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Liam | AI Tools & News

@ottleyai • 50,957 subscribers

Sharing the latest AI tools and teaching you how to use them to 10x your productivity. DM/Mail for collab: [email protected] CPP @WizstarAI @CuddlerAI

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Same perfume concept. Four video models. The difference becomes obvious once the scene starts changing. Vivix W1 keeps the subject and product feeling coherent as the studio transitions into the storm. For me, that matters more than how dramatic the storm looks. An eight-second version costs $0.024 to generate. Waiting for it takes roughly eight seconds. This comparison only shows a finished clip. W1 is built for real-time interactive video, not just one-shot generation. Vivix.AI already offers that real-time capability through the API. At $0.003/sec, that also makes experimenting with interactive video workflows a lot more accessible. Letting a viewer influence how a scene unfolds would mean paying for generation throughout the interaction. Worth watching the comparison closely. The model behind the studio-to-storm transition 👇

Same perfume concept. Four video models. The difference becomes obvious once the scene starts changing. Vivix W1 keeps the subject and product feeling coherent as the studio transitions into the storm. For me, that matters more than how dramatic the storm looks. An eight-second version costs $0.024 to generate. Waiting for it takes roughly eight seconds. This comparison only shows a finished clip. W1 is built for real-time interactive video, not just one-shot generation. Vivix.AI already offers that real-time capability through the API. At $0.003/sec, that also makes experimenting with interactive video workflows a lot more accessible. Letting a viewer influence how a scene unfolds would mean paying for generation throughout the interaction. Worth watching the comparison closely. The model behind the studio-to-storm transition 👇

42,351 次观看

One image reference turning into a full action sequence is the part that caught me here. Kling AI’s Kling 4.0 keeps the lion-dance characters, costumes, and overall visual style recognizable even as the framing and poses change dramatically. That kind of reference control makes it much easier to turn a single visual idea into an actual scene instead of just one good-looking shot. #ad

One image reference turning into a full action sequence is the part that caught me here. Kling AI’s Kling 4.0 keeps the lion-dance characters, costumes, and overall visual style recognizable even as the framing and poses change dramatically. That kind of reference control makes it much easier to turn a single visual idea into an actual scene instead of just one good-looking shot. #ad

