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“Loser” was recorded almost entirely in the living room of producer Carl Stephenson and released in 1994 as the lead single from Beck’s album Mellow Gold. Stephenson looped a short slide-guitar part from one of Beck’s songs, added a drum break and his own sitar, then Beck improvised the vocal while trying to rap like Public Enemy’s Chuck D. When he heard the playback he said, “Man, I’m the worst rapper in the world, I’m just a loser,” and the chorus was born. It became the biggest hit of Beck’s career, reaching No. 10 on the Billboard Hot 100 and spending five weeks at No. 1 on the Modern Rock Tracks chart. The track also samples Johnny Jenkins’ cover of “I Walk on Guilded Splinters.” Beck later said the idea of putting hip-hop beats under folk music had been in his head since the late 1980s, the song just happened to arrive fully formed in one afternoon.
Ladytron Fan Account44,788 görüntüleme • 14 saat önce
“Uptown Girl” is from Billy Joel’s 1983 album An Innocent Man. Inspired by doo-wop and Frankie Valli-style pop, the song plays on the fantasy of a working-class guy trying to win over a glamorous, upper-class woman. It became one of Joel’s biggest hits, reaching #3 on the Billboard Hot 100.
Ladytron Fan Account5,064,857 görüntüleme • 22 gün önce
“Nothing Else Matters” was written by James Hetfield in 1990, during the …And Justice for All tour, while he was missing his girlfriend. He composed it alone in hotel rooms and on the bus. At first he did not want the rest of the band to hear it, He thought Metallica only made songs about destruction, not about a girlfriend. Lars Ulrich heard it and pushed for it. Released as a single from the 1991 album Metallica, it reached No. 11 on Billboard’s Mainstream Rock Tracks chart and No. 6 in the UK. It remains one of the band’s most played songs worldwide.
Ladytron Fan Account112,556 görüntüleme • 3 gün önce
"Ordinary World" is from the album Duran Duran (1993), also known as The Wedding Album. The song marked Duran Duran's return to the top of the charts in the 90s and became one of the band's biggest hits, proving that they could evolve without losing the emotional essence. Released as a single, it was a major hit: #3 on the Billboard Hot 100 and #6 on the UK Singles Chart.
Ladytron Fan Account21,520 görüntüleme • 22 saat önce
“Would?” was written by Jerry Cantrell for Alice in Chains’ 1992 album Dirt. It first appeared on the soundtrack to Cameron Crowe’s film Singles, in which the band made a cameo as a bar band. Cantrell wrote it as a tribute to his friend Andrew Wood, the Mother Love Bone singer who passed away in 1990. Released to US radio in June 1992, it reached No. 31 on Billboard’s Mainstream Rock Tracks chart. In the UK it peaked at No. 19, the band’s highest position there at the time. The track has stayed in regular rotation ever since, and in 2019 a trailer for the second season of The Punisher sent it back onto Billboard’s Hot Rock Songs chart at No. 15.
Ladytron Fan Account28,522 görüntüleme • 1 gün önce
At Live Aid, July 1985, The Cars played “Drive” at JFK Stadium in Philadelphia. The song was already a hit: No. 3 on the Billboard Hot 100 and No. 4 in the UK in 1984, from Heartbeat City. The version that defined the day was not the live one. After David Bowie finished “Heroes” at Wembley, he returned to the microphone and said, “Lest we forget why we’re here,” then introduced a CBC film of the Ethiopian famine. He had dropped a planned song to make room for it. The footage was soundtracked by “Drive.” It played on the giant screens at Wembley and JFK and on the global broadcast. Bob Geldof later said more money was pledged after that transmission than at any other point in the concert. The donation lines in the UK overloaded. A breakup ballad about someone disappearing became for a few minutes, the sound of the reason the concert existed.
Ladytron Fan Account110,318 görüntüleme • 5 gün önce
“Don’t Go” was written by Vince Clarke for Yazoo’s debut album, Upstairs at Eric’s (1982). After leaving Depeche Mode, Clarke answered an ad from Alison Moyet, a blues and soul singer from Basildon, and the two formed the duo. In the United States and Canada they were billed as Yaz, because another act already had the name Yazoo. Released on 5 July 1982 as the second single, after “Only You,” it reached No. 3 on the UK Singles Chart, No. 1 in Belgium and Iceland, and No. 1 on the US Dance chart. The album took its name from the upstairs room at producer Eric Radcliffe’s studio. The partnership was already over by the time the second album, You and Me Both, reached No. 1 in 1983.
