animal style

animal style

Animal eating style

I made an animal/furry style dynamic head!! :3 this... was actually really funshow more

Animal-style movement patterns teach your body how to connect... and move as one system.show more

STILL BAD.. BUT BETTER! ANIMAL STYLE OUT NOW ❤️... SONG OF *MY* SUMMER JUST GOT SLEAZIERshow more

"We're looking like a different animal now" 👀 Jay... Stansfield discusses Birmingham's start to the season and the change in style 🔵show more

Roman Reigns told Men's Health Mag what he orders... at In-N-Out. - 3 patties - 3 slices of cheese - Mayonnaise - Mustard - Ketchup - French fries (NO animal style)show more

Hello Kitty Island Adventure is an open-world adventure that,... based on the trailer, is very much in the style of Animal Crossing. "Welcome to Big Adventures Park! Join your new friends in a gorgeous world with adorable creatures, delicious food, and many mysteries to explore."show more

🚨 Exciting News! 🚨 BabyDoge X Tangem Wallets are... now available for purchase: Get your hands on a stylish BabyDoge hardware wallet and secure your digital assets in style! 🔒✨ Your keys, your control. Plus, 10% of sales will be donated by & Tangem to support dog shelters and animal welfare 🐶❤️ BabyDoge payments accepted at checkout! 🛒show more

Who's ready to jump in ? Any volunteers ?... Anyone have other style of inflatable suits that are willing to share ? Would love to try the ballon dogs or a latex inflatable animal. Suit by: Candy Coated #furry #furrycommunity #furries #fursuiter #fursuiteveryday #suitswap #fursuitswap #plush #plushie #fursuit #plushsuit #yeen #furcon #furrycon #fursuiting #fullsuit #saber #toy #latex #inflatablesuit #inflatable #cube #locked #lockedinsuit #plushtoy #inflatable #inflatablesuit #dog #MFF2024show more

The last thing you see before becoming a permeant... pooltoy, who's going to jump in first ? With having this suit now, definitely want to try out other style suits (latex, ball, animal styles etc). Will be going to Anthro SoCal | MOVED TO @ANTHROSOCAL and bringing the yeen (inflatable and plush) if anyone wants to meet up and swap suits. Hit me up on TG anytime. Inflatable Yeen Suit by: Candy Coated #furry #furrycommunity #furries #fursuiter #fursuiteveryday #suitswap #fursuitswap #plush #plushie #fursuit #plushsuit #yeen #furcon #furrycon #fursuiting #fullsuit #saber #toy #latex #inflatablesuit #inflatable #cube #locked #lockedinsuit #plushtoy #inflatable #inflatablesuit #FursuitFridayshow more

When courage is small in size but huge in... heart 🐰⚽️✨The impossible save that changed everything. Created with GPT Image 2 and Seedance 2.0 on insMind #insmind #insmindai PROMPT: A dazzling Pixar-style stadium glows under bright, magical floodlights on a rainy night. The environment feels vibrant and slightly exaggerated, with soft reflections on the wet pitch and a warm, cinematic glow. A crowd of adorable anthropomorphic animals fills the stands, cheering with expressive faces and playful energy. Two animal teams compete in an exciting, high-energy football match. Cheetahs sprint down the wings with smooth, stylized speed animation, wolves defend with determined expressions, foxes orchestrate passes in midfield with clever agility, and deer move gracefully across the pitch. The camera flows dynamically through the action with Pixar-like smoothness and emotional focus. In the final seconds of the match, a powerful tiger striker breaks through the defense. The moment slows into dramatic Pixar-style slow motion as he strikes the ball with intense emotion and focus. The football soars toward the top corner, glowing slightly under the stadium lights. The crowd rises in suspense. The rabbit goalkeeper, small but determined, reacts instantly. In a heroic Pixar-style slow-motion moment, the rabbit launches into the air, ears flowing gracefully, eyes full of determination, stretching across the goal with exaggerated cinematic motion. With a magical fingertip save, the rabbit redirects the ball onto the crossbar. A sparkling impact effect emphasizes the moment as the ball rebounds safely away. The stadium erupts with joy as animal teammates rush forward in celebration. Fireworks burst above the stadium in warm, colorful tones. The final shot lingers on the rabbit standing proudly in front of the goal, smiling as teammates surround him in celebration. The camera slowly pulls back, capturing an emotional Pixar-style victory ending filled with warmth, triumph, and cinematic magic.show more

