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Libby Pete

@libbypeteanim • 4,499 subscribers

Former Pixar animator who loves creating stylized animation. Making a K-Pop 🎃 boss rush game! Sign up for playtesting ⬇️

Shorts

testing blocking passes of the dodge and jump attacks in engine, always important to see how the anim feels on the controller before going too far

testing blocking passes of the dodge and jump attacks in engine, always important to see how the anim feels on the controller before going too far

10,752 次观看

Comparing my animation from last year to this year (oof🫣) 2024: me just messing around in Unreal Sequencer to teach myself gameplay animation and learn UE blueprints and environment tools. 2025: realized I couldn't figure out the nuances of gameplay animation out on my own, so I took a class. I wanted to make a real game for Steam, and I thought the Halloween characters from my old educational project would be fun to use again in a whole new game. One year of practice can really make a difference! Don't give up! #gameanimation

Comparing my animation from last year to this year (oof🫣) 2024: me just messing around in Unreal Sequencer to teach myself gameplay animation and learn UE blueprints and environment tools. 2025: realized I couldn't figure out the nuances of gameplay animation out on my own, so I took a class. I wanted to make a real game for Steam, and I thought the Halloween characters from my old educational project would be fun to use again in a whole new game. One year of practice can really make a difference! Don't give up! #gameanimation

17,234 次观看

The enemy line up for my game 🎃So many attack animations to make ahhhh but it'll be good practice. It's gonna be fast paced like NieR Automata so it should be fun to create! I love stylized keyframe animation

The enemy line up for my game 🎃So many attack animations to make ahhhh but it'll be good practice. It's gonna be fast paced like NieR Automata so it should be fun to create! I love stylized keyframe animation

20,762 次观看

🎃 can finally jump YAAAAAY! This took me longer than I thought. Lots of trouble shooting, one of which was because my export range set in Maya was incorrect and I didn't realize it 💀 I wanna do another jump while sprinting but need move onto his combat. Light attack up next!

🎃 can finally jump YAAAAAY! This took me longer than I thought. Lots of trouble shooting, one of which was because my export range set in Maya was incorrect and I didn't realize it 💀 I wanna do another jump while sprinting but need move onto his combat. Light attack up next!

14,320 次观看

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I added a horse in my game to make traversal more fun 🎃

I added a horse in my game to make traversal more fun 🎃

35,585 次观看 • 16 天前

What I learned at Pixar for creating fluid animation ⬇️ Focusing on your extremes and making sure each axis in both translations and rotation hits its extreme on different frames is what makes animation fluid. Also make sure the extremes of different parts of the body hit on different frames as well. Essentially this is how I think and approach animating drag and follow through and create arcs

What I learned at Pixar for creating fluid animation ⬇️ Focusing on your extremes and making sure each axis in both translations and rotation hits its extreme on different frames is what makes animation fluid. Also make sure the extremes of different parts of the body hit on different frames as well. Essentially this is how I think and approach animating drag and follow through and create arcs

120,948 次观看 • 5 个月前

I specifically made Seamus do a cartwheel as he lands so that the player can see his face. Most of the time we only see his back so I thought this would help the player connect to him more 🎃 I think little choices like these can go a long way

I specifically made Seamus do a cartwheel as he lands so that the player can see his face. Most of the time we only see his back so I thought this would help the player connect to him more 🎃 I think little choices like these can go a long way

42,649 次观看 • 4 个月前

What I learned at Pixar for creating fluid animation, Part 2 ⬇️ I thought I would make another quick video going into more detail of how extremes create fluid animation. Focusing on your extremes automatically incorporates arcs, overlap and drag. Study your video reference to see where extremes naturally occur and exaggerate as needed for your animation style

What I learned at Pixar for creating fluid animation, Part 2 ⬇️ I thought I would make another quick video going into more detail of how extremes create fluid animation. Focusing on your extremes automatically incorporates arcs, overlap and drag. Study your video reference to see where extremes naturally occur and exaggerate as needed for your animation style

35,140 次观看 • 5 个月前

I'm happy to share that I've been promoted from Junior Animator to Animator at Industrial Light & Magic! I'm excited to continue growing as an artist at ILM. I thought it'd be fun to make a video showing my progress over the years... every animator starts from the bouncing ball. Enjoy!

I'm happy to share that I've been promoted from Junior Animator to Animator at Industrial Light & Magic! I'm excited to continue growing as an artist at ILM. I thought it'd be fun to make a video showing my progress over the years... every animator starts from the bouncing ball. Enjoy!

48,332 次观看 • 8 个月前

My game and its sources of inspiration 🎃 I got a lot of work ahead of me but I've been learning so much and enjoying the process! I had to figure out the intent behind the game through animation first since I'm an animator, which is not a good workflow for gamedev😅 That's okay tho, now that I have a sense of direction I will be moving onto proper greyboxing now

My game and its sources of inspiration 🎃 I got a lot of work ahead of me but I've been learning so much and enjoying the process! I had to figure out the intent behind the game through animation first since I'm an animator, which is not a good workflow for gamedev😅 That's okay tho, now that I have a sense of direction I will be moving onto proper greyboxing now

10,513 次观看 • 1 个月前

Game devs, did you know you can use Unreal's Sequencer and rigging to edit animation from Mixamo, Fab, or the Unity Asset Store? Then you can import those animations into Unity, Godot, or Unreal! Animators, if you want to learn how to edit mocap, this is a great introduction. The workflow and concepts I show can be used in Blender and Maya. Full video on my YT.

Game devs, did you know you can use Unreal's Sequencer and rigging to edit animation from Mixamo, Fab, or the Unity Asset Store? Then you can import those animations into Unity, Godot, or Unreal! Animators, if you want to learn how to edit mocap, this is a great introduction. The workflow and concepts I show can be used in Blender and Maya. Full video on my YT.

39,033 次观看 • 9 个月前

How Jennie inspired the skeleton's pile animation 💀

How Jennie inspired the skeleton's pile animation 💀

18,249 次观看 • 4 个月前

Two tips for creating fluid game animation: focus on your extremes and leading edge. Sorry about my mic, I didn't talk close enough to it so I cut out occasionally lol The jump is still WIP, I'll share the polished version later 🎃

Two tips for creating fluid game animation: focus on your extremes and leading edge. Sorry about my mic, I didn't talk close enough to it so I cut out occasionally lol The jump is still WIP, I'll share the polished version later 🎃

24,144 次观看 • 9 个月前

New character animation! Introducing these goofy skeleton enemies! They're going to be a lot of fun. I'm taking inspiration from the old 1930s cartoons for their movement. I'll be working on both 💀 and 🎃 from now on to more easily define the animation art direction of my game.

New character animation! Introducing these goofy skeleton enemies! They're going to be a lot of fun. I'm taking inspiration from the old 1930s cartoons for their movement. I'll be working on both 💀 and 🎃 from now on to more easily define the animation art direction of my game.

11,770 次观看 • 7 个月前

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