that Persia, and by extension modern Iran, has always resisted Western domination and is capable of doing so again. It is a calculated effort to draw political strength from the distant past to justify the strategies of the present. 🎥© The Archaeologist #archaeohistories

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Madain Saleh, also known as Al-Hijr, is a pre-Islamic archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistories

Madain Saleh, also known as Al-Hijr, is a pre-Islamic archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistories

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God created the world in seven days, but it took Michelangelo four years to depict it on this remarkable ceiling.... To any visitor of Michelangelo’s Sistine Chapel, two features become immediately and undeniably apparent: 1) the ceiling is really high up, and 2) there are a lot of paintings up there. Because of this, the centuries have handed down to us an image of Michelangelo lying on his back, wiping sweat and plaster from his eyes as he toiled away year after year, suspended hundreds of feet in the air, begrudgingly completing a commission that he never wanted to accept in the first place. Fortunately for Michelangelo, this is probably not true. But that does nothing to lessen the fact that the frescoes, which take up the entirety of the vault, are among the most important paintings in the world. Michelangelo began to work on the frescoes for Pope Julius II in 1508, replacing a blue ceiling dotted with stars. Originally, the pope asked Michelangelo to paint the ceiling with a geometric ornament, and place the twelve apostles in spandrels around the decoration. Michelangelo proposed instead to paint the Old Testament scenes now found on the vault, divided by the fictive architecture that he uses to organize the composition. The narrative begins at the altar and is divided into three sections. In the first three paintings, Michelangelo tells the story of The Creation of the Heavens and Earth; this is followed by The Creation of Adam and Eve and the Expulsion from the Garden of Eden; finally is the story of Noah and the Great Flood. Ignudi, or nude youths, sit in fictive architecture around these frescoes and they are accompanied by prophets and sibyls (ancient seers who, according to tradition, foretold the coming of Christ) in the spandrels. In the four corners of the room, in the pendentives, one finds scenes depicting the Salvation of Israel. Although the most famous of these frescoes is without a doubt, The Creation of Adam, reproductions of which have become ubiquitous in modern culture for its dramatic positioning of the two monumental figures reaching towards each other, not all of the frescoes are painted in this style. In fact, the first frescoes Michelangelo painted contain multiple figures, much smaller in size, engaged in complex narratives. This can best be exemplified by his painting of The Deluge. In this fresco, Michelangelo has used the physical space of the water and the sky to separate four distinct parts of the narrative. On the right side of the painting, a cluster of people seeks sanctuary from the rain under a makeshift shelter. On the left, even more people climb up the side of a mountain to escape the rising water. Centrally, a small boat is about to capsize because of the unending downpour. And in the background, a team of men work on building the arc—the only hope of salvation. Up close, this painting confronts the viewer with the desperation of those about to perish in the flood and makes one question God’s justice in wiping out the entire population of the earth, save Noah and his family, because of the sins of the wicked. Unfortunately, from the floor of the chapel, the use of small, tightly grouped figures undermines the emotional content and makes the story harder to follow. 🎥© lockette (IG) #archaeohistories

God created the world in seven days, but it took Michelangelo four years to depict it on this remarkable ceiling.... To any visitor of Michelangelo’s Sistine Chapel, two features become immediately and undeniably apparent: 1) the ceiling is really high up, and 2) there are a lot of paintings up there. Because of this, the centuries have handed down to us an image of Michelangelo lying on his back, wiping sweat and plaster from his eyes as he toiled away year after year, suspended hundreds of feet in the air, begrudgingly completing a commission that he never wanted to accept in the first place. Fortunately for Michelangelo, this is probably not true. But that does nothing to lessen the fact that the frescoes, which take up the entirety of the vault, are among the most important paintings in the world. Michelangelo began to work on the frescoes for Pope Julius II in 1508, replacing a blue ceiling dotted with stars. Originally, the pope asked Michelangelo to paint the ceiling with a geometric ornament, and place the twelve apostles in spandrels around the decoration. Michelangelo proposed instead to paint the Old Testament scenes now found on the vault, divided by the fictive architecture that he uses to organize the composition. The narrative begins at the altar and is divided into three sections. In the first three paintings, Michelangelo tells the story of The Creation of the Heavens and Earth; this is followed by The Creation of Adam and Eve and the Expulsion from the Garden of Eden; finally is the story of Noah and the Great Flood. Ignudi, or nude youths, sit in fictive architecture around these frescoes and they are accompanied by prophets and sibyls (ancient seers who, according to tradition, foretold the coming of Christ) in the spandrels. In the four corners of the room, in the pendentives, one finds scenes depicting the Salvation of Israel. Although the most famous of these frescoes is without a doubt, The Creation of Adam, reproductions of which have become ubiquitous in modern culture for its dramatic positioning of the two monumental figures reaching towards each other, not all of the frescoes are painted in this style. In fact, the first frescoes Michelangelo painted contain multiple figures, much smaller in size, engaged in complex narratives. This can best be exemplified by his painting of The Deluge. In this fresco, Michelangelo has used the physical space of the water and the sky to separate four distinct parts of the narrative. On the right side of the painting, a cluster of people seeks sanctuary from the rain under a makeshift shelter. On the left, even more people climb up the side of a mountain to escape the rising water. Centrally, a small boat is about to capsize because of the unending downpour. And in the background, a team of men work on building the arc—the only hope of salvation. Up close, this painting confronts the viewer with the desperation of those about to perish in the flood and makes one question God’s justice in wiping out the entire population of the earth, save Noah and his family, because of the sins of the wicked. Unfortunately, from the floor of the chapel, the use of small, tightly grouped figures undermines the emotional content and makes the story harder to follow. 🎥© lockette (IG) #archaeohistories

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Nestled in the heart of Tuscany, Italy; the enchanting town of Pitigliano boasts a rich history that spans from Bronze Age to WWII. Carved from volcanic stone, this hidden gem is located south of Montepulciano and a short distance from thermal mineral waters of Bagno San Filippo. Town’s striking landscape features cliffs that once protected the Fiora Valley, which has been home to various civilizations since 2300 BC. Pitigliano and surrounding Tuscan countryside offer unique and flavorful dishes, many of which were created through inventive use of limited ingredients. One such example is the “sfratti,” a stick-shaped biscuit filled with ground walnuts, honey, nutmeg, and orange peel, wrapped in dough. The region’s wine tradition is based on Tuscany’s white grape of choice, Trebbiano Toscano. Bianco di Pitigliano is a crisp white wine with floral and mineral notes, while other notable red wines fall under the Morellino di Scansano or Sovana DOCs. Town celebrates its wines during the SettembrediVino event, when cantinas (wine cellars) carved from stone in the cliffs of Pitigliano are opened to the public. Pitigliano’s unique features and rich history set it apart from other Italian towns. Visitors can explore artifacts from Bronze Age, Neolithic times and Copper Age, many of which are displayed in local museums. Town also features ruins of a necropolis and a temple, suggesting an Etruscan community inhabited area in 6th Century BC. However, it is believed that these settlements were destroyed by Porsenna, King of Chiusi, around 500 BC. Town’s Etruscan walls and Porta Sovana, originally built by ruling Aldobrandeschi family in medieval times, found in northwestern part of Pitigliano. Southern part of town features a late-medieval wall section, where pillars of the imposing Medicean aqueduct stand. Historic center is surrounded by fortress bastions and other fortified structures built by Orsini family, who took over after Aldobrandeschi had no male heirs. Although, Roman presence in Pitigliano is less visible, evidence of their attempts to build on the plateau in front of town remains. Fast forward to 17th Century AD, and visitors can still admire majestic Medici aqueduct in town center. The excavated roads (vie cave), are a source of intrigue for historians and archaeologists. Despite their mysterious origins, it is clear that they held significant importance, as their construction required the removal of over 40,000 tons of volcanic rock. Theories about their purpose range from sacred and funerary use to connecting paths, defensive systems or water outflow works. Pitigliano, also known as “Little Jerusalem,” became a crucial haven for Jews as early as 14th Century AD. In early 1600s, Pitigliano saw a significant influx of Jewish settlers, thanks to Ferdinando I, Grand Duke of Tuscany, who made it easier for this persecuted group to find a home in the area. Jewish population grew considerably, leading to the construction of a temple in 1598 AD. Throughout history, town’s Christian and Jewish residents have shown solidarity in protecting each other, as seen during French military’s attempt to sack Ghetto in 1799 AD, and town is also notable for its role in helping Jews escape from racial laws and opposing forces during WWII. 🎥© giorgioteti (IG) #archaeohistories