20,946 次观看

Made with Wan 3.0 Prompt : Create a 12–15 second photorealistic luxury food commercial using the supplied PAIN dessert images as the visual reference. The finished video must look like a real high-budget food advertisement filmed on a professional tabletop set with a cinema camera, real studio lighting, practical food styling, and high-speed commercial photography. IMPORTANT: The vanilla cream vortex is ALREADY FULLY FORMED from the very first frame. Do NOT generate the cream from nothing. Do NOT make the dessert magically grow, transform, explode, or assemble itself. Keep the existing sculptural cream composition intact and introduce only small, physically believable movements. PRODUCT CONSISTENCY: Keep the PAIN dessert cup exactly consistent with the reference images throughout the entire video. Preserve: - exact black cup shape and proportions - PAIN logo - typography - logo position - packaging colors - cup rim - dessert proportions - vanilla cream structure - caramel placement - wafer and chocolate elements Do not redesign, deform, stretch, melt, rotate incorrectly, or morph the packaging. FOOD REALISM: The vanilla cream must look like real dense whipped dairy cream with natural folds, tiny air pockets, subtle surface imperfections, realistic softness, slight moisture, and naturally controlled highlights. The cream should feel heavy and edible. Never make the cream look like: - plastic - foam - clay - fabric - rubber - glossy CGI - liquid splash The caramel should look like real warm caramel: thick, viscous, sticky, glossy but naturally glossy, slightly translucent amber, with realistic surface tension and subtle stretching. Do not make the caramel glow like neon or behave like weightless ribbons. Chocolate-coated wafer pieces should have real physical weight, crisp edges, visible wafer layers, small imperfections, realistic chocolate coating, and natural crumbs. Crumbs should fall naturally under gravity and move slightly differently from each other. Do not make every object move perfectly or symmetrically. MOTION: Keep all motion subtle, restrained, elegant, and physically believable. The cream sculpture should remain almost completely stable. Only introduce realistic micro-movement such as: - extremely subtle rotation of the hero dessert - gentle natural movement in the caramel - a few wafer pieces slowly shifting or rotating - several small crumbs naturally falling - subtle foreground and background parallax - tiny settling movements The overall scene should feel like carefully rigged practical food photography captured with a high-speed cinema camera. Avoid excessive floating objects. CAMERA: Use realistic professional food-commercial cinematography. Use the visual characteristics of: - full-frame cinema camera - 50mm lens for hero product shots - 85mm macro lens for close-up food details Use: - natural shallow depth of field - realistic focus falloff - subtle lens breathing - natural motion blur - physically plausible perspective - gentle focus transitions Camera movement must be extremely smooth and restrained. Use only: - slow physical dolly push-in - gentle 10–15 degree orbit - slow macro vertical glide - stable final packshot No aggressive zooms. No fast orbit. No handheld shaking. No impossible camera movement. No sudden speed changes. SHOT SEQUENCE: 0:00–0:03 — HERO REVEAL Begin with the complete PAIN dessert already fully assembled and sculpted exactly like the reference image. The PAIN cup sits firmly on a real studio surface. The vanilla cream vortex is already fully formed above the cup. Warm studio lighting slowly reveals the texture of the cream, caramel, chocolate, and cup. Use a very slow physical camera push-in. The cream itself stays stable. Only the caramel has extremely subtle natural movement and a few tiny crumbs gently fall through the scene. The PAIN branding remains clear and stable. 0:03–0:06 — MACRO FOOD DETAIL Cut naturally to a close macro shot. Camera slowly travels upward along the existing vanilla cream folds. Show realistic details: tiny air pockets in the cream, natural irregularities, caramel thickness, caramel reflections, chocolate texture, wafer layers, small crumbs. The camera should feel physically close to real food. Caramel moves only slightly. One or two crumbs fall naturally. No magical movement. No morphing. 