circular carousel v6————added proper css mapping based on angle... (here blur + opacity) + experiments with css 3d transformsshow more

alrighty! marquee along path component is live on fancy!... w/ a bunch of customizations: - scroll based velocity - draggable - slowdown on hover - custom easing - mapping any CSS prop from start to end - docs on how it's built! source code & link in comments↴show more

004/100 Buttons. A bit of the process on building... an animation. When looking at a finished animation or in this example a finished button, it can look quite complex inside the CSS. But when building it, it’s more like a lot of simple steps, one after another. Here I had the idea to make some kind of text animation like the footer logo on the Osmo site. I try to add the base animation with no complex easing, for example transition: translate 0.4s ease. Starting with just moving the one text from bottom to top and the other text to top. Adding a stagger, play around with it. Searching for a way to make it more circular. On the research I found the sin() function inside CSS which can build a more smooth non linear curve for the stagger which creates this circular effect. And step by step adding more complexity like, different easing for hover/hover-out, opacity, 3D transform and more. I use also the sin() function to rotate the letters, so the middle ones are getting more rotated than the outer ones. Another thing which helps is to add a small delay on hover, for example 0.05s or 0.1s, you don’t really see the difference, but when you hover pretty fast on and out it doesn’t get that jumpy. I’m using here GSAP’s SplitText to split every char into spans. And then I’m adding a CSS index variable to every span, starting from the center. SplitText can provide CSS index variables, but you cannot tell it from which direction. For the sin() it’s also important to have a max length, so I add another CSS variable with the max char number on it. Crafting 100 Buttons with Osmo ⏳ Total time: 63hshow more

css trick for the "shine" border 🧑‍🍳 take a... pseudoelement position + give it an inset box-shadow mask it off at an angle with a linear-gradient 🤙 bonus: use corner-shape: squircle + rotate on pointer moveshow more

Some hover states might be hurting your website's mobile... experience. On mobile, hover states gets stuck when users tap on them. This CSS media query fixes that: @ media (hover: hover) { .card:hover { opacity: 0.5; } } With that, the hover transitions will only apply for devices that actually supports hovering. If you found this one useful, follow for more. ❤️show more

🌍 City-scale 3D mapping is live with Insta360 X5.... A new mapping technology unlocks full urban city scale 3D maps with Over the Reality, dramatically improving the mapping experience and enabling exponential scalability. Powered by Insta360 X5, we can now move beyond single locations and map entire cities, with rewards active for contributors. Own an Insta360 X5? Become an Alpha Tester 📩 email [email protected] 💬 or DM us here on Xshow more

Gradient & color tools that make your work pop.... Save this 👇 - - mesh gradients with WebGL effects - - color ramps & tokens, WCAG-ready - - animated 3D shader gradients - - generative patterns for wall art - - mesh gradient studio, 100+ presets - - test color contrast for a11y - - editorial CSS gradients, one click - - curve-based gradient creator - - animated gradients, export to 4K What am I missing?show more

Reanimated 4.4.0 is here and it can push CSS... animations straight to Core Animation on iOS! ✨ What else? Animation Backend integration (behind a flag), useTimestamp hook, and precompiled headers cutting C++ build times on Android. Check out the demo with 25 vs 120 FPS on the UI Thread ⬇️show more

The SF5 (3D printable MP5-based build) is compatible with... all combinations of MP5 parts - full size, K-size (as seen here), RS, even 40 and 10mm. It's still in beta, though testing has been going great - waiting on just a little more testing before release.show more

