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@ChillaiKalan__ • 13,054 subscribers
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Made with Seedance 2.5 Prompt: 30 seconds | 16:9 | Ultra-photorealistic live-action Create a natural Korean summer day-in-the-life video featuring one young Korean woman spending a quiet afternoon preparing a simple chilled fruit snack at home. Use the reference image only for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her appearance consistent throughout the entire video. OUTFIT: Lightweight pale-yellow short-sleeve blouse, loose white cotton pants, simple canvas shoulder bag, white low-profile sneakers, minimal silver jewelry. Outfit remains unchanged from beginning to end. TIME & LIGHTING: Warm late-afternoon summer sunlight. Consistent weather, shadows, color temperature, and time of day across every scene. 00–05s — Neighborhood walk She leaves a small Korean apartment building carrying her canvas bag and walks down a quiet residential street. Trees move gently in the summer breeze. Parked scooters, apartment entrances, utility poles, bicycles, and distant pedestrians create an authentic neighborhood atmosphere. She briefly looks at the camera and says: “I need something refreshing today.” 05–10s — Local fruit stand She arrives at a small neighborhood fruit shop with crates of peaches, grapes, melons and Korean pears. Instead of immediately picking something, she walks around comparing the fruit. She notices a basket of peaches, picks one up carefully, examines it, smells it, and smiles. The shop owner says something casually off-camera. She responds: “This one looks perfect.” She places several peaches into her canvas bag. 10–15s — Walking home She walks back through the neighborhood carrying the slightly heavier bag. The camera follows from behind and then moves beside her. She adjusts the bag against her shoulder as the fruit shifts naturally inside. A bicycle passes in the background. Leaves move gently in the breeze. Her hair moves subtly with the air. 15–21s — Apartment kitchen She enters her apartment kitchen and places the peaches on the counter. She turns on the faucet and rinses them under cool running water. Water droplets collect on the fruit and fall naturally into the sink. She dries one peach with a clean kitchen towel and places it onto a small ceramic plate. 21–26s — Preparing the snack She sits at the kitchen counter. Using a small kitchen knife, she carefully slices the peach in half. The knife meets realistic resistance before passing through the soft fruit. She removes the pit, cuts several thin slices, and arranges them casually on the plate. Close-up of realistic juice and peach texture. 26–30s — First bite She picks up one slice and takes her first bite. She pauses for a moment, smiles naturally, and quietly says: “So good.” She looks toward the window as warm sunlight falls across the kitchen. The camera slowly drifts backward, capturing the cozy kitchen, open window, gentle curtain movement, and late-summer atmosphere. Cut naturally at the end. CAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, occasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens behavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics. AUDIO: Real environmental audio only — distant neighborhood sounds, footsteps, bicycle passing, fruit shop conversations, plastic bags, fruit being handled, apartment door, running water, knife against cutting board, refrigerator hum, subtle curtain movement, breathing, and natural eating sounds. No background music. PHYSICAL REALISM: The shopping bag reacts naturally to the weight of the fruit. Peach movement follows gravity and momentum. Hands maintain believable grip and pressure. Water flows naturally. Knife movement shows realistic cutting resistance. All body movements, walking, reaching, lifting, sitting, washing, cutting, and eating should feel spontaneous and physically accurate. CONTINUITY: Same woman, facial identity, hairstyle, body proportions, outfit, bag, fruit, apartment, kitchen, weather, lighting, and time of day throughout. No unexplained object changes. NEGATIVE PROMPT: No CGI look, synthetic skin, beauty filter, excessive sharpening, HDR, artificial blur, unrealistic depth of field, robotic movement, weightless objects, floating fruit, impossible hand positions, distorted anatomy, extra fingers, malformed hands, face drift, character replacement, wardrobe changes, hairstyle changes, teleportation, instant cutting, duplicated people, inconsistent shadows, sudden weather changes, excessive wind, text, subtitles, logos, watermark, background music, commercial advertisement style. >> >>
K30,431 views • 7 days ago

