dizzy

@dizzyhanim • 3,346 subscribers

dizzy summer era 🍸

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Ferit has been struggling more since the appearance of his other self. But in this scene, it looks like he may have found a way to silence his other self, or at least loosen its grip on him. Until now, that voice was a loud manifestation of guilt, constantly forcing him to see himself as bad and driving him towards self-punishment. But in 93, something changes, Ferit doesn’t just resist it; he outright defies that inner voice. The way he smirks 👌🏽 Look how agitated his other self becomes the more Ferit “confesses”? Ferit is no longer afraid of either confession or consequence - a nod to what Seyran told him in 62 about communication before things spiral out of control. By deciding to tell Seyran on his own terms, he strips his other self of its purpose, there’s no longer a force pressuring him into guilt because he’s taking responsibility willingly. So, the “confession” might not even be about the truth itself, but about freeing himself from doubt. By finally saying it out loud, he takes away the guilt’s hold over him. Whether the kiss actually happened or not becomes almost irrelevant—what really matters is that he has found a way to silence the voice that’s been tormenting him. “trials are not only in the courtroom…there’s a court within us that imposes severe punishments…you tried to kill yourself, now it’s time to forgive yourself” #YalıÇapkını

Ferit has been struggling more since the appearance of his other self. But in this scene, it looks like he may have found a way to silence his other self, or at least loosen its grip on him. Until now, that voice was a loud manifestation of guilt, constantly forcing him to see himself as bad and driving him towards self-punishment. But in 93, something changes, Ferit doesn’t just resist it; he outright defies that inner voice. The way he smirks 👌🏽 Look how agitated his other self becomes the more Ferit “confesses”? Ferit is no longer afraid of either confession or consequence - a nod to what Seyran told him in 62 about communication before things spiral out of control. By deciding to tell Seyran on his own terms, he strips his other self of its purpose, there’s no longer a force pressuring him into guilt because he’s taking responsibility willingly. So, the “confession” might not even be about the truth itself, but about freeing himself from doubt. By finally saying it out loud, he takes away the guilt’s hold over him. Whether the kiss actually happened or not becomes almost irrelevant—what really matters is that he has found a way to silence the voice that’s been tormenting him. “trials are not only in the courtroom…there’s a court within us that imposes severe punishments…you tried to kill yourself, now it’s time to forgive yourself” #YalıÇapkını

175,667 views

Suna wanted to be a dancer. She most likely imagined being with Ferit. She might hurt Esme. She may want to hurt Seyran and at one point thinks she has, but she’ll hurt herself instead… #YalıÇapkını

Suna wanted to be a dancer. She most likely imagined being with Ferit. She might hurt Esme. She may want to hurt Seyran and at one point thinks she has, but she’ll hurt herself instead… #YalıÇapkını

25,702 views

you had to be there this was fire pls

you had to be there this was fire pls

18,503 views

Kazim’s parenting groomed Suna’s thoughts into seeing marriage as the only escape from his cruelty. Her traumas aren’t personal failures, rather they are the result of systemic oppression and abuse. It’s incredibly problematic to see Suna’s participation in the very societal norms she was groomed to adhere to, as willing acceptance. We shouldn’t ignore the structural and psychological forces that condition individuals, particularly women, to comply and internalise oppression. Trauma has long-lasting effects and doesn’t have a clear point of conclusion. People may heal, grow or find ways to cope (like Seyran), but that doesn’t mean they are no longer victims of what happened to them. To move forward, Suna needs to reach a point where she recognises that her survival mechanism (marrying rich, and chasing kadar to FK as an extension) no longer serves her. She must find a new way to forge independence and reclaim ownership of her life course - free from familial and societal influence. We are witnessing her struggle to come to this realisation. Her anger is valid, it’ll eventually fuel what will be a healing process. Like Fikriye told her - “until you, yourself say enough” #YaIiCapkini

Kazim’s parenting groomed Suna’s thoughts into seeing marriage as the only escape from his cruelty. Her traumas aren’t personal failures, rather they are the result of systemic oppression and abuse. It’s incredibly problematic to see Suna’s participation in the very societal norms she was groomed to adhere to, as willing acceptance. We shouldn’t ignore the structural and psychological forces that condition individuals, particularly women, to comply and internalise oppression. Trauma has long-lasting effects and doesn’t have a clear point of conclusion. People may heal, grow or find ways to cope (like Seyran), but that doesn’t mean they are no longer victims of what happened to them. To move forward, Suna needs to reach a point where she recognises that her survival mechanism (marrying rich, and chasing kadar to FK as an extension) no longer serves her. She must find a new way to forge independence and reclaim ownership of her life course - free from familial and societal influence. We are witnessing her struggle to come to this realisation. Her anger is valid, it’ll eventually fuel what will be a healing process. Like Fikriye told her - “until you, yourself say enough” #YaIiCapkini

10,810 views

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This was sneaky lol like that time at hospital tricking Seyran to go up so she could have time alone with Ferit at the bench until Kaya ruined it 😆🤭 Suna is so quietly calculating it’s easy to miss her antics

This was sneaky lol like that time at hospital tricking Seyran to go up so she could have time alone with Ferit at the bench until Kaya ruined it 😆🤭 Suna is so quietly calculating it’s easy to miss her antics