Nestled in the heart of Tuscany, Italy; the enchanting town of Pitigliano boasts a rich history that spans from Bronze Age to WWII. Carved from volcanic stone, this hidden gem is located south of Montepulciano and a short distance from thermal mineral waters of Bagno San Filippo. Town’s striking landscape features cliffs that once protected the Fiora Valley, which has been home to various civilizations since 2300 BC. Pitigliano and surrounding Tuscan countryside offer unique and flavorful dishes, many of which were created through inventive use of limited ingredients. One such example is the “sfratti,” a stick-shaped biscuit filled with ground walnuts, honey, nutmeg, and orange peel, wrapped in dough. The region’s wine tradition is based on Tuscany’s white grape of choice, Trebbiano Toscano. Bianco di Pitigliano is a crisp white wine with floral and mineral notes, while other notable red wines fall under the Morellino di Scansano or Sovana DOCs. Town celebrates its wines during the SettembrediVino event, when cantinas (wine cellars) carved from stone in the cliffs of Pitigliano are opened to the public. Pitigliano’s unique features and rich history set it apart from other Italian towns. Visitors can explore artifacts from Bronze Age, Neolithic times and Copper Age, many of which are displayed in local museums. Town also features ruins of a necropolis and a temple, suggesting an Etruscan community inhabited area in 6th Century BC. However, it is believed that these settlements were destroyed by Porsenna, King of Chiusi, around 500 BC. Town’s Etruscan walls and Porta Sovana, originally built by ruling Aldobrandeschi family in medieval times, found in northwestern part of Pitigliano. Southern part of town features a late-medieval wall section, where pillars of the imposing Medicean aqueduct stand. Historic center is surrounded by fortress bastions and other fortified structures built by Orsini family, who took over after Aldobrandeschi had no male heirs. Although, Roman presence in Pitigliano is less visible, evidence of their attempts to build on the plateau in front of town remains. Fast forward to 17th Century AD, and visitors can still admire majestic Medici aqueduct in town center. The excavated roads (vie cave), are a source of intrigue for historians and archaeologists. Despite their mysterious origins, it is clear that they held significant importance, as their construction required the removal of over 40,000 tons of volcanic rock. Theories about their purpose range from sacred and funerary use to connecting paths, defensive systems or water outflow works. Pitigliano, also known as “Little Jerusalem,” became a crucial haven for Jews as early as 14th Century AD. In early 1600s, Pitigliano saw a significant influx of Jewish settlers, thanks to Ferdinando I, Grand Duke of Tuscany, who made it easier for this persecuted group to find a home in the area. Jewish population grew considerably, leading to the construction of a temple in 1598 AD. Throughout history, town’s Christian and Jewish residents have shown solidarity in protecting each other, as seen during French military’s attempt to sack Ghetto in 1799 AD, and town is also notable for its role in helping Jews escape from racial laws and opposing forces during WWII. 🎥© giorgioteti (IG) #archaeohistories

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The last Japanese soldier to formally surrender after the country's defeat in WWII was Hiroo Onoda... Lieutenant Onoda finally handed over his sword on March 9th 1974. He had held out in the Philippine jungle for 29 years. In interviews and writings after his return to Japan, Lt Onoda said he had been unable to accept that Japan had capitulated. To many outsiders, Onoda looked like a fanatic. But in imperial Japan his actions were perfectly logical. Onoda had sworn never to surrender, to die for the emperor. He believed the rest of his countrymen, and women, would do the same. Of course they hadn't. On 15 August 1945, Japan's supreme divine being, Emperor Hirohito, did something no emperor had done before: he went on the radio. Atom bombs had destroyed Hiroshima and Nagasaki. On the day the second bomb was dropped, Joseph Stalin declared war on Japan. Soviet forces were already sweeping across Manchuria. Within weeks they would be landing on the northern island of Hokkaido. Hirohito accepted that surrender to the Americans was his best choice. Even so, the emperor's surrender speech nearly didn't happen. On the morning of 15 August, a group of young officers led their troops in to the imperial palace grounds. They were trying to seize the recording of that speech. They believed the war was far from lost. Japan's home islands had yet to be invaded. Its vast army in China was still largely undefeated. The officers were little concerned by mass civilian casualties inflicted by the US bombing of Japan's cities. Instead they were focused on one thing: the survival of the imperial system. Japan must not sue for peace until the emperor was secured. The young officers failed to stop the broadcast. But they got their wish - after the surrender the US decided Hirohito would not be tried as a war criminal after all. Instead he would stay on the throne, effectively an American puppet. It was perhaps a shrewd move by Douglas MacArthur, the US general who ruled over Japan until 1949. MacArthur used the emperor to push his own agenda - to transform conservative Japan in to a modern democracy with an American-style constitution. The victorious allies put 28 members of Japan's wartime leadership on trial. Seven, including Prime Minister Hideki Tojo, were hanged. But others were never charged. Among them Prince Yasuhiko Asaka, the emperor's uncle, and the man who led Japanese troops in the infamous rape of the Chinese capital, Nanjing. Sparing them was seen by MacArthur as a necessary evil. But his decision has allowed, even encouraged, Japan to avoid a deep reckoning with its past. Another man who escaped trial was Nobusuke Kishi. Kishi had played a leading role in the occupation of Manchuria and was a close ally of war leader Hideki Tojo. Americans decided not to charge him. Instead in 1948 Kishi was released. He was banned from politics while the American occupation lasted. But in 1955, Kishi engineered the formation of a new political force - the Liberal Democratic Party. Soon he would be its leader and Japan's prime minister. His rehabilitation was complete, and the party he helped create has ruled over Japan for most of the proceeding 65 years. Nobusuke Kishi's daughter married the son of another powerful political dynasty - a man named Shintaro Abe. He would go on to become Japan's foreign minister, and to father a son of his own, named Shinzo. Prime Minister Shinzo Abe is far from unique in his family history. Japan's political dynasties have proved remarkably resilient. Shinzo Abe was reputedly close to his grandfather. The old man had a profound influence on young Shinzo's political views. Like many of his allies on the right, Nobusuke Kishi thought the war-crimes trials he narrowly escaped were victor's justice. His life-long goal remained the scrapping of the post war pacifist constitution. © BBC #archaeohistories

