🎩Laird of the Manor🎩's banner
🎩Laird of the Manor🎩's profile picture

🎩Laird of the Manor🎩

@LairdOfThManor19,693 subscribers

🏴󠁧󠁢󠁳󠁣󠁴󠁿Aristocrat with impeccable 🇬🇧,🇦🇺 &🏴󠁧󠁢󠁷󠁬󠁳󠁿bloodlines⚜️ Bibliophile⚜️ Scotophile⚜️ Anglophile⚜️Kilt aficionado. 🎩

Shorts

A narcissist can fake quite a lot. They can fake empathy. They can imitate affection. They can even put on such a convincing performance of being supportive that, at first glance, you’d swear they meant it. What they struggle to conceal is how they react when something goes well for someone else. Pay attention the next time you have a genuine win. Not the grand victories. The promotion. The successful project. The new relationship. The small moments are often more revealing. The achievement you’re proud of. The piece of good news you’d naturally expect another person to be pleased about. Watch closely. The slight eye roll. The forced smile. The curious inability to simply say, “Well done.” Or the immediate qualification. “That’s nice, but…” An impressive phrase, really. Two words capable of draining the joy from almost any accomplishment. Then there’s the remarkable talent for making your success about them. You share something you’ve achieved and, within moments, you’re listening to a story about something they did years ago that was apparently bigger, harder, better, or more important. Your moment lasts roughly thirty seconds before being requisitioned for their use. My personal favourite is the forensic examination of your achievement. You receive praise; they begin a search for defects. Not because the flaws matter, but because your confidence does. And then, of course, there’s silence. No congratulations. No enthusiasm. No acknowledgment. Just a noticeable drop in temperature, as though your success has somehow inconvenienced them. The lesson is simple. People who are genuinely comfortable in themselves do not find your success threatening. They are capable of applauding without competing, congratulating without comparing, and celebrating without keeping score. Those who cannot manage that are telling you something useful about themselves. Believe them… BELIEVE THEM!!! A narcissist often views another person’s success as a reduction in their own importance. It’s an odd way to move through life, but it does have one advantage for the rest of us: It makes them surprisingly easy to spot.😉💙🎩

A narcissist can fake quite a lot. They can fake empathy. They can imitate affection. They can even put on such a convincing performance of being supportive that, at first glance, you’d swear they meant it. What they struggle to conceal is how they react when something goes well for someone else. Pay attention the next time you have a genuine win. Not the grand victories. The promotion. The successful project. The new relationship. The small moments are often more revealing. The achievement you’re proud of. The piece of good news you’d naturally expect another person to be pleased about. Watch closely. The slight eye roll. The forced smile. The curious inability to simply say, “Well done.” Or the immediate qualification. “That’s nice, but…” An impressive phrase, really. Two words capable of draining the joy from almost any accomplishment. Then there’s the remarkable talent for making your success about them. You share something you’ve achieved and, within moments, you’re listening to a story about something they did years ago that was apparently bigger, harder, better, or more important. Your moment lasts roughly thirty seconds before being requisitioned for their use. My personal favourite is the forensic examination of your achievement. You receive praise; they begin a search for defects. Not because the flaws matter, but because your confidence does. And then, of course, there’s silence. No congratulations. No enthusiasm. No acknowledgment. Just a noticeable drop in temperature, as though your success has somehow inconvenienced them. The lesson is simple. People who are genuinely comfortable in themselves do not find your success threatening. They are capable of applauding without competing, congratulating without comparing, and celebrating without keeping score. Those who cannot manage that are telling you something useful about themselves. Believe them… BELIEVE THEM!!! A narcissist often views another person’s success as a reduction in their own importance. It’s an odd way to move through life, but it does have one advantage for the rest of us: It makes them surprisingly easy to spot.😉💙🎩

142,199 views

When a standing ovation is organic and the audience applause is genuine. No PR company in the world can buy this type of real response. #Wimbledon

When a standing ovation is organic and the audience applause is genuine. No PR company in the world can buy this type of real response. #Wimbledon

