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Robert Morrison

@RobertAnim8er • 20,554 subscribers

Lead Cinematic Animator @VOIDInteractive. Credits: Ready or Not, The Last of Us Part I, God Of War (2018), Injustice 2, Resident Evil 7 and more.

Shorts

One of my favorite animations I've done in my career. My challenge was to sell the illusion of having super speed while also letting key moments read.

One of my favorite animations I've done in my career. My challenge was to sell the illusion of having super speed while also letting key moments read.

377,046 просмотров

Videos

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The animator The animation

The animator The animation

Robert Morrison

359,969 просмотров • 2 месяцев назад

Ready or Not: Boiling Point our new DLC launch trailer!

Ready or Not: Boiling Point our new DLC launch trailer!

Robert Morrison

59,080 просмотров • 2 месяцев назад

I put together a new reel showcasing my animation work. I have a ton more to show but it's already kinda long. :) This also doesn't include 6 years of gameplay work on 2 cancelled projects that I cannot show publicly. That's the way it is lol. Thanks for watching.

I put together a new reel showcasing my animation work. I have a ton more to show but it's already kinda long. :) This also doesn't include 6 years of gameplay work on 2 cancelled projects that I cannot show publicly. That's the way it is lol. Thanks for watching.

Robert Morrison

89,322 просмотров • 11 месяцев назад

Here's a short example of how I used reference video to create and modify animations in The Last of Us Part I. In these examples I'm studying the body mechanics, posing, and giving myself a good understanding of the motion, while also looking for details that I can add into the animation. You don't necessarily need to do it at the same speed. And things will often change when you're animating it. This is a foundational step when you want to achieve realism. In addition, I'm always thinking about the character themselves, and the context of the moment. Ellie is a small (yet strong) girl. So I added in the sensation of the weight of the gate, bringing it back down as she's transferring grip, and how there is some play between the wheels and the rails it rides in. Little things that adds to the final result.

Here's a short example of how I used reference video to create and modify animations in The Last of Us Part I. In these examples I'm studying the body mechanics, posing, and giving myself a good understanding of the motion, while also looking for details that I can add into the animation. You don't necessarily need to do it at the same speed. And things will often change when you're animating it. This is a foundational step when you want to achieve realism. In addition, I'm always thinking about the character themselves, and the context of the moment. Ellie is a small (yet strong) girl. So I added in the sensation of the weight of the gate, bringing it back down as she's transferring grip, and how there is some play between the wheels and the rails it rides in. Little things that adds to the final result.

Robert Morrison

28,222 просмотров • 3 месяцев назад

Part of my humble contribution to the God of War franchise. Celebrating 20 years. #GodOfWar I animated all characters, camera, and props shown.

Part of my humble contribution to the God of War franchise. Celebrating 20 years. #GodOfWar I animated all characters, camera, and props shown.

Robert Morrison

72,840 просмотров • 1 год назад

Realistic finger movement is one of the most difficult things to animate. Also one of my favorite things to do. You have to sell the illusion of surface pressure, when to be deliberate or subconscious with your posing. Use muscle tension or be loose and relaxed. Introducing props amps up the complexity greatly. You won't really notice most of the things I do, but you'll hopefully feel it when it's done right. Here is some of my finger animation I had fun doing on The Last of Us Part I. All hand keyframed. Running at half speed to show detail.

Realistic finger movement is one of the most difficult things to animate. Also one of my favorite things to do. You have to sell the illusion of surface pressure, when to be deliberate or subconscious with your posing. Use muscle tension or be loose and relaxed. Introducing props amps up the complexity greatly. You won't really notice most of the things I do, but you'll hopefully feel it when it's done right. Here is some of my finger animation I had fun doing on The Last of Us Part I. All hand keyframed. Running at half speed to show detail.

Robert Morrison

72,296 просмотров • 1 год назад

Walk cycles aren't the most exciting thing for the average viewer. But it's an integral part of most games, and a pretty complex animation to craft. Had fun doing this Kratos walk.

Walk cycles aren't the most exciting thing for the average viewer. But it's an integral part of most games, and a pretty complex animation to craft. Had fun doing this Kratos walk.

Robert Morrison

60,878 просмотров • 1 год назад

How it started and how it ended Animation: me Reference: Shaquan Parson Rig: Kiel Figgins Music: Hero by Michael Kiwanuka

How it started and how it ended Animation: me Reference: Shaquan Parson Rig: Kiel Figgins Music: Hero by Michael Kiwanuka

Robert Morrison

39,043 просмотров • 1 год назад

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