Archaeo - Histories

396,036 просмотров • 2 месяцев назад

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When the Germans advanced towards Moscow in 1941, Soviet troops were in a nearly hopeless situation because they lacked effective anti-tank weapons. Out of desperation, highly trained military dogs were used to destroy the enemy.... In the early years of World War II, Soviet anti-tank dogs posed a major threat to the German advance. Strapped with explosives, these animals were sent on missions to destroy enemy equipment. While today this fact might seem disturbing to animal rights activists, it's important to remember how desperate those times were, when a formidable and evil enemy was almost at the Kremlin gates. Machine guns on German tanks were too high to reach the low-running 'suicide' dogs, and thanks to cover from Soviet infantry the Germans couldn't easily emerge from their tanks and shoot the dogs with rifles. German tank units often stopped their attack if they saw tank destroyer battalions with dogs on the battlefield. The only effective method to prevent such an attack was to use flamethrowers. Often, when German forces went on the offensive, they shot all dogs along the way. Even Luftwaffe planes opened fire on them. The Soviet Union didn’t start using anti-tank dogs in response to the Nazi invasion of 1941. In fact, they began training such dogs in the 1930s, well before the outbreak of the Great Patriotic War. The anti-tank dogs were trained to crawl under enemy tanks while carrying explosives on their bodies (12 kg of TNT). A long lever set off an explosion upon contact with the target. The dogs were instructed how to climb under tanks. They were starved for several days, and pieces of meat were placed under practice tanks to fool the dogs into thinking that food could be found under all tanks. They were also taught not to fear heavy artillery, and were trained to crawl under the back of a tank to avoid fire from enemy machine guns. The first anti-tank dogs were introduced into the Red Army in 1939, and two years later the dogs were put to the test in battle. Anti-tank dogs from the 1st special battalion (212 dogs and 199 trainers) were first deployed in battle near Moscow. The dogs' first major attack was a complete disaster because there was no cover from Soviet infantry. As a result, the Germans easily shot the dogs. In addition, the trainers had made a serious tactical error by training the dogs with Soviet tanks, which ran on diesel. The animals were accustomed to the smell of diesel, but German tanks used gasoline. Thus, the dogs were completely confused on the battlefield. Those soldiers who weren't killed, surrendered with their dogs. During interrogations, the captive trainers revealed Soviet methods used to train anti-tank dogs. Even though the 1st special battalion was wiped out, the Soviet Union continued to use dogs against the Germans. Tactics were changed and dog training resumed. By the end of 1941, over 1,000 dogs were fighting on the front and the next year the number exceeded 2,000. On July 21, 1942, suicide dogs helped determine the outcome of a major battle near Taganrog on the Sea of Azov. When 40 enemy tanks smashed through a battery of anti-tank guns and compromised the position of the naval infantry brigade, the 4th company of anti-tank dogs was the only thing that stood between the command post and the Nazis. Simultaneously, 56 dogs launched an attack and destroyed many enemy tanks. Not only did those dogs stop the offensive, but they also forced the Germans to flee the battlefield. During the Siege of Leningrad, a group of dogs blew up enemy tanks and fortifications. They had slyly made their way around barbed wire, identified the enemy’s location and ran towards the entrance of the bunkers where they had detected human presence. They managed to blow up several bunkers, as well as an ammunition depot. #archaeohistories

Archaeo - Histories

284,135 просмотров • 2 месяцев назад

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Roman road Stepping Stones, prominent in cities like Pompeii, were ingenious solutions for urban life, allowing pedestrians to cross streets without stepping in rainwater, mud, and waste, acting as rudimentary crosswalks that also controlled cart traffic by forcing them to slow down, showcasing early Roman urban planning for cleanliness and safety. These large, raised stones, dating back to 2nd-1st Century BC, demonstrate how Romans managed frequent street flooding and refuse in cities lacking modern sewers, creating a functional system for both foot and wheeled traffic. With no advanced sewer systems, Roman streets were often filled with rainwater and waste; the stones kept feet clean and dry. Spaced to allow cart wheels to pass, they channeled vehicles and created designated pedestrian crossing zones, much like modern zebra crossings. Their widespread use reflects a practical approach to urban life, ensuring easier movement and managing environmental challenges. The stones in Pompeii provide tangible evidence of these daily life solutions, showcasing a clever adaptation to the environment.... Prior to the eruption of Mount Vesuvius in 79 AD, and consequently being buried under volcanic ash, the ancient Roman city of Pompeii was a thriving place. The vibrant settlement played a critical role in trade; thus, its 15,000 inhabitants lived in impressively modern conditions for the era. When tourists visit the site today, they are able to see the preserved ruins of a well-planned city that accounted for its citizens' needs. This ancient innovation is particularly evident when looking at how roads were built in Pompeii. One of most noticeable features on the streets is the series of large raised stones placed in strategic locations. These prominent stepping stones acted as ancient crosswalks. Not only did they allow people to cross the street without touching the water and mud sitting on ground level, but they were also spaced wide enough so that carriage wheels could pass through without issue. Natural reflectors were also incorporated into some of the roads in the form of small white stones. These paler rocks were set among the larger slabs to help people find their way at night. The moon would reflect on the stones, creating enough light for people to be able to see. Drainage was also particularly important since most homes in Pompeii had no direct sewer connection. Refuse was washed into the street, making these stepping stones critical. Raised sidewalks with drainage also allowed people to move freely without putting their feet in sewage. The gaps between the stones were carefully designed to fit the width of chariot and cart wheels, forcing them to slow down and navigate carefully. These features highlight Roman ingenuity in balancing pedestrian needs, vehicle movement, and sanitation in their bustling cities. Innovations like these make Pompeii a fascinating place to visit and a wonderful example of ancient Roman urban planning. 🎥© sagalensfilms (IG) #archaeohistories

Archaeo - Histories

864,248 просмотров • 9 месяцев назад

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The Gebelein Man (also known informally as “Ginger” due to his red hair); is the mummy of a young Egyptian man found in Gebelein (modern Naga el-Gherira, 25 miles south of Thebes), dating from the Late Pre-Dynastic Period, 3400 BC. During the period of Gebelein Man’s life and death, Egyptians were buried in oval pit graves in a foetal position. Unlike their later descendants from the Dynastic age, they did not go through a ‘man-made’ mummification process; within these oval pit graves, bodies would become naturally mummified by the desert sands and climate. It is thought these early burials were studied by later Egyptians to perfect the art (and science) of mummification, a technique the Dynastic Egyptians would of course become famous for. The British Museum sent the body of the Gebelein Man to the Bupa Cromwell Hospital in London for C.T. scans in order to discover more about who he was and what may have actually happened to him. The discoveries were fascinating. The results concluded that the Gebelein Man was between 18 and 21 years old at the time of his death. And unfortunately, he was murdered. X-Rays revealed that the young man had been stabbed in the back, just slightly above his left shoulder blade, and sadly such brutality was his cause of death. His shoulder blade was in fact shattered during the attack, as were his 3rd and 4th ribs on the left side of his chest. Despite the tragedy of the Gebelein Man, the C.T. scans of his remains provided historians with a surprising and valuable piece of information about the culture of this very early period of Egyptian history, and human history in general: Using infrared technology, it was discovered that the Gebelein Man has tattoos, which now makes him (and the Gebelein woman; British Museum. EA32752) the oldest humans as yet to be discovered with tattoos of distinguishable figures, with only Ötzi the Iceman from the European Chalcolithic period (with his mysterious 61 line tattoos across his body) predating them. The tattoos on the Gebelein Man are upon his upper right arm and are of two horned animals; seemingly a bull and a Barbary sheep. In Dynastic Egyptian art, it was the Libyans (Egypt’s neighbours to the west) who were depicted with tattooed limbs (arms and legs), however, due to modern technology, recent findings have taught us that tattoos were in fact evident in Ancient Egypt during the Dynastic age too; most notably a female mummy from Deir el-Medina, whose mummy has a tattooed chest and neck. Before the scans of Gebelein mummies, scholars were aware that tattoos were around in the Pre-Dynastic age, yet the Gebelein Man is the first male to have been found with such. Before this, due to the lack of evidence, Egyptologists presumed the tattoos were a feminine cultural practice. Modern technology, such as non-intrusive scans and infrared technology, as well as DNA is helping us get closer to the ancient world in ways that were seemingly unfathomable just decades ago. The tattoo on the arm of Gebelein man, to naked eye was seemingly just a smudge, yet the technology of today made it clear it was a distinguishable figure, making the Gebelein Man of Pre Dynastic Egypt, the earliest known man thus far to have a recognizable figure tattooed upon him. British Museum (EA32751) #archaeohistories