0:06–0:10 — CINEMATIC ORBIT Return to a wider hero angle. Perform a very gentle 10–15 degree camera orbit around the dessert. Keep the cream structure unchanged. Create realistic parallax between: - cup - cream - caramel - wafer pieces - foreground crumbs - background A few wafer pieces may rotate very slowly with believable physical weight. Several small crumbs naturally drift downward. The scene should feel carefully choreographed but still physically real. 0:10–0:15 — FINAL PACKSHOT Slowly transition into a perfectly composed full-product hero shot. The camera gently pulls back and then becomes completely stable. Caramel movement becomes almost imperceptible. Remaining crumbs slowly settle. Keep the PAIN logo sharp, correct, readable, and unchanged. Create a soft warm backlight behind the upper cream structure. Do not create excessive glow. Hold the final frame almost completely still for approximately one second so it feels like a real premium advertising end frame. LIGHTING: Use realistic professional tabletop studio lighting. Use: - large diffused warm key light - subtle tungsten warmth - soft golden backlight - controlled rim lighting on the black PAIN cup - realistic reflections on caramel and chocolate - natural contact shadows - controlled specular highlights - dark brown-to-black background falloff Lighting must look physically generated by real studio lights. Avoid: - excessive bloom - strong lens flares - glowing particles - fake volumetric beams - neon lighting - oversaturated orange Highlights should roll off naturally like real cinema footage. COLOR: Use premium realistic food-commercial color grading. Rich chocolate blacks. Natural warm amber caramel. Creamy off-white vanilla. Deep brown chocolate. Warm but restrained highlights. Subtle filmic contrast. Natural saturation. Do not make the entire video heavily orange. MUSIC: Use soft, elegant, restrained luxury-commercial music. The music must NOT be aggressive. Absolutely no: - aggressive music - EDM - hard drums - fast electronic beats - trailer music - dramatic impacts - heavy bass drops - intense percussion - action-style music Use instead: - soft ambient cinematic pads - delicate piano notes - subtle glass-like tones - very light organic percussion - warm atmospheric textures - gentle minimal electronic pulse - slow sophisticated emotional build The music should feel luxurious, calm, refined, modern, sensual, and expensive. Think premium fragrance commercial combined with a luxury chocolate advertisement. The music should support the product rather than dominate the video. SOUND DESIGN: Use extremely subtle realistic sound effects only. Add: - very soft caramel movement - delicate wafer crisp texture - subtle falling crumb sounds - gentle airy movement - soft cinematic transition sounds - one understated low tonal resolve at the final packshot No exaggerated whooshes. No cartoon sound effects. No aggressive impacts. CRITICAL REALISM RULES: The video must NOT look AI-generated. Avoid: - morphing - warping - flickering - melting packaging - changing cup shape - changing logo - misspelled PAIN text - distorted typography - duplicated wafers - disappearing objects - objects appearing from nowhere - changing dessert structure between frames - impossible physics - weightless toppings - perfectly synchronized particles - random food explosions - exaggerated splashes - excessive slow motion - unnatural glowing caramel - plastic cream - rubbery caramel - waxy chocolate - artificial reflections - excessive depth of field - sudden camera jumps - unrealistic floating ingredients Prioritize real food texture, physical weight, natural imperfections, realistic gravity, believable studio lighting, authentic cinema-camera optics, restrained movement, consistent product identity, and perfect temporal continuity. The final result should feel like a real luxury dessert commercial shot practically in a professional studio, not a CGI animation.

