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MXVDXN // DAN

@mxvdxn23,970 subscribers

10+ yrs in ads. SARI & PLOY. 9 NAILS. KISS KILL キス・キル

Shorts

eyes forward. mostly.

eyes forward. mostly.

420,857 görüntüleme

Ploy’s been a menace to Sari… 😭 ◉ Seedance 2.0 MiniMax Design (H3)

Ploy’s been a menace to Sari… 😭 ◉ Seedance 2.0 MiniMax Design (H3)

150,973 görüntüleme

I’m starting to enjoy making romantic slop comedy more than action scenes. Maybe this is an area I want to keep sharpening more.

I’m starting to enjoy making romantic slop comedy more than action scenes. Maybe this is an area I want to keep sharpening more.

114,028 görüntüleme

Selamat Pagi, Sawaddee ⛅️ Grok Imagine is really fun. Grok

Selamat Pagi, Sawaddee ⛅️ Grok Imagine is really fun. Grok

139,889 görüntüleme

They talk like a real Jaksel girls 😆😆😆 // Seedance 2.0 via Yapper

They talk like a real Jaksel girls 😆😆😆 // Seedance 2.0 via Yapper

89,494 görüntüleme

Everyone wants to redefine Hollywood with AI. Meanwhile, I just wanna make cute and silly Southeast Asian high school dramas with AI, LOL 😂😂 Made with Nano Banana Pro + Kling 3.0 Omni via Freepik (now Magnific)

Everyone wants to redefine Hollywood with AI. Meanwhile, I just wanna make cute and silly Southeast Asian high school dramas with AI, LOL 😂😂 Made with Nano Banana Pro + Kling 3.0 Omni via Freepik (now Magnific)

66,902 görüntüleme

SARI & PLOY | IDENT_0713 ◉ Seedance 2.0 Magnific

SARI & PLOY | IDENT_0713 ◉ Seedance 2.0 Magnific

19,940 görüntüleme

Probably the most fun and chaotic series I’ve ever made. • 3 Main Characters • 10 Supporting Characters (7 girls + 3 boys) • 2 Ghosts All packed into one prompt. Total Character Sheets: 7 • Dira • Lina • Adel • 7 Girls (combined into 1 sheet) • 3 Boys (combined into 1 sheet) • Kuntilanak (Ghost) • Tuyul (Ghost) Total Location Sheets: 2 • Front view of the Mall (during night) • Front view of the Mall (during day) The rest of the location are prompted/described without sheet.

Probably the most fun and chaotic series I’ve ever made. • 3 Main Characters • 10 Supporting Characters (7 girls + 3 boys) • 2 Ghosts All packed into one prompt. Total Character Sheets: 7 • Dira • Lina • Adel • 7 Girls (combined into 1 sheet) • 3 Boys (combined into 1 sheet) • Kuntilanak (Ghost) • Tuyul (Ghost) Total Location Sheets: 2 • Front view of the Mall (during night) • Front view of the Mall (during day) The rest of the location are prompted/described without sheet.

39,262 görüntüleme

2 old villagers tried to peek... now a 3-meter demoness is chasing them.

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2 old villagers tried to peek... now a 3-meter demoness is chasing them.

