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Reconsidering Cinema

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Whenever I get a little down I just rewatch Don Rickles go after Robert De Niro like an assassin in the Casino outtakes. Scorsese laughing his ass off the entire time. Ego death. Beautiful.

Whenever I get a little down I just rewatch Don Rickles go after Robert De Niro like an assassin in the Casino outtakes. Scorsese laughing his ass off the entire time. Ego death. Beautiful.

957,502 Aufrufe

Martin Scorsese paced, cut and edited the final match between Sugar Ray Robinson and Jake LaMotta in Raging Bull to the shower scene in Psycho. He's discussed that fact in several interviews. It makes one wonder how many other films were inspired by Hitchcock's eye...

Martin Scorsese paced, cut and edited the final match between Sugar Ray Robinson and Jake LaMotta in Raging Bull to the shower scene in Psycho. He's discussed that fact in several interviews. It makes one wonder how many other films were inspired by Hitchcock's eye...

337,877 Aufrufe

The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it. Art is born out of an ill-designed world. ~ Andrei Tarkovsky

The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it. Art is born out of an ill-designed world. ~ Andrei Tarkovsky

183,599 Aufrufe

There's no need to speak. You must only - concentrate and recall all your past life. When a man thinks of the past, he becomes kinder. ~ Stalker (1979) Tarkovsky A déjà vu is usually a glitch in the Matrix. It happens when they change something. ~ The Matrix (1999) Wachowski

There's no need to speak. You must only - concentrate and recall all your past life. When a man thinks of the past, he becomes kinder. ~ Stalker (1979) Tarkovsky A déjà vu is usually a glitch in the Matrix. It happens when they change something. ~ The Matrix (1999) Wachowski

68,358 Aufrufe

Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream. When film is not a document, it is dream. ~ Ingmar Bergman The Virgin Spring The Sacrifice Once Upon a Time in Anatolia

Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream. When film is not a document, it is dream. ~ Ingmar Bergman The Virgin Spring The Sacrifice Once Upon a Time in Anatolia

64,104 Aufrufe

I find you guilty, counselor! Guilty of betrayin' your fellow man! Guilty of betrayin' your country and abrogatin' your oath! Guilty of judgin' me and sellin' me out! With the power vested in me by the kingdom of God, I sentence you to the Ninth Circle of Hell! Now you will learn about loss! Loss of freedom! Loss of humanity! Now you and I will truly be the same... ~ Cape Fear Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. ~ The Dark Knight

I find you guilty, counselor! Guilty of betrayin' your fellow man! Guilty of betrayin' your country and abrogatin' your oath! Guilty of judgin' me and sellin' me out! With the power vested in me by the kingdom of God, I sentence you to the Ninth Circle of Hell! Now you will learn about loss! Loss of freedom! Loss of humanity! Now you and I will truly be the same... ~ Cape Fear Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. ~ The Dark Knight

21,272 Aufrufe

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After Michael Gambon's passing I've been rewatching Prisoner of Azkaban (mostly with the sound off), and Michael Seresin's camera work and interpretation of Alfonso Cuarón's vision always amazes me. There is so much movement, so much nuanced work that isolates Harry even when he's in a crowded room. Beautiful.

After Michael Gambon's passing I've been rewatching Prisoner of Azkaban (mostly with the sound off), and Michael Seresin's camera work and interpretation of Alfonso Cuarón's vision always amazes me. There is so much movement, so much nuanced work that isolates Harry even when he's in a crowded room. Beautiful.

Reconsidering Cinema

1,789,165 Aufrufe • vor 3 Jahren

Elevator To The Gallows (1958) score was composed and performed by Miles Davis in a one session recording while he watched a screening of the film. He took notes while watching the rough cut and then invited 4 fellow musicians without preparation to record it in one go. Genius.

Elevator To The Gallows (1958) score was composed and performed by Miles Davis in a one session recording while he watched a screening of the film. He took notes while watching the rough cut and then invited 4 fellow musicians without preparation to record it in one go. Genius.

Reconsidering Cinema

1,743,989 Aufrufe • vor 3 Jahren

Thelma Schoonmaker talks about her favorite Scorsese moments

Thelma Schoonmaker talks about her favorite Scorsese moments

Reconsidering Cinema

1,283,619 Aufrufe • vor 3 Jahren

A 14 ear old Jean-Pierre Léaud auditioned for François Truffaut's The 400 Blows after reading an ad in the newspaper. “I was as scared as the rest, but there are two kinds of fear. One closes you up, the other makes you give, almost with exuberance. Truffaut was as shy as I was but his shyness is more enclosed. I’m shy aggressively.”

A 14 ear old Jean-Pierre Léaud auditioned for François Truffaut's The 400 Blows after reading an ad in the newspaper. “I was as scared as the rest, but there are two kinds of fear. One closes you up, the other makes you give, almost with exuberance. Truffaut was as shy as I was but his shyness is more enclosed. I’m shy aggressively.”

Reconsidering Cinema

1,082,320 Aufrufe • vor 3 Jahren

The Shining (1980) is a cinematic maze. Wendy comments that you'd need to leave bread crumbs in order to exit The Overlook. The freezer door that Hallorann opens is not the one he closes. The kettles and plates on the table next to the door end up opposite the door they exit.