Archaeo - Histories

143,405 просмотров • 1 месяц назад

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The poignant moment from April 1945 during the final months of WWII, American troops capturing young German soldiers—often identified from Hitler Youth or late-war conscription—who has surrendered... In WWII, children frequently fought in both the Allied and Axis forces in formal and informal military roles. Children were readily indoctrinated into the prevailing ideology of the warring parties, quickly trained, and often sent to the front line; many were wounded or killed. The lack of a legal definition of a child, combined with the absence of a system for verifying the ages of prospective child recruits, contributed to the extensive use of children in the war. Hitler Youth (Hitlerjugend) was established as an organization in Nazi Germany that physically trained youth and indoctrinated them with Nazi ideology to point of fanaticism. Even at the onset of war, Hitler Youth totalled 8.8 million members. Numbers decreased significantly (to just over one million) once the war began, as many local and district leaders were conscripted for the national army. The previous average age for local and district leaders was 24, but following the onset of war, this had to change to those who were 16 and 17 years of age. These youths were in command of up to 500 boys. Near the end of the war, one Hitler Youth soldier, Heinz Shuetze aged 15 from Leipzig, was only given a half-day of training with a Panzerfaust. He was immediately given an SS uniform and directed to the front lines to fight. Huge numbers of underage males were removed from school in early 1945, and sent on what were essentially suicide missions. Hitler Youth activities often included learning to throw grenades and dig trenches, bayonet drills and escaping under barbed wire under pistol fire; boys were encouraged to find these activities exhilarating and exciting. The Hitler Youth was essentially an army of fit, young Germans that Hitler had created, trained to fight for their country. They had the "choice" either to follow Nazi party orders or to face trial with the possibility of execution. The boys of Hitler Youth first saw action following the British air raids in Berlin in 1940. Later, in 1942, the Wehrertüchtigungslager or WEL (Defense Strengthening Camps) were created in Germany; they were designed to train Hitler Youth boys aged 16–18. They learned how to handle German infantry weaponry, including hand grenades, machine guns and hand pistols. By 1943, Hitler Youth boys were facing the forces of Britain, the United States and USSR. Even younger boys from the ages of 10–14 years could be involved in the Hitler Youth movement, under the Deutsches Jungvolk. Girls were also involved in Hitler Youth Operations, although in a limited capacity, through the Bund Deutscher Mädel (BDM, the League of German Girls). Avoiding direct armed conflict, their primary role was to produce healthy, racially pure baby boys. They were also required to run 60m in 14 seconds, throw a ball at least 12m, march for 2 hours and swim 100m. Towards the end of the war, the Germans established an entire SS Panzer Division with the majority of its recruits being 16-17-year-old boys from Hitler Youth brigades. In the 1st Battalion over 65% were under 18 years old, and only 3% were over 25. There were more than 10,000 boys in this division. The 12th SS Panzer Division Hitlerjugend was established later in WWII as Germany suffered more casualties, and more young people "volunteered", initially as reserves, but soon joined front line troops. These children saw extensive action and were among fiercest and most effective German defenders in the Battle of Berlin. In the battle of the Normandy beaches, division suffered 60% casualties, most of whom were teenagers. #archaeohistories

Archaeo - Histories

137,206 просмотров • 2 месяцев назад

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Tibetan Butter Churning Dance, a traditional folk performance that honors the daily, labor-intensive process of making yak butter, a crucial element of Tibetan life. Originating from daily household chores, the dance mimics rhythmic churning motions, symbolizing prosperity, unity, and communal joy, often performed during festivities like Losar... The dance stems from the traditional method of making yak butter using a long wooden churn, a task requiring thousands of strokes. Yak butter is not only food but also used for fuel and in butter lamps at monasteries to symbolize wisdom. Dancers in colorful attire, often in a circle, use choreographed, energetic movements to simulate the pushing and pulling of the plunger in a butter churn. It is widely performed during the Tibetan New Year (Losar) and other celebrations, representing gratitude and the preservation of culture. It represents the blending of daily survival with art, focusing on community spirit and harmony. Yak butter is essential for making traditional Tibetan Butter Tea, made from tea leaves, yak butter, water, tsampa (roasted barley flour) and salt. The history of tea in Tibet dates back to 7th Century CE, during Tang dynasty. However, butter tea did not become popular in Tibet until about 13th Century, time of the Phagmodrupa dynasty. According to legend, a Chinese princess married a king of Tibet which later helped establish trade routes between China and Tibet. These trade routes brought tea into Tibet from China. Later, butter was added to the tea that was brought from China as butter is and was a staple in Tibetan cuisine. By the 8th Century, it was common to drink tea in Tibet. In 13th Century, tea was then used in Tibetan religious ceremonies. Today, butter tea is still prevalent in Tibet, and Tibetans can drink up to 60 small cups of the tea every day. Today, this ceremonial dance based off of Tibetan tea culture. It also may speak to the lesser known Butter Tea Ceremony. While the ceremony is rarely practiced anymore it still takes place in a handful of monasteries, including one in Gomar Gompa in eastern Amdo (“Butter Tea Ceremony”). While the ceremony is not widely spread, it is still an important ritual for some Tibetans. During the ceremony, Tibetans gather in the courtyard while the tea is being prepared. Local boys often stand on the edge of roofs surrounding the courtyard and throw down bags of candy and treats, although this is not necessarily part of the ritual. Once the tea is ready, wooden buckets of butter tea are carried into the courtyard by back, each bucket holding nearly 30 liters of tea. Once the buckets are placed on the ground, individuals use ladles to distribute the butter tea to members of the community. This particular dance is so interesting because it seamlessly integrates these three practices in a modern context. The act of dancing is in itself a ritualized and sacred practice. Thus, creating a dance based on the preparation and uses of Butter Tea—a quintessential element of Tibetan culture—only further heightens the significance of tea customs by ritualizing the practice by means of dance. Drinking butter tea is a regular part of Tibetan life. Before work, a Tibetan will typically enjoy several bowlfuls of this beverage, and it is always served to guests.[citation needed] Since butter is the main ingredient, butter tea provides plenty of caloric energy and is particularly suited to high altitudes. The butter may also help prevent chapped lips. According to the Tibetan custom, butter tea is drunk in separate sips, and after each sip, the host refills the bowl to the brim. Thus, the guest never drains his bowl; it is constantly topped up. If the visitor does not wish to drink, the best thing to do is leave the tea untouched until the time comes to leave and then drain the bowl. In this way, etiquette is observed and the host will not be offended. © Discover Tibet #archaeohistories

