MrDejie
@mrdejie • 10,773 subscribers
Founder of Guhit Studio | AI + Web3 Content Creator | CapCut • Renoise • Topview Partner | @CoinMarketCap Creator | [email protected] for collab
Shorts
![Simply use CapCut to recreate this. Head to capcut and go to Capcut Studio and paste this prompt: [Style] Live-action + 2D Anime Sticker Composite Funny Short Video, First-Person Beach Grilling POV (POV Cooking Vlog), Realistic Beach Environment Mixed with Flat Cartoon Sticker Style for Strong Contrast, 8K Ultra HD, Handheld with Slight Shake, Vertical Screen [Duration] 10 seconds [Scene] Realistic beach first-person view: A small portable charcoal grill with several hotdogs cooking on the grates. Real person's hand holding metal tongs, flipping and moving the hotdogs. Background shows bright beach environment with sand, ocean waves, blue sky, and some distant palm trees. Natural sunlight with realistic lighting and shadows. A small wooden stool is placed beside the grill. [Character] Q-version Anime Sticker Character (flat 2D sticker texture, cartoon outlines, paper-cut feel): Golden long hair with straight bangs, big purple round eyes, pink blush, wearing a cute beach outfit (light blue bikini top with white frills, matching beach skirt, small sun hat, and yellow sunglasses resting on her head). She is sitting on the small wooden stool beside the grill, height about half the size of the grill, maintaining pure 2D flat quality throughout, not affected by real lighting. Real person's hand (photorealistic, skin texture visible) entering from the right side of the frame. [00:00-00:03] Shot 1: Sauce Sabotage (Overpouring) First-person POV: Real person's hand using tongs to flip hotdogs on the grill. The sticker character has a mischievous grin, raises both hands holding a big squeeze bottle of ketchup, and sneakily pours a huge amount of ketchup all over the hotdogs in one go — thick red sauce dramatically covers the hotdogs like a waterfall. Real physics on the sauce. Sound Effects: Sizzling hotdogs + thick ketchup squirting sound. [00:03-00:05] Shot 2: Bottle Snatch & Tongs Bonk Real person's hand quickly snatches the ketchup bottle away from her. The other hand raises the metal tongs and lightly bonks her head with the flat side — cartoon "Duang" effect, a red cartoon bump appears on her head, her whole body jolts from the impact. Sound Effects: Metallic "bonk" + cartoon spring sound. [00:05-00:08] Shot 3: Cry & Force Feed Sticker character holds the bump on her head, eyes turn into spirals (swirl eyes), mouth wide open crying with blue cartoon tears spraying out. Real person's hand immediately uses the tongs to pick up one overly sauced hotdog and stuffs it into her mouth mid-cry. Sound Effects: Exaggerated cartoon crying + mouth stuffing sound. [00:08-00:10] Shot 4: Overload KO Her cheeks puff up, she is forced to swallow, face turns pale, body stiffens and twitches. Eyes turn into "X"s as she dramatically falls backward off the small wooden stool and lands flat on the sand with legs up. Spinning dizzy stars appear above her head and a small wisp of white smoke comes out of her mouth. Frame freezes. Sound Effects: Thud + cartoon dizzy sound + faint ascension tone. Negative Prompt: blurry, low quality, deformed hands, extra limbs, text, watermark, logo, realistic 3D character, overexposed, underexposed, dark lighting](https://image.24vids.com/tw-2072919411535827170/amplify_video_thumb/2072919105913647104/img/6Q3l8jFL8DjqHFpn.jpg)