Ladytron Fan Account112,566 görüntüleme • 6 gün önce
"(You Gotta) Fight For Your Right (To Party)" is from the Beastie Boys' debut album Licensed to Ill (1986), the first rap album to reach #1 on the Billboard 200. It was written in just a few minutes as a parody of the idiotic 80s fraternity party anthems (like "Smokin' in the Boys Room" or "I Wanna Rock"). Rick Rubin produced, put on heavy guitar and drums and turned what was a joke into a banger. It reached #7 on the Billboard Hot 100 (peak on March 7, 1987, the only top 10 of their career) and #11 on the UK Singles Chart. On the same day as the Hot 100 peak, the album reached #1 on the Billboard 200.
Ladytron Fan Account13,713 görüntüleme • 1 gün önce
At Live Aid, on 13 July 1985 at Wembley Stadium, Ultravox played “Dancing with Tears in My Eyes” as the second song of a short early-afternoon set: “Reap the Wild Wind,” “Dancing with Tears in My Eyes,” “One Small Day” and “Vienna.” Midge Ure was not only the singer. He had co-organised the concert with Bob Geldof. The band usually took five hours to soundcheck and carried 25 or 26 synthesizers. At Wembley there was no soundcheck so they chose the simplest songs they could play with the least equipment. Ure later said their heads were not full of the size of the audience or the television audience. They were worried the gear would not work.
Ladytron Fan Account106,574 görüntüleme • 7 gün önce
“Ironic” was written by Alanis Morissette and Glen Ballard for her 1995 album Jagged Little Pill. Ballard has said they started from a line about an old man winning the lottery and dying the next day, then wrote the rest in the studio. Morissette later said they were mostly trying to make each other laugh and were not carefully checking whether every example was technically ironic. She almost left the song off the album. Ballard insisted it was the best thing they had written. Released as a single in 1996, it reached No. 4 on the Billboard Hot 100, No. 11 in the UK and No. 1 in Canada for six weeks. The lyrics set off a long public argument about whether any of it is actually ironic. Morissette has called herself the malapropism queen and said she was not doggedly making sure the examples were correct. On The Late Late Show with James Corden she later added the line “it’s singing Ironic when there are no ironies.” She has also pointed out that the real irony is how much the debate still matters.
Ladytron Fan Account21,136 görüntüleme • 1 gün önce
“Back in Black” was written by Angus Young, Malcolm Young and Brian Johnson as a tribute to AC/DC's former lead singer Bon Scott, who died in February 1980. Rather than creating a mournful song, the band wanted to celebrate Scott's life with something powerful and triumphant. The track became the title song of AC/DC's seventh studio album, produced by Robert John “Mutt” Lange and released later that year. Although “Back in Black” was not initially a major singles-chart hit in the US, the album became a monumental commercial success and eventually one of the best-selling albums in music history. The title track has since become one of AC/DC's most recognisable songs and one of the defining anthems ofrock. Malcolm Young originally used the famous opening guitar riff as a warm-up exercise before it evolved into the foundation of the song.
Ladytron Fan Account63,996 görüntüleme • 5 gün önce
"Dammit" is from Blink-182's 1997 album Dude Ranch. The fast-paced pop-punk anthem became the band's breakthrough hit, reaching #11 on the Billboard Modern Rock Tracks chart and helping define the late '90s pop-punk explosion. Written by Mark Hoppus after a breakup with his girlfriend, the song perfectly captures the awkwardness of young adulthood. Its original title was "Dammit (Growing Up)", but the subtitle was later dropped, and the catchy line "Well, I guess this is growing up" became one of Blink-182's most iconic lyrics.
Ladytron Fan Account644,651 görüntüleme • 1 ay önce
"Message in a Bottle" was written by Sting and inspired by the image of a lone castaway throwing bottles into the sea in the hope that someone would find them. The song's distinctive guitar riff originated with Sting, but guitarist Andy Summers rearranged and transformed it into the intricate part heard on the recording. "Message in a Bottle" became The Police's first No. 1 single on the UK Singles Chart, spending three weeks at the top in 1979. It also topped the charts in Ireland and reached No. 5 in Australia and No. 2 in Canada. Surprisingly it peaked at only No. 74 on the Billboard Hot 100 in the US.