Made with Seedance 2.5 on Rezona Prompt: 30 seconds | 16:9 | Ultra-photorealistic live-action Create a natural Korean morning-routine day-in-the-life video featuring one young Korean woman waking up and easing into her quiet morning at home. Use the reference image as the EXACT starting frame — she is lying in bed, just waking up. Use the reference image for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her appearance consistent throughout the entire video. The video begins from this reference pose and moves forward naturally. OUTFIT: Soft cream/white cotton loungewear or a light pajama set to start; she stays in comfortable loungewear throughout (no wardrobe change). Minimal or no jewelry. Hair natural and slightly tousled from sleep at the start, settling as the morning goes on. TIME & LIGHTING: Soft early-morning summer sunlight, gradually warming as the morning progresses. Gentle, consistent natural light, shadows, color temperature, and time of day across every scene. 00–05s — Waking up (starts from reference image) The video opens on the exact reference pose — she is lying in bed, eyes just opening, waking up slowly. Soft morning light filters through sheer curtains onto the bed. She stirs gently, blinks, and slowly sits up, stretching her arms with a soft, sleepy motion. Her hair is naturally tousled. She rubs her eyes, looks softly toward the window, and quietly says: "Morning already…" 05–11s — Out of bed She swings her legs off the bed and stands, stretching gently. She pads across the room and opens the curtains — bright morning light floods in. She looks out the window for a moment at the quiet neighborhood outside (rooftops, trees, soft sky). Natural, unhurried movement. 11–17s — Washing up She walks to the bathroom sink. She turns on the faucet and splashes cool water on her face, then pats it dry with a soft towel. Water droplets fall naturally. She looks at herself briefly in the mirror, tucks her hair behind her ear, and takes a slow breath. Fresh and calm. 17–23s — Making breakfast / morning drink She moves to the kitchen. She fills a kettle and sets it to boil, then takes a mug and a tea bag (or pour-over coffee) from the counter. Steam rises as she pours the hot water — the liquid swirls naturally in the mug. She sets a simple breakfast on a small plate (toast, fruit, or a pastry). Gentle, homey morning movements. 23–30s — Quiet morning moment She sits by the window with her warm mug and breakfast, both hands wrapped around the cup. She takes a slow first sip, pauses, and smiles softly. She looks out at the morning light and quietly says: "Perfect start." The camera slowly drifts backward, capturing the cozy bedroom/kitchen, the open window, gentle curtain movement, soft morning light, and the calm start-of-day atmosphere. Cut naturally at the end. CAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, occasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens behavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics. AUDIO: Real environmental audio only — soft morning ambience, birdsong outside, sheets rustling, a gentle yawn, curtains sliding open, water running, towel patting, kettle boiling, water pouring into a mug, a spoon clinking, breathing, and natural sipping sounds. No background music. PHYSICAL REALISM: The bedsheets shift and drape naturally as she wakes and rises. Her stretching, standing, and walking feel spontaneous and physically accurate. Water flows and droplets fall naturally. The kettle steams and the liquid pours with realistic fluid dynamics. Hands maintain believable grip and pressure. All body movements — waking, stretching, walking, washing, pouring, sitting, sipping — should feel natural and unforced.
K15,942 views • 3 days ago

A cinematic steampunk adventure where the crown is only the beginning. Made with SuperCool. Supercool.com Prompt: SUBJECT ANCHOR 1: >> — Ash Knight SUBJECT ANCHOR 2: >> — Obsidian Rival PROP ANCHOR: >> — Magma Greatsword DURATION: 30 seconds ASPECT RATIO: 16:9 STYLE: High-budget steampunk fantasy adventure film CAMERA: Large-format cinema, anamorphic lenses, stabilized tracking, aerial photography FRAME RATE: 24fps with selective 60fps slow motion STORY A colossal airship is crossing a futuristic Victorian city at night. Inside its armored cargo chamber is a priceless ancient crown. Ash Knight has secretly boarded the ship. The Obsidian Rival is already waiting for him. But neither realizes the airship is about to enter a massive electrical storm. Their rivalry turns into an unexpected race to escape. --- 00:00–00:05 — THE CITY Open on an enormous aerial view of a sprawling steampunk metropolis at night. Thousands of warm windows illuminate Victorian towers. Steam rises from