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Marouane Lamharzi Alaoui

@marouane53 • 59,140 subscribers

Twitch : https://t.co/Yqfi9GxlzB 🇲🇦🇺🇸 Tech Entrepreneur & content creator & Poker Player

Shorts

Seedance 2.0 حمق من هنا شي عام ولا عامين الواحد يطلع فيلم غير بوحدو

Seedance 2.0 حمق من هنا شي عام ولا عامين الواحد يطلع فيلم غير بوحدو

33,993 views

Martin Luther King if he was Moroccan Made by openAI Sora 2

Martin Luther King if he was Moroccan Made by openAI Sora 2

95,207 views

The new google flash 3.1 tts is crazy good in Moroccan Darija

The new google flash 3.1 tts is crazy good in Moroccan Darija

21,628 views

I think Bnsns is the best content creator in Morocco

I think Bnsns is the best content creator in Morocco

160,055 views

Sora 2 is incredible Cartman reporting live the Genz Protests

Sora 2 is incredible Cartman reporting live the Genz Protests

52,942 views

هاد الفيديو مقاد بالذكاء الإصطناعي وغير بوصف بالكلمات لبرنامج Popup من بعد زدت الصوت tool: Google Veo 2 الوصف لي عطيتو : The scene opens with a 3D animated graphic of a globe, a megaphone, and a location marker with social media icons floating around it, all against a bright yellow background. As the animation progresses, it transitions into a retro-style orange television with a mouth that opens, then a cellphone with a microphone and social media icons, and abstract shapes, and finally forms the title 'POP UP' with associated icons and symbols including a fez. A music plays in the background, upbeat and cheerful. The scene shows two presenters, at a desk against a vibrant yellow background with the 'POP UP' graphic. the male, with a beard and glasses, welcomes the viewers to a new episode of 'POP UP News', mentioning that they meet daily to discuss various topics.

هاد الفيديو مقاد بالذكاء الإصطناعي وغير بوصف بالكلمات لبرنامج Popup من بعد زدت الصوت tool: Google Veo 2 الوصف لي عطيتو : The scene opens with a 3D animated graphic of a globe, a megaphone, and a location marker with social media icons floating around it, all against a bright yellow background. As the animation progresses, it transitions into a retro-style orange television with a mouth that opens, then a cellphone with a microphone and social media icons, and abstract shapes, and finally forms the title 'POP UP' with associated icons and symbols including a fez. A music plays in the background, upbeat and cheerful. The scene shows two presenters, at a desk against a vibrant yellow background with the 'POP UP' graphic. the male, with a beard and glasses, welcomes the viewers to a new episode of 'POP UP News', mentioning that they meet daily to discuss various topics.

16,159 views

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The "editors are dead" posts flooding my timeline are nonsense. Pure hype. None of those tools are changing real editing. Most of what's being hyped isn't editing intelligence. It's a transcript, silence detection, captions, and a chatbot calling ffmpeg. That's useful but calling it the future of editing is like calling autocomplete the future of writing. The hard part isn't exporting final.mp4. The hard part is making video understandable at scale. A real AI editor has to understand an entire library, not one clip. Scenes, people, dialogue, mood, story beats, continuity, missing coverage, what the editor already tried. It has to find exact moments across thousands of scenes without hallucinating. It has to live inside the real workflow, not a toy prompt box pretending to be a studio. That's why we built Firassa around the Universal Video Knowledge Graph. UVKG turns raw footage into persistent, timecoded memory. Not a transcript. Not tags. Not a search index pretending to understand video. A living graph of what exists, how moments relate, where the story is hiding. Firassa turns that memory into action. Organize the library. Ask the footage questions. Find exact shots. Build first-pass sequences. Generate only when the story needs coverage that doesn't exist. The future of editing isn't an AI that spits out a file. It's an AI that understands the footage well enough to become part of the editorial process. We're not replacing editors. We are making them faster, sharper, and freer to do the part only humans can do: tell the story. Pro editors from Netflix and Beast Games are already using it and love it. 93% on the Long Video MME benchmark. Link to the waitlist below.

The "editors are dead" posts flooding my timeline are nonsense. Pure hype. None of those tools are changing real editing. Most of what's being hyped isn't editing intelligence. It's a transcript, silence detection, captions, and a chatbot calling ffmpeg. That's useful but calling it the future of editing is like calling autocomplete the future of writing. The hard part isn't exporting final.mp4. The hard part is making video understandable at scale. A real AI editor has to understand an entire library, not one clip. Scenes, people, dialogue, mood, story beats, continuity, missing coverage, what the editor already tried. It has to find exact moments across thousands of scenes without hallucinating. It has to live inside the real workflow, not a toy prompt box pretending to be a studio. That's why we built Firassa around the Universal Video Knowledge Graph. UVKG turns raw footage into persistent, timecoded memory. Not a transcript. Not tags. Not a search index pretending to understand video. A living graph of what exists, how moments relate, where the story is hiding. Firassa turns that memory into action. Organize the library. Ask the footage questions. Find exact shots. Build first-pass sequences. Generate only when the story needs coverage that doesn't exist. The future of editing isn't an AI that spits out a file. It's an AI that understands the footage well enough to become part of the editorial process. We're not replacing editors. We are making them faster, sharper, and freer to do the part only humans can do: tell the story. Pro editors from Netflix and Beast Games are already using it and love it. 93% on the Long Video MME benchmark. Link to the waitlist below.

