Pavan Jha
@p1j • 14,000 subscribers
Once a Student, always a Student!
Shorts
!["Please dont forget regimes will come, and regimes will go... but what you leave behind is going to reflect for many long years." #RaghuRai Raghu Rai showed us light. He showed us darkness with the same watchful eye. At times beautiful, at times brutal, his work mattered because his camera gave truth a lasting frame. In this age of AI and manufactured images, his frames will remain immortal because they belonged to an era when the camera did not merely capture, it became witness to the times. #RaghuRai #InMemories #ImmortalFrames Video link : [source newslaundry ]](https://image.24vids.com/tw-2048319320258969626/amplify_video_thumb/2048316741198172160/img/rH32okm1L3q5YhCH.jpg)
Videos
इंडस्ट्री की राजनीति से निराश और हताश होकर #जयदेव बिना किसी को बताए चुपचाप मुंबई छोड़ गए। एक शो के सिलसिले में वे दिल्ली गए थे और वहीं उन्होंने तय कर लिया कि अब वापस नहीं लौटेंगे। इधर आलाप पर काम शुरू होने जा रहा था, जो ऋषिकेश मुखर्जी के दिल के बहुत करीब था। एन. सी. सिप्पी इस फिल्म को लेकर बेहद उत्साहित थे और अमिताभ बच्चन भी, जो एक्शन हीरो की अपनी छवि बदलने के लिये इस किस्म की गम्भीर भूमिकाएं करना चाह रहे थे| फिल्म की आत्मा संगीत था। सवाल था कि संगीत कौन देगा। जो संगीत के माधुर्य और शास्त्रीयता को आम जन के लिये सरल रूप में प्रस्तुत कर सके बर्मन दा और मदन मोहन अब इस दुनिया में नहीं थे, इसलिए फिल्म के सबसे ज़रूरी के लिए सबकी राय एक ही नाम पर आकर ठहरी "जयदेव" । लेकिन जयदेव थे कहां? वे इंडस्ट्री छोड़कर मानो एक तरह के अज्ञातवास में चले गए थे। कोई दूसरा विकल्प दिखाई नहीं दे रहा था। जयदेव के बिना यह फिल्म संभव नहीं थी। उनकी तलाश हर दिशा में शुरू हुई। कोलकाता से लेकर दिल्ली और पंजाब तक उन्हें ढूंढा गया। यह खोज एक महीने से भी अधिक समय तक चलती रही। इसी दौरान कपूरथला में रहते हुए जयदेव को एक मित्र के ज़रिये खबर मिली कि उनकी तलाश हो रही है। उन्होंने सिप्पी साहब को फोन किया। सिप्पी साहब ने कहा, “पहली ट्रेन पकड़कर मुंबई आ जाइए। यह काम आपके लिए ही बना है।” जयदेव लौटे और हमें आलाप जैसा उत्कृष्ट संगीत मिला, जिसकी मिठास हमेशा रहेगी| कीजे सुदृष्टि सेवक जान अपना इतना वरदान दीजे तान, ताल और अलाप बुद्धि, अलंकार शारदा। माता सरस्वती शारदा 🙏 आप सबको बसंत पंचमी और सरस्वती पूजो की शुभकामनाएं #Jaidev #Alaap #AmitabhBachchan #HrishikeshMukherjee #Lata #Yesudas #BasantPanchami
Pavan Jha50,672 Aufrufe • vor 4 Monaten
![In 1980, Dr. Shreeram Lagoo stepped into film direction with his first feature Zhaakol, a psychological murder mystery. For this film, he hoped to include the voice of Pt. Kumar Gandharva, something that had never taken place in cinema before. He requested Panditji, who agreed, and recorded a song specifically for the film. It was filmed as a full concert sequence, making it a rare and remarkable moment in film history. Panditji appears in the sequence with his long-time accompanists, Sh. Chintamani Kirkire and Smt Neelambari Kirkire. [parents of Swanand Kirkire] for the Sangat like his many live concerts. One of the real power of cinema is its ability to preserve performance and memory. We lost Chintamani Kirkire sir today. His departure was gentle and dignified, in keeping with the quiet grace he carried through life. I am sure he will continue to breathe in Swanand bhai's music. Sharing this Kumarji song in Kirkire sir's memory, where he performs on screen alongside Kumarji. #ChintamaniKirkire #RestinMusic #InMemories](https://image.24vids.com/tw-1988300978601484523/ext_tw_video_thumb/1988300884602933248/pu/img/glUG4iBFZb_uYMBM.jpg)