elevated railways. Airships move between skyscrapers. The camera flies smoothly between the buildings and approaches one enormous black airship. Rain begins hitting the camera lens. 24mm anamorphic wide shot. --- 00:05–00:09 — THE CARGO HOLD Cut inside. A massive metallic cargo chamber. Wooden crates. Brass mechanisms. Hanging chains. A single glass container sits at the center. Inside is an ancient crown. Ash Knight steps into frame. The Magma Greatsword remains secured across his back. He approaches the container. --- 00:09–00:13 — THE RIVAL A shadow moves behind him. The camera slowly rotates. Obsidian Rival is standing at the opposite end of the cargo hold. His orange visor reflects the crown. Neither moves. The camera holds a wide composition with both warriors visible. Suddenly— LIGHTNING FLASHES OUTSIDE. The entire airship shakes. --- 00:13–00:17 — THE STORM Cut to exterior. The airship enters a gigantic electrical storm above the city. Lightning illuminates the clouds. Rain hits the hull. The airship tilts sharply. Cut back inside. Crates slide across the floor. The crown's glass container remains locked in place. Both warriors grab nearby structures to maintain balance. --- 00:17–00:21 — THE BREAK The airship suddenly loses power. All lights go dark. Emergency orange lighting activates. The cargo doors begin opening. Wind pulls objects toward the opening. Ash Knight reaches for the crown. Obsidian Rival reaches for it at exactly the same moment. Their hands stop. They look at each other. --- 00:21–00:25 — THE ESCAPE The airship breaks through the storm cloud. The city appears thousands of feet below. The cargo door is now completely open. Both warriors grab the crown container. The camera pulls outside with them as they move toward the edge. Use 60fps slow motion as lightning flashes behind them. --- 00:25–00:28 — THE TWIST The crown suddenly activates. A holographic map projects into the storm clouds. It reveals the location of an enormous hidden city floating above the clouds. Both warriors stop. The crown was never the treasure. It was a map. --- 00:28–00:30 — FINAL IMAGE The camera rapidly rises above the storm. The enormous hidden city appears between the clouds, illuminated by thousands of lights. Far below, the damaged airship continues through the storm. Ash Knight and Obsidian Rival stand at the open cargo doorway, staring toward the impossible city. The camera pulls farther away. CUT TO BLACK. No text. No logo. No title. CONTINUITY Preserve the exact appearance of both reference characters in every shot. Ash Knight: - Exact armor - Exact magma runes - Exact cape - Exact proportions - Exact silhouette - Exact character identity Obsidian Rival: - Exact obsidian armor - Exact horned helmet - Exact orange visor - Exact proportions - Exact silhouette - Exact character identity Magma Greatsword: - Exact geometry - Exact jagged edges - Exact handle - Exact dark forged texture - Exact red lava veins The airship must remain the same design throughout. The crown and glass container must remain identical. No character redesign, identity drift, weapon transformation, armor changes, duplication, morphing, flickering, or object inconsistency. CINEMATOGRAPHY 24mm — aerial city and airship. 35mm — cargo-hold movement. 50mm — character compositions. 85mm — crown details. Smooth aerial camera. Controlled Steadicam. Lateral tracking. Slow push-ins. Selective 60fps during the storm and reveal. Natural motion blur. Realistic rain interaction. Realistic reflections. Anamorphic highlights. Feature-film depth of field. VISUAL DESIGN Steampunk metropolis. Victorian architecture. Brass machinery. Dark iron airship. Warm city lights. Cold blue storm clouds. Orange emergency lighting. Wet reflective surfaces. Dense atmospheric depth. Lightning illuminating clouds naturally. The color palette should evolve from warm city tones → cold storm blues → dramatic orange emergency light → bright celestial reveal. NEGATIVE PROMPT text, subtitles, watermark, logo, modern cars, modern buildings, cartoon, anime, low-poly, plastic armor, character redesign, identity drift, face morphing, weapon redesign, duplicate characters, extra limbs, malformed hands, inconsistent proportions, flickering, random camera movement, environment changes, lighting resets, excessive explosions, graphic gore, blood, dismemberment, blurry subjects, flat lighting. DIRECTOR'S NOTE: This should feel like a steampunk adventure film, not a fantasy battlefield. The first half is a heist, the middle becomes a survival sequence, and the final three seconds reveal that the crown was actually a map to an impossible city. The audience should finish the 30 seconds thinking: “Wait… where is that city?”
