SK⚡️

@raptalksk • 290,995 subscribers

hip-hop head | music plug | vinyl collector | boston sports | i like watching films (https://t.co/zxWuU2wozN) | inquiries: [email protected]

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this video still fries me man lmao

this video still fries me man lmao

170,177 görüntüleme

fr cuz how do you recover from this 😭

fr cuz how do you recover from this 😭

2,210,970 görüntüleme

Drake called This Is America “overrated and over awarded” at the first show of his tour after Childish Gambino said it was originally a Drake diss 👀

Drake called This Is America “overrated and over awarded” at the first show of his tour after Childish Gambino said it was originally a Drake diss 👀

12,083,074 görüntüleme

BRO EXCUSE ME???

BRO EXCUSE ME???

5,205,932 görüntüleme

who knew Justin Bieber would hop on a SZA remix in 2023… this is fire

who knew Justin Bieber would hop on a SZA remix in 2023… this is fire

1,740,539 görüntüleme

“let jordan love cook”

“let jordan love cook”

44,242 görüntüleme

kenny mason in 2022

kenny mason in 2022

134,024 görüntüleme

been watching this video every time i see it

been watching this video every time i see it

81,620 görüntüleme

this is a tribute post to share the legacy of an artist whose work has changed my life and inspires me everyday, Jun Seba aka Nujabes. Born February 7, 1974, Nujabes was a music producer & DJ from Tokyo, Japan. He came from a family of music lovers and his father’s admiration for jazz served as an inspiration to Seba at a young age. He pursued his education at a Fine Arts school and the people in his life influenced him to explore the vast wonders of what music really is. In a 2003 interview with Sound & Recording Magazine, Seba said… “I started making tracks because I wanted to hear music that sampled the old soul and jazz I liked.” Nujabes in his early years discovered Hip-Hop and was enamored by the art of DJ-ing and breakdancing. Hip-Hop culture was being brought to life in the USA, but its influence seeped across the world and it started to gain popularity in Japan at the time as well. Seba went on to become a crucial figure in Japan’s underground Hip-Hop scene as a DJ, co-creating a label called ‘Hydeout Productions’. His love for music stemmed beyond just creating it. He had his own record store, which he spoke about in the aforementioned 2003 interview. “I recently started up a record store, Tribe, which I see as an extension of Hydeout Productions. Everything at the store is stuff I went and bought overseas myself, and my hope is for people to come in, listen to old records at their leisure, and hopefully feel inspired by those records to make good tracks themselves. That’s another thing I would like to cherish doing in the future—creating those sorts of encouraging environment” This was a genuine testament to the pure love Nujabes had for music and the community that is built as a result. This passion is what fueled the masterpieces we listen to today and it is the reason for him revolutionizing Hip-Hop production. One of his greatest achievements, in my opinion, was his contribution to the soundtrack of ‘Samurai Champloo’ alongside Fat Jon. This soundtrack set Nujabes on center stage. With a fusion of traditional Japanese musical influences, everything he learned as a student of Hip-Hop, and his early love for Jazz music, Nujabes created a new soundscape which set the tone for this acclaimed show, but also epitomized his brilliance as a musician. At a recent Nujabes tribute performance, longtime collaborator and a friend of Nujabes, Fat Jon, said a few words about him… “Our friendship went beyond music. And so yeah, we had fun making music, but we had more fun just doing regular shit in life… Nujabes as a person, separated from the music, he was a cool person.” You can tell everyone that has worked with or around Nujabes has a deep, unwavering admiration for him as a musician, but also as a person and a friend. Although his contributions to the soundtrack shot Nujabes to fame, his discography of solo music is what cemented his legacy as a pioneer of modern music. From his debut ‘Metaphorical Music’, to his most critically acclaimed work ‘Modal Soul’, Nujabes was able to create entire soundscapes by blending all the different things that made him love music in the first place. It would be a disservice to not mention his friends and frequent collaborators who had invaluable contributions to his work. Shing02, Uyama Hiroto, Cise Starr & Akin (CYNE), Substantial, Haruka Nakamura, and many more. (I’d love to give recommendations to people who want to dive into their work after seeing this!) Nujabes music heavily centered around jazz and soul samples intertwined with his intricate drum patterns and tranquil instrumentation. He fostered an atmosphere of serenity with his melodies than touched the hearts of millions around the world. From ethereal tracks like “Horizon” and “Counting Stars” to his Luv(Sic) series, Nujabes created art that transcended the preconceptions of what music’s impact is. if you made it this far, thank you for reading. i have no more characters left lol