Videos
Mission: Attend to work Undetected. Made with Seedance 2.5 on CapCut Prompt 👇 PIP STEALTH — 30s AAA third-person stealth, photoreal, 16:9. Paris restaurant, weekday morning. Player is PIP: a real small mouse, natural mouse scale the whole clip, never human-sized. Identity lock to Image if attached. Tiny breathy French whispers. Only human: the CHEF — man, early 30s, lean, dark swept hair, short beard, navy chef jacket, flour on sleeve. Appears only in the kitchen. All enemies are ordinary cats. Four-legged, no clothes, no glasses, no watches, no tools, no upright walking. They loaf, slink, sniff, ear-flick, pounce, groom. ALLEY CAT: big orange tabby, loafing / licking a paw at the back door. PANTRY CAT: slim calico, walking the pantry, sniffing, tail up. HALL CAT: heavy grey longhair at the T-junction. Alert cat. Two short-haired dark cats trotting the corridor later. Route (one space): cobble alley → gap under back door → staff pantry → kitchen corridor T → dry-goods alcove → under swing door → PIP’s prep board. Sun from camera-right the whole time. Format: one unbroken take 0.0–27.0s, HARD CUT at 27.0s, locked reverse shot 27–30s. Exactly one cut. Camera: mouse-height OTS, 1.5 body-lengths behind PIP, analog-stick spring, dips when he crouches. After the cut: static camera on the pass beside the CHEF, looking back at PIP. HUD (English only, fixed corners, full 30s): minimap + cat vision cones BL, health/stamina TL, alert bar, prompts BR, objective TC. Cards from the right. No subtitles. 0–6s PIP slides behind a crate in the alley, peeks at the loafing ALLEY CAT, whispers {en retard… si on me voit, c’est fini}. HUD: 【LATE — 12 MIN】【OBJECTIVE: REACH THE LINE UNDETECTED】. Cat looks at a sparrow. PIP slips under the door. 6–12s Pantry baseboard shuffle. PANTRY CAT walks past on all fours. PIP freezes, {reste… ne me vois pas}. Cone misses him. 【SNEAKING MODE】. Cat exits. PIP enters the corridor. 12–18s HALL CAT slinks around the T, hunt crouch. 【ALERT】 red bang over its head. PIP drops his bundle, yanks a towel, a wooden spoon clatters the other way. Cat pounces the noise, then sits and washes a paw. {pardon}. 【DISTRACT】【CAT: LOST INTEREST】. Bundle back. Cat never stands or acts human. 18–24s Two dark cats trot toward camera. PIP pulls a small cheese box over himself. Only tail and paws show. One cat sniffs the box, flicks an ear, walks on. {la boîte… imbattable}. 【BOX EQUIPPED】【ENEMY LOST CONTACT】. Box shuffles forward. 24–27s Box ditched behind a flour sack. PIP crawls under the swing door, along the counter lip, climbs his board. Far ahead, the human CHEF cooks with his back to the room. 27s CUT 27–30s Locked front shot from the pass: PIP on the board facing camera in a tiny white toque + tiny apron that fit a real mouse. Chest still heaving. Empty boards and the swing door behind him, stove not behind him. Off-cam CHEF: {Pip, on prend le service}. PIP: {oui, chef!}. 【MISSION COMPLETE】【STEALTH RANK: S】【SERVICE +150】. Small smile. Locks: one PIP, mouse-sized vs full-size cats/chef/stove at all times. Toque/apron only in the last 3s. Box only in the corridor beat. Cats stay cats. Chef is the only person and only in the kitchen. French speech, English HUD. Photoreal fur, whiskers, paw-gait, real weight on the box and spoon, contact shadows, 5% grain. Not cartoon.