In 1980, Dr. Shreeram Lagoo stepped into film direction with his first feature Zhaakol, a psychological murder mystery. For this film, he hoped to include the voice of Pt. Kumar Gandharva, something that had never taken place in cinema before. He requested Panditji, who agreed, and recorded a song specifically for the film. It was filmed as a full concert sequence, making it a rare and remarkable moment in film history. Panditji appears in the sequence with his long-time accompanists, Sh. Chintamani Kirkire and Smt Neelambari Kirkire. [parents of Swanand Kirkire] for the Sangat like his many live concerts. One of the real power of cinema is its ability to preserve performance and memory. We lost Chintamani Kirkire sir today. His departure was gentle and dignified, in keeping with the quiet grace he carried through life. I am sure he will continue to breathe in Swanand bhai's music. Sharing this Kumarji song in Kirkire sir's memory, where he performs on screen alongside Kumarji. #ChintamaniKirkire #RestinMusic #InMemories
Pavan Jha69,362 Aufrufe • vor 7 Monaten
My favorite Asrani Memory.. This song is one of the permanent companion during my morning walks, hikes and cycle rides. A mini India formed in a multi genre, multi generation song with so much of energy, love and positive vibes flowing along with. Asrani being the picture of the youth of the 70s.. #KishoreKumar #MannaDey #Asrani #InMemories
Pavan Jha71,508 Aufrufe • vor 8 Monaten
![बजे सरगम हर तरफ़ से ताल कदमों पे जाये जाग जग पे जागे गीत ऐसा गूंजे बन के देस राग #PiyushPandey While Piyush Pandey ji will always be remembered for his unforgettable iconic ads [Fevicol, Cadbury, mSeal], my personal favorites are the two national integration campaign songs he created with with Suresh Malik, coined the timeless “Mile Sur Mera Tumhara” and its majestic follow-up “Baje Sargam Har Taraf Se, Goonj Ban Kar Des Raag.” A truly remarkable achievement in the Doordarshan era, these weren’t just songs, they were emotions, anthems India singing to itself. Mile Sur carried a charmingly populist filmy flavor, but Des Raag elevated the idea to a whole new level. It was a brilliant coming together of India’s finest ambassadors of culture, music, and dance, woven together with the magic of our greatest classical instrumentalists of our times. What a Feat! #PiyushPandey #InMemories #RIP](https://image.24vids.com/tw-1981601647446069458/amplify_video_thumb/1981600726888394752/img/9IiOYwmc530SIxRd.jpg)
बजे सरगम हर तरफ़ से ताल कदमों पे जाये जाग जग पे जागे गीत ऐसा गूंजे बन के देस राग #PiyushPandey While Piyush Pandey ji will always be remembered for his unforgettable iconic ads [Fevicol, Cadbury, mSeal], my personal favorites are the two national integration campaign songs he created with with Suresh Malik, coined the timeless “Mile Sur Mera Tumhara” and its majestic follow-up “Baje Sargam Har Taraf Se, Goonj Ban Kar Des Raag.” A truly remarkable achievement in the Doordarshan era, these weren’t just songs, they were emotions, anthems India singing to itself. Mile Sur carried a charmingly populist filmy flavor, but Des Raag elevated the idea to a whole new level. It was a brilliant coming together of India’s finest ambassadors of culture, music, and dance, woven together with the magic of our greatest classical instrumentalists of our times. What a Feat! #PiyushPandey #InMemories #RIP
Pavan Jha39,827 Aufrufe • vor 7 Monaten
Mata Saraswati Sharda is a traditional prayer of Maihar gharana & Baba Alauddin Khan used to sing this prayer at Shaktipeeth Temple in Maihar. Here singing with Pt Ravi Shankar. Jaidev probably heard it from Ali Akbar Khan saab or Ashish Khan.. माता सरस्वती शारदा विद्या दानी दयानी दुःख हरनी जगता जननि ज्वालामुखी माता Here is a heart warming moment of the Guru & the disciple singing this in the history of time..
