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Stefan Riekeles

@reallyriekeles • 7,939 subscribers

Managing director of Riekeles Gallery, dedicated to the preservation and appreciation of paper based animation background art.

Shorts

Browsing the layers of Neo Tokyo. Original background cel setup of AKIRA's cut no. 207, painted by Hiroshi Ohno.

Browsing the layers of Neo Tokyo. Original background cel setup of AKIRA's cut no. 207, painted by Hiroshi Ohno.

1,064,250 次观看

Original artwork of Ghost in the Shell, cut no. 477, painted by #HiromasaOgura. Three layers are superimposed onto each other and moved very slowly at different speeds during the animation process to create an effect of spatial depth.

Original artwork of Ghost in the Shell, cut no. 477, painted by #HiromasaOgura. Three layers are superimposed onto each other and moved very slowly at different speeds during the animation process to create an effect of spatial depth.

562,837 次观看

Videos

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Katsufumi Hariu explained his work as the art director for Macross Plus. The background art for the series and feature film are of outstanding quality and conceptual depth. Digging into the artist's archive made me think to present these works to a larger audience - one day.

Katsufumi Hariu explained his work as the art director for Macross Plus. The background art for the series and feature film are of outstanding quality and conceptual depth. Digging into the artist's archive made me think to present these works to a larger audience - one day.

Stefan Riekeles

119,363 次观看 • 1 年前

‘BL’ stands for BLACK. Hiromasa Ogura uses an original production background from Ghost in the Shell (Cut No. 506) to explain his technique for achieving deep black tones. By painting on both the front and back sides of the cel, he created a layered effect that defines this tone.

‘BL’ stands for BLACK. Hiromasa Ogura uses an original production background from Ghost in the Shell (Cut No. 506) to explain his technique for achieving deep black tones. By painting on both the front and back sides of the cel, he created a layered effect that defines this tone.

Stefan Riekeles

124,652 次观看 • 1 年前

Close-up of the scanned background art for Ghost in the Shell's cut no. 228. It's a great pleasure to look at the details of Shuichi Kusamori's artwork. There is so much to discover, such as this moving box. #ghostintheshell

Close-up of the scanned background art for Ghost in the Shell's cut no. 228. It's a great pleasure to look at the details of Shuichi Kusamori's artwork. There is so much to discover, such as this moving box. #ghostintheshell

Stefan Riekeles

47,729 次观看 • 3 年前

With Mika Nishimura 西村美香=YOSHIMA I discussed the difference in style between the work of art directors Shinji Kimura and Hiromasa Ogura. Nishimura was once an apprentice of Ogura and is now working as a respected art director herself.

With Mika Nishimura 西村美香=YOSHIMA I discussed the difference in style between the work of art directors Shinji Kimura and Hiromasa Ogura. Nishimura was once an apprentice of Ogura and is now working as a respected art director herself.

Stefan Riekeles

19,665 次观看 • 1 年前

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