Hold up, here is the prompt: works with almost... any model. enjoy :) Role & Objective: Act as an Elite UI/UX Front-End Engineer specializing in Apple-tier micro-interactions and advanced CSS. Your task is to program a perfectly centered navigation bar in a strictly SINGLE HTML file containing all HTML, vanilla CSS, and vanilla JavaScript. No external libraries or frameworks (No Tailwind, React, etc.). Design Concept - "True Liquid Glass": CRITICAL INSTRUCTION: Do NOT generate standard, flat "glassmorphism" or basic frosted glass. I require a physically accurate "Liquid Glass" aesthetic. It must look like wet, poured clear resin, combining the high-gloss specular highlights of classic macOS Aqua with the volumetric spatial depth of modern Apple VisionOS. 1. The Liquid Glass Material & Lighting (CSS): - Deep Refraction: Use `backdrop-filter` with extreme blur (e.g., 50px) and over-saturation (200%). - Specular Highlight: Create a curved, semi-transparent white gradient on the top half using a pseudo-element (`::before`) to simulate a hard light reflection on a wet, rounded 3D surface. - Caustics & Volume: Use multi-layered inner and outer `box-shadow` properties to simulate light refracting at the bottom edge and casting a realistic ambient drop shadow. - Interactive Glare: Implement a soft radial-gradient spotlight inside the glass that dynamically tracks the user's mouse cursor (X/Y coordinates) using JavaScript and CSS variables (`mix-blend-mode: overlay`). 2. Navigation Layout & Elements: - Center the pill-shaped navigation bar perfectly in the middle of the viewport. - Include 3 main navigation items with minimalist, inline SVG stroke icons and text labels: "Home", "Call", and "List". - Add a subtle vertical divider line after the main buttons. - Next to the divider, add a Dark/Light Mode toggle button containing inline SVG Sun and Moon icons. 3. Animations & "Apple Magic": - Sliding Active Pill: Create a solid background "pill" that sits *behind* the active navigation item's text/icon. When a different item is clicked, this pill must dynamically recalculate its width and slide to the new position. - Spring Physics: The sliding transition MUST use an exact Apple-style bouncy spring easing curve (e.g., `transition: all 0.5s cubic-bezier(0.34, 1.2, 0.64, 1)`). - Tactile Feedback: Buttons and icons must physically press down slightly (`transform: scale(0.92)`) when clicked (`:active`). - Theme Switch: The Sun and Moon icons must smoothly rotate, scale, and cross-fade during the transition. 4. Background Environment (Crucial): - Glass needs light and color to refract! Create a full-viewport, smoothly animated mesh gradient background using 3 large, heavily blurred, floating color blobs. - Implement full Dark/Light mode logic using CSS variables (`:root` and `[data-theme="dark"]`). Toggling the theme must seamlessly transition the background blob colors, glass opacity, shadow intensity, and text colors. Output ONLY the pristine, production-ready code. Prioritize maximum visual fidelity and silky-smooth 60fps animations.show more

POINT BLANK FORESHORTENING AND WHITE LACE NO LONGER BREAK... VIDEO GENERATION A girl with long copper hair sits on a beige sofa with her knees pulled close to the lens, wearing an off the shoulder white top with horizontal chest cutouts, semi sheer white stay up stockings with wide floral lace bands, and framed by soft domestic lighting. None of it existed in reality, not the woven couch upholstery, not the micro patterns of the lace, not the tensile stretch of the knit over her knees. Shooting with extreme foreshortening on bent legs is a textbook failure mode for diffusion engines. Foreground knees typically blur into an unrecognizable fleshy blob, while intricate open work lace bands smear directly into the skin mesh. Here, spatial proportions, shallow depth of field, and the opacity gradient of white knitwear maintain complete physical coherence. Generative video has officially moved past safe, wide angle staging into stable calculations of complex frontal foreshortening and delicate lace textiles.show more

Here is the prompt to create a liquid gold... nav bar :) Have fun experimenting! Create a floating navigation toolbar centered on screen. Dark background, glassmorphism toolbar with blur and subtle border. Core feature - Golden active indicator ring: A sliding highlight around the active button built with 4 CSS layers: Glow - blurred warm gold (#e8af48) behind the ring, opacity: 0.15 Clip container - overflow: hidden, border-radius: 18px - this clips the gradient Rotating conic-gradient - sized 200% and offset -50% so it spins from center. Rotates 4.5s linear infinite. The gradient must be heavily gold-dominant:70% of the gradient = gold tones (#533517 dark bronze → #c49746 warm gold → #feeaa5 light gold) 2 narrow white hotspots (#ffffff, each only ~3% wide) simulating studio light reflections Between each white hotspot, a very thin (~1.5% each) hint of #ffc0cb pink and - blue for subtle chromatic iridescence - these must stay minimal, the ring should read as GOLD not rainbow The pattern repeats twice across 360° for symmetry Inner plate - inset: 2px covers the center, only 2px of spinning gold ring visible. Background matches toolbar. The indicator slides between buttons with bouncy overshoot easing (cubic-bezier(0.34, 1.2, 0.64, 1)). 3 nav buttons (Home, Search, User) with thin stroke icons, separated by subtle dividers. Plus a dark/light theme toggle - sun/moon icons crossfade with rotate+scale. On toggle click, the button bounces up to 1.25× scale then springs back. Add film grain noise overlay and radial ambient glow.show more

