
Auteur House
@auteurhouse • 17,858 subscribers
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All 2 hours and 42 minutes of Andrei Tarkovsky's STALKER (1979) compressed into 90 seconds.
Auteur House1,333,307 görüntüleme • 1 gün önce

The more you watch it, more surreal it gets. A Satoshi Kon masterpiece that inspired Christopher Nolan's Inception (2010).
Auteur House13,472,733 görüntüleme • 1 ay önce

Every single detail in the surreal parade scene from Satoshi Kon's Paprika (2006) explained.
Auteur House1,721,635 görüntüleme • 22 gün önce

Werner Herzog (#botd) visited the set of The Shining (1980) while Stanley Kubrick was shooting Danny’s famous tricycle scene. Kubrick worried that the sound of the wheels going from hardwood to carpet, over and over again, felt wrong and out of rhythm. However, Herzog loved it and he convinced Kubrick to keep it.
Auteur House155,909 görüntüleme • 8 gün önce

Full 2001: A SPACE ODYSSEY (1968) by Stanley Kubrick compressed into 87 seconds.
Auteur House707,296 görüntüleme • 1 ay önce

David Lynch talking about hating school and about the things that actually shaped him as an artist.
Auteur House44,300 görüntüleme • 4 gün önce

Roger Ebert brutally roasting The Gladiator (2000) by Ridley Scott.
Auteur House78,184 görüntüleme • 10 gün önce

A scene from F.W. Murnau’s masterpiece Faust (1926), where the demon Mephisto takes Faust on a flying tour of the world. To fake this in the 1920s, the crew built a hidden iron platform in the studio to hold the actors, using massive fans to blow their capes and billowing glass wool to create the surrounding clouds. They then used double exposure to layer the actors over a moving, miniature model city, making it look like they were actually soaring over the mountains and rooftops.
Auteur House505,238 görüntüleme • 2 ay önce

Do you know that Kill Bill's iconic whistle is actually from a 1968 British psychological thriller horror Twisted Nerve?
Auteur House173,237 görüntüleme • 26 gün önce

The legendary editor Walter Murch cuts on the exact frame an actor blinks, which is the way your brain edits. Editor Walter Murch argued that the best cut often lands on the exact frame an actor blinks, because a blink marks the end of a thought. He laid this out in his book In the Blink of an Eye. Murch treats the blink as the body's own edit point. The idea links human attention to the rhythm of cutting.
Auteur House69,160 görüntüleme • 15 gün önce