MrDejie143,808 просмотров • 1 месяц назад
![Short film "로세 [ROSE]" entirely made with Wan 3 on Topview. If you have 9 minutes to spare, it would mean a lot if you watched the longest short film I've made. SPOILER: you'll need a tissue 🤧 TopviewAI #TopviewAI #Wan3 #TopviewWan3Challenge](https://image.24vids.com/tw-2101280154454835214/media/HSlLOYLaoAA63fR.jpg)
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![Can't get enough of Seedance 2.5. The best part is it can generate 30s video in one single prompt, and the result is so realistic! So, here's another one that I made using CapCut. Prompt: [STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over a dramatic coastal cliff and open ocean. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic coastal cliff and ocean physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush over open water, near-miss whooshes past yachts, soft landing roll on sand, distant ocean waves and beach ambient noise, final bite sounds. [IMAGE REFERENCES] Use the provided Hoshino character sheet as the single strict visual reference for the male character. Exact face, black hair, dark brown eyes, lean athletic build (178 cm), gold earrings, and overall facial structure locked from the reference. Outfit: modern high-performance cliff-jumping wingsuit — sleek, form-fitting design in matte charcoal black with sharp white paneling and subtle gold zipper accents (matching his minimalist aesthetic). The wingsuit is worn from the start with a matching technical backpack. Body proportions, posture, and face remain fully locked to the Hoshino reference. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Hoshino stands on the edge of a high rocky cliff overlooking the open ocean, wearing his charcoal-and-white wingsuit and technical backpack. He looks straight into the camera with calm, confident intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the cliff edge. 3-5s: [Continuous freefall] He completes the somersault and falls head-first toward the sea. At exactly 1.5 seconds into the fall he fully deploys the wingsuit with a sharp snap. The wing membranes inflate and he levels out into a smooth glide. 5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed just above the ocean surface along the coastline. He weaves tightly past sheer cliff faces, banking hard left and right, turquoise water and rocky walls streaking past at extreme velocity. 12-18s: [Low-level chaos] He drops lower, flying just above the water. He almost collides with a large luxury yacht that suddenly turns, banks hard to avoid it, then narrowly misses a smaller motor yacht. He dips under a yacht’s outstretched boom and threads between two more vessels. 18-23s: [Water-level action] Still flying extremely low over the sea, he dodges a startled seabird that dives across his path, skims past a group of people on a nearby yacht who scatter in surprise, and banks sharply to avoid an open yacht swim platform. The camera stays locked behind him through every near-miss. 23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the soft beach sand and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the sand beside him, revealing a clean fitted white undershirt underneath. 26-28s: [Beach level] He walks a few steps still wearing the backpack and stops right in front of a classic beachside hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill. 28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a calm, satisfied expression as the shot holds. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit membranes, impact, roll, near-misses with yachts, water spray), stable character locked to the Hoshino reference, realistic ocean reflections, cliff rock textures and wind, no artifacts, movie-level stability, pure single continuous take.](https://image.24vids.com/tw-2085996752809927146/amplify_video_thumb/2085995822119038976/img/ag7D8K-7GjgApc8V.jpg)
Can't get enough of Seedance 2.5. The best part is it can generate 30s video in one single prompt, and the result is so realistic! So, here's another one that I made using CapCut. Prompt: [STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over a dramatic coastal cliff and open ocean. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic coastal cliff and ocean physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush over open water, near-miss whooshes past yachts, soft landing roll on sand, distant ocean waves and beach ambient noise, final bite sounds. [IMAGE REFERENCES] Use the provided Hoshino character sheet as the single strict visual reference for the male character. Exact face, black hair, dark brown eyes, lean athletic build (178 cm), gold earrings, and overall facial structure locked from the reference. Outfit: modern high-performance cliff-jumping wingsuit — sleek, form-fitting design in matte charcoal black with sharp white paneling and subtle gold zipper accents (matching his minimalist aesthetic). The wingsuit is worn from the start with a matching technical backpack. Body proportions, posture, and face remain fully locked to the Hoshino reference. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Hoshino stands on the edge of a high rocky cliff overlooking the open ocean, wearing his charcoal-and-white wingsuit and technical backpack. He looks straight into the camera with calm, confident intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the cliff edge. 3-5s: [Continuous freefall] He completes the somersault and falls head-first toward the sea. At exactly 1.5 seconds into the fall he fully deploys the wingsuit with a sharp snap. The wing membranes inflate and he levels out into a smooth glide. 5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed just above the ocean surface along the coastline. He weaves tightly past sheer cliff faces, banking hard left and right, turquoise water and rocky walls streaking past at extreme velocity. 12-18s: [Low-level chaos] He drops lower, flying just above the water. He almost collides with a large luxury yacht that suddenly turns, banks hard to avoid it, then narrowly misses a smaller motor yacht. He dips under a yacht’s outstretched boom and threads between two more vessels. 18-23s: [Water-level action] Still flying extremely low over the sea, he dodges a startled seabird that dives across his path, skims past a group of people on a nearby yacht who scatter in surprise, and banks sharply to avoid an open yacht swim platform. The camera stays locked behind him through every near-miss. 23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the soft beach sand and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the sand beside him, revealing a clean fitted white undershirt underneath. 26-28s: [Beach level] He walks a few steps still wearing the backpack and stops right in front of a classic beachside hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill. 28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a calm, satisfied expression as the shot holds. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit membranes, impact, roll, near-misses with yachts, water spray), stable character locked to the Hoshino reference, realistic ocean reflections, cliff rock textures and wind, no artifacts, movie-level stability, pure single continuous take.