Made with Wan 3.0 Prompt : Create a 12–15 second photorealistic luxury food commercial using the supplied PAIN dessert images as the visual reference. The finished video must look like a real high-budget food advertisement filmed on a professional tabletop set with a cinema camera, real studio lighting, practical food styling, and high-speed commercial photography. IMPORTANT: The vanilla cream vortex is ALREADY FULLY FORMED from the very first frame. Do NOT generate the cream from nothing. Do NOT make the dessert magically grow, transform, explode, or assemble itself. Keep the existing sculptural cream composition intact and introduce only small, physically believable movements. PRODUCT CONSISTENCY: Keep the PAIN dessert cup exactly consistent with the reference images throughout the entire video. Preserve: - exact black cup shape and proportions - PAIN logo - typography - logo position - packaging colors - cup rim - dessert proportions - vanilla cream structure - caramel placement - wafer and chocolate elements Do not redesign, deform, stretch, melt, rotate incorrectly, or morph the packaging. FOOD REALISM: The vanilla cream must look like real dense whipped dairy cream with natural folds, tiny air pockets, subtle surface imperfections, realistic softness, slight moisture, and naturally controlled highlights. The cream should feel heavy and edible. Never make the cream look like: - plastic - foam - clay - fabric - rubber - glossy CGI - liquid splash The caramel should look like real warm caramel: thick, viscous, sticky, glossy but naturally glossy, slightly translucent amber, with realistic surface tension and subtle stretching. Do not make the caramel glow like neon or behave like weightless ribbons. Chocolate-coated wafer pieces should have real physical weight, crisp edges, visible wafer layers, small imperfections, realistic chocolate coating, and natural crumbs. Crumbs should fall naturally under gravity and move slightly differently from each other. Do not make every object move perfectly or symmetrically. MOTION: Keep all motion subtle, restrained, elegant, and physically believable. The cream sculpture should remain almost completely stable. Only introduce realistic micro-movement such as: - extremely subtle rotation of the hero dessert - gentle natural movement in the caramel - a few wafer pieces slowly shifting or rotating - several small crumbs naturally falling - subtle foreground and background parallax - tiny settling movements The overall scene should feel like carefully rigged practical food photography captured with a high-speed cinema camera. Avoid excessive floating objects. CAMERA: Use realistic professional food-commercial cinematography. Use the visual characteristics of: - full-frame cinema camera - 50mm lens for hero product shots - 85mm macro lens for close-up food details Use: - natural shallow depth of field - realistic focus falloff - subtle lens breathing - natural motion blur - physically plausible perspective - gentle focus transitions Camera movement must be extremely smooth and restrained. Use only: - slow physical dolly push-in - gentle 10–15 degree orbit - slow macro vertical glide - stable final packshot No aggressive zooms. No fast orbit. No handheld shaking. No impossible camera movement. No sudden speed changes. SHOT SEQUENCE: 0:00–0:03 — HERO REVEAL Begin with the complete PAIN dessert already fully assembled and sculpted exactly like the reference image. The PAIN cup sits firmly on a real studio surface. The vanilla cream vortex is already fully formed above the cup. Warm studio lighting slowly reveals the texture of the cream, caramel, chocolate, and cup. Use a very slow physical camera push-in. The cream itself stays stable. Only the caramel has extremely subtle natural movement and a few tiny crumbs gently fall through the scene. The PAIN branding remains clear and stable. 0:03–0:06 — MACRO FOOD DETAIL Cut naturally to a close macro shot. Camera slowly travels upward along the existing vanilla cream folds. Show realistic details: tiny air pockets in the cream, natural irregularities, caramel thickness, caramel reflections, chocolate texture, wafer layers, small crumbs. The camera should feel physically close to real food. Caramel moves only slightly. One or two crumbs fall naturally. No magical movement. No morphing. 0:06–0:10 — CINEMATIC ORBIT Return to a wider hero angle. Perform a very gentle 10–15 degree camera orbit around the dessert. Keep the cream structure unchanged. Create realistic parallax between: - cup - cream - caramel - wafer pieces - foreground crumbs - background A few wafer pieces may rotate very slowly with believable physical weight. Several small crumbs naturally drift downward. The scene should feel carefully choreographed but still physically real. 0:10–0:15 — FINAL PACKSHOT Slowly transition into a perfectly composed full-product hero shot. The camera gently pulls back and then becomes completely stable. Caramel movement becomes almost imperceptible. Remaining crumbs slowly settle. Keep the PAIN logo sharp, correct, readable, and unchanged. Create a soft warm backlight behind the upper cream structure. Do not create excessive glow. Hold the final frame almost completely still for approximately one second so it feels like a real premium advertising end frame. LIGHTING: Use realistic professional tabletop studio lighting. Use: - large diffused warm key light - subtle tungsten warmth - soft golden backlight - controlled rim lighting on the black PAIN cup - realistic reflections on caramel and chocolate - natural contact shadows - controlled specular highlights - dark brown-to-black background falloff Lighting must look physically generated by real studio lights. Avoid: - excessive bloom - strong lens flares - glowing particles - fake volumetric beams - neon lighting - oversaturated orange Highlights should roll off naturally like real cinema footage. COLOR: Use premium realistic food-commercial color grading. Rich chocolate blacks. Natural warm amber caramel. Creamy off-white vanilla. Deep brown chocolate. Warm but restrained highlights. Subtle filmic contrast. Natural saturation. Do not make the entire video heavily orange. MUSIC: Use soft, elegant, restrained luxury-commercial music. The music must NOT be aggressive. Absolutely no: - aggressive music - EDM - hard drums - fast electronic beats - trailer music - dramatic impacts - heavy bass drops - intense percussion - action-style music Use instead: - soft ambient cinematic pads - delicate piano notes - subtle glass-like tones - very light organic percussion - warm atmospheric textures - gentle minimal electronic pulse - slow sophisticated emotional build The music should feel luxurious, calm, refined, modern, sensual, and expensive. Think premium fragrance commercial combined with a luxury chocolate advertisement. The music should support the product rather than dominate the video. SOUND DESIGN: Use extremely subtle realistic sound effects only. Add: - very soft caramel movement - delicate wafer crisp texture - subtle falling crumb sounds - gentle airy movement - soft cinematic transition sounds - one understated low tonal resolve at the final packshot No exaggerated whooshes. No cartoon sound effects. No aggressive impacts. CRITICAL REALISM RULES: The video must NOT look AI-generated. Avoid: - morphing - warping - flickering - melting packaging - changing cup shape - changing logo - misspelled PAIN text - distorted typography - duplicated wafers - disappearing objects - objects appearing from nowhere - changing dessert structure between frames - impossible physics - weightless toppings - perfectly synchronized particles - random food explosions - exaggerated splashes - excessive slow motion - unnatural glowing caramel - plastic cream - rubbery caramel - waxy chocolate - artificial reflections - excessive depth of field - sudden camera jumps - unrealistic floating ingredients Prioritize real food texture, physical weight, natural imperfections, realistic gravity, believable studio lighting, authentic cinema-camera optics, restrained movement, consistent product identity, and perfect temporal continuity. The final result should feel like a real luxury dessert commercial shot practically in a professional studio, not a CGI animation.

