The Jazz Estate
@thejazzestate • 89,577 subscribers
Exploring, amplifying and presenting jazz music.
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Videos
Lightnin’ Hopkins and his musical partner Cleveland Chenier playing the blues at a party in Texas in 1968.
The Jazz Estate309,378 görüntüleme • 24 gün önce
10-year-old saxophonist Jedidiah Olawunmi performing at a park in London, United Kingdom.
The Jazz Estate12,442,069 görüntüleme • 2 yıl önce
James Brown performing “The Payback” live at the three-day music festival Zaire 74 in 1974.
The Jazz Estate8,204,333 görüntüleme • 2 yıl önce
Clarinetist Doreen Ketchens playing for her grandson.
The Jazz Estate5,758,535 görüntüleme • 1 yıl önce
Hermeto Pascoal performing with a group of musicians in a lake in Iporanga, São Paulo in 1985.
The Jazz Estate4,442,935 görüntüleme • 2 yıl önce
James Brown performing “It’s A Man’s Man’s World” live at the North Sea Jazz Festival in 1981.
The Jazz Estate20,437 görüntüleme • 6 gün önce
Elis Regina and Antônio Carlos Jobim performing “Águas de Março” in 1974.
The Jazz Estate1,207,689 görüntüleme • 2 yıl önce
Remembering the great Lee Morgan who was born this week in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Morgan was also part of multi-instrumentalist Rahsaan Roland Kirk’s Jazz and People’s Movement where they organized protests and pickets, specifically targeting major television networks to demand better representation, fair broadcasting opportunities for Black artists, and an end to racist practices in show business. The black liberation movement of the late-60s gave the musician a new, political impulse, and he returned to the jazz scene to become a vociferous campaigner for black musicians’ rights and representation. Here, he is performing “Angela” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merritt on bass and Freddie Waits on drums live on Soul! in 1972. The tune was composed by bassist Jymie Merritt and is dedicated to Marxist feminist activist and author Angela Davis.
The Jazz Estate19,766 görüntüleme • 13 gün önce
Sun Ra introducing himself and explaining why he is real.
The Jazz Estate712,917 görüntüleme • 2 yıl önce
Ahmad Jamal performing with Jamil Suleiman on bass and Frank Gant on drums live in France, 1971.
The Jazz Estate18,537 görüntüleme • 14 gün önce
Originais do Samba performing “Tenha Fé” live in 1972. The Brazilian samba group was formed in Rio de Janeiro in the 1960s and they enjoyed great success in a time that saw samba music have a revival. Just like their peers at the time, the group blended the traditional samba percussion with up-beat newer sounds.
The Jazz Estate224,802 görüntüleme • 9 ay önce
Multi-talented Sammy Davis Jr. performing “Perdido” on trombone, vibraphone and drums live in 1959.
The Jazz Estate697,594 görüntüleme • 3 yıl önce
Saxophonist Marcus Anderson and his band performing during plane delay.
The Jazz Estate232,709 görüntüleme • 10 ay önce
Musicians in New Orleans marching in support of the people of Palestine.
The Jazz Estate494,237 görüntüleme • 2 yıl önce