Who’s feeling the wild energy ?? Generated this with... Seedance 2.0 on BudgetPixel AI Prompt : Ultra-realistic cinematic jungle sequence, filmed like a premium wildlife documentary. Dense tropical rainforest at golden hour, sun rays piercing through mist, exotic birds flying overhead, elephants, deer, monkeys, and tigers moving naturally through the environment. 0-3 Seconds Wide aerial drone shot sweeping above the jungle canopy. A confident young woman in an elegant tailored beige safari-style pant suit and polished leather boots walks through the jungle. Camera movement mimics professional wildlife cinematography with long telephoto lens compression and natural handheld tracking. Animals observe her calmly from a distance. 3-7 Seconds Low-angle tracking shot following beside her as she begins dancing gracefully among the wildlife. Slow-motion leaves swirl through the air. Monkeys swing overhead, colorful birds fly past the lens, deer cross the foreground. The camera captures authentic documentary-style focus pulls and natural environmental reactions. 7-12 Seconds During the dance, a seamless magical transformation begins. Her facial features gradually evolve into a majestic tiger while maintaining human elegance and realism. First subtle tiger eyes, then striped skin patterns, enhanced feline cheek structure, and realistic tiger fur emerging naturally. The transformation is smooth, cinematic, and believable. Her pant suit, blazer, trousers, and shoes remain unchanged and perfectly fitted throughout. 12-15 Seconds Epic wildlife hero shot. She is now a stunning human-tiger hybrid wearing the same sophisticated pant suit and polished shoes. A majestic tiger walks beside her as she continues dancing. Camera circles around using professional wildlife documentary cinematography. Animals gather peacefully around her. Golden sunlight, atmospheric fog, shallow depth of field, National Geographic quality, ultra-realistic fur detail, cinematic color grading, 8K HDR, volumetric lighting, breathtaking ending frame. Style: Wildlife documentary cinematography, National Geographic quality, BBC Earth style, realistic animal behavior, smooth camera transitions, cinematic lensing, ultra-detailed jungle environment, natural movement, photorealistic transformation effects, premium VFX, 24fps cinematic motion, masterpiece quality.show more

Created with Seedance 2.0 on BudgetPixel AI Prompt:Create a... highly detailed, cinematic 15-second animated video set in a lively modern city completely operated by anthropomorphic animals. Use polished feature-film-quality 3D animation, expressive but natural animal movements, realistic fur simulation, vibrant environments, smooth camera motion, and consistent character design throughout. 0–3 seconds — Bear Police Officers Open with a wide establishing shot of a busy downtown intersection during a bright morning. Two large brown bears wear neat navy police uniforms with badges and caps. One bear confidently directs traffic with clear hand signals while the other stands beside a police car with flashing lights. Animal pedestrians cross the street naturally in the background. 3–6 seconds — Penguin Ice Cream Shop Use a smooth whip-pan transition to a colorful vintage ice cream truck. Two cheerful penguins wearing small aprons and bow ties serve ice cream cones through the window. A rabbit customer receives a tall strawberry cone while other animals wait in line. Include playful expressions, realistic melting ice cream, and small natural movements. 6–10 seconds — Monkey Bus Driver Transition as the ice cream truck passes in front of the camera, revealing a city bus. A friendly monkey in a professional driver’s uniform drives confidently through the busy street. Rabbits, deer, foxes, and pandas sit inside as passengers. Show the monkey checking the mirror, turning the steering wheel, and stopping smoothly at a bus stop. 10–13 seconds — Busy Animal City The camera follows the bus through the city, revealing raccoons cleaning the sidewalks, squirrels selling fruit at a street market, giraffes working near tall buildings, and birds delivering letters between rooftops. The city should feel organized, energetic, and full of believable activity. 13–15 seconds — Grand Final Shot End with a fast cinematic crane shot rising above the central city square, showing hundreds of animals working, shopping, driving, and socializing together. A fountain sits in the center while the animal city stretches into the distance under warm golden sunlight. Style: premium cinematic 3D animation, playful family-friendly comedy, highly detailed fur and clothing, expressive faces, natural body movement, realistic lighting and shadows, colorful urban production design, smooth transitions, dynamic tracking shots, shallow depth of field, 4K, 24fps, widescreen composition. Avoid: character duplication, changing uniforms, distorted paws, extra limbs, floating objects, unreadable signs, unnatural walking, chaotic traffic, stiff animation, low-detail backgrounds, sudden scene changes, text overlays, logos, subtitles, or watermarks.show more

