Fit everyday!

i think about this taehyung in this fit on... layover set everyday..show more

Chicago clearance aisle energy when the fit carries confidence... 😏🕯️✨ Quiet flex, everyday chic.show more

🚨BIG STATEMENT BY ROHIT SHARMA 🚨 Rohit Sharma said... 🗣️: " I am fully fit. I practice everyday "show more

Look at how fit our man in blue are... . Phakela the witch & Ngizwe keep them fit with the Marches they're holding everyday. Now they can catch even the fastest Man on Earth, Usain Bolt.show more

Classic pleated design meets a relaxed wide-leg fit for... a modern everyday style. Made with lightweight fabric for comfortable movement from workdays to weekends.show more

Enjoy exclusive offers on a range of tools to... fit your business needs with your FNB Visa Business Card. 🙌 Save on the everyday business purchases you’re already making. Learn more: 💛 FNBBusinessshow more

Your everyday jeans should not feel stiff from morning... to night. The regular fit, elastic drawstring waist, and patched details keep the look relaxed without losing style. Check the size guide and order today.show more

Al Safi Kefir…Easy on your day, light on your... stomach, and made to fit your everyday moments. A simple choice you can feel good about. الصافي كفير… خفيف وسهل على المعدة وطعمه يكمّل لحظات يومك اختيار بسيط لراحة تحسّها.show more

Upgrade your everyday style with the sleek and timeless... fit of Straight Cut #BENCHDenims. Buy Official, Buy Original! Get these products plus more from our official online stores: 🔗 🔗 🔗 🔗 🔗 Buy only from official BENCH stores and online platforms to ensure authentic and high-quality products.show more

Appreciation post #takeabow My whole body is sore, I... had to drag myself out of bed to go and run. I am walking 7kms today. I respect people that run and train everyday, people that keep fit. Much respect, get out of the house and go train,walk, lift or run 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥show more

Comfort that moves with you. Kenneth Cabungcal wears #BENCHBody,... designed for the everyday, whether you're on the move or taking it easy. With a comfortable fit and clean, effortless style, it's an essential made to feel as good as it looks. Buy Official, Buy Original! Get these products plus more from our official online stores: 🛒 🛒 🛒 🛒 🛒 Buy only from official BENCH/ stores and online platforms to ensure authentic and high-quality products. #KennethCabungcalForBENCHBodyshow more

NEWS: Edmunds has rated the new Tesla Model Y... the best car they've driven in 2025 after testing more than 200 vehicles. "The ride quality is perhaps the best among its competitors. And those interior build-quality issues? They're entirely gone. The cabin took a much-needed leap forward in both fit and finish and materials alike. Its other positives still remain. There's an incredible amount of cargo room between the large trunk and frunk, acceleration is plenty quick enough for the everyday haul, and you'll net well over 300 miles of range (as long as you don't drive like an absolute loon all of the time). We get that its minimalistic interior won't be for everyone, but hey, at least you get a turn signal stalk."show more

$TON is getting listed on #Binance futures! The TON... coins season is here! Don’t overlook the biggest dApp on Ton ecosystem integrated with Telegram. #Airdrop + Tier 1 #CEX listing confirmed! Join here: ✨ Why Notcoin Stands Out » A gaming twist to crypto, without barriers to entry » Integration with Telegram opens a floodgate of 800M potential players » Revenue growth with minimal marketing outlay points to a unique product-market fit ✨ Remarkable Growth Metrics » The numbers don't lie: ▪️ 57 days post-launch ▪️ 24M players & growing ▪️ Daily active user count hits 2.4M » These stats signify a growing trend surpassing ChatGPT's early adoption rate » TON and Notcoin’s synergy implements clever virality through Telegram » Notcoin's meme-coin status, within the vast user pool of Telegram, points to amplified outreach opportunities ✨ Player Engagement Turned Revenue Notcoin's model empowers 'tap to earn,' broadening the scope of crypto adoption Even without traditional marketing, their foothold in Telegram catalyzes organic, exponential growth ✨ Open League & Tips to boost earning The Open League invites everyday users with 'learn to earn' quests SBTs earned are more than tokens; they're tickets to a broader Web3 experience in the TON ecosystem Join our league for multiple bonus: ✨ Mainstream Adoption » Evident with major CEX listings, Ton Foundation is behind this Notcoin so this is just the matter of time » Community’s proactive participation in referral programs, amassing millions in potential rewards » As Notcoin continues its rapid expansion, the question isn't if, but how big the impact will be on the Web3 landscape » Timing is key - now is when both players & investors should tune in » Stay keyed into the TON ecosystem where Notcoin is only the beginningshow more