MrDejie198,144 просмотров • 2 месяцев назад
LITTLE HEZY A tiny rounded blue creature washed up in a world that isn’t his. He’ll do everything he can to stay. Can he survive the challenge… or will this new world spit him back out? Let’s find out. The entire video is made with Seedance 2.5 on CapCut video studio. Still wondering how good sd25 is? Well, this video only took 3 generations with zero edits 😉.
MrDejie104,469 просмотров • 1 месяц назад
日本映画『グレート・フラッド』のメイキング映像がついに一般公開されました。このようなシーンがどのように作られているのかがわかります。 But here's the catch, everything you see is not real; it's 100% made with Seedance 2.5 that you can access on CapCut Even I, who's an AI content creator, will have a hard time distinguishing if it's real or not if I've seen this video for the first time. AI is really changing how the film industry.
MrDejie144,281 просмотров • 2 месяцев назад
![What used to take a full crew and thousands of dollars… Seedance 2.5 generates in minutes. Consistent characters up to 30 reference images, and 20 other inputs including videos and audio. One prompt to 30-second intense 1980-movie style! Made only on CapCut 🔥 Prompt: 1980s film, authentic live-action footage shot on 35mm with heavy grain, vibrant yet gritty saturated colors, practical neon lighting mixed with harsh strobes and fog. Fast chaotic editing packed with abrupt cuts, glass reflections, POV inserts, strobe flashes and dynamic movement to create total disorientation and panic. Real practical squib blood, rubber tentacles and physical stunts. Period-accurate 80s performances: big hair, colorful outfits, leg warmers, exaggerated fear and desperate physicality. Visualized synth atmosphere through pulsing lights and sudden dead silence. [IMAGE REFERENCES] Generate from scratch a consistent group of five mid-80s young adults with distinctly different looks—tall blonde mullet guy in neon shirt, short chubby dark-curly guy in Hawaiian print, slim big-curled redhead girl in neon dress, athletic black-ponytailed girl in crop top, lanky glasses brunette in pastel polo—in colorful yacht-party fashion and one original giant octopus killer with thick rubber tentacles and gaping beak. All on a neon-drenched luxury yacht in pure practical 1980s slasher style. [TIMELINE SECOND BY SECOND] 0-3s: [Rapid Disorientation Montage] Quick jarring cuts on the dimly lit yacht deck at night. Neon lights pulsing, five friends laughing and dancing with drinks, music blasting. Inserts: champagne spilling, one girl’s smile fading as mist rises from the water, glass reflection briefly showing a massive tentacle that vanishes. Strobe flicker. Laughter dies as engines are dead and no land in sight. 3-6s: [Rising Panic Montage] Fast cuts as panic spreads. Tall blonde runs to the helm, radio smashed. Close-up of broken mic. Two girls huddle near railing, eyes wide, calling names that echo. Low-angle POV gliding through thick fog. Drink glass tips. They split—one to cabins, one to stern. Water reflections show tentacles moving unseen. 6-9s: [First Attack Sequence] Sudden violence, rapid-fire cuts. Giant octopus erupts from foggy water. Quick cuts: massive tentacle lit by strobe, slamming down, bright squib blood spray across pink jacket. Body drops hard on wet deck. Others scream and scatter, slipping. One girl falls. Octopus advances with heavy tentacle movements while neon keeps pulsing. 9-12s: [Full Chaos & Practical Kills] Frenzied montage. Multiple cuts: guy racing for life raft, tentacle appears behind him. Girl hides behind bar, tentacle smashes through, practical blood on counter. Another cornered against cabin wall, lifted and slammed, body slides leaving red streak. Feet scraping, bodies falling, fog swirling around practical gore. Violent strobes. Survivor swings boat hook, dull thud on tentacle. 12-15s: [Climax & Lingering Threat] Fast cuts. Last two desperately lower a life raft. One yanked into fog and water, scream cut short. Final girl turns, face sweat-and-blood covered, backing on slippery deck. Wide shot of yacht littered with bodies under pulsing neon. Octopus rises again, tentacle cracked but massive. She runs into darkness as strobe freezes on the gaping beak. Slight film burn at end. [STYLE & QUALITY BOOSTERS] Photorealistic 1980s film emulation, heavy natural grain and reel artifacts, authentic practical squib blood and rubber-tentacle stunts, coherent physics with realistic slips and momentum on wet wooden deck.](https://image.24vids.com/tw-2083433982356836382/media/HOnYjBJawAAAuhi.jpg)