Ladytron Fan Account76,326 görüntüleme • 7 gün önce
“Massachusetts” was written by Barry, Robin and Maurice Gibb and released on 1967. The brothers had never been to the state. They liked the sound of the name, with its repeated S’s, and wrote the song as a challenge. It was originally meant for The Seekers. Years later, in London, Maurice told Judith Durham that the Bee Gees had dreamed of writing them a hit and this was it. When the Seekers did not take it, the brothers kept it. Robin sang lead, the first Bee Gees single on which he did. It became the group’s first UK No. 1, spending four weeks at the top, and reached No. 1 in at least a dozen other countries. In the United States it peaked at No. 11. It later appeared on the 1968 album Horizontal and sold more than five million copies.
Ladytron Fan Account41,378 görüntüleme • 4 gün önce
Cliff Burton had already written the bass intro to “For Whom the Bell Tolls” before joining Metallica. He had performed an early version of the riff with his pre-Metallica band, Agents of Misfortune, at a Battle of the Bands in 1981. When Burton brought the idea to Metallica, James Hetfield added the heavy guitar accents, helping turn Burton's unusual bass line into one of the band's most recognisable openings. Recorded for Metallica's 1984 album Ride the Lightning, the song was inspired by Ernest Hemingway's novel of the same name. And the “bell” heard at the beginning isn't actually a traditional bell: at Sweet Silence Studios in Copenhagen, drummer Lars Ulrich struck a huge cast-iron anvil with a metal hammer to create the sound. The recording was combined with a bell sound from a sound-effects reel, giving the intro its distinctive metallic character. The album credits list Ulrich as playing “drums, anvil.”
Ladytron Fan Account157,132 görüntüleme • 14 gün önce
"Into the Groove" was released in 1985 (track from the film Desperately Seeking Susan and single that became Madonna's first UK #1). On July 13, 1985, she took the stage at Live Aid in Philadelphia (JFK Stadium) and delivered one of the most iconic performances in the festival's history.
Ladytron Fan Account201,266 görüntüleme • 19 gün önce
“Brothers in Arms” was originally released by Dire Straits in 1985 as the title track of their acclaimed album Brothers in Arms. Written by Mark Knopfler, the haunting anti-war ballad became one of the band's most celebrated songs. In 1988, Dire Straits reunited to perform at Wembley Stadium, London, as part of the Nelson Mandela 70th Birthday Tribute, held on June 11 to raise international awareness of Mandela's imprisonment and the struggle against apartheid. The concert was broadcast to more than 60 countries and reached an estimated audience of around 600 million people worldwide. The performance was particularly notable because Eric Clapton joined Dire Straits on guitar. The band's regular second guitarist, Jack Sonni, was unable to perform after the birth of his twin daughters, so Clapton stepped in for the historic event. The concert marked Dire Straits' return to the stage after the conclusion of their Brothers in Arms world tour in 1986.
Ladytron Fan Account19,245 görüntüleme • 2 gün önce
"No Sleep till Brooklyn" was the sixth single from Licensed to Ill(1986). Featuring a guitar solo by Slayer’s Kerry King, the track became one of the Beastie Boys’ signature songs and an early rap-rock landmark. Its title and lyrics reflect the exhaustion of life on the road and the group’s determination to make it back home to Brooklyn, while also nodding to Motörhead’s No Sleep ’til Hammersmith. The video, built as a tongue-in-cheek parody of 1980s glam-metal excess, helped turn the song into one of the band’s most memorable early hits.
Ladytron Fan Account43,840 görüntüleme • 5 gün önce
“Johnny B. Goode” was originally released by Chuck Berry in 1958 and became one of the foundational anthems of rock and roll. In 1995, Berry performed the classic alongside Bruce Springsteen and the E Street Band at the inaugural concert celebrating the opening of the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. The performance brought together one of rock and roll's founding figures with one of the artists who had been deeply influenced by his music, creating a remarkable meeting between two generations of rock. The collaboration had an especially meaningful history behind it. More than two decades earlier, in 1973, a young Springsteen and his band had actually served as Berry's backing band at a concert at the University of Maryland's Cole Field House in College Park. Berry arrived without a rehearsal or soundcheck, leaving Springsteen and the band to improvise their way through a set of Berry classics. The 1995 performance therefore brought the two artists together again on a much larger stage, with Springsteen returning to the role of backing musician for one of his most important rock and roll influences.
Ladytron Fan Account149,554 görüntüleme • 17 gün önce