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Robert Pattinson as 007: Yes or no? Pattinson has reportedly taken a screen test and has emerged as a candidate to play the next James Bond. According to reports, the actor took advantage of the production delay on ‘The Batman: Part II’ to make a last-minute audition for the role in Denis Villeneuve’s Bond.

Robert Pattinson as 007: Yes or no? Pattinson has reportedly taken a screen test and has emerged as a candidate to play the next James Bond. According to reports, the actor took advantage of the production delay on ‘The Batman: Part II’ to make a last-minute audition for the role in Denis Villeneuve’s Bond.

380,400 просмотров

I still remember how genuinely terrifying this moment from ‘Finding Nemo’ felt when I saw it as a child. Bruce the shark is introduced as friendly and gentle, repeating “fish are friends, not food” like he believes it. Then the blood hits the water. His eyes blacken, hollow and glossy, and he looks almost possessed, almost entirely gone. The shift is instant, with no time to process it. The friendliness disappears, and primitivity takes over. That’s what made it so unsettling back then. The change isn’t loud or dramatic, it’s eerie and sudden. One second he’s in control, the next he isn’t, and it’s like watching the soul leave his body, visible right there in his eyes.

I still remember how genuinely terrifying this moment from ‘Finding Nemo’ felt when I saw it as a child. Bruce the shark is introduced as friendly and gentle, repeating “fish are friends, not food” like he believes it. Then the blood hits the water. His eyes blacken, hollow and glossy, and he looks almost possessed, almost entirely gone. The shift is instant, with no time to process it. The friendliness disappears, and primitivity takes over. That’s what made it so unsettling back then. The change isn’t loud or dramatic, it’s eerie and sudden. One second he’s in control, the next he isn’t, and it’s like watching the soul leave his body, visible right there in his eyes.

2,200,000 просмотров

Two months left… ⏳ Director Denis Villeneuve described ‘Dune: Part Three’ as both a thriller and more action-packed than the previous two films, as well as calling it his most personal film yet. Timothée Chalamet teased the film as the eeriest entry and the biggest swing of the trilogy, “It was my last time doing a Dune film, so I really wanted to treat it as sacred.” And with Paul’s character arc taking an increasingly dark turn, Chalamet also reflected on the moral complexity and what sets the third installment apart, “That phrase ‘anti-hero’ gets thrown around a little too loosely perhaps, but it’s fantastic to chew on as an actor, where it’s not purely redemptive. ‘Dune: Part Three’ is its own beast. It’s its own story, its own siege, its own hail of paranoid isolation.” The film is set to adapt Frank Herbert’s 1969 novel ‘Dune Messiah’, and will complete Denis Villeneuve’s lifelong dream of bringing his ‘Dune’ trilogy to the big screen. Genuinely 𝐂𝐀𝐍𝐍𝐎𝐓 𝐖𝐀𝐈𝐓 to see this film.

Two months left… ⏳ Director Denis Villeneuve described ‘Dune: Part Three’ as both a thriller and more action-packed than the previous two films, as well as calling it his most personal film yet. Timothée Chalamet teased the film as the eeriest entry and the biggest swing of the trilogy, “It was my last time doing a Dune film, so I really wanted to treat it as sacred.” And with Paul’s character arc taking an increasingly dark turn, Chalamet also reflected on the moral complexity and what sets the third installment apart, “That phrase ‘anti-hero’ gets thrown around a little too loosely perhaps, but it’s fantastic to chew on as an actor, where it’s not purely redemptive. ‘Dune: Part Three’ is its own beast. It’s its own story, its own siege, its own hail of paranoid isolation.” The film is set to adapt Frank Herbert’s 1969 novel ‘Dune Messiah’, and will complete Denis Villeneuve’s lifelong dream of bringing his ‘Dune’ trilogy to the big screen. Genuinely 𝐂𝐀𝐍𝐍𝐎𝐓 𝐖𝐀𝐈𝐓 to see this film.

183,700 просмотров

‘Up’ was released 17 years ago on this day. The Pixar film’s opening montage is one of the most emotionally powerful sequences in animation and cinema history, all without a single word being spoken. Lasting just under 10 minutes and set to Michael Giacchino’s touching score ‘Married Life’, this speechless sequence tells the entire story of a life shared. It follows Carl and Ellie, from meeting as kids, to falling in love, getting married, saving up for adventures, facing setbacks, growing old together, and Ellie’s passing. This montage teaches us that life’s greatest joys often come from simple, everyday moments shared with the people we love, while also reminding us that even though our dreams may not always unfold as we had imagined, the journey itself can still be deeply meaningful.

‘Up’ was released 17 years ago on this day. The Pixar film’s opening montage is one of the most emotionally powerful sequences in animation and cinema history, all without a single word being spoken. Lasting just under 10 minutes and set to Michael Giacchino’s touching score ‘Married Life’, this speechless sequence tells the entire story of a life shared. It follows Carl and Ellie, from meeting as kids, to falling in love, getting married, saving up for adventures, facing setbacks, growing old together, and Ellie’s passing. This montage teaches us that life’s greatest joys often come from simple, everyday moments shared with the people we love, while also reminding us that even though our dreams may not always unfold as we had imagined, the journey itself can still be deeply meaningful.

597,900 просмотров

October 31st. 🦇

October 31st. 🦇

12,800 просмотров

Real. Robert Eggers’ ‘The Lighthouse’ follows Willem Dafoe and Robert Pattinson as two lighthouse keepers stationed on a remote island in the 1890s, where isolation, alcohol, and growing resentment slowly drive them toward insanity. A violent storm eventually cuts off their only way home, leaving them stuck together as drunken arguments, disturbing visions, paranoia, and an obsession with the light at the top of the tower loosen their grip on reality. Shot on beautiful black-and-white 35mm film with a narrow 1.19:1 aspect ratio, the film incorporates elements of maritime folklore, mythology, and 19th-century traditions, all woven into its increasingly surreal, almost fever-dreamlike atmosphere of psychological dread.

Real. Robert Eggers’ ‘The Lighthouse’ follows Willem Dafoe and Robert Pattinson as two lighthouse keepers stationed on a remote island in the 1890s, where isolation, alcohol, and growing resentment slowly drive them toward insanity. A violent storm eventually cuts off their only way home, leaving them stuck together as drunken arguments, disturbing visions, paranoia, and an obsession with the light at the top of the tower loosen their grip on reality. Shot on beautiful black-and-white 35mm film with a narrow 1.19:1 aspect ratio, the film incorporates elements of maritime folklore, mythology, and 19th-century traditions, all woven into its increasingly surreal, almost fever-dreamlike atmosphere of psychological dread.

13,800 просмотров

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October 31st. 🦇

filmthusiast

12,800 просмотров • 12 дней назад

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