What used to take a full crew and thousands of dollars… Seedance 2.5 generates in minutes. Consistent characters up to 30 reference images, and 20 other inputs including videos and audio. One prompt to 30-second intense 1980-movie style! Made only on CapCut 🔥 Prompt: 1980s film, authentic live-action footage shot on 35mm with heavy grain, vibrant yet gritty saturated colors, practical neon lighting mixed with harsh strobes and fog. Fast chaotic editing packed with abrupt cuts, glass reflections, POV inserts, strobe flashes and dynamic movement to create total disorientation and panic. Real practical squib blood, rubber tentacles and physical stunts. Period-accurate 80s performances: big hair, colorful outfits, leg warmers, exaggerated fear and desperate physicality. Visualized synth atmosphere through pulsing lights and sudden dead silence. [IMAGE REFERENCES] Generate from scratch a consistent group of five mid-80s young adults with distinctly different looks—tall blonde mullet guy in neon shirt, short chubby dark-curly guy in Hawaiian print, slim big-curled redhead girl in neon dress, athletic black-ponytailed girl in crop top, lanky glasses brunette in pastel polo—in colorful yacht-party fashion and one original giant octopus killer with thick rubber tentacles and gaping beak. All on a neon-drenched luxury yacht in pure practical 1980s slasher style. [TIMELINE SECOND BY SECOND] 0-3s: [Rapid Disorientation Montage] Quick jarring cuts on the dimly lit yacht deck at night. Neon lights pulsing, five friends laughing and dancing with drinks, music blasting. Inserts: champagne spilling, one girl’s smile fading as mist rises from the water, glass reflection briefly showing a massive tentacle that vanishes. Strobe flicker. Laughter dies as engines are dead and no land in sight. 3-6s: [Rising Panic Montage] Fast cuts as panic spreads. Tall blonde runs to the helm, radio smashed. Close-up of broken mic. Two girls huddle near railing, eyes wide, calling names that echo. Low-angle POV gliding through thick fog. Drink glass tips. They split—one to cabins, one to stern. Water reflections show tentacles moving unseen. 6-9s: [First Attack Sequence] Sudden violence, rapid-fire cuts. Giant octopus erupts from foggy water. Quick cuts: massive tentacle lit by strobe, slamming down, bright squib blood spray across pink jacket. Body drops hard on wet deck. Others scream and scatter, slipping. One girl falls. Octopus advances with heavy tentacle movements while neon keeps pulsing. 9-12s: [Full Chaos & Practical Kills] Frenzied montage. Multiple cuts: guy racing for life raft, tentacle appears behind him. Girl hides behind bar, tentacle smashes through, practical blood on counter. Another cornered against cabin wall, lifted and slammed, body slides leaving red streak. Feet scraping, bodies falling, fog swirling around practical gore. Violent strobes. Survivor swings boat hook, dull thud on tentacle. 12-15s: [Climax & Lingering Threat] Fast cuts. Last two desperately lower a life raft. One yanked into fog and water, scream cut short. Final girl turns, face sweat-and-blood covered, backing on slippery deck. Wide shot of yacht littered with bodies under pulsing neon. Octopus rises again, tentacle cracked but massive. She runs into darkness as strobe freezes on the gaping beak. Slight film burn at end. [STYLE & QUALITY BOOSTERS] Photorealistic 1980s film emulation, heavy natural grain and reel artifacts, authentic practical squib blood and rubber-tentacle stunts, coherent physics with realistic slips and momentum on wet wooden deck.