There's an Instagram account of a gym bro that... lives in Gaza He shares every single day about what he's going through: how many times he's been relocated, how many family members have been bo**ed by Israel, drone strikes, famine, fighting for food, etc One of the coolest is that not only is he a gym bro who lifts with empty bags of flour and practices calisthenics to stay fit, but he also accepts crypto donations In one of his Instagram stories, he said that he's raised over $45,000 in crypto, which is amazing because, according to him, one bag of flour costs $360 in Gaza right now This, of course, is only for people there who are fortunate enough to be able to even find food because of the man-made Stage 5 famine being enacted there right now by Israeli forces (funded by American tax dollars) This legend is a part of an even bigger, growing population of Palestinians living in Gaza who have started vlogging their oppressed existence Hasan Piker (even if you hate him), just recently had another 16-year-old kid on his stream who lives in Gaza as well, who shared his everyday life (talked about the same things: being displaced, starved, sh** at, the usual genocide things) but just like he was any other zoomer living in the US. It is so incredibly dystopian to me that you can open up TikTok or YouTube and see what's happening live. And then you meet someone like this guy who is around our age, just vlogging it. When in reality, he's living through one of the greatest genocides of our lifetime. And not just that. But people see it, scroll, and decide to never talk about it bc they're "not political" I've linked his information below if you want to donate, he accepts SOL as wellshow more

AI isn't coming for filmmaking. It's already here. Made... with Seedance 2.0 on Flova ai Prompt: Main subject: young Japanese woman, early 20s, natural everyday appearance, faded sage-green sleeveless crop top, loose relaxed-fit cropped trousers, white canvas sneakers, thin gold chain necklace, black straight hair in a low messy bun with face-framing strands. Realistic skin texture, minimal makeup, soft and gentle personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Authentic Japanese residential neighborhood during a calm late morning. Narrow paved streets, low-rise wooden and stucco homes, small entryways with potted plants, bicycles leaning against walls, vending machine absent, utility poles, tangled overhead wires, mature trees casting moving shadows, quiet suburban atmosphere. No stores, advertisements, cafés, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. **00:00–00:02** Outside a small house entrance. She sits on a low wooden step tying her sneaker laces. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus. **00:02–00:04** The camera follows her into a narrow street lined with potted plants and low walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up. **00:04–00:06** She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead. **00:06–00:08** Small front yard beside her house. She hangs laundry on a balcony rack while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead. **00:08–00:10** On a quiet engawa (wooden porch) with a ceramic tea cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift. **00:10–00:12** Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, "Ohayou." The camera catches the moment slightly late. **00:12–00:15** Walking slowly down a tree-lined residential lane holding her tea cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — morning birds, distant scooters, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on pavement, fabric moving on a balcony rack, subtle residential ambience. No music. No sound design. No narration. Goal: Authentic Japanese neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.show more

GRWM now Seedance 2.0 on Higgsfield AI 🧩 Prompt... : Create a realistic GRWM (Get Ready With Me) lifestyle video featuring a beautiful Korean woman with long silky black hair, natural glowing skin, and a fresh, effortless look. Modern minimalist apartment, warm morning sunlight streaming through large windows, cozy neutral-toned bedroom and vanity, premium fashion vlog aesthetic, cinematic handheld camera, ultra-realistic lifestyle photography. The video opens with her stepping out of the bathroom wrapped in a clean white bath towel, her damp hair falling naturally over her shoulders. She smiles softly toward the mirror, gently towel-dries her hair, and enjoys the quiet morning atmosphere. She walks to her vanity and begins her skincare routine, applying moisturizer, serum, and lip balm while looking into the mirror. Warm sunlight highlights her fresh complexion as she finishes with a relaxed smile. Next, she blow-dries her hair, styles it into soft waves, and smooths the final strands with her fingers. Cinematic close-ups capture the movement and shine of her hair. She applies light everyday makeup—foundation, blush, mascara, soft eyeliner, and a natural lip tint. Macro beauty shots showcase each step while maintaining a clean, minimal aesthetic. She walks to her wardrobe, slides open the closet, and browses several outfits before choosing a fitted white crop top and high-waisted blue jeans. She changes into the outfit, adjusts the fit, and smiles confidently. She completes the look with small gold hoop earrings, a delicate necklace, a bracelet, and a light spray of perfume. She picks up a small handbag and slips on white sneakers. Standing in front of a full-length mirror, she checks her outfit from different angles, tucks a strand of hair behind her ear, smiles naturally, and takes a quick mirror selfie. The video ends with her opening the apartment door, walking out into the bright morning sunlight with confidence as the camera follows her from behind before slowly pulling back. Style: premium GRWM fashion vlog, realistic lifestyle content, cinematic handheld and gimbal shots, soft natural lighting, cozy apartment aesthetic, photorealistic, elegant camera transitions, warm neutral color grading, luxury social media content, 4K HDR, 16:9 widescreen, no subtitles, no text overlays.show more

