From “cement” floor to “glass” floor 6 χρόνια δρόμος….... Το «μην τα παρατάς» η δική μας εκδοχή. Next:Playoffs 2026✅ #mykonosbetssobc #ourtime #stoiximangblshow more

ΝΤΟΛΚΑ ΜΑΡΙΑ:μητέρα της Αναστασίας Παπαγγελή που χάθηκε στα Τέμπη... σε μια συγκλονιστική ανάρτηση:"Για τα 18 χρόνια που έκλεισες στα τελευταία σου γενέθλια,για τα χρόνια που δεν σε άφησαν να ζήσεις,για τα χρόνια,τις στιγμές που δεν με άφησαν να ζήσω μαζί σου,για τα στοιχεία που μπάζωσαν και έψαξα χτυπώντας πόρτες να βρω,για τα βίντεο που ένας πραγματογνώμονας της πλάκας τα έκρυψε στο γραφείο του γιατί εκεί τα είχε για να μην το μάθει κανείς,για τον ανακριτή που τον κάλυψε μαζί και όλη την αλήθεια,για την αλήθεια που ξέρω κι ενώ δεν κάηκες αλλά σφαδάζω στο άκουσμα των παιδιών που στα δίπλα από εσένα βαγόνια φώναζαν και ζητούσαν οξυγόνο,για το...baby oil...που οι γελοίοι επικαλούνται πως έκαψε τα παιδιά που ήταν συνεπιβάτες σου-απορώ πόσο κουτή με περνούν και όσοι το επικαλούνται αλλά έχω και δύναμη ψυχής και μυαλό για να καταλάβω πόσο πολύ και γιατί θέλουν να υποστηρίξουν το ψέμα της κυβέρνησης,πολλοί μα πάρα πολλοί λίγοι-,για τον πόνο που μου καίει τα σωθικά μέρα νύχτα,για το πόσο άδικα σε σακάτεψαν τα σίδερα,Αναστασία μου,για τον φόβο που νιώθουν και τους κόβεται η ανάσα στην εικόνα των μανάδων που βγαίνουν μπροστά και δεν κρύβονται πίσω από θέλω του Μητσοτάκη να καλύψει τις βρωμιές που σήκωσε με τις μπουλντόζες του Πανδρεμένου αν και ο σταυρός μου είναι βαρύς και ασήκωτος.Εκεί στην Λάρισα,στην πόλη που σεβάστηκε τους γονείς των Τεμπών την Δευτέρα 23/3/2026,τρία χρόνια και 23 μέρες μετά ήρθε η ώρα που θα μιλήσεις κι εσύ μέσα από τα χείλη και την παρουσία της οικογένειας σου και με μια δυναμική δικηγόρο που θα σε υπερασπιστεί την κ.Ζωή Κωνσταντοπούλου για να μπουν στα μπουντρούμια αυτοί που σε σακάτεψαν και σε δολοφόνησαν.Στην Λάρισα για τα νιάτα που κατακρεούργησαν όλοι όσοι πραγματικά ξέρετε την αλήθεια και την σαπίλα αυτής της κυβέρνησης που μπάζωσε τα νιάτα στα Τέμπη και που ο σαπίλας Καραμανλής κυκλοφορεί ακόμη ελεύθερος.Όλοι στα δικαστήρια όσο αντέχει η ψυχή και η συνείδηση σας για τον ΗΛΙΟ του σπιτιού μου.Ω γλυκύ μου έαρ πως έδυσεν...Αναστασία μου γλυκιά,μου λείπεις"!! 👇👇show more

Η Zoe Konstantopoulou έχει στήσει ένα χυδαίο σκηνικό. Δεν... με πειράζει καθόλου που με υβρίζει: «η Κυβέρνηση μέσα από ένα γελοίο πρόσωπο, έναν τιποτένιο της Κοινωνίας, ένα πολιτικό σκουλήκι…»…χαίρομαι να σας πω την αλήθεια, που για άλλη μία φορά, όπως έχω κάνει και στο παρελθόν και με άλλα χυδαία πρόσωπα της Αριστεράς, σας χάλασα «το γλυκό» πρόσωπο της δικηγόρου του απεργού πείνας. Θυμίζω ότι μπήκατε στη βουλή πουλώντας «καρδούλες» και ότι άλλαξατε. Εγώ από τότε έλεγα: «μην τσιμπάτε, αυτά είναι επικοινωνιακά κόλπα και ότι είναι ένα κακό πλάσμα που δεν μπορεί να