MrDejie156,750 просмотров • 2 месяцев назад
MIGHTY LANKWIN Join Lankwin in his epic battle to protect The Clatterkin Reach! For the past few days, I pushed myself to see how far I could go as an AI creator, exploring new styles and stuff and I’m proud to finally share my first ever almost 3-minute video. Made entirely with AZ8 and . This is my official entry for the Create Your Hero Challenge! #AZ8 #AZ8Superhero #PixVerse
MrDejie155,041 просмотров • 3 месяцев назад
Unfamiliar Sky Seedance 2.5 is freaking awesome. I was able to make this video so easily. One thing that stands out for me is how good it is at analyzing the reference, especially the video ref. It understands everything without compromising the quality. Made on CapCut 🔥
MrDejie111,586 просмотров • 2 месяцев назад
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Now, tell me what made you think that this is AI? I mean, look at this, it's undetectable! Seedance 2.5 on TopviewAI is real 🔥 It genuinely feels like a real film. The diction, expressions and everything are so natural. And yes! Even the subtitles were made with Seedance 2.5. 30-second one-shot Film level video. #Topview30sChallenge #TopviewAI Here's the prompt: 30 seconds, one continuous shot, dynamic handheld camera, very realistic live-action style. Location: A clean french living room but the table is messy and dirty, there's cigarettes, can of beers, junkfoods and more. Woman: (french, tired-looking woman) wearing a messy apron over her clothes, as if she just came from cooking. Man: (wearing a boxer shorts, looks a bit drunk, holding a can of beer) Camera starts at shoulder level on the woman, facing her. The man is in frame slightly behind her in side/back view. She suddenly turns and slaps him hard across the face. Her eyes show clear pain, exhaustion, and deep anger. She says, voice breaking: {J’en ai fini, Eddy!} Subtitles: 【I am done, Eddy!】 Tears slowly well up and start falling as she begins to sob. Still crying, she points at him and continues, {On… on est ensemble depuis des années.} Subtitles: 【We...we've been together for years.】 Then, wiping her tears the camera focus on her face and she said slowly: {Mais tu me traites juste comme ta nounou, je ne peux même plus m’occuper de moi-même.} Subtitiles: 【But you just treat me as your nanny, I can't even take care of myself.】 She exhales shakily, looks at him one last time and says with quiet rage, {J’espère que toi et ta femme allez vivre dans cet enfer} Subtitles: 【I hope you and your woman will live in this hell.】 She remove her apron and throw it on the couch and turns and walks out the front door.