I used to do bodybuilding shows. 6 months of... exhausting prep for each show. Losing usually 25-30 lbs to step on stage. Tracking every calorie. Weighing every piece of food. Training everyday, lifting and cardio. It was intense… but when you are in that world, you get addicted to seeing yourself shrink. New striations every month. And then it’s finally show day and everyone congratulates you on your hard work and discipline. While I ultimately stopped bodybuilding because I think there are drawbacks, I am grateful for the experience because pregnancy is also very much literally building a body, and your endurance and dedication to health is just as, if not more important. But when you are pregnant, you are only growing, getting heavier, more uncomfortable. There is no aesthetic reward. No one cares if you work out or not, in fact some people will try and tell you to “just rest”… So you have to do it for you. And of course, your little baby. As I near the end of my pregnancy I’m grateful I was able to work out for nearly the whole thing. This is my first pregnancy and I’ll admit it hasn’t been as bad as I feared and I contribute staying active to part of that. I was still rock climbing until 27 weeks. I’m still doing daily walks and while my intensity and frequency of lifting has scaled back, I’m still doing something. Pregnancy is longer than any bodybuilding prep I’ve ever done and of course the reward is greater than anything I could dream of, my baby boy. But then women are left to “bounce back” and try and get their body back. I’m obviously not postpartum yet but I’m glad I was able to stay somewhat fit this pregnancy so hopefully the recovery isn’t so hard. I broke my femur three years ago and truly learned what it meant to start from scratch. And while recovery isn’t something I look forward to, at least I had time to prepare for this one, so I hope it goes well!show more