αλλάξει». Ολοένα όμως και περισσότεροι αρχίζουν να καταλαβαίνουν ότι εδώ έχουμε την εκμετάλλευση ενός ανθρώπου που πονάει για το παιδί που έχασε, για να κάνετε εσείς πολιτική καριέρα. Αλλά έχω να σας απευθύνω ένα δημόσιο ερώτημα που καλώ και όλους να σας ρωτάνε: «γιατί Κυρία Πρόεδρε και συνήγορε το αίτημα για τις τοξικολογικές εξετάσεις δεν το καταθέσατε 2,5 χρόνια που ο φάκελος ήταν ανοικτός και το θυμηθήκατε αφού έκλεισε η ανάκριση;»…ή δεν εκπροσωπούσατε σωστά τον κ. Ρούτσι τόσο καιρό ή κάτι άλλο συμβαίνει προφανώς…. Ως προς το αίτημα του δυστυχούς αυτού πατέρα που βλέπω και διάφορους «ευαίσθητους» που λένε ότι στηρίζουν το αίτημα του, σας λέω καθαρά και εγώ το στηρίζω και όλοι μας βασικά. Αλλά προφανώς όλοι αυτοί που το λένε αυτό δεν θεωρούν τους δικαστές που ως τώρα δεν έχουν δεχθεί κακόψυχους ανθρώπους χωρίς καρδιά. Άρα κάποιο άλλο λόγο έχουν οι δικαστές ως τώρα και λένε όχι. Όλα λοιπόν να ερευνηθούν και όλα να ψαχτούν όσο παράλογα και αν είναι, αλλά με μία προϋπόθεση, πρέπει τα αιτήματα αυτά και όποια άλλα σκεφθεί η κυρία Πρόεδρος η οποιοδήποτε άλλος σκεφθεί το ο,τιδήποτε, να γίνουν δεκτά, χωρίς όμης αυτό να καθυστερήσει την έναρξη της Δίκης. Αυτό πιστεύω ότι προσπαθούν να επιτύχουν οι Δικαστές και πρέπει όλοι μας να τους εμπιστευόμαστε και όχι να τους πυροβολούμε από δήθεν ευαισθησία. Ευαίσθητοι είμαστε όλοι μας το ίδιο. Εάν γίνεται με κάποιο δικονομικό τρόπο να εξασφαλιστεί ότι όλα θα γίνουν δεκτά χωρίς να περάσει το δόλιο σχέδιο της να καθυστερήσει την Δίκη και να εγκλωβίσει την Ελλάδα σε αυτή την συζήτηση, τότε μακάρι να γίνει και ο άνθρωπος αυτός και όλοι οι άλλοι συγγενείς να βρουν την γαλήνη που ψάχνουν. Αλλά όχι να μας κοροϊδέψει η κυρία παίζοντας με τα αγνά συναισθήματα του πατέρα αυτού, αλλά και εκατομμυρίων Ελλήνων. Να ερευνηθούν λοιπόν όλα άλλωστε εμείς δεν έχουμε τίποτε απολύτως να φοβηθούμε, αλλά να σεβαστούμε και τους υπόλοιπους γονείς που αγωνιούν να ξεκινήσει η Δίκη και να τιμωρηθούν όσοι είναι υπεύθυνοι πραγματικά. Και επειδή πολλοί μιλούν για την ανάγκη της Κάθαρσης, Κάθαρση δύναται να υπάρξει μόνον στο Δικαστήριο, ούτε στο Σύνταγμα (κενοτάφιο των νεκρών μας…), Ούτε στους δρόμους, ούτε σε λαϊκά Δικαστήρια. Στο δικαστήριο όλα στο φως! Υγ: όσοι συνεχώς λένε και γράφουν εδώ ότι είναι έτοιμοι να κάψουν την Ελλάδα και να μας κάνουν «Νεπάλ, Δεκέμβρη του 2008 κλπ» με την όρεξη θα μείνουν! Η μεγάλη πλειοψηφία του λαού μας πονάει με όλους αυτούς τους γονείς και τους στηρίζει στο πένθος τους, αλλά ταυτοχρόνως αγαπά και την Ελλάδα και την προκοπή της, που ως συνήθως οι ακραίοι της Αριστεράς θέλουν να σταματήσουν! Κυρία Πρόεδρε συγκρατηθείτε όσο και να με βρίζετε δεν θα με σταματήσετε από το να αποκαλύπτω συνεχώς, ότι στην υπόθεση των Τεμπών στηρίζετε το πολιτικό και το οικονομικό σας συμφέρον ! …. βρίστε με ελεύθερα λοιπόν, μου φτιάχνετε την διάθεση που σας χάλασα τα σχέδια!show more

