
SPLASH GIRLS@AI Image
@splash_GL • 3,310 subscribers
ついついエ⏹️生成にいたる病... AI画像生成を楽しんでおります。 フォローいただけると嬉しいです。 #AIart #AI生成
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ハロウィンダンス🎃...踊っちゃうんだ... #Grok Imagineの動画プロンプトはプロンプトは下記を参照してください...#ハロウィンダンス ↓ ↓ Action + Camera Work (10 seconds): BGM is hip-hop music. [0–2 seconds] While conversing naturally in Japanese and facing the camera, the subject abruptly shrugs both shoulders up and drops them forcefully. Immediately after, they thrust both arms straight forward to shoulder height with elbows locked, then sharply snap both wrists downward at a 90-degree angle. They open their hands, extending all fingers straight down to create a classic zombie silhouette. Maintaining this arm posture, they take two short steps forward (right foot, then left foot). With each step, they forcefully jerk their shoulders—first right, then left—while their head tilts unnaturally in the same direction, lagging slightly behind the shoulder movement. Finally, keeping their arms extended forward, they bring their body to a complete, momentary halt, then quickly tilt their head to look directly into the lens. Camera framing is a frontal medium shot (framing from the knees up). A brief push-in occurs in sync with the initial shoulder jerk; the camera follows slightly sideways during the left-right shifts, followed by another short dolly-in as the face thrusts forward at the end. [2–4 seconds] With arms extended forward and wrists bent 90 degrees downward—fingers straight and pointing down—the subject advances toward the camera for four consecutive steps in a zombie-like manner. They walk with a heavy gait and slightly bent knees, stepping right, left, right, then left. Instead of a standard walk, the movement follows a "stop-and-go" rhythm: take a step, momentarily freeze the body, then sharply execute the next step. With each step, they add accents to the upper body: right shoulder jerk, left shoulder jerk, chest jerk, and finally a jerk of both shoulders. Throughout this sequence, the arms remain extended forward. However, with each "hit" (accented movement), thrust the entire arm forward by only about 5–10 cm to create a motion resembling a zombie reaching for prey. Maintain the 90-degree bend at the wrist and the specific finger shape throughout the movement. The camera slides quickly left and right in sync with the steps. It pulls back slightly each time the subject steps forward and performs a brief push-in only at the moment the arms are thrust out. Although the movement is rapid, keep the subject positioned near the center of the frame at all times. [4–6 seconds] Pull both hands sharply toward the chest, using the recoil to swing both arms wide open to the sides. Immediately follow this by swinging the right arm diagonally downward and the left arm diagonally upward, then reverse the positions on the next beat. Drop into a low squat with knees apart and shift forcefully from right to left, accenting the movements of the shoulders, elbows, and hips in succession. Finally, bring both hands to a sharp stop beside the face. The camera pulls back slightly to a wider framing that includes the thighs. It performs a brief arc movement matching the wide swings and comes to an abrupt halt the moment the arms stop. [6–8 seconds] Rise quickly from the low stance and sharply accent the shoulders twice. Immediately shift the upper body rapidly from right to left, then to the front. Fully extend both arms straight ahead, keeping them parallel to each other. Clearly bend both wrists 90 degrees downward, with all fingers straightened and pointing down. Holding this arm position almost static for two seconds, bend the knees slightly, lean the body forward a bit, and take four quick steps toward the camera. Shift the body weight significantly forward with each step (right, left, right, left), adopting an unnatural "zombie walk" where the body seems to follow with a slight lag rather than a standard walking gait. For each step, rapidly repeat the sequence: STEP → shoulder hit → FREEZE → STEP → chest hit → FREEZE. Maintain the silhouette of a "zombie with both arms thrust forward" at all times. The camera lowers to a slightly low angle and dollies back in sync with the subject's forward step. Incorporate a very slight pan with each hand movement, locking the composition to the center the moment the subject returns to a frontal position. [8–9 seconds] Suddenly stop walking while keeping both arms extended upward. Spread the knees, squat deeply, and drop the body down in one motion, keeping the wrists bent at 90-degree angles. After a complete freeze of about 0.2 seconds, snap the body upward in a wave-like motion: legs → hips → chest → shoulders. The momentum causes both arms to thrust forcefully forward another 10–20 cm, though they remain pointed straight ahead. The camera pulls back slightly as the body drops, then executes a rapid push-in at the exact moment of the upward snap. [9–10 seconds] Take a strong step forward with the right foot and thrust both hands rapidly toward the camera. Spread the fingers wide. Stare intensely at the lens from between the hands. Instead of a standard smile, briefly flash a sharp, playful, and provocative expression, followed by a slight smile just at the corners of the mouth. The camera performs a rapid dolly-in matching the step forward. Zoom in quickly from a chest-up shot to a tight close-up on the face, making the hands appear large in the foreground. Hold a complete freeze for the final 0.3–0.5 seconds. [Overall Dance Direction] The tempo is quite fast. Minimize soft, swaying movements; instead, build the choreography around "hits," "stops," "direction changes," "steps," and "arm thrusts." Move the shoulders, chest, neck, elbows, and hips independently and precisely, ensuring a clear, sharp stop at the end of each movement. Rather than executing movements in a continuous, fluid flow, repeat a rhythm of "sharp movement → complete stop → sudden switch to the opposite direction." 【Overall Camera Direction】 A single-shot sequence primarily from a frontal angle. Synchronize short, quick dolly-ins, dolly-backs, lateral slides, slight low-angle shots, and brief arc movements with the "hits" in the dance. The camera should not move continuously; instead, it should pause momentarily to match the subject's "stops." Rapidly shift the camera's direction only at the moment the dance changes direction, creating a strong sense of the beat throughout the visuals. Utilize wide-angle perspective to make hands thrusting toward the camera appear larger. Avoid excessive camera shake, random swaying, violent spinning, or meaningless zooming. Connect the sequence in a single 10-second shot to create a hard-hitting, sharp aesthetic reminiscent of a Halloween dance music video. 【Key Movement Keywords】 hard-hitting dance, sharp isolations, powerful hits, fast arm strikes, precise stops, strong body accents, shoulder pops, chest hits, rapid directional changes, aggressive footwork, sharp head movements, rhythmic freeze poses, high-energy choreography, crisp motion, strong beat synchronization
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