Marouane Lamharzi Alaoui

18,882 views • 1 month ago

I can't believe how impressive Omnihuman-1 is. It genuinely brought the picture to life, every movement, every subtle expression while singing felt incredibly real.

I can't believe how impressive Omnihuman-1 is. It genuinely brought the picture to life, every movement, every subtle expression while singing felt incredibly real.

Marouane Lamharzi Alaoui

61,783 views • 1 year ago

الذكاء الاصطناعي خرج على السيطرة في كتابة الراب شوف verse 2 في هاد الاغنية لي كتبها Claude Sonnet 3.5 و غناها Suno AI V4 لي عاد خرج هادي يومين

الذكاء الاصطناعي خرج على السيطرة في كتابة الراب شوف verse 2 في هاد الاغنية لي كتبها Claude Sonnet 3.5 و غناها Suno AI V4 لي عاد خرج هادي يومين

Marouane Lamharzi Alaoui

71,816 views • 1 year ago

موقع كايلقا ليك نسبة اللهجة ديالك في الإنجليزية شحال نسبة المرقة لي طلعات ليك ؟ الموقع هو : Boldvoice accent Oracle

موقع كايلقا ليك نسبة اللهجة ديالك في الإنجليزية شحال نسبة المرقة لي طلعات ليك ؟ الموقع هو : Boldvoice accent Oracle

Marouane Lamharzi Alaoui

48,970 views • 1 year ago

سكران-GPT ال voice mode الجديد ديال ChatGPT خرج على السيطرة

سكران-GPT ال voice mode الجديد ديال ChatGPT خرج على السيطرة

Marouane Lamharzi Alaoui

48,849 views • 1 year ago

See Firassa AI in action. Discover how our advanced video intelligence platform helps you extract meaningful insights effortlessly. Identify faces, emotions, actions, and context seamlessly across multilingual, long-form content with unmatched accuracy and speed. Watch this quick 3-minute demo to understand how Firassa AI can transform your video analysis capabilities. To explore how Firassa AI can specifically enhance your business, book a demo or reach out via direct message.

See Firassa AI in action. Discover how our advanced video intelligence platform helps you extract meaningful insights effortlessly. Identify faces, emotions, actions, and context seamlessly across multilingual, long-form content with unmatched accuracy and speed. Watch this quick 3-minute demo to understand how Firassa AI can transform your video analysis capabilities. To explore how Firassa AI can specifically enhance your business, book a demo or reach out via direct message.

Marouane Lamharzi Alaoui

25,037 views • 1 year ago

ها علاش ما خصكش تاخد العلامة الزرقاء في إكس/تويتر

ها علاش ما خصكش تاخد العلامة الزرقاء في إكس/تويتر

Marouane Lamharzi Alaoui

40,127 views • 2 years ago

This human conversational AI from sesame freaked me out.

This human conversational AI from sesame freaked me out.

Marouane Lamharzi Alaoui

23,532 views • 1 year ago

غادي يخص نحبس الهدرة على ال AI واحد ال 6 أشهر على الأقل. ما يمكنش بارطاجيت أغنية ديال بوشعيب الزياني في انستغرام حيث عجباتني و شي عشرين واحد مسوليني في dms بأشمن AI قاديتها 🤦‍♂️

غادي يخص نحبس الهدرة على ال AI واحد ال 6 أشهر على الأقل. ما يمكنش بارطاجيت أغنية ديال بوشعيب الزياني في انستغرام حيث عجباتني و شي عشرين واحد مسوليني في dms بأشمن AI قاديتها 🤦‍♂️

Marouane Lamharzi Alaoui

20,256 views • 1 year ago

How I use AI when I'm bored First scene: Sora Rest : Google Veo2

How I use AI when I'm bored First scene: Sora Rest : Google Veo2

Marouane Lamharzi Alaoui

16,483 views • 1 year ago

How crazy is it that this song is 100% AI-generated? Just a year ago AI songs sounded so fake you could instantly tell. Now Suno 4.5 makes songs with realistic Moroccan Derija lyrics and genuine Moroccan instruments. I'm honestly blown away by how fast AI music improved

How crazy is it that this song is 100% AI-generated? Just a year ago AI songs sounded so fake you could instantly tell. Now Suno 4.5 makes songs with realistic Moroccan Derija lyrics and genuine Moroccan instruments. I'm honestly blown away by how fast AI music improved

Marouane Lamharzi Alaoui

11,107 views • 1 year ago

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