🔴Συντρόφισσες και σύντροφοι, μην τρέχετε στην Κούβα! Ένας σοσιαλιστικός... παράδεισος είναι κοντά σας και περιμένει να τον ανακαλύψετε. 🔴Αν και το καλοκαίρι βρίσκεται στο τέλος του, θα κάνω σήμερα μια ξεχωριστή πρόταση για όσους αριστερούς συμπατριώτες μας δεν έχουν πάει ακόμα κάπου για διακοπές. Την ιδέα την πήρα από ένα βίντεο που είδα τυχαία σε κάποιο μέσο κοινωνικής δικτύωσης και την βρίσκω ιδανική γι’ αυτούς. 🔴Ε, λοιπόν, συντρόφισσες και σύντροφοι, δεν χρειάζεται να πηγαίνετε στην άκρη της γης (στην Κούβα), για να ζήσετε το σοσιαλιστικό σας όνειρο! Μόλις 2 ώρες από την Αθήνα, αεροπορικώς, συν δυόμισι ωρίτσες με λεωφορείο, υπάρχει ένας τελευταίος σοσιαλιστικός παράδεισος, μόνο για σας. 🔴Η Υπερδνειστεριακή Μολδαβική Δημοκρατία, η οποία είναι ένα de facto ανεξάρτητο (ψευδο)κράτος, το οποίο δεν αναγνωρίζεται από καμμία χώρα στον κόσμο, αλλά έχει δική της κυβέρνηση, στρατό, νόμισμα, πρωτεύουσα, σύνορα και σημαία με το σφυροδρέπανο! Στην πραγματικότητα, πρόκειται για κατεχόμενο έδαφος από την Ρωσσία, αλλά έχω την βεβαιότητα ότι αυτό δεν θα σας πειράξει καθόλου. 🔴Κάποια σύντομα ιστορικά στοιχεία, για να καταλάβετε περί τίνος πρόκειται... Η Μολδαβία, οι κάτοικοι της οποίας είναι Ρουμάνοι, ήταν τμήμα της Οθωμανικής Αυτοκρατορίας. Το 1812, το ανατολικό της τμήμα (η Βεσσαραβία) παραχωρήθηκε στην Ρωσσία, ενώ το δυτικό της τμήμα αποτέλεσε αργότερα τμήμα της Ρουμανίας. Το 1918, εκμεταλλευόμενοι την αναστάτωση που προκληθηκε από την επικράτηση των μπολσεβίκων, οι Μολδαβοί βρήκαν την ευκαιρία να ανακηρύξουν την ανεξαρτησία τους και να ενωθούν με την Ρουμανία. 🔴Βάσει του Συμφώνου Ρίμπεντροπ-Μολότωφ, η Ρουμανία υποχρεώθηκε να παραχωρήσει την Μολδαβία στην ΕΣΣΔ. Ωστόσο, όταν έγινε η γερμανική εισβολή στην ΕΣΣΔ, οι Ρουμάνοι πήραν πίσω την Μολδαβία, ως σύμμαχοι των Γερμανών, αλλά μετά την ήττα της Γερμανίας, το 1944, αναγκάστηκαν να αποχωρήσουν και η Μολδαβία έγινε επαρχία της ΕΣΣΔ. Στις 27 Αυγούστου 1991, η Μολδαβία κήρυξε την ανεξαρτησία της, με προοπτική να ενωθεί με την Μητέρα - Πατρίδα Ρουμανία. 🔴Οι Ρώσσοι, όχι μόνο δεν επέτρεψαν την ένωση της Μολδαβίας με την Ρουμανία, αλλά υποκίνησαν απογόνους Ρώσσων εποίκων που είχε εγκαταστήσει ο Στάλιν, στην περιοχή της Μολδαβίας που βρίσκεται ανατολικά του Δνείστερου, να κηρύξουν την ανεξαρτησία τους από το κράτος της Μολδαβίας. Μάλιστα, υπήρξε και πολεμική σύγκρουση στην περιοχή, από τον Μάρτιο ως τον Ιούλιο του 1992, που κατέληξε σε ήττα των Μολδαβών, λόγω της επέμβασης της 14ης ρωσσικής στρατιάς, υπέρ των αυτονομιστών. 🔴Κι όπως στην Κύπρο υπάρχει ο Αττίλας, για να εξασφαλίζει την ύπαρξη του ψευδοκράτους, έτσι κι εκεί σταθμεύουν μόνιμα 1.500 Ρώσσοι «Αττίλες». Η Υπερδνειστερία, είναι μακράν η φτωχότερη περιοχή της Ευρώπης, με βασικό μισθό που αντιστοιχεί περίπου στα 💯 € τον μήνα και συντάξεις πείνας, που αντιστοιχούν στα 50 €. Δηλαδή, συνθήκες ΕΣΣΔ δεκαετίας ’80, λίγο πριν την κατάρρευση! 