Pavan Jha23,953 Aufrufe • vor 4 Monaten
![Vande Mataram - a beautiful version composed by Pannalal Ghosh from Phani Mazumdar's Aandolan (1951) - One of the earlier Kishore Kumar starrer - sung by Manna Dey, Sudha Malhotra, Parul Ghosh This significant film was kind of a "Discovery of India aka Bharat Ek Khoj" of its time [A documentation of India just after Independence, from Ancient Age to Independence] and it was not available for many many years - got a copy in 2007-8 from MM Video, Pakistan.. #VandeMatram #Aandolan #KishoreKumar #Shivraj #PhaniMazumdar #PannalalGhosh #SudhaMalhotra VIJAY nirupama kotru Pragyan Mohanty Geeta Bhagat](https://image.24vids.com/tw-2040480189625647491/amplify_video_thumb/2040477873111470080/img/jOpmDCmyTnf1kdJk.jpg)
Vande Mataram - a beautiful version composed by Pannalal Ghosh from Phani Mazumdar's Aandolan (1951) - One of the earlier Kishore Kumar starrer - sung by Manna Dey, Sudha Malhotra, Parul Ghosh This significant film was kind of a "Discovery of India aka Bharat Ek Khoj" of its time [A documentation of India just after Independence, from Ancient Age to Independence] and it was not available for many many years - got a copy in 2007-8 from MM Video, Pakistan.. #VandeMatram #Aandolan #KishoreKumar #Shivraj #PhaniMazumdar #PannalalGhosh #SudhaMalhotra VIJAY nirupama kotru Pragyan Mohanty Geeta Bhagat
Pavan Jha14,291 Aufrufe • vor 2 Monaten
नया साल मुबारक हो! सबके लिये पिछले वाले से बेहतर हो #HappyNewYear2026
Pavan Jha20,336 Aufrufe • vor 5 Monaten
October10 - जगजीत की याद का दिन .. 'बात निकलेगी तो फिर दूर तलक जायेगी' जगजीत ने कफ़ील आज़र की ये नज़्म, फ़िल्म मैगज़ीन 'शमा' में पढ़ी थी उन्होने सबसे पहले वो भुपिंदर सिंह की आवज़ में रेकार्ड करवाई, जो रिलीज़ नहीं हुई. फिर अर्जुन देव रश्क़ की एक फ़िल्म के लिये रेकार्ड की, जो फ़िल्म बनी नहीं..हर रचना की अपनी नियति होती है. उनको ये नज़्म बेहद पसंद थी तो प्रतिबंध हटने के बाद के अपने पहले एलबम #TheUnforgettables में शामिल की. फ़िल्म मेकर बासु भट्टाचार्य ने हिंदी फ़िल्मों में सबसे पहले जगजीत सिंह की प्रतिभा को पहचाना (वैसे पहले जगजीत साठ के दशक में गुजराती फ़िल्म मे भजन गा चुके थे),और फ़िल्म आविष्कार में क्लासिक रचना ’बाबुल मोरा नैहर छूटो ही जाये’ को बासु ने जगजीत-चित्रा के युगल स्वरों में बेहद खूबसूरती से क्लाईमैक्स में प्रस्तुत किया. उसके बाद अपनी अगली फ़िल्म गृह-प्रवेश में जगजीत की गाई ’बात निकलेगी तो फित दूर तलक जायेगी’ को फिर से शामिल किया. बासु दा ने रेडियो पे बजते गीत के वोल्यूम को जिस तरह से दोनो चरित्रों के उहापोह और अन्दर ही अन्दर चलने वाले द्वंद को पेश किया है, वो उनके खामोश सिनेमा का एक बेहतरीन आयाम पेश करता है. वहीं बाबुल मोरा दोनो चरित्रों के कॉनफ़्लिक्ट का रेसोल्यूशन बनता है, और बासु दा उसे विदाई गीत के बजाय घर वापसी का गीत बनाते हैं - घर अमर-मानसी का सुनिये .. #JagjitSingh #DeathAnniversary #BasuBhattacharya #JagjitChitra #WazidAliShah #SongsonRadio #KafeelAzar #KanuRoy
Pavan Jha52,204 Aufrufe • vor 2 Jahren
झुमका गिरा रे, बरेली के बज़ार में - 1932 में Yet even before the Shamshad version of 1947, #JhumkaGiraRe had already fallen in #BareilykeBazaar as it appeared on records in 1932 rendered by Miss Dulari for a non film record. The composer & lyricist remains uncredited on record as it was the traditional folk tune & words preserved in oral history. The tune is closer to MM's improvisation for Mera Saaya सास मोरी ढूंढे, ननद मोरी ढुंढे सैयां ढूंढे रे बरेली के बज़ार में झुमका गिरा रे ref #WhatJhumka #RRKPK #MeraSaaya #MadanMohan #Sadhana #RMAK #MussDulari #NonFilm #Folk somen mishra वरुण 🇮🇳 Swanand Kirkire Irfan
