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๐“ผ๐“ช๐“ท๐“ด๐“ช๐“ป

@yansan โ€ข 4,014 subscribers

What if I slept a little more and forgot about all this nonsense

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Ever feel like everyone in 70s Bollywood was either an "Angry Young Man" or a dramatic hero? โ€‹Enter Basu Chatterjee, the director who reminded us that most of us are just... normal. While others were busy fighting villains, Basudaโ€™s heroes were busy catching the bus to work. โ€‹ Think Amol Palekar in ๐˜Š๐˜ฉ๐˜ฉ๐˜ฐ๐˜ต๐˜ช ๐˜ด๐˜ช ๐˜‰๐˜ข๐˜ข๐˜ต or ๐˜™๐˜ข๐˜ซ๐˜ข๐˜ฏ๐˜ช๐˜จ๐˜ข๐˜ฏ๐˜ฅ๐˜ฉ๐˜ข. He wasn't bashing up ten guys; he was a fumbling bundle of nerves trying to talk to his crush or worrying about office politics. His movies were basically a love letter to the daily grind. Whether it was riding a Lambretta, taking a Mumbai local, or walking through the rain-soaked streets of Marine Drive (๐˜™๐˜ช๐˜ฎ๐˜ซ๐˜ฉ๐˜ช๐˜ฎ ๐˜จ๐˜ช๐˜ณ๐˜ฆ ๐˜ด๐˜ข๐˜ธ๐˜ข๐˜ฏ ๐ŸŒง๏ธ), he made the ordinary look cinematic. โ€‹Basuda loved letting the music tell the story in the background. It made the scenes feel like real life,no sudden backup dancers, just a guy lost in thought while a soulful Mukesh song played. โ€‹His characters didn't want to save the world; they wanted to fix a galvanometer, get a promotion, or figure out how to navigate a quirky Christian family dynamic in ๐˜‰๐˜ข๐˜ข๐˜ต๐˜ฐ๐˜ฏ ๐˜‰๐˜ข๐˜ข๐˜ต๐˜ฐ๐˜ฏ ๐˜”๐˜ฆ๐˜ช๐˜ฏ. โ€‹Basu Chatterjeeโ€™s legacy is that "unhurried 70s" feeling. He proved that you don't need a cape or a gun to be the lead of your own story - sometimes, just surviving the Monday morning rush is enough. Yesterday marked the birthday of Basu Chatterjee. To a generation that takes pride in the violent, misogynistic, and hypermasculine spectacles of modern cinema, the legacy of Basu Da may remain elusive. His work belongs to a different era of grace,one that they may never fully understand.

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In 1921, a boy named Abdul was born in Ludhiana, Punjab. His father was a wealthy and powerful landlord, but he wasn't exactly a "family man." He was arrogant, unkind, and had a habit of collecting wives,12 of them, to be exact. Abdulโ€™s mother was wife number eleven, and despite the crowded family tree, Abdul was the only son the man ever had. โ€‹His father didn't care much for love or the women he married, he only cared about having an heir. When Abdulโ€™s mother finally couldn't take his cruelty anymore, she decided to leave. Had she left by herself, he probably wouldn't have blinked, but she took the boy with her. That was a dealbreaker. โ€‹The father threatened to kidnap the child and dragged the whole mess to court. Eventually, the judge looked at young Abdul and asked who he wanted to live with. The boy didn't hesitate - "My Mother." โ€‹From that day on, it was the two of them against the world. She sold her jewelry to pay for his school and keep them afloat. Abdul traded a life of luxury for a life of integrity, and it clearly paid off. He grew up to be one of Indiaโ€™s most famous poets, taking the pen name Sahir and adding Ludhianvi to honor his hometown. โ€‹Even as he became a superstar, his bond with his mother stayed at the center of his life. He looked after her with total devotion, never forgetting that she chose his freedom over her own comfort. โ€‹Sahir was also a bit of a troublemaker for the authorities. He was a vocal communist, and after writing an article that the Pakistani government didn't appreciate in 1949, an arrest warrant was issued. He headed back across the border to the side where he was born and spent the rest of his life using his lyrics to fight for secularism and socialist values. โ€‹He was even the first lyricist to stand up to big music companies and demand royalties. Today, on his birth anniversary, we remember the rebel who turned his struggles into the songs we still hum today. "Kabe me raho ya Kashi me raho..." Movie : Dharmputra

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