Every click preserves a moment that can never be... repeated Generated with BudgetPixel AI Prompt 👇 A professional female wildlife photographer in a dense jungle, shot in true-to-life documentary style, early morning golden hour with soft mist, natural lighting, highly realistic environment. She moves carefully and silently through foliage with a high-end DSLR and telephoto lens, wearing neutral outdoor gear. Subtle handheld camera movement for realism.* She suddenly spots a Bengal tiger resting with two cubs in the wild. The scene feels authentic and undisturbed. She slowly crouches, stabilizes her camera, adjusts focus and aperture — extreme close-up of her finger pressing the shutter, capturing the moment. Cut to ultra-realistic telephoto shots: the tiger calmly watching, cubs playfully moving around, detailed fur, natural eye movement, dust particles in the air. No exaggeration — pure documentary realism. Include professional camera work: over-the-shoulder shot, tight lens framing, shallow depth of field, natural focus pulls, slight lens breathing. Add subtle slow-motion (only for key moments like cub movement and tiger head turn), maintaining realism.* Ambient audio: real jungle sounds — birds, insects, leaves rustling, distant animal calls, camera shutter clicks. No artificial effects. Ending: she quietly exhales in awe, small genuine smile, reviews the captured shots on camera screen. No dramatic acting — natural human reaction. Ultra-realistic, 4K, HDR, National Geographic/BBC Earth style, cinematic but grounded in reality.show more

GPT image 2 × Seedance 2.0 Prompt - GPT... Image 2 Prompt for Storyboard: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark.show more

Crocodile-skin Suit of Armour (3rd Century AD) ..... 'In... ancient Egypt the crocodile was seen as sacred and divine, and worshipped as a god, so this suit might have been worn by priests of the crocodile sect who by wearing such a garment would take on the spirit of the deity. In many parts of Africa the crocodile is seen as a fearsome and invincible creature and so I think that by wearing crocodile armour and a headpiece like this, a warrior might be transformed in some magical way and take on the attributes of the animal.' When the province of Egypt became part of the Roman Empire, it put Romans into direct contact with Egyptian culture and religion. In Egypt Roman garrisons were closely integrated into civic and religious life and participated in local cults. Around Manfalout, on the banks of the Nile in central Egypt, Roman soldiers were particularly attracted to the crocodile cult centred on the sacred grottoes of the region. This imposing armour is made from the skin of a crocodile. It comprises a helmet and cuirass (body armour) and would have been used in military-style ceremonies of the regional crocodile cult. The skin has been radio-carbon dated to the 3rd Century AD. It was presented to the British Museum in 1846 by a Mrs Andrews, who was among a group of European travellers to Manfalut who found grottoes containing the mummified remains of humans and animals, including many crocodiles. Although the cold, dry environment of the grotto preserved the suit well, the cuirass in particular was flattened and brittle. It has been painstakingly remoulded by the British Museum's Department of Conservation. 🎥© history_piece © British Museum #archaeohistoriesshow more

Created with Seedance 2.5 A glimpse into an ancient... world where humans and nature exist in perfect harmony. Pure cinematic realism, brought to life with AI. Prompt: 15-second ultra-photorealistic cinematic video set in a completely untouched ancient forest inspired by the year 1200 AD or earlier. A beautiful young woman is the main character, wearing a simple historically inspired medieval linen dress in earthy natural tones, with long slightly messy hair and no modern accessories or makeup. She is peacefully playing with a large realistic giant panda deep inside the ancient forest. The forest feels completely natural and untouched: enormous centuries-old trees, thick moss, wild ferns, hanging vines, small streams, soft mist, fallen leaves, natural rocks and subtle morning sunlight filtering through the dense canopy. No buildings, roads, modern objects or artificial elements. 0–4 sec: Wide cinematic shot as the woman walks slowly through the misty forest and notices the panda sitting near an old moss-covered tree. The panda looks at her naturally and curiously. 4–8 sec: Medium handheld shot as she gently approaches and sits beside the panda. She smiles naturally and carefully strokes its thick fur. The panda responds playfully, moving closer to her. 8–12 sec: Close-up of the woman's genuine expression and the panda's highly detailed face and fur. Natural breathing, blinking, subtle facial movements, realistic hair movement from the forest breeze. 12–15 sec: Cinematic wide shot as the woman and panda playfully walk deeper into the ancient forest together while sunlight breaks through the trees and mist floats around them. Extremely realistic human anatomy, realistic skin texture, individual hair strands, physically accurate panda fur, natural animal behavior, realistic cloth physics, subtle environmental movement, authentic atmospheric perspective, natural daylight, soft volumetric light, realistic shadows, cinematic depth of field, slight handheld camera movement, documentary-style realism, shot on a high-end cinema camera, 4K detail, natural color grading, no fantasy look, no CGI appearance, no artificial beauty filter, no modern elements, no text, no watermark.show more