Archaeo - Histories

330,674 просмотров • 6 месяцев назад

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Infanticide was a disturbingly common act in the ancient world, but in Sparta this practice was organized and managed by the state. All Spartan infants were brought before a council of inspectors and examined for physical defects, and those who weren’t up to standards were left to die. The ancient historian Plutarch claimed these “ill-born” Spartan babies were tossed into a chasm at the foot of Mount Taygetus, but most historians now dismiss this as a myth. If a Spartan baby was judged to be unfit for its future duty as a soldier, it was most likely abandoned on a nearby hillside. Left alone, the child would either die of exposure or be rescued and adopted by strangers. Babies who passed inspection still didn’t have it easy. To test their constitutions, Spartan infants were often bathed in wine instead of water. They were also frequently ignored when they cried and commanded never to fear darkness or solitude. According to Plutarch, these “tough love” parenting techniques were so admired by foreigners that Spartan women were widely sought after for their skill as nurses and nannies. At the age of 7, Spartan boys were removed from their parents’ homes and began the “agoge,” a state-sponsored training regimen designed to mold them into skilled warriors and moral citizens. Separated from their families and housed in communal barracks, the young soldiers-in-waiting were instructed in scholastics, warfare, stealth, hunting and athletics. At age 12, initiates were deprived of all clothing save for a red cloak and forced to sleep outside and make their own beds from reeds. To ready them for a life in the field, the boy soldiers were also encouraged to scavenge and even steal their food, though if detected they were punished with floggings. Just as all Spartan men were expected to be fighters, all women were expected to bear children. Spartan girls were allowed to remain with their parents, but they were also subjected to a rigorous education and training program. While boys were readied for a life on campaign, girls practiced dance, gymnastics and javelin and discus throwing, which were thought to make them physically strong for motherhood. Much of the Spartan agoge involved typical school subjects like reading, writing, rhetoric and poetry, but the training regimen also had a vicious side. To toughen the young warriors and encourage their development as soldiers, instructors and older men would often instigate fights and arguments between trainees. The agoge was partially designed to help make the youths resistant to hardships like cold, hunger and pain, and boys who showed signs of cowardice or timidity were subject to teasing and violence by peers and superiors alike. Even Spartan girls were known to participate in this ritualized hazing. During certain religious and state ceremonies, girls would stand before Spartan dignitaries and sing choral songs about the young men of the agoge, often singling out specific trainees for ridicule in order to shame them into stepping up their performance. 🎥© historyinminutesstudios #archaeohistories

Archaeo - Histories

151,309 просмотров • 2 месяцев назад

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On September 11, 2001, 19 terrorists from the Islamic extremist group al Qaeda—founded by Osama bin Laden—hijacked four commercial passenger airplanes and carried out coordinated suicide attacks against targets in the United States. Two of the planes were flown into the twin towers of the World Trade Center in New York City. Within two hours, both towers had collapsed into rubble, demolishing a large section of lower Manhattan. A third plane hit the Pentagon in Arlington, Virginia, just outside Washington, D.C. The passengers and crew of the fourth plane fought back, and the hijackers crashed the plane in a field near Shanksville, Pennsylvania. Almost 3,000 people were killed in the 9/11 terrorist attacks, including the 19 al Qaeda terrorists. The shocking events of September 11 were televised globally and left much of the world reeling in horror. The administration of President George W. Bush responded by declaring a “war on terror” and launching the U.S.-led invasion of Afghanistan. The attacks also led to a sweeping reorganization of the federal government, including the creation of the Department of Homeland Security. ...... On September 11, 2001, at 8:46 a.m. on a clear Tuesday morning, American Airlines Flight 11, a Boeing 767 carrying thousands of gallons of jet fuel, crashed into the North Tower of the World Trade Center in New York City. The impact left a gaping, burning hole between the 93rd and 99th floors of the 110-story skyscraper, instantly killing hundreds of people and trapping hundreds more on higher floors. As the evacuation of the tower and its twin got underway, television cameras broadcast live images of what initially appeared to be a freak accident. Then, 17 minutes after the first plane hit, a second Boeing 767—United Airlines Flight 175—appeared in the sky, turned sharply toward the World Trade Center, and sliced into the South Tower between the 77th and 85th floors. The collision caused a massive explosion that showered burning debris onto surrounding buildings and onto the streets below. It immediately became clear that the United States was under attack. The hijackers were members of al Qaeda. Fifteen were from Saudi Arabia, two were from the United Arab Emirates, one was from Egypt and one was from Lebanon. The attacks were orchestrated by al Qaeda leader Osama bin Laden, who cited America’s support of Israel, its involvement in the Persian Gulf War and its continued military presence in the Middle East as grievances. Some of the hijackers had lived in the United States for more than a year and had taken flight training at American flight schools. Others had slipped into the country in the months before September 11 and acted as the “muscle” in the operation. The 19 terrorists smuggled box-cutters and knives through security at three East Coast airports—Logan International Airport in Boston, Washington Dulles International Airport in Virginia and Newark International Airport in New Jersey—and boarded four early-morning flights bound for California, chosen because the planes were loaded with fuel for long transcontinental journey. Soon after takeoff, the terrorists commandeered the four planes and took the controls, transforming ordinary passenger jets into weapons. As millions watched the events unfolding in New York, American Airlines Flight 77 circled over Washington, D.C., before crashing into the west side of the Pentagon military headquarters at 9:37 a.m. Jet fuel from the Boeing 757 ignited a devastating inferno that led to the structural collapse of a portion of the Pentagon's giant concrete building, which is the headquarters of the U.S. Department of Defense. All told, 125 military personnel and civilians were killed at the Pentagon, along with all 64 people aboard the airliner. #archaeohistories

Archaeo - Histories

56,810 просмотров • 1 месяц назад

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Thousands of years of historical and cultural heritage destroyed by ISIS in the Mosul Museum and Syria : In 2014, Mosul (encompasses what was once Nineveh, largest city in 7th Century BC and capital of Assyria) fell under the control of ISIS (also called Daesh). During its three-year reign, the Islamist militants destroyed artifacts and buildings, mostly shrines that were sacred to other Muslim sects — saying they were forms of idolatry. But they also targeted sites for looting and to get attention, filming the destruction and sharing it in propaganda videos online. But ISIS's actions inadvertently created opportunities. Sifting through the wreckage after ISIS's occupation, archaeologists have gained new insights into this great ancient city. "The Assyrians built the first huge empire in the history of humankind," German professor Stefan Maul said in the documentary. "They excelled at science and engineering, revolutionized warfare, and created one of the world's first great libraries." "This is the civilization that produced modern knowledge, philosophy, culture and science," Zaid Ghazi Saadallah, director of the Mosul Cultural Museum, said in Arabic. The Assyrians, and their ancient capital, are shrouded in mystery. How did the empire become so powerful? What engineering marvels transformed Nineveh from a provincial town? ISIS insurgents systematically attacked the Mosul Cultural Museum, proudly showcasing their destruction in online propaganda videos. They destroyed artifacts, which were thousands of years old, with sledgehammers, drills and explosives. "The hardest day for me was when Daesh showed their video," Saadallah said. "The destruction of civilization." Today, under his watchful eye, the museum has become an emblem of Mosul fighting back. International teams of restorers are painstakingly repairing and reconstructing the artifacts ISIS sought to destroy — and ensuring the insurgents don't have the last word. At Nebi Yunus, a site outside Nineveh, Maul ventures into a labyrinth of tunnels created by ISIS. They built 650 metres of pathways by hand so they could loot an Assyrian palace, which was under a mosque that was believed to house the tomb of the prophet Jonah. "In 2014, when Daesh conquered Mosul, in their fundamental view of Islamic theology, it is forbidden to pray in front of a grave of a human being," Maul said. "So they simply blew up the mosque." He believes ISIS found important objects in the palace and sold them on the black market to finance their war. Still, archaeologists have made other discoveries. They've learned more about King Sennacherib, who built the palace, and unearthed clues that are changing our understanding of Assyrian arts and culture. Beyond Mosul, Kurdish archaeologist Bekas Hasan reveals some of the discoveries that illustrate the ingenuity of the Assyrians. They constructed an immense water supply (its network of canals measured about 350km) and built the oldest known aqueduct — a feat of engineering. Made of about two million stone blocks, it predates the earliest Roman example by roughly 400 years and provided Nineveh with a constant supply of water. This allowed the Assyrians to indulge in what might seem like an unlikely passion: gardening. The discovery of this system has led to a revolutionary theory. British scholar Stephanie Dalley believes Nineveh is true location of Hanging Gardens of Babylon. Sifting through ancient written records and intricate carved reliefs, she found evidence that Sennacherib used water to nurture a lush, tiered garden in Nineveh. King's writings, recorded on a clay prism, match ancient descriptions of Hanging Gardens of Babylon. Archaeologists have never found remains of gardens, but perhaps they've been looking in wrong place. Unfortunately, between 2014-2017, ISIS destroyed and looted Assyrian artifacts, but it inadvertently led to discoveries that are shining new light on the empire. 🎥© bilimtuel (IG) #archaeohistories

