Public Hakita Is a Good Idea

@HakitaDev • 177,683 subscribers

@ULTRAKILLGame creator // @NewBlood developer // @WhiteHellGame composer I mostly just share music, movies, books and games that I like.

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Public Hakita Is a Good Idea

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There are cases where it's happened though, like the main motif of Mirror Rim was one such section from Never Odd or Even, and CHAOS' dissonant main section was the only riff worth salvaging from an early attempt at a song for Gluttony, before I decided to go ambient with it.

Last one: While digging through the files here's one I completely forgot about: One of the failed attempts at the climax for Dancer in the Darkness became a section in Altars of Apostasy.

Jacob "It's clipping, bitch."

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It's actually a very common occurrence for me, where a section doesn't fit either tonally or structurally, so I just move it to the end of the file in case I ever want to use it somewhere else, but usually I forget they exist. Here's two such riffs from ORDER's project file.

It's that time of the year again

Just watched Duel to the Death. It's a fucking movie.

If you work in any visual medium, you should at least skim through The Color of Pomegranates. Regardless of how you feel about its absolute devotion to just pure visual symbolism, I assure you you'll come away from it with some fresh insight on color, composition and/or imagery.

With another big update out of the way, I once again have some time for making more Piranesi. pieces. This batch includes the quite unexpected Metal Studies trilogy, as well as a new logo brought on by the new year.

Never expected to have the chance to see Arrington de Dionyso live but I'm glad I did

11 Piranesi. pieces in 1 week has got to be my new record. Hopefully this will be enough to keep a few fans of weird, atmospheric and abstract music fed for a while again. We're approaching triple digits, which will call for something special, I think.

I love movies. The Big Heat (1988)

The user who originally posted this video is gone so I will have to take the personal responsibility of reuploading it. The world has to know.

Despite being constantly busy with you-know-what, I still managed to find enough gaps of free time to carve up 10 more Piranesi. pieces. A fuzzy lo-fi trilogy, a Mario 64 soundfont black metal epic, some of the darkest soundscapes of the project so far and a noisey krautrock jam.

RIP Béla Tarr, director of one of my favorite movies ever, Sátántangó. One of the best to ever work in the Slow Cinema space, his molasses-like pacing paints a perfect portrait of aimlessness and hopelessness in a quiet and resigned way. A one-of-a-kind director.

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Happy Cirno day! Reposting a classic.

Finished watching Logistics, which is the world's longest movie at over 35 days in length. It was ok. Very interesting conceptually and surprisingly good background ambiance with occasional moments of incidental beauty, but most of the second half was very boring.

New standalone album coming out this Friday on Bandcamp and Youtube (streaming later), titled: "Tennis, Everyone?" — A Tribute to the Late, Great James O. Incandenza Breakcore, drill and bass, and a bunch of other subgenres of intense electronic music. 9 tracks, 36 minutes.

Played some more demos, will mention a few shoutouts here. First and foremost, Divine Frequency. Absolute kino. Who knew that a GZDoom fusion of indepth RPG mechanics and survival horror would be a match made in heaven? Beautiful atmosphere and sound. Don't miss out on this one.

In ULTRAKILL, the chainsaw is programmed to target whichever limb you're directly aiming at, but in the current build, we didn't specify that it had to belong to the enemy you're actually hitting. This is how I found out that headless Strays are very indecisive.

I love the feeling of sitting down to watch something on a whim and realizing just based on how juicy the filmmaking is that you're about to witness something great. (A Pure Formality, 1994)

Did a showing of the David Lynch Dune for a group of friends so we could compare and contrast with the new movies. What I didn't tell them is the version I had was the Mandalore cut

I'm always caught off guard upon revisiting Charles Lloyd's take on La Llorona, the piano is so tastefully restrained even on these dramatic chords and when the band finally comes in, they do it so gracefully it feels like they were always there.

Fun fact: In 2017, before ULTRAKILL, I worked on a short horror game that mixed together PT and the Black Lodge from Twin Peaks with randomized "scares" (creeps? eeries?). I only worked on it for 2 days, but some files from it still live on in the ULTRAKILL project.