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Marouane Lamharzi Alaoui

@marouane5359,140 subscribers

Twitch : https://t.co/Yqfi9GxlzB 🇲🇦🇺🇸 Tech Entrepreneur & content creator & Poker Player

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Seedance 2.0 حمق من هنا شي عام ولا عامين الواحد يطلع فيلم غير بوحدو

Seedance 2.0 حمق من هنا شي عام ولا عامين الواحد يطلع فيلم غير بوحدو

33,993 Aufrufe

Martin Luther King if he was Moroccan Made by openAI Sora 2

Martin Luther King if he was Moroccan Made by openAI Sora 2

95,207 Aufrufe

The new google flash 3.1 tts is crazy good in Moroccan Darija

The new google flash 3.1 tts is crazy good in Moroccan Darija

21,628 Aufrufe

I think Bnsns is the best content creator in Morocco

I think Bnsns is the best content creator in Morocco

160,055 Aufrufe

Sora 2 is incredible Cartman reporting live the Genz Protests

Sora 2 is incredible Cartman reporting live the Genz Protests

52,942 Aufrufe

هاد الفيديو مقاد بالذكاء الإصطناعي وغير بوصف بالكلمات لبرنامج Popup من بعد زدت الصوت tool: Google Veo 2 الوصف لي عطيتو : The scene opens with a 3D animated graphic of a globe, a megaphone, and a location marker with social media icons floating around it, all against a bright yellow background. As the animation progresses, it transitions into a retro-style orange television with a mouth that opens, then a cellphone with a microphone and social media icons, and abstract shapes, and finally forms the title 'POP UP' with associated icons and symbols including a fez. A music plays in the background, upbeat and cheerful. The scene shows two presenters, at a desk against a vibrant yellow background with the 'POP UP' graphic. the male, with a beard and glasses, welcomes the viewers to a new episode of 'POP UP News', mentioning that they meet daily to discuss various topics.

هاد الفيديو مقاد بالذكاء الإصطناعي وغير بوصف بالكلمات لبرنامج Popup من بعد زدت الصوت tool: Google Veo 2 الوصف لي عطيتو : The scene opens with a 3D animated graphic of a globe, a megaphone, and a location marker with social media icons floating around it, all against a bright yellow background. As the animation progresses, it transitions into a retro-style orange television with a mouth that opens, then a cellphone with a microphone and social media icons, and abstract shapes, and finally forms the title 'POP UP' with associated icons and symbols including a fez. A music plays in the background, upbeat and cheerful. The scene shows two presenters, at a desk against a vibrant yellow background with the 'POP UP' graphic. the male, with a beard and glasses, welcomes the viewers to a new episode of 'POP UP News', mentioning that they meet daily to discuss various topics.

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The "editors are dead" posts flooding my timeline are nonsense. Pure hype. None of those tools are changing real editing. Most of what's being hyped isn't editing intelligence. It's a transcript, silence detection, captions, and a chatbot calling ffmpeg. That's useful but calling it the future of editing is like calling autocomplete the future of writing. The hard part isn't exporting final.mp4. The hard part is making video understandable at scale. A real AI editor has to understand an entire library, not one clip. Scenes, people, dialogue, mood, story beats, continuity, missing coverage, what the editor already tried. It has to find exact moments across thousands of scenes without hallucinating. It has to live inside the real workflow, not a toy prompt box pretending to be a studio. That's why we built Firassa around the Universal Video Knowledge Graph. UVKG turns raw footage into persistent, timecoded memory. Not a transcript. Not tags. Not a search index pretending to understand video. A living graph of what exists, how moments relate, where the story is hiding. Firassa turns that memory into action. Organize the library. Ask the footage questions. Find exact shots. Build first-pass sequences. Generate only when the story needs coverage that doesn't exist. The future of editing isn't an AI that spits out a file. It's an AI that understands the footage well enough to become part of the editorial process. We're not replacing editors. We are making them faster, sharper, and freer to do the part only humans can do: tell the story. Pro editors from Netflix and Beast Games are already using it and love it. 93% on the Long Video MME benchmark. Link to the waitlist below.

Marouane Lamharzi Alaoui

18,882 Aufrufe • vor 1 Monat

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