MrDejie80,870 просмотров • 2 месяцев назад
SEEDANCE 2 vs FAST vs MINI Seedance 2.0 mini just went live on CapCut and I tested the exact same storyboard for reference and prompt to see which one performs best. And the difference is actually crazy 😳 Which one do you think came out on top? 👀 #CapcutSeedance2
MrDejie133,840 просмотров • 4 месяцев назад
"Familia" Tried Seedance 2.5 on TopviewAI and bro… this is on another level 🔥 My goal with this 30-second one-shot video is simple, to show that AI is not emotionless. This boy has been living alone in the jungle for a long time, and he’s longing for a family. Watch how his emotion shifts from happy to sad real quick. It’s so realistic it actually hits. Planning to turn this into a full microfilm. Topview AI (トップビュー) 日本公式 #Topview30sChallenge #TopviewAI Workflow and prompts 👇
MrDejie77,587 просмотров • 2 месяцев назад
TOPVIEW Adding this to my #Topview30sChallenge entries! This is my fifth entry, and again, I wanted to show just how realistic Seedance 2.5 can get. My goal is to make people ask if it's real or not. Many AI models are good, but Seedance 2.5 is excellent in making realistic videos. I made a 30-second horror video in one continuous shot, no edits. I’m really happy with the result. Everything looks clean, and even the reflections were generated perfectly in a single take. I also upscaled it to 4K inside #TopviewAI Canvas.
MrDejie52,595 просмотров • 1 месяц назад
Capcut Philippines was one of the delegates of the first-ever CapCut world event that was held in Singapore last Sep. 5th. And the funny thing is we don't have a group photo, lol. But we decided to make it extra special by making a dance production video with Team PH. If you’re still doubting how powerful Seedance 2.5 is, watch this 4-minute video made on CapCut.
MrDejie36,223 просмотров • 1 месяц назад
Seedance 2.5 is an absolute cinema! Indeed it’s the world’s most powerful AI Video model! Watch this 30s clip and see how consistently the character remains throughout. I’m amazed by how realistic it is, especially the underwater scene and the hair flow. Made on CapCut.
MrDejie52,871 просмотров • 2 месяцев назад
20 shots in 30seconds. Yes! you can do that much with Seedance 2.5! Made on LovartAI Prompt 👇 Create a 30-second cinematic continuous one-shot where both the world and the character are constantly moving. The transformation must never feel like a girl simply walking while backgrounds change. Her body, momentum, balance, position, and reactions should actively cause or motivate each transition. No cuts, no fades, no dissolves. The camera may whip, orbit, dive, roll, pass behind objects, move overhead, go low to the ground, rush toward her, or briefly lose sight of her behind foreground elements, but it must remain one physically continuous shot. Character: A realistic Japanese girl in her early 20s. Natural features, long dark hair, athletic and expressive. Casual modern clothes that stay readable as they get wet, dusty, torn, and transformed by each world. Photoreal, not anime. Start in a bright Candy World. Giant lollipops, frosting hills, candy-cane trees, and sugar dust in the air. The girl hears a rumble and spins around. The camera rushes backward in front of her as she runs toward a gigantic painting of a lava cake. She skids to a stop. Molten chocolate lava suddenly explodes out of the canvas. She dives sideways as real lava-cake flood crashes across the candy floor. The camera drops almost to floor level with the rushing chocolate. She grabs a giant candy bench to stop herself. The bench stretches beneath her hands and becomes a fallen log. The camera swings around her. She is suddenly in the Year of the Dinosaurs, hanging from a tree as a massive dinosaur charges past. She pulls herself up, runs, jumps over a sliding boulder, ducks beneath a swinging vine, then grabs a giant leaf. The camera rises with the leaf. The leaf wraps around her. She tears through it and tumbles onto a paper world. The same leaf is now a huge sheet of folded paper. She rolls across paper mountains, pushes herself up, and immediately begins running as paper buildings unfold around her. The camera races sideways with her. Paper edges whip past the lens and transform into glass. The paper city becomes a modern skyscraper corridor. She runs across glossy floors as windows race past. She loses her footing near an open shaft and falls. The camera dives with her. The glass walls become rough stone. She lands hard inside a prehistoric BC cave. Torches flicker. She crawls forward, then sprints as the cave opens onto an ancient battlefield. Spears and banners rush past. She drops flat as riders leap over her. From ground level a giant war banner falls toward the lens. She grabs its edge. The wind yanks her upward. For a moment she is lifted completely off the ground. As the camera rotates with her, the banner becomes the feathers of a gigantic bird. She is suddenly