this is a tribute post to share the legacy of an artist whose work has changed my life and inspires me everyday, Jun Seba aka Nujabes. Born February 7, 1974, Nujabes was a music producer & DJ from Tokyo, Japan. He came from a family of music lovers and his father’s admiration for jazz served as an inspiration to Seba at a young age. He pursued his education at a Fine Arts school and the people in his life influenced him to explore the vast wonders of what music really is. In a 2003 interview with Sound & Recording Magazine, Seba said… “I started making tracks because I wanted to hear music that sampled the old soul and jazz I liked.” Nujabes in his early years discovered Hip-Hop and was enamored by the art of DJ-ing and breakdancing. Hip-Hop culture was being brought to life in the USA, but its influence seeped across the world and it started to gain popularity in Japan at the time as well. Seba went on to become a crucial figure in Japan’s underground Hip-Hop scene as a DJ, co-creating a label called ‘Hydeout Productions’. His love for music stemmed beyond just creating it. He had his own record store, which he spoke about in the aforementioned 2003 interview. “I recently started up a record store, Tribe, which I see as an extension of Hydeout Productions. Everything at the store is stuff I went and bought overseas myself, and my hope is for people to come in, listen to old records at their leisure, and hopefully feel inspired by those records to make good tracks themselves. That’s another thing I would like to cherish doing in the future—creating those sorts of encouraging environment” This was a genuine testament to the pure love Nujabes had for music and the community that is built as a result. This passion is what fueled the masterpieces we listen to today and it is the reason for him revolutionizing Hip-Hop production. One of his greatest achievements, in my opinion, was his contribution to the soundtrack of ‘Samurai Champloo’ alongside Fat Jon. This soundtrack set Nujabes on center stage. With a fusion of traditional Japanese musical influences, everything he learned as a student of Hip-Hop, and his early love for Jazz music, Nujabes created a new soundscape which set the tone for this acclaimed show, but also epitomized his brilliance as a musician. At a recent Nujabes tribute performance, longtime collaborator and a friend of Nujabes, Fat Jon, said a few words about him… “Our friendship went beyond music. And so yeah, we had fun making music, but we had more fun just doing regular shit in life… Nujabes as a person, separated from the music, he was a cool person.” You can tell everyone that has worked with or around Nujabes has a deep, unwavering admiration for him as a musician, but also as a person and a friend. Although his contributions to the soundtrack shot Nujabes to fame, his discography of solo music is what cemented his legacy as a pioneer of modern music. From his debut ‘Metaphorical Music’, to his most critically acclaimed work ‘Modal Soul’, Nujabes was able to create entire soundscapes by blending all the different things that made him love music in the first place. It would be a disservice to not mention his friends and frequent collaborators who had invaluable contributions to his work. Shing02, Uyama Hiroto, Cise Starr & Akin (CYNE), Substantial, Haruka Nakamura, and many more. (I’d love to give recommendations to people who want to dive into their work after seeing this!) Nujabes music heavily centered around jazz and soul samples intertwined with his intricate drum patterns and tranquil instrumentation. He fostered an atmosphere of serenity with his melodies than touched the hearts of millions around the world. From ethereal tracks like “Horizon” and “Counting Stars” to his Luv(Sic) series, Nujabes created art that transcended the preconceptions of what music’s impact is. if you made it this far, thank you for reading. i have no more characters left lol

333,474 görüntüleme

my favorite thing about japan - making friends with random bartenders and getting them drunk lol

my favorite thing about japan - making friends with random bartenders and getting them drunk lol

42,360 görüntüleme

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Pharrell really activated a whole new sound and energy for Quavo and i need to hear more of it