Pavan Jha43,377 Aufrufe • vor 2 Jahren
होठों पर बात रहे बातों में सुर बहे सुरों में गीत वही तुम्हारी ही बात कहे #MangeshKulkarni #RIP मंगेश कुलकर्णी ने एक गीतकार के तौर पे हिन्दी सिनेमा में सिर्फ़ दो गीत लिखे फ़िल्म प्रहार के लिये, एक रोमांटिक गीत और और एक प्रार्थना गीत. दोनो गीत अपने दौर के गीतों में इतने खूबसूरत हैं के हमेशा अफ़सोस होता है के उन्होने हिन्दी फ़िल्मों के लिये और गीत क्यूं नहीं लिखे. लक्ष्मीकांत प्यारेलाल जैसे संगीतकारों के काम को भी उनके क्रियेटिव कॉलेबोरेशन से नया रंग मिला| एक ही फ़िल्म प्रहार से हिन्दी फ़िल्मों की गीतकारी में अपनी छाप छोड़ने वाले मंगेश मराठी सिनेमा में तो जाना माना नाम थे ही.. अब मिलेंगे बस उनके गीतों में, शब्दों में Swanand Kirkire वरुण 🇮🇳 हथेली पे रेखाएं हैं सब अधूरी किसने लिखी हैं नहीं जानना है अंधेरा मिटाये जो नन्हा शरारा दिशा जिससे पहचाने संसार सारा हमारी ही मुट्ठी में आकाश सारा Full Videos on Eros : 1 : 2:
Pavan Jha28,309 Aufrufe • vor 1 Jahr
![Dear #VividhBharti तुम्हें हो ना हो, मुझको तो इतना यकीं है ये गीत गुलज़ार का नहीं है, नहीं है A certified 100% #NotbyGulzar mostly credited to Gulzar but penned by Naqsh Lyallpuri saab [The above was played on Vividh Bharti yday again with credits to Gulzar] #creditswheredue #NotbyGulzar #NBG #Gharonda #Runalaila वरुण 🇮🇳 Swanand Kirkire Raj Shekhar Puneet Sharma Yunus Khan ----- कोई ख़्वाब ऊँचे मकानों से झाँके कोई ख़्वाब बैठा रहे सर झुकाये Destiny plays interesting games.. Sometimes when a film has a dedicated lyricist & yet for some specific reason, if the film opens up an opportunity for a guest lyricist, the guest lyricist misses a mention in credits on various occasions & platforms.. In last 27yrs, since the existence of Gulzaronline, & interaction with thousands of gulzar-fans personally, have come across many hundred people & instances & even many music web sites that incorrectly attributes this gorgeous song to Gulzar sb, while the song was penned by Naqsh Lyallpuri It happened with Gharonda, Gulzar sb was not only writing screenplay, dialogs but also songs and poem for the film.. It was during the making of the film Runa Laila visited India and met Jaidev ji.. She desperately wanted to do a song with #Jaidev ji, but the problem was she was here for 3-4 days.. Jaidev called Naqsh saab to hotel and asked him to write some impromptu words with modern/urban context. Naqsh saab came up with an unusual love song.. "Mujhe pyaar tumse nahin hai, nahin hai".. for the theme, Jaidev ji just gave a cue, that he wants a modern love song, which should have an urban feel. The song was created in few sittings, tune/words & singing (Naqsh saab has told that many of the Jaidev songs were created impromptu, without any purpose.. His habit was to create music whenever these people sat together for any reason, rather than getting into any kind of chit chat. चलो कोई गाना बनाते हैं ). Jaidev ji was doing Gharonda in those days and asked diector Bhimsen if they can record this song for it can be accommodated in the film, as he felt this could well be a very good fit for the film theme and ambience.. Hence Naqsh saab came in and the film had two lyricists.. (As told by Naqsh saab) ji, as if she was destined to sing this one!What an outing this turned out to be for the artists involved.. as they all came up with a Gem of a song! Brilliant Thought and Composition.. मुझे प्यार तुमसे नहीं है, नहीं है मगर मैंने ये राज़ अब तक ना जाना के क्यूँ प्यारी लगती हैं बातें तुम्हारी मैं क्यूँ तुमसे मिलने का ढूँढूँ बहाना कभी मैंने चाहा तुम्हें छू के देखूँ कभी मैंने चाहा तुम्हें पास लाना मगर फिर भी मगर फिर भी इस बात का तो यक़ीं है मुझे प्यार तुमसे नहीं है - नहीं है Immortal words of #Naqsh sb](https://image.24vids.com/tw-1854430385251467409/ext_tw_video_thumb/1854425532647215104/pu/img/3cwOtKWP_U6U15tb.jpg)