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I wanted to see if I could build an actual story with an AI character instead of just chatting with one. So I created Kael Draven in Cuddler. A fallen fantasy warrior who wakes centuries after his death and discovers history remembers him as a traitor. I built the story through the chat first, uncovering the betrayal, the sealed door, and the force waiting behind it, then turned one of those story moments into this cinematic anime scene. That’s what makes Cuddler interesting to me: the conversation becomes part of the story you keep building, not just the final output. Try it: #cuddlerai
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ottleyai's profile picture

I wanted to see if I could build an actual story with an AI character instead of just chatting with one. So I created Kael Draven in Cuddler. A fallen fantasy warrior who wakes centuries after his death and discovers history remembers him as a traitor. I built the story through the chat first, uncovering the betrayal, the sealed door, and the force waiting behind it, then turned one of those story moments into this cinematic anime scene. That’s what makes Cuddler interesting to me: the conversation becomes part of the story you keep building, not just the final output. Try it: #cuddlerai

Liam | AI Tools & News

61,717 次观看 • 22 天前

Screen recording is easy. It’s everything after that usually gets annoying. Skreno puts recording, editing and sharing into one browser workflow. Record your screen + camera, clean it up in Studio, add captions, then share one link with the transcript, AI summary and comments. The free plan doesn’t need a credit card either. Skreno is live on Product Hunt today 👇
3:00
ottleyai's profile picture

Screen recording is easy. It’s everything after that usually gets annoying. Skreno puts recording, editing and sharing into one browser workflow. Record your screen + camera, clean it up in Studio, add captions, then share one link with the transcript, AI summary and comments. The free plan doesn’t need a credit card either. Skreno is live on Product Hunt today 👇

Liam | AI Tools & News

33,018 次观看 • 22 天前

AI agents create great work, but it often stays buried in chat. I tested a Codex + Showly workflow: → Codex built the research page → Showly Drop created a temporary Preview → One link to review and share The agent creates the work. Showly gives you a link to review and share. Start free:
0:34
ottleyai's profile picture

AI agents create great work, but it often stays buried in chat. I tested a Codex + Showly workflow: → Codex built the research page → Showly Drop created a temporary Preview → One link to review and share The agent creates the work. Showly gives you a link to review and share. Start free:

Liam | AI Tools & News

45,798 次观看 • 1 个月前

Tavus gave me early access to Griffin, and this genuinely feels different from talking to a chatbot. It sees you, reacts in real time, and can even interrupt you mid-conversation. Face-to-face AI is getting very real, very fast. Congrats Tavus and Hassaan Raza
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Tavus gave me early access to Griffin, and this genuinely feels different from talking to a chatbot. It sees you, reacts in real time, and can even interrupt you mid-conversation. Face-to-face AI is getting very real, very fast. Congrats Tavus and Hassaan Raza

