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Stefan Riekeles

@reallyriekeles • 7,975 subscribers

Managing director of Riekeles Gallery, dedicated to the preservation and appreciation of paper based animation background art.

Shorts

Browsing the layers of Neo Tokyo. Original background cel setup of AKIRA's cut no. 207, painted by Hiroshi Ohno.

Browsing the layers of Neo Tokyo. Original background cel setup of AKIRA's cut no. 207, painted by Hiroshi Ohno.

1,064,117 Aufrufe

Original artwork of Ghost in the Shell, cut no. 477, painted by #HiromasaOgura. Three layers are superimposed onto each other and moved very slowly at different speeds during the animation process to create an effect of spatial depth.

Original artwork of Ghost in the Shell, cut no. 477, painted by #HiromasaOgura. Three layers are superimposed onto each other and moved very slowly at different speeds during the animation process to create an effect of spatial depth.

562,755 Aufrufe

At Shuichi KUSAMORI’s studio. His list of achievements includes some of the most important titles in anime history: Patlabor, Ghost in the Shell, Metropolis, Innocence, Psycho Pass and many others. Here is the master at the work. #ShuichiKusamori #草森秀一

At Shuichi KUSAMORI’s studio. His list of achievements includes some of the most important titles in anime history: Patlabor, Ghost in the Shell, Metropolis, Innocence, Psycho Pass and many others. Here is the master at the work. #ShuichiKusamori #草森秀一

99,975 Aufrufe

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Katsufumi Hariu explained his work as the art director for Macross Plus. The background art for the series and feature film are of outstanding quality and conceptual depth. Digging into the artist's archive made me think to present these works to a larger audience - one day.

Katsufumi Hariu explained his work as the art director for Macross Plus. The background art for the series and feature film are of outstanding quality and conceptual depth. Digging into the artist's archive made me think to present these works to a larger audience - one day.

Stefan Riekeles

119,250 Aufrufe • vor 1 Jahr

‘BL’ stands for BLACK. Hiromasa Ogura uses an original production background from Ghost in the Shell (Cut No. 506) to explain his technique for achieving deep black tones. By painting on both the front and back sides of the cel, he created a layered effect that defines this tone.

‘BL’ stands for BLACK. Hiromasa Ogura uses an original production background from Ghost in the Shell (Cut No. 506) to explain his technique for achieving deep black tones. By painting on both the front and back sides of the cel, he created a layered effect that defines this tone.

Stefan Riekeles

124,471 Aufrufe • vor 1 Jahr

Hiromasa Ogura 小倉工房【公式】 was very busy with a current production. But he was generous enough to let me browse his archive. The files held cel setups for Tomcat's Big Adventure, imageboards for the Appleseed OVA and Kuroda's work for the game Blood - The Last Vampire.

Hiromasa Ogura 小倉工房【公式】 was very busy with a current production. But he was generous enough to let me browse his archive. The files held cel setups for Tomcat's Big Adventure, imageboards for the Appleseed OVA and Kuroda's work for the game Blood - The Last Vampire.

Stefan Riekeles

41,608 Aufrufe • vor 1 Jahr

Close-up of the scanned background art for Ghost in the Shell's cut no. 228. It's a great pleasure to look at the details of Shuichi Kusamori's artwork. There is so much to discover, such as this moving box. #ghostintheshell

Close-up of the scanned background art for Ghost in the Shell's cut no. 228. It's a great pleasure to look at the details of Shuichi Kusamori's artwork. There is so much to discover, such as this moving box. #ghostintheshell

Stefan Riekeles

47,729 Aufrufe • vor 3 Jahren

With Mika Nishimura 西村美香=YOSHIMA I discussed the difference in style between the work of art directors Shinji Kimura and Hiromasa Ogura. Nishimura was once an apprentice of Ogura and is now working as a respected art director herself.

With Mika Nishimura 西村美香=YOSHIMA I discussed the difference in style between the work of art directors Shinji Kimura and Hiromasa Ogura. Nishimura was once an apprentice of Ogura and is now working as a respected art director herself.

Stefan Riekeles

19,544 Aufrufe • vor 1 Jahr

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