Jajan dulu di warung gesss, the prompt : Main... Subject — Outfit: Young Indonesian woman, early 20s, natural everyday appearance. She wears a simple plain cotton kemben / strapless inner top, slightly fitted but modest, in a faded earthy tone, paired with a high-waisted loose cotton midi skirt reaching below the knees. The kemben looks like a practical everyday inner garment commonly worn at home, not lingerie or a fashion top. Simple worn brown leather flip-flops, tiny gold stud earrings, and dark naturally wavy hair tied loosely in a messy low ponytail with several wispy strands framing her face. The clothing should feel authentically early-2000s Indonesian: inexpensive cotton fabric, slightly faded from repeated washing, natural wrinkles, imperfect fit, no modern fashion branding, no contemporary styling. Maintain exactly the same identity, outfit, hairstyle, body proportions, and appearance throughout the entire video. Alternative outfit variation: A simple sleeveless cotton kemben-style inner top layered with a very loose thin button-up shirt left open, combined with a high-waisted knee-length or midi skirt. The outer shirt moves naturally in the tropical breeze and gives the outfit a casual nostalgic 2000s Indonesian home-video feeling. Important: Keep the outfit modest, ordinary, and believable for an Indonesian residential setting. Avoid lingerie aesthetics, glossy fabrics, exaggerated cleavage, modern crop-top styling, or contemporary fashion photography. Concept: An ordinary Indonesian morning captured by a friend on an old consumer camcorder. She casually walks through her neighborhood to buy breakfast, stops at a tiny traditional warung, interacts naturally with an elderly vendor, carries a small plastic bag of food, and returns home. Nothing feels staged or performed for the camera. The charm comes from ordinary everyday moments, imperfect framing, and authentic early-2000s Indonesian neighborhood details. Location: Authentic Indonesian residential neighborhood in the early 2000s, around 8–9 AM. Narrow concrete and asphalt alleys, modest one-story houses with tiled roofs, open terraces, faded painted walls, potted plants in recycled plastic containers, hanging laundry, bamboo drying racks, old parked motorcycles, plastic chairs outside houses, small traditional warung with glass display jars, colorful snack packets, bottled drinks, handwritten price signs, banana trees, coconut trees, overhead electrical wires, and neighbors casually doing morning chores. No modern cafés, convenience stores, smartphones, LED signage, contemporary architecture, luxury vehicles, billboards, crowds, or obviously modern objects. Visual Style: Ultra-realistic documentary realism. Forgotten Indonesian home-video aesthetic from approximately 2001–2005. Genuine candid behavior, imperfect timing, natural facial expressions, spontaneous gestures, realistic walking and body movement, authentic environmental details. She occasionally forgets the camera is there and behaves naturally. Camera Style: Early-2000s consumer MiniDV / Digital8 camcorder footage recorded by a friend. Heavy handheld movement, slight nervous camera shake, imperfect framing, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping when moving from sunlight into shade, slight overexposure around bright windows, occasional motion blur, subtle rolling-shutter distortion, mild digital compression, tiny sensor noise, soft image detail, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. No gimbal. No stabilization. No cinematic dolly shots. No drone shots. No modern camera sharpness. No modern HDR. No cinematic color grading. No artificial film grain. No polished commercial look. 00:00–00:02 — Leaving Home The woman steps out from a modest Indonesian house carrying a small reusable plastic shopping bag. She pauses on the terrace to put on her brown flip-flops properly. She notices the camera and gives a quick amused smile before looking away. Her loose hair moves gently in the morning breeze. The camcorder autofocus briefly loses her face before snapping back into focus. 00:02–00:05 — Walking Through the Alley She walks casually through the narrow residential alley. The camera follows several steps behind her, sometimes drifting too far to one side. She passes an old parked motorcycle, hanging laundry, and a neighbor sweeping the pavement with a traditional lidi broom. She briefly turns around to look at the camera, laughs silently, then continues walking. Sunlight flickers naturally through banana and coconut leaves, creating moving patches of light across her clothes and the concrete pavement. 00:05–00:08 — Small Neighborhood Warung She arrives at a tiny traditional warung. She leans casually against the counter while choosing breakfast from jars and trays of local snacks. She points at a few items and smiles at the elderly female shopkeeper. The camera moves closer but autofocus struggles between her face and colorful snack packages in the foreground. She receives a small plastic bag containing traditional snacks and a cold bottled drink. 00:08–00:10 — Unexpected Candid Moment Walking home, she opens the plastic bag and playfully checks whether the snack is still warm. A neighborhood child riding an old small bicycle passes behind her. She steps aside and laughs naturally. She looks directly into the camera for a brief moment, gives a tiny playful wave, then turns away. The camera operator accidentally zooms slightly while she walks farther down the alley. The footage abruptly cuts to black mid-step, like an old camcorder recording being stopped. Audio — Hyper-Detailed Early-2000s Indonesian Neighborhood ASMR: Authentic environmental binaural audio only. No music, no narration, no dialogue, no studio effects. Detailed sounds include soft flip-flops slapping against textured concrete, cotton fabric moving with each step, faint plastic bag crinkling, glass jars lightly rattling inside the warung, plastic snack packaging rustling, refrigerator compressor humming inside the tiny shop, distant motorcycle engine passing through the alley, rhythmic broom bristles scraping concrete, leaves moving in the tropical breeze, faint bicycle chain clicking, neighborhood birds chirping, distant rooster crowing, a metal gate opening somewhere nearby, occasional water dripping from a terrace, subtle footsteps from neighbors, and the gentle plastic bottle shifting inside her shopping bag. Audio should feel like a real consumer camcorder microphone from the early 2000s: slightly compressed, imperfect stereo separation, natural environmental noise, occasional distant sounds, close-up micro-details when the camera gets near her. Overall Goal: Make the footage feel like a forgotten personal home video discovered from an old Indonesian MiniDV tape from 2002–2005. The woman is not posing, acting, dancing, or performing. She simply goes out to buy breakfast on an ordinary morning. The camera operator is her friend casually documenting the moment without directing her. The result should feel nostalgic, intimate, imperfect, warm, spontaneous, and deeply believable — a genuine slice of Indonesian everyday life from the early 2000s, not a modern recreation of the 2000s.show more