26,506 görüntüleme

Typical Southeast Asian water outage solution lol 😂😆 Seedance 2.0 via Magnific

Typical Southeast Asian water outage solution lol 😂😆 Seedance 2.0 via Magnific

21,762 görüntüleme

This one was made with Seedance 2.0 Fast via Dreamina. This is pure Omni-Reference. The only character sheet I used was for these girls, Sari and Ploy. The dude with sarung here and the location were 100% prompted. I didn’t use a character sheet or reference for either of them. Even in Fast mode, Seedance 2.0 is bloody good and it still nails the hyper-vernacular vibe that I always aim for in my work. Seedance 2.0 is both exciting and scary for me 😆 It’s exciting because it is undoubtedly the best model currently available on the market. Trust me, you’ve seen the videos I’ve made so far right? The performance of the model It’s simply the best, period. It has helped me tremendously in creating a shit ton of stories about the region where I live, Southeast Asia. It has been the most exciting thing ever. The scary part is whenever a platform or company comes to me saying, “Hey, we have this new video model. Blah blah blah. We’ll let you know more soon.” It scares the shit out of me because the big question is whether it will be better than Seedance 2.0??? 😆😆 If not, I don’t even want to bother using it. I’ve come this far and achieved this level of quality with Seedance 2.0. That’s why I skipped Happy Horse, which I already tested. It’s also why I’m not bothering with Wan or anything else for now. Their current models are still far inferior to what we already get with Seedance 2.0. I don’t want to downgrade the visual quality. This is also why I need to be really honest. There are certain platforms that host their own in-house models and i'm still part of their CPP. However, because those models are still far behind the quality of Seedance 2.0, I haven’t used them that much. Seedance 2.0 has simply become the benchmark for me. The type of output I’m looking for is also extremely specific, so I can immediately feel it when a model cannot deliver what I need. Seedance 2.0 is definitely not cheap, but it gives me so much creative satisfaction and allows me to make whatever I want. I even have a team that low-key makes softcore erotic videos in the style of Vivamax 😆 I think I’ve trimmed down so many things in my AI workflow because my main goal is to focus on the content itself. If Seedance 2.0 Mini is released soon, I’m dead curious to test it. I think I want to create more stories that revolve around drama rather than highly technical cinematic shots. Seedance 2.0 Fast has been incredibly helpful, but I’m definitely curious to check out the Mini version. But the truth is that I’m completely tool-agnostic. I don’t care which company makes the model. I only care about the quality. You might remember when I praised Grok Imagine Video so damn hard because it was genuinely amazing back then. Then the quality kept getting worse and worse, so I stopped using it. But if it gets better again, I’ll definitely want to use it again. At the end of the day, quality is the only thing that matters.

This one was made with Seedance 2.0 Fast via Dreamina. This is pure Omni-Reference. The only character sheet I used was for these girls, Sari and Ploy. The dude with sarung here and the location were 100% prompted. I didn’t use a character sheet or reference for either of them. Even in Fast mode, Seedance 2.0 is bloody good and it still nails the hyper-vernacular vibe that I always aim for in my work. Seedance 2.0 is both exciting and scary for me 😆 It’s exciting because it is undoubtedly the best model currently available on the market. Trust me, you’ve seen the videos I’ve made so far right? The performance of the model It’s simply the best, period. It has helped me tremendously in creating a shit ton of stories about the region where I live, Southeast Asia. It has been the most exciting thing ever. The scary part is whenever a platform or company comes to me saying, “Hey, we have this new video model. Blah blah blah. We’ll let you know more soon.” It scares the shit out of me because the big question is whether it will be better than Seedance 2.0??? 😆😆 If not, I don’t even want to bother using it. I’ve come this far and achieved this level of quality with Seedance 2.0. That’s why I skipped Happy Horse, which I already tested. It’s also why I’m not bothering with Wan or anything else for now. Their current models are still far inferior to what we already get with Seedance 2.0. I don’t want to downgrade the visual quality. This is also why I need to be really honest. There are certain platforms that host their own in-house models and i'm still part of their CPP. However, because those models are still far behind the quality of Seedance 2.0, I haven’t used them that much. Seedance 2.0 has simply become the benchmark for me. The type of output I’m looking for is also extremely specific, so I can immediately feel it when a model cannot deliver what I need. Seedance 2.0 is definitely not cheap, but it gives me so much creative satisfaction and allows me to make whatever I want. I even have a team that low-key makes softcore erotic videos in the style of Vivamax 😆 I think I’ve trimmed down so many things in my AI workflow because my main goal is to focus on the content itself. If Seedance 2.0 Mini is released soon, I’m dead curious to test it. I think I want to create more stories that revolve around drama rather than highly technical cinematic shots. Seedance 2.0 Fast has been incredibly helpful, but I’m definitely curious to check out the Mini version. But the truth is that I’m completely tool-agnostic. I don’t care which company makes the model. I only care about the quality. You might remember when I praised Grok Imagine Video so damn hard because it was genuinely amazing back then. Then the quality kept getting worse and worse, so I stopped using it. But if it gets better again, I’ll definitely want to use it again. At the end of the day, quality is the only thing that matters.