Liam | AI Tools & News

19,640 次观看 • 1 个月前

I used 1 storyboard image as a reference and gave Wizstar_official a prompt. It turned it into this 30-second laptop commercial using Seedance 2.5. I’m sharing the prompt & reference image below so you can try it too. Try Wizstar here: #WizstarPartner
0:30
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I used 1 storyboard image as a reference and gave Wizstar_official a prompt. It turned it into this 30-second laptop commercial using Seedance 2.5. I’m sharing the prompt & reference image below so you can try it too. Try Wizstar here: #WizstarPartner

Liam | AI Tools & News

19,622 次观看 • 1 个月前

Finding brands to pitch is probably the most annoying part of sponsorship outreach. So I tried handing the research side to an agent. I gave Aident Loadout my public Liam | AI Tools & News profile and asked it to find brands that actually fit my content. It came back with 10 ranked leads, including ElevenLabs, Replit, Runway, Lovable, Zapier, OpusClip, Cursor, Descript, Gamma, and VEED. Then it went further: → Firecrawl checked official product pages and partnership/campaign evidence → Apollo searched exact company domains for relevant partnership roles → ElevenLabs surfaced 3 plausible partnership contacts, clearly labeled as Apollo search-only → Aident drafted personalized pitches for the strongest leads → everything was written into a Google Sheet with separate Brand Leads and Pitch Drafts tabs What I liked is that I never had to leave ChatGPT to manage the workflow. I could also inspect the Loadout Audit to see what was searched, written, and verified. The repetitive research got handled by the agent, while I still controlled the decisions and final outreach. That’s probably the most practical way I’d use agents for creator work.
1:16
ottleyai's profile picture

Finding brands to pitch is probably the most annoying part of sponsorship outreach. So I tried handing the research side to an agent. I gave Aident Loadout my public Liam | AI Tools & News profile and asked it to find brands that actually fit my content. It came back with 10 ranked leads, including ElevenLabs, Replit, Runway, Lovable, Zapier, OpusClip, Cursor, Descript, Gamma, and VEED. Then it went further: → Firecrawl checked official product pages and partnership/campaign evidence → Apollo searched exact company domains for relevant partnership roles → ElevenLabs surfaced 3 plausible partnership contacts, clearly labeled as Apollo search-only → Aident drafted personalized pitches for the strongest leads → everything was written into a Google Sheet with separate Brand Leads and Pitch Drafts tabs What I liked is that I never had to leave ChatGPT to manage the workflow. I could also inspect the Loadout Audit to see what was searched, written, and verified. The repetitive research got handled by the agent, while I still controlled the decisions and final outreach. That’s probably the most practical way I’d use agents for creator work.

Liam | AI Tools & News

22,546 次观看 • 1 个月前

AI 3D is getting much better at turning ideas into complete scenes. I’ve been checking out SEELE AI’s 3D Agent, and the part I found most interesting is how quickly it can turn a prompt or creative idea into a detailed 3D scene. Instead of generating a single isolated object, SeeleAgent can build out the broader environment and 3D models while keeping the result closely aligned with the original concept. That makes it much more useful for quickly turning an idea into a high-quality 3D scene without building everything manually. Try SeeleAgent here 👇 #seele #seeleai #3d
0:39
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AI 3D is getting much better at turning ideas into complete scenes. I’ve been checking out SEELE AI’s 3D Agent, and the part I found most interesting is how quickly it can turn a prompt or creative idea into a detailed 3D scene. Instead of generating a single isolated object, SeeleAgent can build out the broader environment and 3D models while keeping the result closely aligned with the original concept. That makes it much more useful for quickly turning an idea into a high-quality 3D scene without building everything manually. Try SeeleAgent here 👇 #seele #seeleai #3d

Liam | AI Tools & News

14,722 次观看 • 2 个月前

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