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The main task of the director is to show what people are doing and thinking and, secondarily, what they are saying. Alfred Hitchcock. #Hitchcock 🎥

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Alfred Hitchcock achieved this shot in Champagne (1928) by using an over-sized glass with a lens placed in the bottom.

When Ingrid Bergman first came to Hollywood, David O. Selznick proposed to alter her appearance, thinning her eyebrows, changing her hair color, etc., as was usually done by studios in that era. Bergman refused staunchly, thus retaining her natural looks.

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This is one of Hitchcock's greatest ordinary man in exceptional circumstances plots.

A small, low-budget, black and white film, almost a B-movie, far removed from the fantastic work of his previous films, and which became his greatest success, the film that made him a millionaire and also the most remembered film of his filmography.

This is one of Hitchcock's greatest ordinary man in exceptional circumstances plots.

The American Film Institute Awards, March 16, 1980. Hitchcock last public appearance before dying the next month of kidney failure. Unfortunately, a dying man not recognizing the star of his 1964 film, Marnie.

How to start a movie. Alfred Hitchcock.

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“Hitchcock told me I was going to play a nymphomaniac. I remember rushing home to look it up in the dictionary and being quite shocked.” Rhonda Fleming.

Grace Kelly's introduction as Lisa Carol Fremont in Alfred Hitchcock’s 1954 classic Rear Window is widely considered one of the most perfect and beautiful entrances in cinema history.

Movies are nothing if not exercises in voyeurism, in looking into other people's lives. Alfred Hitchcock.

Hitchcock understands better than any other director that love and sex can be far more terrifying than gunshots and creatures in the dark.

It’s Hitchcock’s single best shot, a shot that establishes a scene, sets a tone, builds suspense and communicates plot all in one moment. Small figures in the giant floor. But the camera keeps closer, placing her in the center of this gigantic party.

Hitchcock makes it quite clear that Father Logan is a Christ-like figure, most notably during the scene where he goes walking through the streets. He is presented in a long shot, with a statue of Christ carrying the cross while being flanked by two guards.

A chinchilla coat valued at $25,000 was loaned to appear in Rebecca's closet. Nobody actually wears it in the movie. It is one of the items Mrs. Danvers shows to the second Mrs. de Winter. Rebecca (1940) #Hitchcock

Almost all of Hitchcock’s greatest scenes are wordless.

Hitchcock understood that the unseen is often more frightening than the seen.

Working with Jessica Tandy was just celestial. A consummate actress. Just watching her working was just thrilling. Absolutely thrilling. And what a beautiful person she was, not just physically but just, you know, really considerate and fun. Tippi Hedren.

Marnie is a kleptomaniac who moves from town to town stealing from her employers. Hitchcock’s use of feminine imagery (purses, hair, shoes, gloves), is striking and makes for a nice contrast to the idea of Marnie upturning the patriarchy through her crimes