🔴Σκεφτείτε, συντρόφισσες και σύντροφοι! Δεν είναι συγκλονιστικό, να βαδίζετε στην εμβληματική Λεωφόρο Οκτωβριανής Επανάστασης (κεντρική λεωφόρος της Τιρασπόλ, πρωτεύουσας της Υπερδνειστερίας), να περνάτε μπροστά από το «κοινοβούλιο», όπου δεσπόζει ένα γιγαντιαίο άγαλμα του Λένιν και να βγάζετε ατελείωτες selfies μπροστά του, να θαυμάζετε στους τοίχους γκράφιτι με τον Γιούρι Γκαγκάριν κι άλλες μεγάλες μορφές του σοσιαλιστικού μεγαλείου και συνάμα, να χορταίνει το μάτι σας σφυροδρέπανα; 🔴Βέβαια, το «προιόν» χρειάζεται και λίγη προώθηση. Διαφήμιση. Από κατάλληλο πρόσωπο. Και γι’ αυτό έχω πρόταση! Ταξιδιάρα η Νατάσσα Μποφίλιοβα, αλλά μία πάει στο Λονδίνο, μία στην Βενετία, μία στο Boston και καμμία στην Τιρασπόλ! Δεν είναι κρίμα κι άδικο, να υπάρχει δίπλα μας σοσιαλιστικός παράδεισος με τα όλα του, κι αυτή να σουλατσάρει και να φωτογραφίζεται περιχαρής στην Oxford Street, στην Trafalgar Square και στα κανάλια της Βενετίας; 🔴Κλείνω την ανάρτηση, παραφράζοντας ελαφρώς την διάσημη ατάκα του Τσέχωφ, με την οποία κλείνει το θεατρικό έργο «Οι τρεις αδελφές»: Στην Τιρασπόλ, αδελφές μου, στην Τιρασπόλ!~show more

❗ ΣΑΝΤΟΡΙΝΗ 2026: ΤΑ ΓΑΪΔΟΥΡΑΚΙΑ ΔΕΝ ΕΙΝΑΙ ΤΑΞΙ –... ΔΕΝ ΕΙΝΑΙ ΤΟΥΡΙΣΤΙΚΗ ΑΤΡΑΞΙΟΝ ❗Οι εικόνες μιλούν από μόνες τους. ❗Γαϊδουράκια και μουλάρια ανεβοκατεβαίνουν φορτωμένα τα στενά και απότομα σκαλοπάτια της Σαντορίνης, μέσα στο ελληνικό καλοκαίρι, ανάμεσα σε πλήθη τουριστών. ❗Για εμάς το ζήτημα δεν αρχίζει και δεν τελειώνει στα κιλά. ❗Ακόμη και 50 κιλά να ζυγίζει ο αναβάτης, εμείς δεν θέλουμε ένα ζώο να χρησιμοποιείται ως ζωντανό ταξί και τουριστικό αξιοθέατο. ❗Δεν υπάρχει κανένας λόγος, το 2026, η τουριστική εμπειρία ενός ανθρώπου να προϋποθέτει ότι ένα άλλο έμβιο ον θα τον κουβαλά στην πλάτη του πάνω σε εκατοντάδες σκαλοπάτια. ❗Η συνεχής ανάβαση και κατάβαση σε απότομες, στενές και συχνά ολισθηρές διαδρομές, το φορτίο του αναβάτη και του εξοπλισμού, η επαναλαμβανόμενη καταπόνηση, η ζέστη και η έκθεση στον ήλιο συνθέτουν μια πραγματικότητα που δεν μπορεί να βαφτίζεται «παράδοση». ❗Η παράδοση δεν αποτελεί άλλοθι για την εκμετάλλευση ενός ζώου. ❗Η Σαντορίνη είναι ένας από τους διασημότερους τουριστικούς προορισμούς του κόσμου. Μπορεί και οφείλει να προσφέρει σύγχρονους τρόπους μετακίνησης που δεν στηρίζονται στην πλάτη ενός γαϊδουριού ή ενός μουλαριού. ❗Δεν ζητάμε απλώς καλύτερους όρους εκμετάλλευσης. Ζητάμε να τελειώσει η εκμετάλλευση. ❗Τα ζώα δεν υπάρχουν για να κουβαλούν την άνεσή μας. Δεν είναι μηχανές. Δεν είναι ταξί. Δεν είναι τουριστικά αξιοθέατα. ❗Είναι αισθανόμενα όντα. Και ήρθε η ώρα να κατέβουμε εμείς από την πλάτη τους. ❗ SANTORINI 2026: DONKEYS ARE NOT TAXIS – THEY ARE NOT TOURIST ATTRACTIONS ❗The images speak for themselves. ❗Donkeys and mules are forced to climb up and down Santorini’s narrow, steep steps while carrying riders, in the heat of the Greek summer and amid crowds of tourists. ❗For us, the issue does not begin or end with weight. ❗Even if a rider weighs only 50 kilos, we do not want an animal being used as a living taxi or a tourist attraction. ❗There is no reason, in 2026, for a person’s tourist experience to depend on another living being carrying them on its back over hundreds of steps. ❗Repeatedly climbing and descending steep, narrow and often slippery routes, carrying the weight of a rider and equipment, continuous physical strain, heat and exposure to the sun create a reality that cannot simply be labelled “tradition”. ❗Tradition is not an excuse for the exploitation of an animal. ❗Santorini is one of the world’s most famous tourist destinations. It can and must provide modern means of transportation that do not depend on the back of a donkey or mule. ❗We are not simply asking for better conditions of exploitation. We are asking for the exploitation to end. ❗Animals do not exist to carry our comfort. They are not machines. They are not taxis. They are not tourist attractions. ❗They are sentient beings. And it is time for us to get off their backs. #Σαντορίνη #Γαϊδουράκια #ΔικαιώματαΤωνΖώων #ΤέλοςΣτηνΕκμετάλλευση #Ζώαshow more

Since the beginning of March 2026, we collectively worked... on a revenue collection turnaround strategy that has seen collections begin to stabilise at just below 90% on average for the past 6 months. This is from 83.5% year to date achieved in February 2026 just before the new strategy was implemented. The strategy included: • Improving data cleansing and statements distribution. • Stabilising IT systems in revenue management. • Improving disconnections through revenue collection drive. • Resolving long outstanding customer queries through the revenue management warroom. • Handing over long outstanding debt to external debt collectors • Walk the floor collection drive on high owing customers • Improved key account management processes We are turning things around as we committed. Our financial turnaround strategy is on course, results won’t be overnight however we are making steady progress. #WeServeJoburg #FinancialSustainabilityshow more