The Shining (1980) is a cinematic maze. Wendy comments that you'd need to leave bread crumbs in order to exit The Overlook. The freezer door that Hallorann opens is not the one he closes. The kettles and plates on the table next to the door end up opposite the door they exit.

Reconsidering Cinema

898,750 Aufrufe • vor 3 Jahren

Peter Weller is one of the most articulate actors that I've ever listened to. He takes: "What's the plot of RoboCop?" and instantly makes you want to see it. I can see completely how he became a professor. Brilliant man.

Peter Weller is one of the most articulate actors that I've ever listened to. He takes: "What's the plot of RoboCop?" and instantly makes you want to see it. I can see completely how he became a professor. Brilliant man.

Reconsidering Cinema

693,196 Aufrufe • vor 3 Jahren

Val Kilmer made choices that other actors are still too scared to make.

Val Kilmer made choices that other actors are still too scared to make.

Reconsidering Cinema

512,338 Aufrufe • vor 2 Jahren

John Huston giving one of the most thoughtful responses to "Why film?" I have ever heard. A filmmaker just wants to connect to an audience that might think like they do.

John Huston giving one of the most thoughtful responses to "Why film?" I have ever heard. A filmmaker just wants to connect to an audience that might think like they do.

Reconsidering Cinema

491,320 Aufrufe • vor 3 Jahren

Guillermo del Toro talking to The Coen Brothers about wide angles, Sam Raimi and how Touch of Evil is "willfully full of bile" is why I'm here.

Guillermo del Toro talking to The Coen Brothers about wide angles, Sam Raimi and how Touch of Evil is "willfully full of bile" is why I'm here.

Reconsidering Cinema

402,780 Aufrufe • vor 3 Jahren

Before going to sleep I sometimes like to rewatch this clip. Max Von Sydow relates the time he and Ingmar Bergman debated the existence of an after life while filming The Seventh Seal. It's one of the most touching remembrances of a fellow artist I know.

Before going to sleep I sometimes like to rewatch this clip. Max Von Sydow relates the time he and Ingmar Bergman debated the existence of an after life while filming The Seventh Seal. It's one of the most touching remembrances of a fellow artist I know.

Reconsidering Cinema

381,217 Aufrufe • vor 3 Jahren

The Last Waltz Scorsese Robbie Robertson in concert with Dylan I Shall Be Released Safe Travels

The Last Waltz Scorsese Robbie Robertson in concert with Dylan I Shall Be Released Safe Travels

Reconsidering Cinema

380,917 Aufrufe • vor 3 Jahren

A film is--or should be--more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later. ~Stanley Kubrick

A film is--or should be--more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later. ~Stanley Kubrick

Reconsidering Cinema

378,473 Aufrufe • vor 3 Jahren

Martin Scorsese didn't know why or how Hitchcock's Vertigo affected him in the way that it did as a 15 year old film goer but it's correct to assume that its impact has lasted well into contemporary filmmaking.

Martin Scorsese didn't know why or how Hitchcock's Vertigo affected him in the way that it did as a 15 year old film goer but it's correct to assume that its impact has lasted well into contemporary filmmaking.

Reconsidering Cinema

366,191 Aufrufe • vor 3 Jahren

Charlton Heston in his iconic role as Gas Attendant #2

Charlton Heston in his iconic role as Gas Attendant #2

Reconsidering Cinema

287,537 Aufrufe • vor 3 Jahren

Gene Siskel and Roger Ebert getting pissed at each other about Boogie Nights is what cinema needs.

Gene Siskel and Roger Ebert getting pissed at each other about Boogie Nights is what cinema needs.

Reconsidering Cinema

199,263 Aufrufe • vor 3 Jahren

All Marty does is turn his mother on and say, 'Action.' That's it. And then anything goes between all of them. He would never direct her. He would just put her in the scene. He knew she was the perfect thing to make Bob and Joe improvise together. ~ Thelma Schoonmaker Goodfellas

All Marty does is turn his mother on and say, 'Action.' That's it. And then anything goes between all of them. He would never direct her. He would just put her in the scene. He knew she was the perfect thing to make Bob and Joe improvise together. ~ Thelma Schoonmaker Goodfellas

Reconsidering Cinema

221,667 Aufrufe • vor 3 Jahren

Werner Herzog's Nosferatu the Vampyre pays homage to Murnau's film that was thought destroyed via court order due to it's copyright infringement of Bram Stoker's Dracula. Nearly half of the 12,000 rats brought in for the film died and Herzog was accused of animal cruelty.

Werner Herzog's Nosferatu the Vampyre pays homage to Murnau's film that was thought destroyed via court order due to it's copyright infringement of Bram Stoker's Dracula. Nearly half of the 12,000 rats brought in for the film died and Herzog was accused of animal cruelty.

Reconsidering Cinema

190,779 Aufrufe • vor 3 Jahren

Vilmos Zsigmond literally "kept the camera moving" throughout Robert Altman's The Long Goodbye. Vilmos dollied back and forth along tracks in order to bring an air of improvisation and immersion by constantly changing the orientation of the viewer to the actors and objects in the film.

Vilmos Zsigmond literally "kept the camera moving" throughout Robert Altman's The Long Goodbye. Vilmos dollied back and forth along tracks in order to bring an air of improvisation and immersion by constantly changing the orientation of the viewer to the actors and objects in the film.

Reconsidering Cinema

187,483 Aufrufe • vor 3 Jahren