Start your 3D engines 🏎️ Learn how to build... a 3D racing experience in less than an hour in Unity Studio, our web-based editor designed for industries like manufacturing, automotive, healthcare, architecture, and more. Join us live on June 3, 2026, at 9:00 AM PDT / 12:00 PM EDT to follow along step-by-step with Unity experts as we take pre-built assets and turn them into an interactive racing environment. You’ll learn how to: 🏎️ Build and customize interactive 3D scenes 💡 Add lighting, materials, and interactions quickly 🛠️ Assemble and iterate using Studio workflows 🎉 Publish and share your experience Register here:show more

On the left is the default animation of the... Samsung One UI 9. On the right is a standard animation that I designed（Ice Home Up）. Over the past few days, I've made extensive modifications and improvements to Samsung's system animations. As you can see, the opening and closing animations now feel much lighter, smoother, and more natural. The entire transition is more fluid, with greater elasticity and a stronger sense of depth. Compared to Samsung's official animations, which often feel somewhat rigid and abrupt, I wanted to create something that truly feels alive and flows naturally. I've also made some special improvements to background blur. I want to prove through my own work that Samsung phones are absolutely capable of delivering perfectly smooth animations even with background blur enabled. Previously, Samsung's Home Up team suggested that background blur could increase system load, causing lag or overheating. But based on my own testing, I find that explanation highly questionable. With proper design and optimization, background blur and smooth animations can absolutely coexist. What's more, my implementation supports progressive background blur with highly customizable parameters. You can freely adjust the blur intensity, transition behavior, and various other details to create exactly the visual experience you want. What surprised me the most is that once you actually start designing animations yourself, studying every frame, experimenting with motion curves, and fine-tuning countless parameters, you begin to realize just how much room Samsung still has for improvement. I used to simply think Samsung's animations weren't good enough. But after working on them myself, I'm increasingly convinced that Samsung's software team simply hasn't put enough effort into animation design. There are so many effects that could be more refined, more natural, and more fluid. Yet Samsung seems unwilling to seriously explore these possibilities. And that's exactly why I keep working on these animations. I want to prove that Samsung phones are capable of delivering animations far better than what we have today.show more

✈️ Day 34 of the plane game! I'm still... here improving it every day New ad spots available now: 📊 Stats update: 380,000 people have now flown in the game ✅ Added fireworks on round end now (10 min rounds) ✅ Added start and exit portals from and to the #vibejam portal . pieter .com ✅ Better ailerons/rudder/elevator movements etc ✅ HUD "difference" blending mode for more visibility ✅ Server auto restarts every day now to keep it fast ✅ FPS improvements with progressive enhancement based on FPS (higher FPS gets more effects) ✅ Added view switcher and leaderboard buttons on mobile ✅ Lots of tiny bug fixes Next: - transmit vehicle type to server and show diff vehicles for other users (like tank, bazooka, f16) right now they all show as same - fix joypads get stuck on Tesla browser and make them dynamically placed - try again to add to a throttle, and then the throttle with a delay affects the engine etc.show more

Claude Opus 4.7 vs GPT 5.4 (2/7) Testing how... well these models do with cloth physics simulation, and honestly I'm quite disappointed to see how poorly GPT 5.4 performed here. Performance was pretty bad... it added all the functionality (panning, cutting, dragging the curtain) under one mouse event, causing it to glitch out a lot. The scene also looks kinda shit. Opus 4.7 pretty much nailed the prompt. First of all, the angle and scene it picked are really nice, with the lamp just creeping into the frame. The dragging, wind physics, and cutting all worked. I also had to reprompt gpt 1-2 times to properly build and remove a bunch of ugly ui cards it added on top of the 3d scene. prompt: Build a premium Vite + React interactive cloth simulation of a cozy room curtain using real particle/constraint physics, with structural + shear springs, damping, collisions, and stable real-time deformation. Users should be able to drag the curtain, add wind, and cut constraints, while the experience stays polished, visually elegant, and numerically stable.show more

A Closer Look at Alchemist AI v3.5🔎 In v1,... one agent handled everything. You’d enter a prompt like “make a snake game” and get a single block of code—one input, one output. v2 introduced multiple agents with specialized roles: prompt refinement, frontend, backend, and review. It brought more structure, but the process was still linear. Each step produced a single output. With v3, a single agent could handle multiple tasks. It generated HTML, CSS, JavaScript, searched for assets, and more—all in one go, while maintaining full context. Now in v3.5, we combine both models. Multiple agents work in parallel, each capable of producing multiple outputs at once. The prompt compiler adapts based on what you're building. A 3D game? It prioritizes game engines, rendering, and mechanics. A website or 2D app? It shifts focus to relevant frameworks and tools. The tool handler can call several services simultaneously, feeding context-aware data into the code generator for real-time execution. From single-output generation to parallel, adaptive workflows. In the next breakdown, we’ll dive into the architecture behind our proprietary engine in v3.5.show more

