🎩Laird of the Manor🎩
@LairdOfThManor • 13,646 subscribers
🏴Aristocrat with impeccable 🇬🇧,🇦🇺 &🏴bloodlines⚜️ Bibliophile⚜️ Scotophile⚜️ Anglophile⚜️Kilt aficionado. 🎩
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One finds oneself in rare and rather bracing agreement with Bev Turner (GBNews), whose outrage is not merely theatrical but entirely warranted. Her fury toward Meghan Markle is delivered with admirable bluntness, condemning the continued use of princely titles for children so conspicuously removed from royal duty. “Absolutely disgusting!” she pronounces, and quite right too. There is, after all, something profoundly unseemly in clinging to the gilded trappings of an institution one has so publicly and (presumably) profitably abandoned.
🎩Laird of the Manor 2.0🎩39,267 次观看 • 1 个月前
Her Royal Highness, The Princess of Wales, laid a wreath with solemn grace at London’s hallowed memorials, honouring the valour of those who answered duty’s call. From the blood-soaked shores of Gallipoli to the trials of the present day, she paid tribute to every Australian and New Zealander who has given so much in service on this sacred ANZAC Day. Lest we forget.
🎩Laird of the Manor 2.0🎩28,701 次观看 • 1 个月前
When Samuel Barber was but 26 years of age, he composed a single, unassuming movement for string quartet. It was not conceived as a requiem, nor fashioned as a hymn for the dead. It was simply the second movement of a chamber work, inspired by a Latin poem reflecting upon harvests and the patient labour of the fields. Yet within that melody lay something ineffable, a quiet ache no one could quite name, and so, by some shared instinct of the human heart, the world gradually began to entrust it with its mourning. It has accompanied the passing of presidents and the grief of nations: the funerals of FDR and JFK, and the solemn remembrance of Sept. 11 attacks. Again and again, this music returns, as though it alone knows how to carry the weight of collective sorrow. What Barber first entrusted to strings already possessed this gravity. Yet when the melody passes from instruments into the fragile dignity of human voices, its very nature is transformed. A string vibrates through friction; a voice vibrates from within the body itself, from lungs and diaphragm, through throat and bone. The Agnus Dei is not merely a transcription; it is a revelation. The ancient liturgical plea… grant us peace… meets a melody that seemed to understand the prayer long before it had words with which to utter it. Within the ancient vastness of Sint-Janskathedraal, where seven centuries of stone gather and return every trembling harmonic, the music seems no longer to issue from the singers at all. It rises instead from the cathedral itself… from walls, vaults, and flagstones alike. Sixty voices unfold and divide, the dynamics swelling from a breath of near-silence into a fortissimo that does not burst forth like thunder, but arrives with the slow, solemn inevitability of fate. Listen closely to that moment when every voice opens at once. There is no microphone, no artifice of amplification, only the pure generosity of Gothic acoustics. The sound lingers long after it is sung, and that lingering becomes part of the music itself: each note bearing the gentle shadow of the one that came before. Perhaps that is why the piece tightens the chest without so much as asking leave. Barber did not merely compose sorrow. He shaped, with exquisite precision, the very space that loss carves within the human heart… and the cathedral simply reveals what was always waiting there. This, Timothée Chalamet is true art. This will never die. 📽️Reelsclassics(ig)
🎩Laird of the Manor 2.0🎩50,641 次观看 • 3 个月前
Dear Timothée Charlatan, This form of art and artistry has been fascinating and mesmerising humanity long before you spunked across the cinematic screen with your CGI enhanced acting and will continue to do so long after you are a distant and limp memory. 🌹Delibes: Lakmé- Duo des fleurs (Flower Duet), Sabine Devieilhe & Marianne Crebassa. 🌹True artists. #TimotheeChalametIgnorantTwat
🎩Laird of the Manor 2.0🎩16,916 次观看 • 3 个月前
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