260,444 views

Guess which Montecito resident just purchased one of these machines? 😉🥕

Guess which Montecito resident just purchased one of these machines? 😉🥕

44,685 views

I wish she was my Nana 👵🏻 💙🎩

I wish she was my Nana 👵🏻 💙🎩

18,697 views

It is what it is…🤷🏻‍♂️ #HarryAndMeghanAreTrash

It is what it is…🤷🏻‍♂️ #HarryAndMeghanAreTrash

14,233 views

In moments when the world proves a touch ill-mannered and one’s patience rather thin, it seems only sensible to retreat to a far more civilised remedy, adorning the Lady of the Manor with something suitably splendid. One must, after all, meet vulgarity with beauty. A most exceptional ruby and diamond cluster presents itself for the task. At its heart a 3.2 carat natural, unheated Madagascar ruby, glowing with that deep, conspiratorial red that suggests both romance and a hint of mischief. It is encircled by a halo of brilliant-cut diamonds, with elegant double baguette diamond shoulders completing the composition. Altogether a deliciously opulent bauble, quite incapable of solving the world’s unpleasantness of course… but magnificently suited to enhancing the Lady’s already ineffable beauty, which feels, under the circumstances, a far better use of one’s attention. 📽️jw_weldon always delivers.

In moments when the world proves a touch ill-mannered and one’s patience rather thin, it seems only sensible to retreat to a far more civilised remedy, adorning the Lady of the Manor with something suitably splendid. One must, after all, meet vulgarity with beauty. A most exceptional ruby and diamond cluster presents itself for the task. At its heart a 3.2 carat natural, unheated Madagascar ruby, glowing with that deep, conspiratorial red that suggests both romance and a hint of mischief. It is encircled by a halo of brilliant-cut diamonds, with elegant double baguette diamond shoulders completing the composition. Altogether a deliciously opulent bauble, quite incapable of solving the world’s unpleasantness of course… but magnificently suited to enhancing the Lady’s already ineffable beauty, which feels, under the circumstances, a far better use of one’s attention. 📽️jw_weldon always delivers.

16,592 views

Videos

LairdOfThManor's profile picture

When Samuel Barber was but 26 years of age, he composed a single, unassuming movement for string quartet. It was not conceived as a requiem, nor fashioned as a hymn for the dead. It was simply the second movement of a chamber work, inspired by a Latin poem reflecting upon harvests and the patient labour of the fields. Yet within that melody lay something ineffable, a quiet ache no one could quite name, and so, by some shared instinct of the human heart, the world gradually began to entrust it with its mourning. It has accompanied the passing of presidents and the grief of nations: the funerals of FDR and JFK, and the solemn remembrance of Sept. 11 attacks. Again and again, this music returns, as though it alone knows how to carry the weight of collective sorrow. What Barber first entrusted to strings already possessed this gravity. Yet when the melody passes from instruments into the fragile dignity of human voices, its very nature is transformed. A string vibrates through friction; a voice vibrates from within the body itself, from lungs and diaphragm, through throat and bone. The Agnus Dei is not merely a transcription; it is a revelation. The ancient liturgical plea… grant us peace… meets a melody that seemed to understand the prayer long before it had words with which to utter it. Within the ancient vastness of Sint-Janskathedraal, where seven centuries of stone gather and return every trembling harmonic, the music seems no longer to issue from the singers at all. It rises instead from the cathedral itself… from walls, vaults, and flagstones alike. Sixty voices unfold and divide, the dynamics swelling from a breath of near-silence into a fortissimo that does not burst forth like thunder, but arrives with the slow, solemn inevitability of fate. Listen closely to that moment when every voice opens at once. There is no microphone, no artifice of amplification, only the pure generosity of Gothic acoustics. The sound lingers long after it is sung, and that lingering becomes part of the music itself: each note bearing the gentle shadow of the one that came before. Perhaps that is why the piece tightens the chest without so much as asking leave. Barber did not merely compose sorrow. He shaped, with exquisite precision, the very space that loss carves within the human heart… and the cathedral simply reveals what was always waiting there. This, Timothée Chalamet is true art. This will never die. 📽️Reelsclassics(ig)

🎩Laird of the Manor🎩

50,765 views • 4 months ago

No more content to load