Dear #VividhBharti तुम्हें हो ना हो, मुझको तो इतना यकीं है ये गीत गुलज़ार का नहीं है, नहीं है A certified 100% #NotbyGulzar mostly credited to Gulzar but penned by Naqsh Lyallpuri saab [The above was played on Vividh Bharti yday again with credits to Gulzar] #creditswheredue #NotbyGulzar #NBG #Gharonda #Runalaila वरुण 🇮🇳 Swanand Kirkire Raj Shekhar Puneet Sharma Yunus Khan ----- कोई ख़्वाब ऊँचे मकानों से झाँके कोई ख़्वाब बैठा रहे सर झुकाये Destiny plays interesting games.. Sometimes when a film has a dedicated lyricist & yet for some specific reason, if the film opens up an opportunity for a guest lyricist, the guest lyricist misses a mention in credits on various occasions & platforms.. In last 27yrs, since the existence of Gulzaronline, & interaction with thousands of gulzar-fans personally, have come across many hundred people & instances & even many music web sites that incorrectly attributes this gorgeous song to Gulzar sb, while the song was penned by Naqsh Lyallpuri It happened with Gharonda, Gulzar sb was not only writing screenplay, dialogs but also songs and poem for the film.. It was during the making of the film Runa Laila visited India and met Jaidev ji.. She desperately wanted to do a song with #Jaidev ji, but the problem was she was here for 3-4 days.. Jaidev called Naqsh saab to hotel and asked him to write some impromptu words with modern/urban context. Naqsh saab came up with an unusual love song.. "Mujhe pyaar tumse nahin hai, nahin hai".. for the theme, Jaidev ji just gave a cue, that he wants a modern love song, which should have an urban feel. The song was created in few sittings, tune/words & singing (Naqsh saab has told that many of the Jaidev songs were created impromptu, without any purpose.. His habit was to create music whenever these people sat together for any reason, rather than getting into any kind of chit chat. चलो कोई गाना बनाते हैं ). Jaidev ji was doing Gharonda in those days and asked diector Bhimsen if they can record this song for it can be accommodated in the film, as he felt this could well be a very good fit for the film theme and ambience.. Hence Naqsh saab came in and the film had two lyricists.. (As told by Naqsh saab) ji, as if she was destined to sing this one!What an outing this turned out to be for the artists involved.. as they all came up with a Gem of a song! Brilliant Thought and Composition.. मुझे प्यार तुमसे नहीं है, नहीं है मगर मैंने ये राज़ अब तक ना जाना के क्यूँ प्यारी लगती हैं बातें तुम्हारी मैं क्यूँ तुमसे मिलने का ढूँढूँ बहाना कभी मैंने चाहा तुम्हें छू के देखूँ कभी मैंने चाहा तुम्हें पास लाना मगर फिर भी मगर फिर भी इस बात का तो यक़ीं है मुझे प्यार तुमसे नहीं है - नहीं है Immortal words of #Naqsh sb
Pavan Jha26,436 Aufrufe • vor 1 Jahr