45,085 views • 1 year ago

A night to remember for me! I can’t even express the joy 🥹, watching Mabel Matiz in concert, live in Istanbul, Türkiye! An amazing talent with an equally impressive orchestra! Bravo! I was shaking and couldn’t film properly but this one is for #YalıÇapkını #SeyFer fandom 🥺

A night to remember for me! I can’t even express the joy 🥹, watching Mabel Matiz in concert, live in Istanbul, Türkiye! An amazing talent with an equally impressive orchestra! Bravo! I was shaking and couldn’t film properly but this one is for #YalıÇapkını #SeyFer fandom 🥺

31,863 views • 1 year ago

Even in 2nd conversation nothing about night before but interestingly, Seyran is a bit more inquisitive about the divorce, focusing on Suna’s bruise and specifically queries if Abi is violent. This is after Seyran tells Ferit about Suna’s divorce decision. Ferit is also, conveniently on the above floor, eavesdropping. Could it be that he will have told Seyran what happened? Seyran’s line of questioning feels like she is hoping Suna would confess on what had happened (or not 🤭) between her and Ferit ? Does that mean that Ferit’s sigh is actually that of relief - that he told Seyran what happened but said Suna might tell a different version? Detective Inspector Seyran strikes again me thinks! She’s just smoother than when she interrogated Diyar. #SeyFer are you already working together on the down low? 🤭 #YalıÇapkını

Even in 2nd conversation nothing about night before but interestingly, Seyran is a bit more inquisitive about the divorce, focusing on Suna’s bruise and specifically queries if Abi is violent. This is after Seyran tells Ferit about Suna’s divorce decision. Ferit is also, conveniently on the above floor, eavesdropping. Could it be that he will have told Seyran what happened? Seyran’s line of questioning feels like she is hoping Suna would confess on what had happened (or not 🤭) between her and Ferit ? Does that mean that Ferit’s sigh is actually that of relief - that he told Seyran what happened but said Suna might tell a different version? Detective Inspector Seyran strikes again me thinks! She’s just smoother than when she interrogated Diyar. #SeyFer are you already working together on the down low? 🤭 #YalıÇapkını

32,011 views • 1 year ago

“If it wasn’t for you ablacığım, I wouldn’t have met Ferit, for that teşekkürler” - Seyran to Suna 🔜 #YalıÇapkını

“If it wasn’t for you ablacığım, I wouldn’t have met Ferit, for that teşekkürler” - Seyran to Suna 🔜 #YalıÇapkını

31,466 views • 1 year ago

“We will never know” because “he’d live life with Seyran all over again” 🥹 #YalıÇapkını #SeyFer

“We will never know” because “he’d live life with Seyran all over again” 🥹 #YalıÇapkını #SeyFer

28,846 views • 1 year ago

The slow walk reflects Suna’s embarrassment and hesitation in facing her sister, not fear of encountering #SeyFer. She finally opens door, calling for Seyran and is caught off guard by Ferit’s presence which triggers her imagination, creating a whole new scenario in her mind.

The slow walk reflects Suna’s embarrassment and hesitation in facing her sister, not fear of encountering #SeyFer. She finally opens door, calling for Seyran and is caught off guard by Ferit’s presence which triggers her imagination, creating a whole new scenario in her mind.

26,816 views • 1 year ago

Suna wanted to be a dancer. She most likely imagined being with Ferit. She might hurt Esme. She may want to hurt Seyran and at one point thinks she has, but she’ll hurt herself instead… #YalıÇapkını

Suna wanted to be a dancer. She most likely imagined being with Ferit. She might hurt Esme. She may want to hurt Seyran and at one point thinks she has, but she’ll hurt herself instead… #YalıÇapkını

25,702 views • 1 year ago

In front of not just everyone, but Kazim too.

In front of not just everyone, but Kazim too.

20,924 views • 1 year ago

Suna lies in bed facing up, smiling and filled with hope and the promise of a new life she has dreamed of. The camera slowly pans to her sister, Seyran, who is lying on the her side watching. But, before the shot shifts to Seyran, the image of a carousel 🎠🎠 enters the frame. It’s a small detail, but this carousel becomes a representation of Suna’s idealised vision of escape — a dream of leaving behind her abusive family home through a perfect marriage, a dream she is now within reach. Yet, like a fairground’s carousel controlled endless motion, Suna will be stuck in a cycle of yearning for a way out that jumped out of her almost grasp. The symbolism that her dream will soon slip away, as just like a fairground carousel, it only goes circular motion, round and round, never moving forward. A subtle capture of the tension between Suna’s fantasies and the harsh reality she will soon face. 10/10 👌🏽 #YalıÇapkını

Suna lies in bed facing up, smiling and filled with hope and the promise of a new life she has dreamed of. The camera slowly pans to her sister, Seyran, who is lying on the her side watching. But, before the shot shifts to Seyran, the image of a carousel 🎠🎠 enters the frame. It’s a small detail, but this carousel becomes a representation of Suna’s idealised vision of escape — a dream of leaving behind her abusive family home through a perfect marriage, a dream she is now within reach. Yet, like a fairground’s carousel controlled endless motion, Suna will be stuck in a cycle of yearning for a way out that jumped out of her almost grasp. The symbolism that her dream will soon slip away, as just like a fairground carousel, it only goes circular motion, round and round, never moving forward. A subtle capture of the tension between Suna’s fantasies and the harsh reality she will soon face. 10/10 👌🏽 #YalıÇapkını

20,540 views • 1 year ago