NB

@Noahbolanowski • 18,878 subscribers

Reveling at the Intersection of Art & Technology.

Shorts

Glenn Lowry: "It was a utter, extraordinary hit. People sat in front of it for hours. Literally transfixed by what they were seeing." Former Director of MoMA speaking on Refik Anadol’s UNSUPERVISED (Nov 19, 2022–Oct 29, 2023).

Glenn Lowry: "It was a utter, extraordinary hit. People sat in front of it for hours. Literally transfixed by what they were seeing." Former Director of MoMA speaking on Refik Anadol’s UNSUPERVISED (Nov 19, 2022–Oct 29, 2023).

57,155 Aufrufe

The Giant Series by Gentle Monster Robotics Lab, 2021 - Present.

The Giant Series by Gentle Monster Robotics Lab, 2021 - Present.

26,063 Aufrufe

Beeple’s Robot tried to kill me last night… Curious captivation quickly succumbs as sudden panic takes hold.

Beeple’s Robot tried to kill me last night… Curious captivation quickly succumbs as sudden panic takes hold.

38,883 Aufrufe

With Human One, the museum is no longer a backdrop but a co-author — a dynamic & contextually specific vehicle where the artwork unfolds in real time, shaped by its environment, its viewers, & the systems that frame it. Below: Human One by Beeple, 2021 | 1OF1 Collection

With Human One, the museum is no longer a backdrop but a co-author — a dynamic & contextually specific vehicle where the artwork unfolds in real time, shaped by its environment, its viewers, & the systems that frame it. Below: Human One by Beeple, 2021 | 1OF1 Collection

31,279 Aufrufe

'Spool' (2025) by Daniel Canogar A generative sculpture that shreds art from online marketplaces into 'strings' of pixels, algorithmically weaving them together in perpetuity. A commentary on the dematerialization of art into streams of data & our insatiable desire for more.

'Spool' (2025) by Daniel Canogar A generative sculpture that shreds art from online marketplaces into 'strings' of pixels, algorithmically weaving them together in perpetuity. A commentary on the dematerialization of art into streams of data & our insatiable desire for more.

33,715 Aufrufe

The Digital Art Aerial Exhibition innovations are progressing at an alarming rate…

The Digital Art Aerial Exhibition innovations are progressing at an alarming rate…

19,489 Aufrufe

Very cool - 'What Is It Like?' (2025) at Arebyte Gallery, curated by Helen Starr Viewers control sliding panels that sequentially unveil digital scenes, each stage reflecting how the brain processes and assembles data into structured realities. 🧠

Very cool - 'What Is It Like?' (2025) at Arebyte Gallery, curated by Helen Starr Viewers control sliding panels that sequentially unveil digital scenes, each stage reflecting how the brain processes and assembles data into structured realities. 🧠

19,609 Aufrufe

How CryptoPunks Expanded from the Blockchain to the Traditional Art World 2019: "CryptoPunks have moved slowly from the blockchain art world into the establishment one... No one was proposing they appear in a typical art gallery, not until people familiar with the history of digital art... began to recognize the Punks for qualities other than their unique, collectible nature." Told through Jessica Klein's 'How CryptoPunks’ Creators Charmed the Art World and Paved the Way for Blockchain Art,' Jan 2019. Video below from PERFECT & PRICELESS at Kate Vass Galerie, 2018/19.

How CryptoPunks Expanded from the Blockchain to the Traditional Art World 2019: "CryptoPunks have moved slowly from the blockchain art world into the establishment one... No one was proposing they appear in a typical art gallery, not until people familiar with the history of digital art... began to recognize the Punks for qualities other than their unique, collectible nature." Told through Jessica Klein's 'How CryptoPunks’ Creators Charmed the Art World and Paved the Way for Blockchain Art,' Jan 2019. Video below from PERFECT & PRICELESS at Kate Vass Galerie, 2018/19.

18,632 Aufrufe

Digital art is cool - but MARCK’s blend of digital and reality is nothing short of magical 🥹💫

Digital art is cool - but MARCK’s blend of digital and reality is nothing short of magical 🥹💫

25,180 Aufrufe

Videos

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Vera Molnár in 1990: "…perhaps around '81, I said to myself, ‘Does the beauty of this drawing come from this magic square?’ I'm not so sure. So I tried to manipulate this using computers, only instead of following the order indicated by Dürer's magic square, I went at random." From Molnar by LR Ways Productions, 1990.

Vera Molnár in 1990: "…perhaps around '81, I said to myself, ‘Does the beauty of this drawing come from this magic square?’ I'm not so sure. So I tried to manipulate this using computers, only instead of following the order indicated by Dürer's magic square, I went at random." From Molnar by LR Ways Productions, 1990.

42,975 Aufrufe • vor 11 Tagen

A (very) rare video of 1968's Cybernetic Serendipity exhibition at ICA, London (Aug 2 - Oct 20, 1968). From Visualisation: Art et Cybernétique, French Broadcasting Corp., 1968.

A (very) rare video of 1968's Cybernetic Serendipity exhibition at ICA, London (Aug 2 - Oct 20, 1968). From Visualisation: Art et Cybernétique, French Broadcasting Corp., 1968.

52,038 Aufrufe • vor 2 Monaten

Susan Kare in 1983: "If you're an artist, & you're skilled with media, this is a new medium that offers great control... There's a thousand little dots [per] half an inch and you have the capacity, either real or magnified, to turn off & on each one of those dots..."

Susan Kare in 1983: "If you're an artist, & you're skilled with media, this is a new medium that offers great control... There's a thousand little dots [per] half an inch and you have the capacity, either real or magnified, to turn off & on each one of those dots..."