![Meeting Pancham This heartwarming story was shared by my dear friend, singer Udbhav Ojha, a lifelong admirer of R.D. Burman. Ever since his childhood, Udbhav had been a devoted fan of Pancham da. When he moved to Mumbai in the early 1990s, his biggest dream was to sing for the maestro. Driven by that dream, he would go every day to Panchamda’s house and stand outside, hoping for a glimpse of him, perhaps even a chance meeting. This continued for a month. The guard never let him in.. So he would just stand for hours, watching the house, watching #Panchamda step out and return. One day, however, two policemen picked him up and took him to the nearby police station. There had been a theft at Panchamda’s house, and Udbhav’s repeated presence had raised suspicion. The watchman and a servant had reported him as a possible suspect. A Marathi inspector questioned Udbhav, suspecting his motive. At that time still in his late teens, Udbhav broke down and began to cry. Something moved the inspector, who realized this boy wasn't a thief. Udbhav told him, he came to Mumbai to become a singer . The inspector then asked him to hum a few songs. After hearing him, the inspector released him. Shaken and disheartened, not just by the accusation but by the feeling that even Panchamda might have misunderstood him, Udbhav considered leaving Mumbai. Still, something pulled him back to the same lane one last time. And there, the watchman recognized him. “Panchamda wants to see you!” he told with some excitement. Someone had briefed Panchamda about the incident, and he now realized a struggling young singer had been falsely accused. Udbhav was invited in. He finally met Pancham da, spent time with his entire team, and Panchamda listened the entire kissa, asked Udbhav to sing and even asked to play sitar. Panchamda smiled and said, “You’re still very young to be a singer, but keep visiting and feel free to come here.” Over the next year or so, Udbhav remained closely associated with Panchamda in various capacities. He even became a dubbing singer for a few tracks. One of the songs he dubbed was the beautiful “Hum na samjhe the baat itni si” - Destiny You Know.. [Later Udbhav became lead singer in Mohabbatein for Jatin Lalit] Recently, Udbhav recorded a tribute song for our Chaupaal, in remembrance of Kishore, Pancham for Gulzar saab's 90th Bday , a heartfelt tribute to the legends who inspired his journey. Such a beautiful story, showcasing the human side of Pancham da - recounting as we are discussing the opportunities missed to see him.. #Pancham #InMemories #RDBurman Srinivas singer Anish Mohanty Arjun Kishor Balaji Vittal (author and columnist) nirupama kotru MusicAloud Panchammagic Pune Ritesh Gadhvi (NISM-XIII, NISM-V-A Certified) Rajesh Nagul YSmusic Pancham Pakistan - पंचम पाकिस्तान - پنچم پاکستان Karthik 🇮🇳 Deepa Buty (दीपा बुटी)](https://image.24vids.com/tw-1939307969302458583/amplify_video_thumb/1939305389960400896/img/PshepyacgIqGdxX3.jpg)
Meeting Pancham This heartwarming story was shared by my dear friend, singer Udbhav Ojha, a lifelong admirer of R.D. Burman. Ever since his childhood, Udbhav had been a devoted fan of Pancham da. When he moved to Mumbai in the early 1990s, his biggest dream was to sing for the maestro. Driven by that dream, he would go every day to Panchamda’s house and stand outside, hoping for a glimpse of him, perhaps even a chance meeting. This continued for a month. The guard never let him in.. So he would just stand for hours, watching the house, watching #Panchamda step out and return. One day, however, two policemen