Archaeo - Histories

672,940 просмотров • 2 лет назад

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Parade of 57,000 German prisoners of war in the streets of Moscow under escort 1944... In summer of 1944 Soviet Union launched Operation Bagration, a large-scale, complex offensive against the Nazi invaders in Belarus, Poland and the Baltic republics. This vital Soviet offensive was launched just after Allied troops had landed in Normandy, and it is symptomatic of the lack of public knowledge about the war in the East that whilst almost everyone has heard of D-Day, few people other than specialist historians know much about Operation Bagration. Operation Bagration (named after a Georgian prince in war against Napoleon 130 years earlier) was not just one of largest military offensives of the war, it was one of most sophisticated. On 19 June 1944, Red Army partisan units, operating behind German lines, attacked transport and other Wehrmacht supply lines; two days later Soviets launched massive air attacks; and then on the 23rd (one day after the third anniversary of German invasion) Red Army moved forward under cover of darkness. Soviet advance caught the Germans by surprise. Once again, Soviet technique of ‘maskirovka’ (deception) had worked. Soviets pushed forward in powerful spearheads leaving enemy units isolated behind them – a tactic that was made all the more effective because of a tactically disastrous decision Hitler had made. The German leader had ordered the soldiers of Army Group Center to stand firm and inflexible in the face of any Soviet advance. Hitler’s directive of 8 March 1944 had announced that ‘feste Plaetze’ (fortified places) should be the core of the German defense. The idea was that the Soviets would advance past these fortifications, which would, Hitler said, “fulfill the function of fortresses in former historical times”. The commander of the German Ninth Army, General Jordan could scarcely believe the nature of the order he had been given. “Ninth Army stands on the eve of another great battle”, he wrote, “unpredictable in extent and duration… the Army believes that, even under the present conditions, it would be possible to stop the enemy offensive, but not under the present directives which require an absolutely rigid defense”. “Hitler’s orders to hold firm were totally disastrous”, confirms military historian Antony Beevor. “He refused to allow his generals any flexibility or leeway which was totally contrary to all the precepts and the teaching of the German general staff… But because Hitler so distrusted his generals he wanted to control everything and that was basically the undoing of the German army”. The operation resulted in the almost complete destruction of Army Group Centre, which lost all of the Fourth Army and most of the Third Panzer and Ninth Armies. The defeat was as calamitous as any suffered by the German armed forces during the Second World War. By the end of the operation most of the western Soviet Union had been liberated and the Red Army had achieved footholds in Romania and Poland. German losses eventually numbered well over half a million men killed or wounded, even higher than the toll at Verdun in 1916. The Germans lost 350,000 men, 160,000 prisoners died on the way to prison camps, 57,000 prisoners were paraded in Moscow. Operation Bagration was Hitler’s worst military defeat in WWII. It broke the Wehrmacht’s backbone and helped to overthrow Hitler’s “Reich”, which lasted barely more than a decade instead of the promised 1,000 years. For their offensive operation the Red Army used 118 rifle divisions, 13 artillery divisions, 6 cavalry divisions, as well as 8 tank and mechanized corps. More than two million Soviet frontline and support troops took part. Over one million tons of ammunition and supplies were needed. The Soviet troops were assisted by nearly 11,000 artillery pieces, 2,300 Katyusha multiple rocket launchers, 2,300 fighter planes, 1,800 Ilyushin Il-2 ground attack planes, 650 medium bombers and 430 night bombers. #archaeohistories

Archaeo - Histories

69,581 просмотров • 2 месяцев назад

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"This is the largest fossilized human turd ever found. It belonged to a sick Viking in the 9th Century AD, and has been valued at $39,000".... The large, “precious” Poop, officially known as the Lloyds Bank Coprolite, the word “Coprolite” simply meaning fossilized dung. This 1200 year old log that is thought to be the largest recorded in human history. At 8 inches long and 2 inches wide, specimen was discovered, in York northwest England in 1972 by construction workers during the building of a Lloyds TSB branch, in an area once ruled by Norse warriors. It takes its name from institution Lloyds Bank. The huge poo had another red-letter moment in 1991 when dung scientist Dr. Andrew Jones appraised the piece in the name of insurance. “This is the most exciting piece of excrement I’ve ever seen,” he told the Wall Street Journal at the time. “In its own way, it’s as irreplaceable as the Crown Jewels.” Paleoscatologists have been able to discern much from the girthy deposit, including that its producer ate mostly meat and bread was likely a Viking, lived in approximately the 9th Century AD, and had a gut full of parasites. Indeed, the manure was found to be infested with Whipworm and Maw-worm eggs, suggesting the Viking often had an upset stomach and other gastrointestinal problems. Today, the log resides in a glass box at the Jorvik Viking Centre, York, England; where, in 2003, visitors dropped it, breaking it into three pieces. It has since been repaired. The Centre is proud to call itself the turd’s final resting place, even hosting a virtual workshop in February called “Poo Day!” in which fans learned about the dung’s significance. #archaeohistories

Archaeo - Histories

48,388 просмотров • 1 месяц назад

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The Lancia Stratos Zero, an iconic concept car, made a stunning appearance on the streets of Milan in 1970, captivating onlookers with its futuristic design. Unveiled at the 1970 Turin Motor Show, this striking vehicle was unlike anything the world had seen before, featuring sharp angles and an ultra-low profile that looked more like a spacecraft than a traditional car. Its wedge-shaped body and bold lines set it apart from the conventional designs of the time, signaling a new era in automotive innovation. When the Stratos Zero was driven through Milan, it became an instant symbol of cutting-edge technology and automotive artistry. The car's innovative design was not just about aesthetics; it also showcased the capabilities of automotive engineering at the time. The Stratos Zero was powered by a V4 engine and built with lightweight materials, contributing to its impressive performance. Its low, flat stance and aggressive angles were a testament to the visionary design of Marcello Gandini, the legendary Italian designer behind the car. With its unique door design that opened upwards, the Stratos Zero demonstrated the fusion of style, performance, and futuristic thinking, all of which made it a standout in the automotive world. As it cruised through the busy streets of Milan, the Lancia Stratos Zero was more than just a car—it was a symbol of ambition and progress. The attention it drew from passersby reflected the excitement and awe that accompanied the unveiling of such a revolutionary concept. Although the Stratos Zero remained a concept car, its influence on automotive design was far-reaching, and it paved the way for the eventual creation of the production Lancia Stratos, which became a racing legend. The 1970 Milan sighting of the Stratos Zero remains one of the most memorable moments in automotive history, showcasing the limitless possibilities of design and technology. 🎥© Sarahh #archaeohistories

