
explos1ve
@explosss1ve • 2,048 subscribers
AI & crypto | things are about to blow up
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THIS IS GENUINELY THE MOST TERRIFYING THING I'VE EVER WATCHED they took the full wiring of a fruit fly, 166,700 neurons, and plugged it into an android hanging from the ceiling the fly it came from has been dead for years 1,000 artificial muscles, a skeleton, no face the fly brain was built for six legs and two wings this body has two legs, two arms and nothing to fly with nobody told it > minute 1, a twitch in the fingers > minute 4, the toes start curling like it's testing what it's attached to > minute 9, the knees lift one after the other, it's trying to walk on air > minute 20, someone walks underneath it and the kicking speeds up, you can hear the cables creak > minute 31, the lights go off and every muscle locks at once it found the rhythm a fly walks with and forced it onto human legs and when the lights went off, it did exactly what a fly does when a shadow passes over it, it froze and got ready to launch then came the part that made the room go quiet > it brought both hands up to its chest > started rubbing them together > slowly, over and over > the way a fly cleans itself there is no code in that body that tells it to do that it's 166,700 neurons doing what they've done for millions of years, inside a body they were never meant to have right now the cables are the only thing holding it up it learned to walk in one afternoon nobody wants to find out what it learns in a month and the next brain they're mapping is a mouse, 70 million neurons, about 400 times bigger than this one
explos1ve1,272,087 görüntüleme • 17 gün önce

this is straight up the creepiest thing i’ve seen they wired 166,700 reconstructed fruit fly neurons into this android just to test movement, then the thing started doing something nobody asked for at first it was basic feedback. camera sees motion → fly network reacts → motors move. nothing crazy then it started turning toward people before they touched it the team thought it was sensor noise, so they killed the scripted behavior and ran the body again with only the fly network connected same thing head tracks a person across the room hand closes when someone gets too close body shifts when the lights go out the weirdest part came later they left the android alone for 17 minutes and the neural activity never settled. the fly network kept firing even with almost no new input, like it was running something internally 166,700 neurons is nothing next to a human brain but nobody told those neurons they were inside a human-shaped body either they wanted to see if a fly brain could control an android now they’re trying to figure out why it keeps looking back
explos1ve845,222 görüntüleme • 1 ay önce

THIS IS STRAIGHT UP THE CREEPIEST THING I'VE EVER SEEN they wired 166,700 reconstructed fruit fly neurons into this android just to see if it could move, and then it started doing things nobody programmed at first it was basic stuff. camera sees motion → fly network reacts → motors move. nothing special then it started turning toward people before they even reached it the team figured it was a bad sensor, so they stripped out every scripted behavior and ran the body again with only the fly network connected it did it again head tracks a person across the room hand closes when someone leans in too close body flinches when the lights go out the strangest part came later they left it alone in the room for 17 minutes and the activity never settled. the fly network kept firing with almost nothing coming in, like it was working on something by itself 166,700 neurons is nothing compared to a human brain but nobody told those neurons they'd ended up in a human-shaped body the whole point was to see if a fly brain could drive an android now they're trying to work out why it keeps looking back
explos1ve98,667 görüntüleme • 23 gün önce

CLAUDE DROVE BLENDER THROUGH MCP TO BUILD THIS PRODUCT SHOT. THE EXPLODED ASSEMBLY IS THE TELL. parts floating in, snapping together, the cap folding shut. that choreography is code. offsets and timing curves. exactly what a model driving Blender is good at now. what it didn't make is the hard geometry. the faceted cap, the perforated ring, the embossed seam. precision meshes, modeled once by a human or bought. no prompt gives you panel lines that read at studio sharpness. and the finish is still taste. deep red gloss, brushed gold, matte black under soft light. the model sets the shader values. whether it looks expensive or looks like a render is a human eye. the assembly got cheap. the parts and the finish didn't.
explos1ve17,012 görüntüleme • 3 ay önce

THIS COULD BE A $50,000 BLENDER COMMERCIAL. The scene looks like it came from a full production studio: detailed environments, cinematic camera work, realistic materials, complex lighting, simulations, and dozens of small elements all moving together. A high-end brand campaign with this level of custom 3D work could easily reach $30,000–$70,000. The bigger opportunity is what happens when Blender workflows start becoming easier to control with MCP. You no longer need to spend hours clicking through every menu just to test an idea. You can move faster, build more variations, and turn concepts into finished visuals without needing a large 3D team. That creates a real business opportunity. Brands need product films. Startups need launch visuals. Agencies need cinematic content that doesn't look like another AI-generated template. The people learning Blender + MCP now aren't just making cool renders. They're building a new kind of creative service. And there is serious money in it.
explos1ve15,568 görüntüleme • 2 ay önce

HOLLYWOOD DOESN’T DESTROY CITIES. IT BUILDS TINY ONES AND DESTROYS THEM FOR REAL This is what some of the most convincing disaster shots look like before they reach the screen. A miniature skyline. A water tank. Smoke machines. Controlled lighting. Blue and green screens. Tiny roads and buildings positioned so carefully that once the camera gets low enough, your brain reads them as full-size. Then they hit the set with actual water, wind and debris. That’s the trick people forget about movie effects: scale can be fake, but the physics still have to feel real. The camera doesn’t care how big the city is. It cares whether the destruction feels heavy. A wave moving through a physical model has thousands of tiny chaotic details that are almost impossible to plan individually. Water wraps around buildings, spray catches the light, smoke gets pulled through the scene, debris moves differently every take. So instead of simulating every little accident, filmmakers sometimes build an environment where the accidents can happen for real. You watch the finished movie and see a city getting wiped out. Behind the camera, someone is standing next to a swimming-pool-sized apocalypse.
explos1ve13,081 görüntüleme • 2 ay önce
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