picked him up and took him to the nearby police station. There had been a theft at Panchamda’s house, and Udbhav’s repeated presence had raised suspicion. The watchman and a servant had reported him as a possible suspect. A Marathi inspector questioned Udbhav, suspecting his motive. At that time still in his late teens, Udbhav broke down and began to cry. Something moved the inspector, who realized this boy wasn't a thief. Udbhav told him, he came to Mumbai to become a singer . The inspector then asked him to hum a few songs. After hearing him, the inspector released him. Shaken and disheartened, not just by the accusation but by the feeling that even Panchamda might have misunderstood him, Udbhav considered leaving Mumbai. Still, something pulled him back to the same lane one last time. And there, the watchman recognized him. “Panchamda wants to see you!” he told with some excitement. Someone had briefed Panchamda about the incident, and he now realized a struggling young singer had been falsely accused. Udbhav was invited in. He finally met Pancham da, spent time with his entire team, and Panchamda listened the entire kissa, asked Udbhav to sing and even asked to play sitar. Panchamda smiled and said, “You’re still very young to be a singer, but keep visiting and feel free to come here.” Over the next year or so, Udbhav remained closely associated with Panchamda in various capacities. He even became a dubbing singer for a few tracks. One of the songs he dubbed was the beautiful “Hum na samjhe the baat itni si” - Destiny You Know.. [Later Udbhav became lead singer in Mohabbatein for Jatin Lalit] Recently, Udbhav recorded a tribute song for our Chaupaal, in remembrance of Kishore, Pancham for Gulzar saab's 90th Bday , a heartfelt tribute to the legends who inspired his journey. Such a beautiful story, showcasing the human side of Pancham da - recounting as we are discussing the opportunities missed to see him.. #Pancham #InMemories #RDBurman Srinivas singer Anish Mohanty Arjun Kishor Balaji Vittal (author and columnist) nirupama kotru MusicAloud Panchammagic Pune Ritesh Gadhvi (NISM-XIII, NISM-V-A Certified) Rajesh Nagul YSmusic Pancham Pakistan - पंचम पाकिस्तान - پنچم پاکستان Karthik 🇮🇳 Deepa Buty (दीपा बुटी)
Pavan Jha14,133 Aufrufe • vor 11 Monaten
"Just get the Premchand guy next time for the meeting, I'll get him to sign the LoI.. Cool?" - "Aur manto saab ke baare me kya khayaal hai aapka?" - "Just get him to send the CV.. I''ll see... Cool?" This is actually the opening scene from Navjot Gulati 's show #Industry #nowrunning on Amazon Prime Himanshu PrayRona Soumya
Pavan Jha15,622 Aufrufe • vor 1 Jahr
वो बीते दिन याद हैं, वो पलछिन याद हैं बस यादें बाकी.... #AmitKhanna #AjitSingh #PuranaMandir But the film got a boost for this beautiful song composed and sung by Ajit Singh. The arrangement was modern and his (better than Bappi Lahiri) voice & singing was good enough to evoke a good dose of nostalgia. This remained a regular for cassette recrding till college - early 90s. We had rumors in those days of school that the song is imported from Pakistan from a Sajjad Ali Song but later got to know it was an English song. Ajit Singh's daughter Tanya Singh later reprised this song in 90s in Indi Pop and the number was quite popular
Pavan Jha12,929 Aufrufe • vor 1 Jahr
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