Early-2000s Indonesian Neighborhood Walk — Playful Candid Camcorder the... prompt : Main Subject — Outfit: Young Indonesian woman, early 20s, natural everyday appearance. She wears a simple plain cotton kemben / strapless inner top in a faded earthy tone, paired directly with a traditional jarik wrapped around her waist and extending below the knees, with no skirt, no pants, and no additional lower garment visible. The jarik is an inexpensive traditional Indonesian batik-patterned cotton cloth, slightly faded from repeated washing, naturally wrinkled, loosely wrapped, and tied realistically at the waist. Simple worn brown leather flip-flops, tiny gold stud earrings, and dark naturally wavy hair tied loosely in a messy low ponytail with several wispy strands framing her face. The clothing should feel authentically early-2000s Indonesian: inexpensive cotton, slightly faded, natural wrinkles, imperfect fit, practical everyday homewear. The kemben is a modest everyday inner garment, not lingerie or a fashion top. No glossy fabric, no modern crop-top styling, no contemporary fashion branding. Maintain exactly the same identity, outfit, hairstyle, body proportions, facial features, and appearance throughout the entire video. Concept: An ordinary Indonesian morning captured by a friend on an old consumer camcorder. Instead of going shopping, she casually walks through a narrow kampung alley. She knows her friend is filming and occasionally turns toward the camera with a playful, teasing smile, briefly making eye contact, then continues walking naturally. She sometimes looks away as if pretending not to notice the camera, then suddenly looks back again with another mischievous smile. No dialogue. No lip-sync. No spoken words. Her personality is communicated entirely through natural facial expressions, eye contact, small gestures, and body language. Location: Authentic Indonesian residential kampung in approximately 2001–2005, around 8–9 AM. Narrow concrete alleyways, modest one-story houses, tiled roofs, faded walls, open terraces, potted plants in recycled containers, hanging laundry, bamboo drying racks, old motorcycles, plastic chairs, banana trees, coconut trees, overhead electrical wires, children playing in the distance, neighbors sweeping their terraces, and old metal gates. No modern cafés, smartphones, convenience stores, LED signage, contemporary architecture, luxury vehicles, billboards, or obviously modern objects. Visual Style: Ultra-realistic documentary realism. Genuine early-2000s Indonesian home-video aesthetic. Authentic candid behavior, imperfect timing, spontaneous gestures, realistic walking motion and natural facial expressions. Camera Style: Early-2000s consumer MiniDV / Digital8 camcorder operated by a friend. Heavy handheld movement, slight nervous camera shake, imperfect framing, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping, mild motion blur, slight rolling-shutter distortion, soft image detail, subtle digital compression, tiny sensor noise, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. No gimbal. No stabilization. No cinematic dolly movement. No drone. No modern camera sharpness. No HDR. No cinematic color grading. No artificial film grain. No polished commercial look. 00:00–00:02 — Walking Toward the Camera The woman walks slowly through a narrow kampung alley toward the camera. The camcorder operator walks backward while filming her. She notices the camera and gives a small amused smile. She briefly looks directly into the lens, then looks down and continues walking as if pretending she was not paying attention. Her jarik moves naturally with each step, and the loose cotton kemben shows realistic fabric wrinkles. Her flip-flops make soft sounds against the concrete. The autofocus briefly loses her face before snapping back. 00:02–00:05 — Playful Eye Contact She continues walking past a modest house with laundry hanging outside. After several steps, she suddenly turns her head toward the camera and gives a playful, slightly mischievous smile, holding eye contact for a moment. She raises one eyebrow subtly, then looks away while smiling to herself. She continues walking without speaking. The camera operator follows her unevenly, causing the frame to drift slightly. Sunlight flickers through banana leaves across the alley. A neighbor sweeping the pavement briefly glances toward the camera. 00:05–00:08 — Looking Back The camera moves behind her as she continues farther down the alley. She notices the camera following her and slowly turns her head over her shoulder. She smiles directly at the lens again, this time with a slightly more teasing, playful expression. She briefly raises one hand in a tiny casual wave, then immediately lowers it and keeps walking. The gesture feels spontaneous rather than performed. A motorcycle passes slowly at the end of the alley. A child walks past carrying a small plastic toy. 00:08–00:10 — Final Candid Moment She reaches a small corner where the alley turns. Before disappearing around the corner, she stops for half a second and looks back at the camera. She gives one final warm, playful smile, then turns away and continues walking. The camcorder operator accidentally zooms in slightly as she gets farther away. Autofocus hunts briefly. The image becomes slightly soft. She disappears around the corner. The recording abruptly cuts to black mid-motion, exactly like an old MiniDV recording being stopped. Audio — Hyper-Detailed Early-2000s Indonesian Neighborhood ASMR: Authentic environmental audio only. No music, no narration, no dialogue, no spoken words. Soft flip-flops slapping against textured concrete, cotton fabric moving with each step, subtle jarik fabric movement, distant motorcycle engines, broom bristles scraping pavement, leaves moving in the tropical breeze, neighborhood birds chirping, distant rooster crowing, a metal gate opening, faint children's footsteps, an occasional bicycle chain clicking, plastic chairs scraping concrete, distant neighbors doing morning chores, and subtle ambient kampung sounds. The woman's playful expressions are completely silent. No laughter or spoken teasing. Audio should sound like a real early-2000s consumer camcorder microphone: slightly compressed, imperfect stereo separation, natural environmental noise, distant sounds occasionally becoming louder as the camera moves, subtle microphone handling noise, and realistic outdoor ambience. Overall Goal: Make the footage feel like a forgotten personal Indonesian MiniDV tape from 2002–2005. The woman is simply walking through her neighborhood, but she occasionally notices her friend filming and responds with playful eye contact and a mischievous smile. Nothing should feel like a modern fashion shoot, music video, or staged performance. The charm comes from the imperfect handheld camera, ordinary kampung environment, authentic clothing, natural walking, spontaneous expressions, and nostalgic early-2000s Indonesian home-video atmosphere.show more

