Nym

@nymmic • 2,115 subscribers

ill-informed opinions on Anime Production & "Sakuga" | Obligatory Type-Moon & Monogatari Shill |

Shorts

With Frieren 26s action spectacle receiving a lot of the praise, Ubel's flashback felt a little overlooked Daiki Harashina's storyboard is a stand out in the ep & Mayuko Kandori handled most of the KA, coincidentally she had an identical cut on Dress-up Darling, posted below⌄

With Frieren 26s action spectacle receiving a lot of the praise, Ubel's flashback felt a little overlooked Daiki Harashina's storyboard is a stand out in the ep & Mayuko Kandori handled most of the KA, coincidentally she had an identical cut on Dress-up Darling, posted below⌄

1,463,554 görüntüleme

Ligton's Miwa section is one of THE best examples of elevating the source material. Not only is this the best character acting in the show, the composite consistency is flawless. For instance, utilising Bokeh and a subtle filter to emulate the window & the lights outside.

Ligton's Miwa section is one of THE best examples of elevating the source material. Not only is this the best character acting in the show, the composite consistency is flawless. For instance, utilising Bokeh and a subtle filter to emulate the window & the lights outside.

1,196,521 görüntüleme

Key Animation: Yoshimichi Kameda 亀田祥倫 🌆 Some of the most captivating morphing animation i've seen. I remember watching this MV from Eve's "We're still underground" at the time and reading all the theories about the story behind the beautiful visuals

Key Animation: Yoshimichi Kameda 亀田祥倫 🌆 Some of the most captivating morphing animation i've seen. I remember watching this MV from Eve's "We're still underground" at the time and reading all the theories about the story behind the beautiful visuals

274,008 görüntüleme

Iwazawa/Fujimoto partnership at its best The Exam arc’s action was managed perfectly utilising shorter bursts of highlight cuts in 23-25, leading up to the crescendo on 26. Iwazawa’s experience allowed him to perfectly tread the line of ambitious yet grounded action in Frieren

Iwazawa/Fujimoto partnership at its best The Exam arc’s action was managed perfectly utilising shorter bursts of highlight cuts in 23-25, leading up to the crescendo on 26. Iwazawa’s experience allowed him to perfectly tread the line of ambitious yet grounded action in Frieren

168,018 görüntüleme

Tatsurō Kawano | 川野達朗

Tatsurō Kawano | 川野達朗

113,813 görüntüleme

Ryo Araki | 荒木涼 One of the best first ep's in recent memory. Return of the Araki/Takeuchi duo was a nice surprise though unfortunate only Araki's genga is public

Ryo Araki | 荒木涼 One of the best first ep's in recent memory. Return of the Araki/Takeuchi duo was a nice surprise though unfortunate only Araki's genga is public

58,793 görüntüleme

Naoki Kobayashi | 小林直樹

Naoki Kobayashi | 小林直樹

36,519 görüntüleme

Videos

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Rotoscope get’s a bad rep but intelligent usage can produce amazing results, case in point, Kouki Fujimoto’s Komi ED Line-less drawings combined with the muted color palette makes for a unique aesthetic, very easy on the eye. Every watch something new can be found

Rotoscope get’s a bad rep but intelligent usage can produce amazing results, case in point, Kouki Fujimoto’s Komi ED Line-less drawings combined with the muted color palette makes for a unique aesthetic, very easy on the eye. Every watch something new can be found

969,965 görüntüleme • 2 yıl önce

Chainsaw Man's 12 individual endings were the epitome of true creative freedom. 12 unique takes on "what CSM looks like". Yuma Hirai's dingy monochrome blend of 2D & live action footage is maybe the best example of a vision we would never have seen without this concept

Chainsaw Man's 12 individual endings were the epitome of true creative freedom. 12 unique takes on "what CSM looks like". Yuma Hirai's dingy monochrome blend of 2D & live action footage is maybe the best example of a vision we would never have seen without this concept

336,496 görüntüleme • 2 yıl önce

Frieren Effects Animation As the show is nearing its close, I put a quick comp together highlighting the abundance of outstanding effects work we’ve seen. With magic being a key part of the setting I’m glad it was done justice & that there was a good amount of variety

Frieren Effects Animation As the show is nearing its close, I put a quick comp together highlighting the abundance of outstanding effects work we’ve seen. With magic being a key part of the setting I’m glad it was done justice & that there was a good amount of variety

266,067 görüntüleme • 2 yıl önce

Masahiro Tokumaru | 徳丸昌大

Masahiro Tokumaru | 徳丸昌大

95,513 görüntüleme • 1 yıl önce

Yutaka Nakamura [Sakuga MAD] Arguably the greatest action animator of all time, as such this MAD has been done a lot but wanted to give it a shot for fun. Also thanks for 1k and to all who welcomed me when I joined back in Feb 🙏🏼

Yutaka Nakamura [Sakuga MAD] Arguably the greatest action animator of all time, as such this MAD has been done a lot but wanted to give it a shot for fun. Also thanks for 1k and to all who welcomed me when I joined back in Feb 🙏🏼

108,900 görüntüleme • 2 yıl önce

Vincent Chansard [SAKUGA MAD] Little needs to be said about Vincent, a generational talent Was very happy with this MAD when I made it back in March, currently with less time to spend on this account thought I'd update it & post it now

Vincent Chansard [SAKUGA MAD] Little needs to be said about Vincent, a generational talent Was very happy with this MAD when I made it back in March, currently with less time to spend on this account thought I'd update it & post it now

92,247 görüntüleme • 2 yıl önce

Vincent Chansard Reminds me a bit of his work on Karna Vs Arjuna

Vincent Chansard Reminds me a bit of his work on Karna Vs Arjuna

57,725 görüntüleme • 1 yıl önce

Harumi Yamazaki | 山崎晴美 , Eri Irei | 伊礼えり

Harumi Yamazaki | 山崎晴美 , Eri Irei | 伊礼えり

37,096 görüntüleme • 1 yıl önce

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