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ill-informed opinions on Anime Production & "Sakuga" | Obligatory Type-Moon & Monogatari Shill |

Shorts

With Frieren 26s action spectacle receiving a lot of the praise, Ubel's flashback felt a little overlooked Daiki Harashina's storyboard is a stand out in the ep & Mayuko Kandori handled most of the KA, coincidentally she had an identical cut on Dress-up Darling, posted below⌄

With Frieren 26s action spectacle receiving a lot of the praise, Ubel's flashback felt a little overlooked Daiki Harashina's storyboard is a stand out in the ep & Mayuko Kandori handled most of the KA, coincidentally she had an identical cut on Dress-up Darling, posted below⌄

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Ligton's Miwa section is one of THE best examples of elevating the source material. Not only is this the best character acting in the show, the composite consistency is flawless. For instance, utilising Bokeh and a subtle filter to emulate the window & the lights outside.

Ligton's Miwa section is one of THE best examples of elevating the source material. Not only is this the best character acting in the show, the composite consistency is flawless. For instance, utilising Bokeh and a subtle filter to emulate the window & the lights outside.

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Key Animation: Yoshimichi Kameda 亀田 祥倫 🌆 Some of the most captivating morphing animation i've seen. I remember watching this MV from Eve's "We're still underground" at the time and reading all the theories about the story behind the beautiful visuals

Key Animation: Yoshimichi Kameda 亀田 祥倫 🌆 Some of the most captivating morphing animation i've seen. I remember watching this MV from Eve's "We're still underground" at the time and reading all the theories about the story behind the beautiful visuals

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Iwazawa/Fujimoto partnership at its best The Exam arc’s action was managed perfectly utilising shorter bursts of highlight cuts in 23-25, leading up to the crescendo on 26. Iwazawa’s experience allowed him to perfectly tread the line of ambitious yet grounded action in Frieren

Iwazawa/Fujimoto partnership at its best The Exam arc’s action was managed perfectly utilising shorter bursts of highlight cuts in 23-25, leading up to the crescendo on 26. Iwazawa’s experience allowed him to perfectly tread the line of ambitious yet grounded action in Frieren

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Tatsurō Kawano | 川野 達朗

Tatsurō Kawano | 川野 達朗

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Ryo Araki | 荒木 涼 One of the best first ep's in recent memory. Return of the Araki/Takeuchi duo was a nice surprise though unfortunate only Araki's genga is public

Ryo Araki | 荒木 涼 One of the best first ep's in recent memory. Return of the Araki/Takeuchi duo was a nice surprise though unfortunate only Araki's genga is public

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Naoki Kobayashi | 小林 直樹

Naoki Kobayashi | 小林 直樹

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Videos

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Masahiro Tokumaru | 徳丸 昌大

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95,513 просмотров • 1 год назад

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Vincent Chansard Reminds me a bit of his work on Karna Vs Arjuna

Nym

57,725 просмотров • 1 год назад

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Harumi Yamazaki | 山崎 晴美 , Eri Irei | 伊礼 えり

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37,096 просмотров • 1 год назад

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