$ASTS: AST SPACEMOBILE CATALYST SEASON A review of what... has been and what is to come Upcoming Catalysts: ☑️BB7 Launch on Blue Origin New Glenn-3 ☑️BB8 - BB10 Delivery to Florida and Launch on Falcon 9 or NG5/6 ☑️BB11 - BB13 Delivery to Florida and Launch on Falcon 9 or NG5/6 ☑️Block-2 Launches in Batches of 3-4x or 6-8x satellites every 1-2 months ☑️FCC Approval for Full US SCS Commercial Service ☑️Execution of more Definitive Commercial Agmts w/ Prepaid Revenue and/or Investment w/ More than 50 global MNOs ☑️FirstNet Investment and Definitive Commercial Agreement ☑️Golden Dome (SHIELD Awarded, NOBLE Up Next) ☑️Unlocking portion of $20M, $25M, and $65M in Revenue Prepayments from AT&T, Vodafone and Verizon upon completion of milestones ☑️Beta Testing w/ AT&T and FirstNet in 1H 2026 ☑️Updates on Google Services Agmt Partnership ☑️Initiation of Research Coverage by JP Morgan, Morgan Stanley, Goldman Sachs, others ☑️Expansion of 11x contracts w/ Department of Defense, Space Development Agency, Defense Innovation Unit, Missile Defense Agency and more ☑️FCC 5G Fund grant ☑️Progress on 8 to 25x Block-2 BlueBirds in currently in Production ☑️Confirmation of Production Ramp to 6x satellites a Month ☑️Acquisition of New Manufacturing Space in Midland, TX focused exclusively on Micron production ☑️Proposal for PNT Service Accepted by FCC as Alternative to GPS ☑️Initial Commercial Service w/ AT&T, Rakuten, Verizon, Vodafone in late 2026 ☑️Securing +$500M of EXIM and IFC non-dilutive Funding ☑️Pursuit of L- and S-Band Spectrum Licenses Globally ☑️EU Allocation of 2GHz MSS Spectrum to SatCo JV ☑️Commercial agreements ☑️Strategic Partnerships and Investments to Focus on AI Data Center Opportunity ☑️Catalysts the SpaceMob have yet to Contemplate Recently Completed Milestones: ✅Telus Definitive Commercial Agreement w Strategic Investment and $200M Committed Revenue (speculated) ✅Partnership with Orange ✅Partnership with Taiwan Mobile ✅Partnership with AXIAN Telecom ✅Satellite Connect Europe Partnership (“SCE”) with Telefonica ✅SCE Partnership with Orange ✅SCE Partnership with CK Hutchinson ✅SCE Partnership with Sunrise Switzerland ✅SCE Partnership with Vodafone Romania ✅SCE Partnership with VodafoneThree UK ✅SCE Partnership with Vodafone Ireland ✅AST Awarded $30M Prime Contract by US SDA for Halo Europa Program ✅$63M to 71M of 2H 2026 Revenue ✅Development of AI Engine to Dynamically Manage Satellite Capacity and Spectrum Efficiency = Seeking 3-10x Capacity Improvement ✅Disclosed over $1.2 billion in Aggregate Contracted Revenue Commitments from Commercial Partners ✅Raised $1.08B 2.25% Convertible Note resulting in $4B of Pro Forma Cash ✅BB6 Unfolding Phased Array ✅AST Awarded Prime Contract Position on US Missile Defense Agency SHIELD Program ✅Filed w/ FCC to modify Existing License to use S-Band spectrum outside of the US ✅$175M Saudi Telecom prepayment to be made by 2025YE ✅BB6 Launched from India on ISRO LVM3 ✅Micron Production to Support 6x a Month by End of Q3 2025 ✅Expanded Manufacturing Floor Space to 500,000 Square Feet ✅1,800 Global Workforce ✅Established Germany as SatCo JV operations