Pierrick Chevallier | IA
@CharaspowerAI • 55,154 subscribers
VFX artist. House of David S2 (Amazon). I test AI video in real pipelines and post what survives a job. Adobe Firefly Ambassadorr 🚀
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This is wild. I put together a 2-minute anime showreel in record time with ChatGPT working directly on my timeline. 🤯 I connected ChatGPT to Invideo’s editor through MCP, brought in my own AI-generated footage, and gave it editing instructions in chat. From the edit to a subtle color polish, I could inspect the changes inside the editor and keep control of the result. Watch the screencast: the prompts, the workflow, and the final showreel are all there. 👇
Pierrick Chevallier | IA72,002 views • 3 days ago
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People are using Agent Two like a chatbot. I used it like a movie studio. The result? A 1m15 cinematic sci-fi sequence built from screenplay + production assets, with Agent Two remembering every character, creature, and location throughout the project. Let me show you the workflow. 👇🚀
Pierrick Chevallier | IA160,862 views • 2 months ago
I wanted to see how far Agent Two in Invideo could really go on a serious filmmaking project. So I gave it a challenge: Build a 2+ minute found-footage horror sequence with recurring characters, claustrophobic cave environments, rising tension, consistent visual rules, and a real narrative arc. Not random clips. A complete project. I worked hand in hand with Agent Two from the script and character references, to a custom playbook, Seedance 2.5 generations, continuity fixes, and the final edit in Slate. The result is PRE-ECHO. And honestly… this workflow is kind of insane. 📌 Bookmark this thread — I’m breaking down the entire process below 👇
Pierrick Chevallier | IA105,865 views • 2 months ago
This AI trailer is almost 4 minutes long. And no, I didn’t just keep generating random shots until something worked. I built the whole thing with Agent Two like an actual production: Script. Characters. Playbook. Seedance 2.5. Iteration. Final edit. All inside one connected Invideo workflow. The wild part? The AI didn’t replace the process. It helped me run it. Here’s the final result. Sound ON. 🔥👇
Pierrick Chevallier | IA70,297 views • 1 month ago
No character sheet. Just TWO reference images. 🤯🔥 And Seedance 2.5 still manages to deliver fast, brutal anime action with impressive character consistency. That’s the part that blows my mind. You really don’t need to overcomplicate the setup to get crazy results. I’m dropping the 2 exact reference images I used below 👇 Made in Runway
Pierrick Chevallier | IA65,014 views • 1 month ago
I made an almost 4-minute AI film… but generating the shots was only half the job. For this one, I worked hand in hand with Agent Two to build the entire production: Character sheets. Location sheets. Playbook. Sequences. Continuity. Then I used the NEW invideo Editor to help turn all that footage into an actual editable timeline. AI agents doing the grunt work. Me keeping the creative control. And the crazy part? Invideo Editor is completely FREE. 🔥 Here’s how I made the whole thing 👇
Pierrick Chevallier | IA65,745 views • 1 month ago
AI filmmaking just reached another level. I created UNBELIEVER, an almost 4-minute cinematic trailer, with Agent Two by Invideo at the center of the entire production. Not just generating clips. I’m talking script → characters → world → consistency → sequences → edit → music. This one pushed my workflow HARD. Watch the result first. Then I’ll show you exactly how I made it 👇
Pierrick Chevallier | IA63,564 views • 1 month ago
🎬 It’s been almost 2 months now that I’ve been working as a VFX AI Prompt Artist / Photoshop Editor on Season 2 of #houseofdavid, a major international production for Prime Video & Amazon MGM Studios. And honestly? It’s absolutely wild. The show is crushing it (No. 2 on Prime US, over 22 million viewers worldwide), and I’m super proud to have been part of the team since February What truly makes this project stand out is that, for the first time on a production of this scale, AI Artists have been directly integrated into the VFX pipeline. A bold move led by Wonder Project, and a strong signal for what’s coming next: generative AI has clearly found its place in the film industry. Day to day? 🎥 Massive sets, ⏱️ Tight deadlines, 🧠 Challenging sequences, 💬 Meetings with the cast, 🙌 And above all, an amazing team that’s an absolute joy to work with (LudovicCreator , Genmakers , Heather Cooper ) In this video, Jon Erwin talks about how AI was used in episode 6 of season 1, and shares his vision of what generative AI can bring to the future of filmmaking. A clear, inspiring message — and totally aligned with what I’m experiencing on this project every day. One thing’s for sure: AI in cinema is no longer just R&D… it’s already happening. And the story is just getting started.
Pierrick Chevallier | IA479,588 views • 1 year ago
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It took me barely 20 minutes to generate this anime-style volleyball sequence. 🏐⚡️ I used GPT Image 2 + Seedance 2 inside Leonardo.Ai . And honestly, this combo is clearly one of my favorites from the past few months. Fast, stylish, efficient. The kind of workflow that makes you want to keep testing more.
Pierrick Chevallier | IA51,778 views • 4 months ago
🚀 Create your own video game — visuals & cinematics included? It’s possible — and I built one from A to Z inside Freepik (now Magnific) Spaces. Cover art, ads, menu, boss fights… it’s all there. And yes, I’m sharing every single prompt 🎯 ✨ A thread to bookmark for your next creative project 👇 #StrangersThings
Pierrick Chevallier | IA91,449 views • 9 months ago