Pharrell really activated a whole new sound and energy for Quavo and i need to hear more of it

5,186,223 görüntüleme • 2 ay önce

Gatorade with 3 minutes left is fuckin crazy😭

Gatorade with 3 minutes left is fuckin crazy😭

10,623,274 görüntüleme • 1 yıl önce

André 3000’s speaks on him rapping at the age of 48. “I gotta go get a Colonoscopy… what do you rap about?” 😂

André 3000’s speaks on him rapping at the age of 48. “I gotta go get a Colonoscopy… what do you rap about?” 😂

18,031,143 görüntüleme • 2 yıl önce

fans in Charlotte were going bar for bar with Cole performing “Johnny P’s Caddy” 😂🔥

fans in Charlotte were going bar for bar with Cole performing “Johnny P’s Caddy” 😂🔥

1,186,601 görüntüleme • 3 ay önce

i wasn’t familiar with his game until i was outside and EVERYONE was rapping this word for word

i wasn’t familiar with his game until i was outside and EVERYONE was rapping this word for word

330,135 görüntüleme • 1 ay önce

“oh homegirl abusive?” 😂😂

“oh homegirl abusive?” 😂😂

13,279,892 görüntüleme • 3 yıl önce

idk about biggest but dababy out-rapping j. cole and lute on this song i s still crazy lmao

idk about biggest but dababy out-rapping j. cole and lute on this song i s still crazy lmao

11,460,622 görüntüleme • 3 yıl önce

no one will ever make me hate this absolute banger

no one will ever make me hate this absolute banger

180,683 görüntüleme • 27 gün önce

deserved cuz this album definitely blew my expectations out the water

deserved cuz this album definitely blew my expectations out the water

575,660 görüntüleme • 3 ay önce

Isaiah Rashad winning a Grammy would feed families

Isaiah Rashad winning a Grammy would feed families

55,665 görüntüleme • 9 gün önce

15 year old me is crying right now 🥲

15 year old me is crying right now 🥲

2,895,273 görüntüleme • 1 yıl önce

just gonna leave this here again

just gonna leave this here again

6,447,150 görüntüleme • 3 yıl önce

of course Kendrick took the spotlight from Big Sean again, but his new track is genuinely the hardest shit he’s dropped in years 😮‍💨 this album boutta change a lot of narratives…

of course Kendrick took the spotlight from Big Sean again, but his new track is genuinely the hardest shit he’s dropped in years 😮‍💨 this album boutta change a lot of narratives…

4,245,892 görüntüleme • 2 yıl önce

JID on Surround Sound

JID on Surround Sound

4,999,219 görüntüleme • 3 yıl önce

tyler, the creator & earl sweatshirt meeting MF DOOM for the first time

tyler, the creator & earl sweatshirt meeting MF DOOM for the first time

4,836,438 görüntüleme • 3 yıl önce

give Asake that Grammy already

give Asake that Grammy already

4,648,919 görüntüleme • 3 yıl önce

close your eyes and tell me who this sounds like

close your eyes and tell me who this sounds like

703,147 görüntüleme • 6 ay önce

“Dee and I never got to do this on stage together… make time for the people you love while you can” - Lauryn Hill before performing ‘Nothing Even Matters’ at the Grammys

“Dee and I never got to do this on stage together… make time for the people you love while you can” - Lauryn Hill before performing ‘Nothing Even Matters’ at the Grammys

882,619 görüntüleme • 8 ay önce

Vince Staples on Jhené Aiko's new album via his Apple Music Radio Show: "Jhené has been around for a very very very long time, making a musical style that has been adopted by many others... she has a lot of sons in the rap game as LL Cool J would say"

Vince Staples on Jhené Aiko's new album via his Apple Music Radio Show: "Jhené has been around for a very very very long time, making a musical style that has been adopted by many others... she has a lot of sons in the rap game as LL Cool J would say"

106,814 görüntüleme • 1 ay önce

nardwuar interviewing blac youngsta is a classic 😭

nardwuar interviewing blac youngsta is a classic 😭

3,677,963 görüntüleme • 3 yıl önce