Today, I took the new Lucid Gravity SUV out... for a quick drive. Here are my initial thoughts of the car and the drive: Materials & Seats: I have to say, this is a nice vehicle. The interior feels very premium, and the materials feel expensive. The perforated vegan leather seats are plush, provide good support, and hug you nicely. I sat in two Gravitys, one specced with the $4,200 Tahoe Brown vegan leather seats (really liked that color) and one with the all-black interior. The massaging seats are also surprisingly useful. Unlike the gimmicky ones in many cars, these actually feel great and not like a tiny mouse poking your back. I’d use them regularly if I owned one. The powered second-row seats are roomy and comfortable, with plenty of space for legs and feet. One small gripe I have: the grab handles on the interior feel like very cheap, hollow plastic. Design: The Gravity leans more toward minivan styling than SUV, but I actually think it works. Lucid managed to fit a whopping 120 cubic feet of cargo capacity into this thing. For context, that’s about 24% more than the Tesla Model X (91.6 cu ft), even though the Gravity is an inch shorter. It’s also just 10% less than the Cadillac Escalade IQ EV (131 cu ft), despite the Escalade being more than two feet longer. The 6K OLED panoramic display looks great, but the software felt a little laggy at times and is tough to see in direct sunlight. The steering wheel button design isn’t my favorite, but I do like the flat-top, flat-bottom design, Reminds me of Cybertruck’s wheel. Cargo loading is very convenient. With the air suspension lowered, the rear load floor is super low, making it easy to get things in and out. The trunk opening, though, is oddly shaped. I found the hatch uncomfortably close to my head, but raising the air suspension helps a little. Taller folks may still run into that issue. Showroom Employees: I met three Lucid employees at the showroom, one of whom had worked at Tesla for 10 years. All of them were very nice and knowledgeable. Sound System: It’s VERY good—great bass response, not muddy. It has Dolby Atmos, and it rocks. The Cybertruck still has the best factory sound system I’ve ever heard, but the Gravity’s is still great. ADAS: Unfortunately, I didn’t have much time to try it out, so I can’t give an opinion. But the 360-degree camera view is nice. It makes parking much easier and has a curb-rash alert so you don’t scrape your expensive wheels. Test Drive: The Gravity I drove, including options, was priced at $115,000. The ride felt firmer than I expected, even in the softest air suspension setting, but it was still comfortable. The sportier modes were fun and deliver that classic, quick-acceleration EV experience. The steering feel struck a good balance—sporty, but not tiring for everyday use. Visibility is good, and the glass windshield that extends past your head is cool (though I still think the Model X windshield is more immersive). Charging: The Gravity has native NACS and can charge at speeds up to 220 kW at Tesla Superchargers. In general, the vehicle is capable of up to 400 kW charging speeds. Final Thoughts: As Tesla fans, we can sometimes be tough on non-Tesla EVs, but I think the Gravity SUV is evidence that Tesla’s mission is working: accelerating the advent of sustainable energy. Tesla’s mission and past work helped pave the way for a vehicle like the Lucid Gravity to exist and come to market. While Lucid’s path to profitability is still in question, and while the Gravity is expensive (for now), even from my short time with it, this feels like Lucid’s first truly great product. Only the $94,900 Grand Touring trim is available right now, but the company says the less expensive Touring trim will come out late this year for $79,900. We shall see. More photos and videos of mine in the thread below:show more