18,949 görüntüleme

→ text2img: Midjourney V6.1 → img2vid: Kling AI 1.6 → music: "Step" by Hitsujibungaku video prompt: Calm and natural, with graceful gestures

→ text2img: Midjourney V6.1 → img2vid: Kling AI 1.6 → music: "Step" by Hitsujibungaku video prompt: Calm and natural, with graceful gestures

88,577 görüntüleme

No wonder Asian uncles keep coming back for a new screen protector lol 😆😆

No wonder Asian uncles keep coming back for a new screen protector lol 😆😆

12,941 görüntüleme

Inspired by the trends on Douyin // Seedance 2.0 via Yapper Prompt available for my subscribers only in the comment section below ⏬

Inspired by the trends on Douyin // Seedance 2.0 via Yapper Prompt available for my subscribers only in the comment section below ⏬

21,946 görüntüleme

Thank you so much Luma AI I can finally do my Wong Kar-wai style long shot. I've extended it to 13 seconds. Sound on 🔊

Thank you so much Luma AI I can finally do my Wong Kar-wai style long shot. I've extended it to 13 seconds. Sound on 🔊

50,338 görüntüleme

Testing Hailuo AI-MiniMax Hub Subject Reference Feature. Loving it so far, and I believe there’s room for improvement. For extra tone control, I used CapCut for filters and noise. → text2vid: Hailuo AI-MiniMax Hub → music: "Step" by Hitsujibungaku Prompt // in_comment

Testing Hailuo AI-MiniMax Hub Subject Reference Feature. Loving it so far, and I believe there’s room for improvement. For extra tone control, I used CapCut for filters and noise. → text2vid: Hailuo AI-MiniMax Hub → music: "Step" by Hitsujibungaku Prompt // in_comment

51,633 görüntüleme

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.

17,791 görüntüleme

Corporate Curse Technique vs Kebaya Mystic Arts • Seedance 2.0 via Yapper

Corporate Curse Technique vs Kebaya Mystic Arts • Seedance 2.0 via Yapper

16,759 görüntüleme

Videos

Okay! WAN 3.0 let's go! Whenever I test a new video model, the first thing I always do is test how well it handles language nuance. And yup, WAN 3.0 did it pretty well. I tested it via Venice And nope, this is not sponsored content. I use my own money. I’ve always used Venice for some of my more erotic video work because it’s uncensored and awesome. As simple as that. 👍😎 The reason i quote this post because people keep asking like heeey where do you generate uncensored stuff. Only two places right now, either Venice or D-zine. So there you go! bUTTTT!!!! If there's more, let me know 👍 I guess I could say that WAN 3.0 is probably the closest model to Seedance 2.0 in terms of quality right now. For my very specific needs, I love making dialogue-driven scenes, and WAN 3.0 is absolutely fine for that. In fact, I have to say it’s much better than MiniMax H3 in some ways. But of course, keep in mind that every model has its own strengths and flaws. Unfortunately, when it comes to very precise, extremely dynamic scenes, like what I usually do with my Sari & Ploy series, especially fight scenes, it’s not quite there yet. The only other problem is that sometimes, if you’re unlucky, WAN 3.0 can produce this weird audio artifact. I don’t really know how to explain it. It’s kind of like that flanger-like sound you sometimes get when generating with Seedance. Yeah, WAN 3.0 can occasionally have the same problem, LOL 😆 But performance-wise, for my use case, especially conversational scenes, candid moments, and the kind of raw camera movement I’ve always loved, WAN 3.0 really delivers. For me personally, this is where things start to get really exciting, especially when I think about series production. I can now be much more strategic about which model I use for each type of scene. For example, I’ll still use Seedance 2.0 and 2.5 mainly for more extreme, dynamic fight scenes, while conversational scenes are something I can comfortably do with WAN 3.0. MiniMax H3, meanwhile, feels more like the experimental option. I personally think H3 is a very unique model. Maybe it’s not as powerful for conversational scenes, but it definitely has its own flavor and can produce things that feel different from the others. But you know what, I can’t help it. I really need to say this LOL. It’s funny how a model like Grok Imagine Video used to be sooo good, and I praised it a lot, but now it feels like an extreme slot machine. At this point, I sometimes feel like it’s mostly being hyped by people who just want to glaze Elon Musk. Somehow, it actually went backwards. 😅 And it’s interesting how models like Seedance 1.5 and the previous WAN versions have improved so much over time. It feels very ironic because I wasn’t even a fan of Seedance back then, and the same goes for WAN. But yeah, at the end of the day is the output quality that matters for me.
1:05