#aftereffects #motionGraphics #アフターエフェクト #RPPathRepeater Path Repeater v 2.2.1 Release... Notes (MacOS & Windows - After Effect Plugin) Depth of Field You can choose between box blur and circular blur. Now compatible with After Effects camera depth of field settings. Loop A loop function has been added. You can define a spatial range where offsets are repeatedly applied. Replica Supports duplication. Each replica can have individual settings for color, size, opacity, and more. Depth of Field 박스 블러와 원형 블러 중 선택할 수 있으며, After Effects 카메라의 피사계 심도 설정과 호환되도록 업데이트되었습니다. Loop 루프 기능이 추가되었습니다. 지정한 공간 범위 내에서 반복적으로 오프셋이 적용되도록 설정할 수 있습니다. Replica 복제 기능을 지원합니다. 복제마다 색상, 크기, 불투명도 등의 속성을 개별적으로 설정할 수 있습니다. Depth of Field ボックスブラーと円形ブラーを選択できます。After Effectsのカメラの被写界深度設定と互換性があります。 Loop ループ機能が追加されました。指定した空間範囲内でオフセットが繰り返し適用されるように設定できます。 Replica 複製機能に対応しています。各レプリカごとに色、サイズ、不透明度などの設定を個別に行うことができます。 Downloadshow more

From tying my laces to landing the perfect trick.... Created with Gpt Image 2 + Seedance 2.0 on WaveSpeedAI Prompt: Global Character Consistency Reference Character: A teenage boy (16–18 years old) with messy curly black hair, expressive blue eyes, a slim athletic build, wearing an oversized mustard-yellow T-shirt, navy shorts, white crew socks, and white sneakers. Maintain the exact same face, hairstyle, clothing, body proportions, colors, and ultra-realistic Pixar-inspired 3D style consistently across every scene. Scene 1 (0–2s) — Bedroom The teenage boy sits on the edge of his bed in a cozy bedroom during golden sunrise, tying his white sneakers. Warm sunlight streams through the window, posters decorate the walls, cinematic lighting, shallow depth of field, slow push-in camera, ultra-realistic Pixar-inspired 3D animation. Scene 2 (2–4s) — Final Preparation Close-up of the boy tightening his shoelaces with a determined expression. Soft golden morning light, realistic fabric textures, cinematic depth of field, smooth handheld camera movement, ultra-realistic Pixar-inspired 3D animation. Scene 3 (4–6s) — Leaving Home The boy walks out of his suburban home holding a skateboard. Warm golden-hour sunlight, long shadows across the sidewalk, peaceful neighborhood, cinematic low-angle tracking shot, ultra-realistic Pixar-inspired 3D animation. Scene 4 (6–8s) — Walking to the Skate Park The boy confidently walks down the street carrying his skateboard. Sunlight filters through the trees with subtle lens flares, smooth cinematic tracking shot, realistic environment, ultra-realistic Pixar-inspired 3D animation. Scene 5 (8–10s) — Skate Park Ride The teenage boy rides his skateboard through a colorful graffiti-covered skate park. Dynamic follow camera, energetic movement, bright cinematic lighting, realistic motion blur, ultra-realistic Pixar-inspired 3D animation. Scene 6 (10–12s) — Ollie Jump The boy performs a high skateboard ollie over a graffiti ramp. Dramatic low-angle shot, city skyline in the background, realistic physics, cinematic slow motion, ultra-realistic Pixar-inspired 3D animation. Scene 7 (12–14s) — Rooftop Sunset The boy stands on a rooftop overlooking the city skyline at sunset with his back facing the camera. Warm orange and purple sky, gentle wind moving his shirt, cinematic wide shot, emotional atmosphere, ultra-realistic Pixar-inspired 3D animation. Scene 8 (14–15s) — Emotional Close-up Extreme close-up of the boy's face. His glowing blue eyes reflect the sunset while a gentle breeze moves his curly hair. Warm golden light, shallow depth of field, emotional cinematic expression, ultra-realistic Pixar-inspired 3D animation, 8K. Style Ultra-realistic Pixar-inspired 3D animation, cinematic lighting, golden hour, volumetric sunlight, smooth camera movement, shallow depth of field, realistic textures, premium color grading, consistent character identity, 8K.show more