Screen International

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Project Hail Mary star Sandra Huller says she has plans to work with Renate Reinsve: “Renate and I, we’re planning some stuff together”

Luca Guadagnino receives a rapturous reception when arriving for his #Venezia83 masterclass. “I don’t believe in story,” says Guadagnino early on, criticising Bryan Singer’s The Usual Suspects.

Sandra Huller says she feels guilty “everyday” for Germany’s past: “But I never get bored of the guilt because it’s necessary in order to act like right,” she said in Cannes.

Rage Against The Machine guitarist and The Ballad Of Judas Priest co-director Tom Morello (Tom Morello) on political discourse at Berlin Film Festival: “What a time to be alive, when you can both make a documentary about one of your favourite bands, & fight fascism at the same time!”

Gillian Anderson and Hannah Einbinder pose at the UK premiere of Teenage Sex and Death at Camp Miasma for #sxswlondon

Robert Pattison says he hopes to do more comedy roles in future: “I’m not sure ‘Mickey 17’ is even meant to be a comedy, I just kind of decided”

Tom Hardy posing with fans at the #MobLand premiere:

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Aimee Lou Wood says she had to “quieten” her voice early in her career and was made to feel afraid speaking up on sets: “Having to hide how clever you are and how much you see things… you’re having to dilute that to make people feel comfortable” #LFF

Danny Boyle says he would use AI in filmmaking again despite the backlash for using it in Ink: “For animals, it’s sort of a no brainer… it’s sort of part of VFX anyway at the moment, whether people want to admit it or not” #LFF

“I’m not a politician, I’m a filmmaker. I try to do it through the work.” Paul Thomas Anderson, whose One Battle After Another won six #EEBAFTAs including best film, addresses whether high-profile film figures have a duty to speak on politics.

UK-born Sinners star Delroy Lindo on what British talent he would like to work with: “The reality is I’m not familiar enough with the scene here so I don’t want to risk making a fool of myself” #EEBAFTAs

Adam Driver jokes filmmaking is “not a democracy” and he believes in productions run as “dictatorships”: “When it’s a bigger budget, sometimes it gets into moviemaking by committee and I just don’t do well in those atmospheres” #LFF

Tony Gilroy says working on Andor made him a “much better writer”: “Those 1500 pages, with those actors, knowing the way it was gonna be shot… I really learned an incredible amount from that show” #LFF

La Bola Negra actor Miguel Bernardeau said he would love to work with Greta Gerwig, Denis Villeneuve and Florence Pugh: “I think she is one of the best actors of her generation” #LFF

Italian singer Francesca Michielin performs Bjørk’s ‘It’s Oh So Quiet’ at the Venice Film Festival closing ceremony #Venezia83 Watch the ceremony LIVE with Screen International here:

Hannah Einbinder admits she started rewatching The X-Files when she found out Gillian Anderson was going to be in Teenage Sex and Death at Camp Miasma with her: “I had to stop because I was like I’ve got to be chill. I’m not going to be normal if I keep doing this” #SXSWLondon

Mike Leigh is "very concerned" for young filmmakers in the UK: "[I want them] not to be dictated to and not be hanging around for years and years while people bully them about casting and their script" #LFF

The audience at Annecy film festival sings Happy Birthday to Ricky Gervais ahead of his masterclass and screening of Alley Cats first two episodes.

Sandra Huller on whether she would do a Project Hail Mary sequel: “I don’t know what’s going to happen in the future. I have fun with a lot of different things,” she said at a Cannes press conference for Fatherland.

Laleh Marzban, winner of best actress in Horizons at Venice Film Festival for Falling House, dedicates her award to the women of Iran, her home country #Venezia83 “They have paid the highest price for the smallest measure of freedom,” says Marzban. Watch the awards LIVE here:

Alicia Vikander said she first fell in love with Asian film attending Busan film festival at the age of 21: “A few years later I saw [Na Hong-jin’s] Chaser, then I saw The Yellow Sew and then I saw The Wailing and I was utterly blown away” #cannes