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mxvdxn's profile picture

Okay! WAN 3.0 let's go! Whenever I test a new video model, the first thing I always do is test how well it handles language nuance. And yup, WAN 3.0 did it pretty well. I tested it via Venice And nope, this is not sponsored content. I use my own money. I’ve always used Venice for some of my more erotic video work because it’s uncensored and awesome. As simple as that. 👍😎 The reason i quote this post because people keep asking like heeey where do you generate uncensored stuff. Only two places right now, either Venice or D-zine. So there you go! bUTTTT!!!! If there's more, let me know 👍 I guess I could say that WAN 3.0 is probably the closest model to Seedance 2.0 in terms of quality right now. For my very specific needs, I love making dialogue-driven scenes, and WAN 3.0 is absolutely fine for that. In fact, I have to say it’s much better than MiniMax H3 in some ways. But of course, keep in mind that every model has its own strengths and flaws. Unfortunately, when it comes to very precise, extremely dynamic scenes, like what I usually do with my Sari & Ploy series, especially fight scenes, it’s not quite there yet. The only other problem is that sometimes, if you’re unlucky, WAN 3.0 can produce this weird audio artifact. I don’t really know how to explain it. It’s kind of like that flanger-like sound you sometimes get when generating with Seedance. Yeah, WAN 3.0 can occasionally have the same problem, LOL 😆 But performance-wise, for my use case, especially conversational scenes, candid moments, and the kind of raw camera movement I’ve always loved, WAN 3.0 really delivers. For me personally, this is where things start to get really exciting, especially when I think about series production. I can now be much more strategic about which model I use for each type of scene. For example, I’ll still use Seedance 2.0 and 2.5 mainly for more extreme, dynamic fight scenes, while conversational scenes are something I can comfortably do with WAN 3.0. MiniMax H3, meanwhile, feels more like the experimental option. I personally think H3 is a very unique model. Maybe it’s not as powerful for conversational scenes, but it definitely has its own flavor and can produce things that feel different from the others. But you know what, I can’t help it. I really need to say this LOL. It’s funny how a model like Grok Imagine Video used to be sooo good, and I praised it a lot, but now it feels like an extreme slot machine. At this point, I sometimes feel like it’s mostly being hyped by people who just want to glaze Elon Musk. Somehow, it actually went backwards. 😅 And it’s interesting how models like Seedance 1.5 and the previous WAN versions have improved so much over time. It feels very ironic because I wasn’t even a fan of Seedance back then, and the same goes for WAN. But yeah, at the end of the day is the output quality that matters for me.

MXVDXN // DAN

262,764 görüntüleme • 9 gün önce

the real lessons start after class · seedance 2.0
1:02

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