center, filed constellation with ITU ✅Closed $420M bridge financing to support Ligado spectrum transaction ✅Saudi Telecom 10-Year Definitive Commercial Agreement w/ $175M prepayment and over $1.8B value ✅Confirmed L- and S- band Spectrum to be Incorporated into Next 3GPP release ✅Verizon Definitive Commercial Agreement ✅Raised $1.15B 2.0% Convertible Note resulting in $3.2B of Pro Forma Cash and Liquidity ✅Successful Video and Voice Testing with Bell Canada ✅US Bankruptcy Court confirms AST and Ligado L-band spectrum transaction transaction, deal now only subject to FCC appoval ✅Acquired Global S-Band Spectrum Priority Rights held Under International Telecommunication Union ✅Successfully Completed the First-ever Native Voice Call (VoLTE) and Rext (SMS) with a Standard Cell Phone using AT&T Spectrum and Core Network ✅Hired JR Wilson as Chief of Networks and Spectrum, formerly AT&T VP of Tower Strategy, Roaming & In-Building Solutions ✅Raised $575M 2.375% Convertible Note w/ Capped Call struck at $120, resulting in $1.5B of Pro Forma Cash on Balance Sheet ✅Repurchased $360M of $460M 4.25% Convertible Note ✅Entered into $550M of Non-Recourse Senior Secured Term Loan to fund Ligado Transaction ✅Secured $100M Equipment Loan Facility ✅Moved to Russell 1000 from Russell 2000 Index ✅Demonstrated World's First Tactical NTN Connectivity over Standard Mobile Devices with Defense Prime Fairwinds Technologies ✅Announced Latest MNO Partnership with Vodafone Idea of India ✅Hired Jennifer Manner as SVP of Regulatory Affairs and International Strategy, Former NTIA Senior Advisor of Space and Policy and EchoStar SVP of Regulatory Affairs ✅FCC Accepts AST’s Application for US Commercial Service ✅FCC Chair Brendan Carr and Senator Ted Cruz visit HQ in support of AST ✅Verizon and AT&T Spectrum Lease Agreements filed w/ FCC ✅FCC grants STA for beta testing w/ AT&T, Verizon, Vodafone, Bell Canada, and Rakuten ✅FCC grants STA for Firstnet Evaluation on Public Safety Band 14 ✅AST SpaceMobile Forms SatCo Joint Venture w/ Vodafone to Better Serve European market, Selects Luxembourg as HQ and Germany for NOC ✅Secured $43M and $20M Contracts w/ US Space Development Agency and Defense Innovation Unit ✅AST5000 ASIC Development Finished and Integration into Block-2 Sats in Q1 2026 ✅Successful Video Calls Completed w/ AT&T, Verizon, Vodafone and Rakuten ✅Exercised Multi-launch Agmts w/ SpaceX, Blue Origin and ISRO ✅Reached +3,800 Patent & Patent pending Claims ✅Initiation of Research Coverage by Bank of America, Clear Street, Roth Capital, Cantor Fitzgerald, Oppenheimer and William Blair ✅Established Coordination Agmt w/ US National Science Foundation Covering Satellite and Ground-based Astronomy Operations ✅Closed $460M 4.25% Convertible Debt Funding ✅Signed 2-3x Additional Global MNOs, Bringing the Total to +53x Covering +3.2B Subscribers ✅Opened European Research Center w/ Vodafone and University of Malaga in Spain ✅Signed Deal w/ Singapore’s Defense Science and Technology Agency ✅Joined 5G Automotive Association, which Develops and Promotes 5G-based Solutions for Connected Autonomous Vehiclesshow more