53,945 Aufrufe • vor 2 Monaten

Movements of Electrons Around Atomic Nuclei by Massachusetts Institute of Technology (MIT), 1968 From Visualisation: Art et Cybernétique, French Broadcasting Corp., 1968.

Movements of Electrons Around Atomic Nuclei by Massachusetts Institute of Technology (MIT), 1968 From Visualisation: Art et Cybernétique, French Broadcasting Corp., 1968.

38,370 Aufrufe • vor 2 Monaten

Circles: A Computer Film by Doris Chase, 1968-70 Made using a CDC 6600, an SC 4020 Microfilm Plotter, & a Moog Synthesizer, with William Fetter, Robert Tingley, & George Kleinsinger.

Circles: A Computer Film by Doris Chase, 1968-70 Made using a CDC 6600, an SC 4020 Microfilm Plotter, & a Moog Synthesizer, with William Fetter, Robert Tingley, & George Kleinsinger.

30,258 Aufrufe • vor 1 Monat

Clip from one of the earliest Large Scale Digital Art Installations, and an early predecessor to the TouchDesigner creatives of today. TV War by Akira Asada, Daizaburo Harada, Haruhiko Shono, and Ryuichi Sakamoto, 1985.

Clip from one of the earliest Large Scale Digital Art Installations, and an early predecessor to the TouchDesigner creatives of today. TV War by Akira Asada, Daizaburo Harada, Haruhiko Shono, and Ryuichi Sakamoto, 1985.

40,910 Aufrufe • vor 2 Monaten

Vera Molnar in 1981: "Assisted by this diabolical instrument, one can afford the luxury of exploring regions that would otherwise have remained uncharted." Vera Molnar for Télévision Française 1, 1981 (dubbed to english).

Vera Molnar in 1981: "Assisted by this diabolical instrument, one can afford the luxury of exploring regions that would otherwise have remained uncharted." Vera Molnar for Télévision Française 1, 1981 (dubbed to english).

14,064 Aufrufe • vor 23 Tagen

Another rare exhibition video, showing Tendencije 4 (1968-69), an early (& critically important) Digital Art exhibition held in cold war era Zagreb. The second scene below shows Ken Knowlton & Leon D. Harmon's Studies in Perception series (1966-69), made on Bell Labs' IBM 7094.

Another rare exhibition video, showing Tendencije 4 (1968-69), an early (& critically important) Digital Art exhibition held in cold war era Zagreb. The second scene below shows Ken Knowlton & Leon D. Harmon's Studies in Perception series (1966-69), made on Bell Labs' IBM 7094.

13,713 Aufrufe • vor 1 Monat

Digital Einstein by Herbert W. Franke, 1973 Created in 1973 at Siemens, the work algorithmically subjects a portrait of Einstein to an iterative process of dissolution — a potent reflection of the implications of relativity. Seen below in exhibition at New Tendencies 5, 1973.

Digital Einstein by Herbert W. Franke, 1973 Created in 1973 at Siemens, the work algorithmically subjects a portrait of Einstein to an iterative process of dissolution — a potent reflection of the implications of relativity. Seen below in exhibition at New Tendencies 5, 1973.

12,347 Aufrufe • vor 1 Monat

The Debut of Adobe Photoshop on The Today Show in 1990 “It used to cost a million dollars two years ago but now with Photoshop and a Mac anyone can now do this at home for $800.”

The Debut of Adobe Photoshop on The Today Show in 1990 “It used to cost a million dollars two years ago but now with Photoshop and a Mac anyone can now do this at home for $800.”

87,460 Aufrufe • vor 2 Jahren

Early Conversational Artificial Intelligence in 1979 "You’d sit in a leather Eames chair in the lab’s soundproof “media room” and point your hand at the room’s wall-sized rear-projection screen...you could say “Put a yellow circle there,” and the computer would obey. If you didn’t specify where the circle should go, the computer would ask “Where?” and wait for you to point and say “There!” Schmandt says it was one of the two first conversational systems ever written." From MIT Tech Review 2019's 'The geek.'

Early Conversational Artificial Intelligence in 1979 "You’d sit in a leather Eames chair in the lab’s soundproof “media room” and point your hand at the room’s wall-sized rear-projection screen...you could say “Put a yellow circle there,” and the computer would obey. If you didn’t specify where the circle should go, the computer would ask “Where?” and wait for you to point and say “There!” Schmandt says it was one of the two first conversational systems ever written." From MIT Tech Review 2019's 'The geek.'

46,131 Aufrufe • vor 1 Jahr

R.I.P. Lillian Schwartz 🖤 One of the most brilliant, passionate & innovative pioneers in the history of digital art. More on her work & career below.

R.I.P. Lillian Schwartz 🖤 One of the most brilliant, passionate & innovative pioneers in the history of digital art. More on her work & career below.

34,691 Aufrufe • vor 1 Jahr

William Latham in 1990’s ‘Art & the Computer.’

William Latham in 1990’s ‘Art & the Computer.’

15,185 Aufrufe • vor 1 Jahr

Frieder Nake making computer art in 1966 with punch cards on a ER-56 mainframe computer.

Frieder Nake making computer art in 1966 with punch cards on a ER-56 mainframe computer.

11,781 Aufrufe • vor 1 Jahr

In 1969, ABC released the first entirely AI generated TV Show, hosted by a Computer... Turn-On: The First Computerized TV Show In the show, sketches generated by an artificially intelligent computer would be acted out. It was pulled 10 min into the first episode...

In 1969, ABC released the first entirely AI generated TV Show, hosted by a Computer... Turn-On: The First Computerized TV Show In the show, sketches generated by an artificially intelligent computer would be acted out. It was pulled 10 min into the first episode...

16,112 Aufrufe • vor 1 Jahr

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