riding on the big bird’s back high in the sky. She holds on as it banks through clouds. The bird dives. She slips, grabs a talon, then drops. The camera falls with her. She plunges into an underground river. Now underwater, her momentum continues naturally. She swims with the current through a dark cavern, then breaks the surface onto an abandoned island. Skeletons lie scattered across the sand and rocks. She stands, panting, then steps on a glass shard. The island shrinks around her. The camera pulls back as the whole island is revealed inside a giant glass bottle. She is trapped inside the bottle. The bottle tips. She slides, slams against the glass, and the glass becomes a dusty window. She crashes through it into a creepy house. Creaking floors, peeling wallpaper, long hallways. She runs. A door slams open. The house corridors fill with a zombie world. She dodges reaching hands, leaps over fallen furniture, and bursts through a classroom door. She is suddenly in a school classroom. Desks scatter as she sprints across them and jumps through an open window. The camera follows her through the window. She does not land in a yard. She lands on the top of a building. Wind slams her. She runs across the rooftop, then slips off the edge. The camera dives beside her. She hits water. Now underwater again. She swims upward toward a bright shape. When she breaks the surface, she is pulling herself into a pilot’s cockpit of a flying plane. Instruments shake. She grabs the controls, then the plane punches through clouds into a dense forest. The cockpit becomes tree branches. She tumbles through leaves, rolls across moss, and slams onto a mattress. Instantly she is sitting upright in bed. Morning. Silence. The camera is now extremely close to her face. She gasps awake. For the first time in the entire film, everything becomes completely still. Her bedroom is ordinary. She looks around. She touches the mattress. Checks her hands. Relieved, she lies back down. Then something drips onto her forehead. She looks up. The ceiling above her bed is gently rippling like candy glaze mixed with water. A large shadow slowly moves across it. Her expression changes from relief to disbelief. Then the entire bed suddenly tilts. She grabs the mattress as her alarm clock, pillow, lamp, and furniture begin sliding toward one side of the room. End exactly as she begins sliding out of bed, suggesting that waking up was only another stage of the transformation. The action should feel choreographed like a physical adventure. The girl must run, sprint, skid, dive, fall, climb, hang, swing, crawl, jump, roll, swim, land, sit, get thrown through spaces, and briefly become weightless. Her position within the frame should constantly change: close-up, full-body, profile, silhouette, overhead, low-angle, behind her, directly in front of her, underwater, upside down, falling beside her, and orbiting around her. Transitions should be triggered by her actions. When she grabs something, it becomes something else. When she falls, the next world catches her. When she jumps through an opening, that opening becomes another location. When an object crosses the camera, it transforms while hiding part of the environment. Use physical match transitions such as: candy bench → dinosaur-era log giant leaf → paper sheet paper edges → skyscraper glass falling shaft → BC cave stone war banner → giant bird feathers bird dive → underground river island sand → bottle glass bottle glass → creepy house window house door → zombie world zombie corridor → classroom classroom window → rooftop rooftop fall → underwater water surface → pilot cockpit cockpit / clouds → forest branches forest ground → bedroom mattress The camera movement itself should help generate transitions. A whip-pan can turn one moving object into another. A 360-degree orbit can reveal a completely transformed environment by the time it completes. Passing behind fabric, pillars, people, waves, vehicles, doors, or the girl’s body can briefly obscure parts of the frame while the transformation happens continuously. Despite the speed, every transformation must remain visually understandable. The result should feel less like a transformation montage and more like one impossible 30-second physical journey in which the girl is being chased, thrown, carried, dropped, and pulled through realities that continuously grow out of one another. Tone: exhilarating, mysterious, playful, cinematic, photoreal, large-scale, dreamlike, and full of wonder.
MrDejie33,788 просмотров • 1 месяц назад
SILICON LOVE Here's my entry for the Renoise x Contra challenge, made everything using Renoise Canvas. It’s a story about Mike, a teenage guy who has a huge crush on a famous influencer/content creator named Lumina. Will he end up with her? Or will their story end up as something that no one would ever expect? Find it out now, workflow below:
MrDejie53,696 просмотров • 3 месяцев назад