Archaeo - Histories

53,108 просмотров • 2 месяцев назад

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An Abandoned Etruscan Town : Civita di Bagnoregio, a town in Province of Viterbo, Italy. It's only access is a footbridge from nearby town. Due to its unstable foundation that often erodes, Civita is famously known as ‘Dying City’. Town was founded by Etruscans more than 2500 years ago. Formerly there were five city gates to access ancient town of Civita, nowadays instead, Porta Santa Maria (known as Porta Cava, as well) is main gateway of city. It is also possible to enter the town of Civita from badlands valley through a tunnel carved into rock. Layout of whole town is of Etruscan origin, based on a cardo and decumanus orthogonal street system according to Etruscan and Roman use, while entire architectural cladding is of medieval and Renaissance origin. Numerous traces of Etruscan civilisation in Civita, especially in San Francesco Vecchio area: a little Etruscan necropolis was found in cliff located in area below Belvedere di San Francesco Vecchio. Cave of St Bonaventure is also an Etruscan chamber tomb. Etruscans made Civita, a flourishing city, thanks to its strategic position favourable for trade and thanks to its proximity to most important communication routes of times. Many traces of Etruscan period are still suggestive spots: so-called Bucaione, a deep tunnel which goes through lowest part of city and gives access to badlands valley directly from town. In past, many chamber tombs were visible. They were dug at base of Civita’s cliff and nearby tuff walls and, over centuries, they were destroyed by several rockfalls. Indeed, Etruscans themselves had to face problems of seismic activity and instability, like earthquake of 280 BC. When Romans arrived in 265 BC, they took up and carried on rainwater drainage and stream containment works that were first started by Etruscans. Civita (City) was birthplace of Saint Bonaventure, who died in 1274 AD. Location of his boyhood house has long since fallen off edge of cliff. By 16th Century AD, town was beginning to decline, becoming eclipsed by its former suburb Bagnoregio. 📽️© manutoni24 - Subscribe for Weekly Newsletter - #archaeohistories

Archaeo - Histories

658,331 просмотров • 3 лет назад

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The World’s Oldest Banking System - The Morocco’s Ancient Granaries (Igudar) .... According to historians, the Igudar granaries in Morocco are the world’s oldest bank, going back as far as the 13th Century CE. Some historians believe they may even go farther than that since the granaries are as old as the mountains they are built in. These granaries belonged to the Amazigh people who settled in Morocco more than 4000 years ago. The Amazigh tribes mainly lived in the South of Morocco which is a mountainous area. They started to build granaries in the caves and cliffs of the mountains. Each Amazigh family owned a granary and stored their valuables inside it. These valuables ranged from documents and weapons to food and jewelry. An interesting finding is that some granaries were big enough to act as shelters during war times. Some had enough room for cats to protect the valuables from mice. Amazigh had various ways of managing the granaries. Firstly, they had tablets (boards) to keep track of the valuables and who they belonged to. The management was the responsibility of a secretary called the Lamine. Secondly, each tribed selected representatives which formed another management body: the Inflas. The Inflas comprised 10 people and each granary had a key holder called the Amir. The tribes only paid the Amir for their efforts to keep the valuables safe. Additionally, tribe members could safeguard their own granaries as well. One of the oldest and biggest of the Igudar is Agadir Imchguiguiln which is more than 700 years old. Recent renovations reveal that it has 130 granaries, a central square, a mosque, and even a prison cell. Aside from their physical value, the world’s oldest bank, Igudar granaries represent the collective trust inside the community and between different groups of people. In recent years, the Moroccan government has been working to have Unesco recognize the granaries as an international heritage of great importance as well. 🎥© laadiyoune #archaeohistories

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33,044 просмотров • 1 месяц назад

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This video shows an extraordinary coincidence in aviation history..... One of the Concorde's final flights was captured unintentionally, without planning or ceremony - just a camera in the right place at the right time. As the supersonic jet passes through the frame, it represents the closing chapter of an era when commercial air travel briefly defied the limits of speed. Today, Concorde exists only in museums and memories, making moments like this even more powerful. When Concorde made its first commercial departure from Heathrow on January 21, 1976, it was a moment that captured global imagination. Born of Anglo-French collaboration, the sleek white jet embodied not only technical genius but also a shared vision of progress in an era still buzzing with the optimism of the Space Age. Its distinctive droop-nose design, developed to aid visibility during takeoff and landing, became an icon in itself, while its ability to soar at 60,000 feet allowed passengers to glimpse the curvature of the Earth. This blend of aesthetics and performance made Concorde unlike any other aircraft of its time. The Concorde, a supersonic passenger jet that was a joint Anglo-French project. It was renowned for being the first passenger plane to fly faster than the speed of sound, reaching speeds of Mach 2.04 (over twice the speed of sound). Concorde significantly reduced transatlantic flight times, making the journey between London/Paris and New York possible in about three hours. It was in service from 1976 to 2003, primarily flying routes between London, Paris, New York, and Barbados. Developed through a collaboration between British Aerospace and Aérospatiale for the airframe, and Rolls-Royce and SNECMA for engines, Concorde was considered a technological masterpiece. After a fatal crash in 2000 and declining passenger numbers, the remaining planes ceased flights in 2003. The drama of takeoff was unforgettable. Heathrow’s runways would tremble under the roar of its Olympus 593 turbojet engines, a sound so powerful it echoed across West London. Residents and aviation enthusiasts alike would pause to watch the jet thunder down the runway, trailing a streak of heat and sound before lifting sharply into the sky. For the privileged few onboard, the experience was no less thrilling—menus boasted fine wines and gourmet cuisine, while the cabin hummed with the quiet exclusivity of royalty, business magnates, and celebrities en route to New York or Paris in less than half the usual time. Though Concorde’s era ended in October 2003, its legacy remains deeply tied to Heathrow. For nearly three decades, it was both a marvel and a symbol of human ingenuity, demonstrating what was possible when engineering ambition met cultural aspiration. Today, preserved Concorde aircraft at museums around the world remind visitors of an age when the boundaries of speed and style were pushed to new horizons, and every takeoff from Heathrow carried with it the promise of the extraordinary. © Reddit #archaeohistories

Archaeo - Histories

166,709 просмотров • 9 месяцев назад

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Presidential Guard (Evzones) performing the ceremonial changing of the guard. They are located at the Tomb of the Unknown Soldier in Syntagma Square, Athens, Greece 🇬🇷 Protected by Evzones, the presidential guard, the Tomb of the Unknown Solider commemorates Greek soldiers who were casualties of wars. Every hour, you can see the changing of the guard, especially at 11am on Sundays which includes an elaborate procession and marching band. The decision to construct a monument dedicated to the ‘Unknown Soldier’ was made by Theodoras Pangalos, Greece‘s army general and ‘constitutional dictator’. In his role as Army Minister, Pangalos placed an advertisement in the newspaper, Espera, requesting a submission for the construction of a tomb. The intention was for the cenotaph to be placed of the Old Royal Palace, the first modern royal palace of Greece situated in the heart of modern Athens. However, the monument was instead built at Syntagma Square, in the city centre, much like the Arc de Triomphe in Paris. The request was approved in 1926 and a major study was done by architect Emmanuel Lazaridis. The tomb was sculpted between 1930 and 1932 by sculptor Fokion Rok, who chose the design of a gunner lying on the ground, considered both calm and simple, therefore appropriate for the monument. The Tomb of the Unknown Solider was unveiled in March 1932, with a ceremony attended by foreign delegations followed by a parade of the monument guard. A torch was brought from the monastery of Agia Lavra, the symbolic birthplace of modern Greece, to light the eternal flame in the centre of the cenotaph. Today, you can view the tomb designed in the French urban and classical tradition, that combining the modern Art Deco style with symbolic references to Greece’s ancient history. Set within Syntagma Square and framed by the neoclassical Palace, the tomb is fully integrated into its surroundings. The dramatic sculpture, set within the cenotaph wall, depicts the naked male figure of a warrior lying on the ground, holding a circular shield and wearing an Ancient Greek-style helmet. Visitors can read the names of battles where Greek lives were lost, inscribed around the sculpture, including the First and Second World Wars, the Russian Civil War and Greco-Turkish War. 🎥© baghishyan_anush #archaeohistories