K14,482 views • 10 days ago

Gpt image 2 + Seedance 2.5 on Higgsfield Prompt: 30-SECOND CINEMATIC SHORT Create a 30-second cinematic sequence with the visual discipline of a major feature film. The world is entirely made from paper, cardboard, ink, and delicate handcrafted materials. 00:00–00:05 — THE FIRST FOLD Begin with an extreme macro shot of a blank sheet of textured paper. A single fold slowly forms across its surface. Lens: 100mm macro Camera: Completely static Soft daylight moves across the paper as the fold continues. Cut precisely as the paper reaches its final shape. 00:05–00:11 — THE CITY EMERGES Transition into a 50mm shot. The folded paper begins forming miniature streets and architectural structures. Buildings rise naturally from the surface through carefully constructed paper folds. The camera slowly tracks sideways. Tiny windows catch the light. Nothing feels computer-generated; every surface should have believable paper fibers, folds, shadows, and imperfections. 00:11–00:17 — THE REVEAL Move into a 35mm shot. The camera pulls backward. The small arrangement is revealed as an enormous handcrafted paper city stretching across a large table. Roads connect different districts. Bridges cross miniature rivers. Paper trees move gently from an unseen breeze. 00:17–00:23 — MORNING Transition into a slow overhead crane shot. Warm sunlight gradually spreads across the paper city. Shadows from the buildings become longer and more defined. Tiny paper windows begin reflecting the sunlight. The camera continues rising, revealing the geometric relationship between the streets and buildings. 00:23–00:27 — THE DETAIL Cut to an 85mm close-up. Focus on a tiny paper clock mounted on one building. The clock moves forward by one minute. Rack focus from the clock to the miniature skyline behind it. 00:27–00:30 — FINAL IMAGE Return to an extreme wide shot. The entire paper city sits beneath a large studio window. The morning light completely fills the miniature world. Camera slowly pulls backward until the city becomes a small object within the larger room. Fade to black. CINEMATOGRAPHY Large-format feature-film aesthetic. 100mm macro for texture. 85mm for detail. 50mm for natural perspective. 35mm for environmental shots. Controlled dolly and crane movements. Realistic depth of field. Natural focus transitions. Soft motion blur. Subtle lens imperfections. No artificial camera shake. MATERIAL DIRECTION Every surface must visibly behave like physical paper. Visible paper fibers. Natural folds. Tiny imperfections. Soft cardboard edges. Realistic contact shadows. Believable paper thickness. Natural material deformation. LIGHTING Soft morning daylight. Large window as the primary source. Natural bounce light. Gentle shadows. Subtle warm highlights. No artificial neon effects. No excessive visual effects. CONTINUITY The same paper city throughout the entire sequence. Buildings maintain identical shapes and positions. Roads remain connected. Paper materials remain consistent. No random transformations. No flickering. No duplicated structures. No sudden environmental changes. DIRECTOR’S NOTE Treat this as a miniature feature film, not a visual-effects demonstration. The camera should discover the world gradually. Start intimate. Reveal scale. Return to detail. Finish wide. The audience should feel that they are watching a real handcrafted world photographed with a cinema camera. Photorealistic 4K • tactile materials • feature-film cinematography • sophisticated lighting • realistic miniature photography • cinematic depth • precise camera movement • seamless visual continuity.
K21,742 views • 23 days ago

Creating believable AI characters has always been one of the hardest parts of AI video. A character is not just about appearance the small details matter. The way they look at the camera, react, move, and express emotions are what make them feel alive. What surprised me about Newtake is how much personality these AI characters can show. Instead of feeling like static digital figures, they start to feel like real characters with their own presence and emotions. For creators, this opens up new possibilities for storytelling, animation, and visual content creation. AI is not only helping us create worlds anymore it’s helping us create characters that can truly exist inside them. @newtake_ai #Newtake #Seedance25 #MiniMaxH3 #NanoBanana
K25,777 views • 29 days ago

Creating high-quality ad creatives doesn't have to take hours. I've been using Ribbi to create AI ad creatives for my campaigns, and it's made the process much faster. What I like most is that Ribbi offers a variety of AI Skills that cover the entire ad creative workflow, making it easy to generate on-brand creatives and test multiple ideas all without complicated prompts. If you're running a DTC brand or creating ads for clients, it's definitely worth trying.
K29,448 views • 1 month ago

Dreamina globally debuted Dreamina Seedance 2.5, including the US region. No waiting required. It's also the fastest platform to support Seedance 2.5 in the US, with unlimited access to every Seedance model in one subscription, at the lowest price across any platform, plus Smart Edit for changing exactly what you need without touching the rest of the clip.
K18,096 views • 1 month ago
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