Seedance 2.0 on OpenArt AI Prompt: Main subject: young... Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. 00:00–00:02 Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus. 00:02–00:04 The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up. 00:04–00:06 She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead. 00:06–00:08 Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead. 00:08–00:10 On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift. 00:10–00:12 Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late. 00:12–00:15 Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on concrete, fabric moving on clotheslines, subtle residential ambience. No music. No sound design. No narration. Goal: Authentic Korean neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.show more

Facial reconstruction of a 2,500-year-old mixed Koban-Scythian woman from... Ghazhara-Yurt, Ingushetia (Nesterovsky burial) The Nesterovsky burial ground, one of the type-sites of the eastern variant of the Koban culture, was discovered and partially damaged in 1938. The Eastern Koban variant developed from the main Central Koban tradition through interactions with the Kayakent-Kharachoy culture, the latter likely representing a Northeast Caucasian-speaking population, possibly Nakh. Regarding the Nesterovsky burial ground in particular, E. I. Krupnov noted the presence of mixed Koban and Scythian elements. The Koban culture was a major Late Bronze Age and Early Iron Age culture of the Central Caucasus, renowned for its advanced bronze metallurgy and craftsmanship. It bordered the Proto-Maeotian culture in the west and the Kayakent-Kharachoy culture in the east. The language of the Koban population remains unknown. Some scholars, including Valentina Ivanovna Kozenkova, have proposed a Kartvelian affiliation based on the culture's origins in the Great Liakhvi Basin (such as the site of Tlia in Georgia, the prototypical and one of the longest-inhabited Koban site, which has archaeological parallels with the even older site of Brili to the west), although no direct linguistic evidence has survived. Genetic studies reveal high levels of CHG ancestry and a predominance of Y-DNA haplogroup G2a1 within the main Koban genetic cluster. Similar genetic profiles are found among populations associated with the Late Bronze Age expansion of Kartvelian-speaking groups into eastern Georgia. Together with archaeological parallels, particularly similarities between Colchian and Koban axe forms, this evidence supports a possible Kartvelian connection. A facial reconstruction was created by Mikhail Gerasimov based on one of the best-preserved cranium from the Nesterovsky burial ground. Gerasimov noted her overall gracility and very pronounced Europoid features, a characteristic trait of the Koban population. However, he also observed that this individual differed from typical Koban crania in its large absolute dimensions (188 mm cranial length, 148 mm cranial breadth, and 140 mm bizygomatic breadth). On this basis, Gerasimov agreed with the archaeological interpretation that individuals from the Nesterovsky burial ground possessed a Scythian component. Koban ceramics and metal artifacts have been discovered in Scythian burials, while Scythian-style akinakai and a masterpiece of the Koban variant of the Scythian animal style - sword chapes depicting an elk - have likewise been found in Koban graves. Metallographic studies have shown that, after adopting the akinakes from the Scythians, Koban craftsmen quickly learned to manufacture such weapons themselves, employing even more advanced production techniques. The Scythians left a significant imprint on Koban culture, while the local Koban population also influenced Scythian cultural development - as seen in Kobanian ceramics and metal objects found in Scythian burials. The initial contact was likely military in nature and probably involved armed conflict, although clear archaeological evidence of such clashes has not yet been identified. Aside from the Scythians, the Koban population maintained contacts with the tribes of the Colchian cultural-historical sphere to the south, including tribes inhabiting the territory of modern Svaneti, through passes like Donguzorun/Babis mta and Becho, while also participating, alongside the Scytho-Cimmerians, in campaigns against the Kingdom of Urartu.show more