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56,579 просмотров • 2 месяцев назад

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Orteke - traditional performing art in Kazakhstan 🇰🇿; dance, puppet and music... Orteke is an indigenous Kazakh performing art that combines theatre, music and puppetry. This folk art entails a music performance with a dombyra, a traditional two-stringed instrument and a dance performed by a wooden puppet. Attached to the surface of a traditional drum with a metal rod, a wooden puppet in the shape of a mountain goat is connected to the fingers of a musician by one or several strings. As the musician strikes their fingers to play the dombyra, the puppet comes to life, hopping in sync with the music while tapping a rhythmic beat on the drum. Some experts can play with three or more puppets at a time. This performance, fascinating for its simplicity, is enjoyed by children and adults alike. It is primarily transmitted within communities and through apprenticeships, although the Kokil Musical College in Almaty has also established a team of researchers dedicated to the art. The biennial Orteke international festivals and regional puppet art competitions are other platforms for the learning and sharing of skills and experience between puppet artists from Kazakhstan and neighbouring countries. An important part of the region’s folk heritage and identity, Orteke also serves as a communication tool between adults and children. The tradition of the orteke may go back several thousands of years. The word “orteke” derives from “or”, ditch, hole or trap, and “teke”, goat. Orteke are carved figures of a horned mountain goat mounted on stands, manipulated by a puppeteer using slender sticks and strings attached to the puppets’ wooden parts. The orteke are attached by threads to the fingers of the puppeteer-musician playing the dombra (a wooden plucked instrument with two strings) and usually performed on a Kazakh perussion instrument, the daulpaz (dauyilpaz, bass drum), “which has a built­in metal core for the fastening of the body of the goat. From below, the core is connected to a foot of the performer and thus is manipulated by him. Simultaneously, dombra performer can operate three animals (with his two hands and a foot), separately or at the same time.” The goat dances on its drum plinth, creating a percussive rhythm to accompany the string music of the dombra. The goat puppet is also found in neighbouring countries. Older Kazakhs today have childhood memories of relatively simple performances with puppets and musical instruments, such as these 1927 reminiscences of a young girl during the pre-Soviet period: “There were people playing the instrument, dombra, and at the end of the dombra they placed the puppet made of straw. And when they played, the puppet began to jump and dance. It was fun for the children. These people were invited to the houses to entertain children, and more often they entertained people in the bazaars. It was very popular, especially among the children …Then the shadow theatre was very popular because there was no electricity and the only entertainment was showing different animals on the wall.” The Kazakh puppetry and musical tradition called the Orteke is today experiencing a “comeback”, thanks to artists, academics, the Kazakh government, and the public as part of Kazakhs search for a national identity. Originally made by tribal artist from south-west Kazakhstan, Orteke was all but forgotten; it only survived because a few master craftsmen and puppeteers preserved the tradition and passed it on. Today, traditional Orteke has found new audiences. The government-funded Orteke 2010 puppet festival, held in the country’s capital, Almaty, was devoted to the Orteke. Performers from Kazakhstan, Kyrgyzstan, Russia, Turkmenistan, and Uzbekistan attended the 2010 festival. Some of the Orteke performers were very young, as young as five years old. 🎥© dala_sound #archaeohistories

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102,390 просмотров • 5 месяцев назад

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On May 8, 1945, Herman Goering, commander in chief of the Luftwaffe, president of the Reichstag, head of the Gestapo, prime minister of Prussia and Hitler’s designated successor is taken prisoner by the U.S. Seventh Army in Bavaria. Goering was an early member of the Nazi Party and was wounded in the failed Munich Beer Hall Putsch in 1923. That wound would have long-term effects; Goering became increasingly addicted to painkillers. Not long after Hitler’s accession to power, Goering was instrumental in creating concentration camps for political enemies. Ostentatious and self-indulgent, he changed his uniform five times a day and was notorious for flaunting his decorations, jewelry, and stolen artwork. It was Goering who ordered the purging of German Jews from the economy following the Kristallnacht pogrom in 1938, initiating an “Aryanization” policy that confiscated Jewish property and businesses. Goering’s failure to win the Battle of Britain and prevent the Allied bombing of Germany led to his loss of stature within the Party, aggravated by the low esteem with which he was always held by fellow officers because of his egocentrism and position as Hitler’s right-hand man. As the war progressed, he dropped into depressions and battled drug addiction. When Goering fell into U.S. hands after Germany’s surrender, he had in his possession a rich stash of pills. He was tried at Nuremberg and charged with various crimes against humanity. Despite a vigorous attempt at self acquittal, he was found guilty and sentenced to be hanged, but before he could be executed, he died by suicide by swallowing a cyanide tablet he had hidden from his guards. #archaeohistories

Archaeo - Histories

42,867 просмотров • 2 месяцев назад

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The 'Sea Peoples' were a group of seafaring raiders that existed during the Late Bronze Age collapse. They gained notoriety for their attacks on several regions in and around the Mediterranean Sea, specifically ancient Egypt. Very little is known about the Sea Peoples due to a lack of documentation from the group itself, but historians have done what they can to estimate their origins, structure, and culture. There is evidence that sometime around 1150 BC, three powerful civilizations in the eastern Mediterranean region collapsed: the Mycenaean Civilization in Greece, the Hittites in Asia Minor and New Kingdom in Egypt. This event became known as Bronze Age collapse. Historians don't know for sure what caused this great event, but it is theorized that it was due to invasions by the aggressive Sea Peoples. However, this is just a theory and the collapse could have just as easily been due to famine, earthquakes, or tsunamis. The term "Sea Peoples" didn't exist until the 1800s. It was originally used as a way of describing the people depicted in ancient Egyptian inscriptions from the 12th century. These inscriptions showed these people invading a number of regions in the eastern Mediterranean during this time. This is essentially the only information historians have to go off of. The identity of the Sea Peoples remains hypothetical because there exists little to no evidence that specifically links the group to a specific Mediterranean people. Archaeologists are unable to determine where they came from, what language they spoke, or even whether they were a single group of people. Despite this, it is believed that the Sea Peoples were comprised of Mediterranean, European, and Asian members, and they likely originated from areas on the northern and eastern Mediterranean coast. Historians and archaeologists know for sure that Bronze Age collapse occurred around 12th Century BC. Many already settled civilizations collapsed for seemingly no reason, leading to completely destroyed cities and enormous shifts in the population at some locations. Sites were abandoned and then resettled by inhabitants who were ethnically different than the previous groups. Shortly after this collapse, Greece entered "Dark Ages," and remained in that period for the next three hundred years. Though all this information can be proven, there is one thing that cannot: why it happened. It could have easily been caused by famine, earthquakes or tsunamis. However, with the help of ancient inscriptions created by the Egyptian people depicting unknown peoples attacking civilizations, historians can credit most of these collapses to the attacks of the Sea Peoples. Many cultures, such as the Greeks, Romans, French, and Egyptians have, over the years, left behind documents that historians were able to discover and analyze to see what life was like during that era. The reason it is so difficult to determine exactly where the Sea People came from is that the Sea Peoples left no documentation of themselves. This means the only evidence historians have to go off of is second-hand information from cultures that encountered the Sea Peoples. The term "Sea Peoples" doesn't exist in any known ancient source. French Egyptologist Emmanuel de Rouge coined the term when describing a peculiar foe that was fought by Ramses II, the Egyptian pharaoh. #archaeohistories

Archaeo - Histories

32,081 просмотров • 1 месяц назад