Senator Bill Cassidy U.S. Senator Bill Cassidy, M.D. Just... decided to gavel in for a pro forma session today. He could have brought the Save America Act to the floor to conduct business. He chose not to conduct any business. Senator Bill Cassidy is America Last and he opposes the Save America Act. Senator Bill Cassidy is from Louisiana and he is up for his next election in November. Never Forget. He represents John Thune and NOT our American citizens. Receipts of all of the GOP Senators that serve John Thune, are anti-Trump, and America Last. 👇🏼 Chronological List of Senate Pro-Forma Sessions (2025-2026) Here is the full verified list of pro-forma sessions: • March 18, 2025 — Paul • March 20, 2025 — Justice • April 14, 2025 — Hawley • April 17, 2025 — Cotton • April 21, 2025 — Sullivan • April 24, 2025 — Hagerty • May 30, 2025 — Mullin • June 20, 2025 — Husted • July 3, 2025 — Budd • August 5, 2025 — Rounds • August 8, 2025 — Moreno • August 12, 2025 — Scott • August 15, 2025 — Tillis • August 19, 2025 — Tuberville • August 22, 2025 — Lankford • August 26, 2025 — T. Young • August 29, 2025 — McCormick • September 22, 2025 — Marshall • September 25, 2025 — Moreno • November 13, 2025 — Capito • November 21, 2025 — Sheehy • November 25, 2025 — Curtis • November 28, 2025 — Curtis • December 19, 2025 — Cassidy • December 23, 2025 — Banks • December 26, 2025 — Moody • December 30, 2025 — Cotton • January 2, 2026 — Ricketts • January 16, 2026 — Capito • January 20, 2026 — Barrasso • January 22, 2026 — Grassley • February 13, 2026 — Grassley • February 19, 2026 — Marsha Blackburn (TN) • June 25, 2026 — Ashley Moody (FL) • June 29, 2026 — Steve Daines (MT) • July 2, 2026 — Ron Johnson (WI) • July 6, 2026 — James Lankford (OK) • July 9, 2026 — Pete Ricketts (R-NE) • August 10th —John Boozman (R-AR) • August 13th — Jim Banks (R-IN) • August 17th — Senator Jim Justice (R-WV) • August 20th — Senator Ted Budd (R-NC) • August 24th — Thom Tillis (R-NC) • August 27th — Senator David McCormick (R-PA) • August 31st — Sen. Ted Budd (R-NC) • September 1st — Sen. Mike Rounds (R-SD) • September 4th — Sen. Roger Marshall (R-KS) • September 8th — Sen. Bill Cassidy (R-LA) • September 10th at 3pm These pro-forma sessions allow the Senate to avoid formal recesses while conducting minimal business. Perfect for highlighting Senate schedule patterns.show more

Candy Jar Mission Gone Wrong Incredibles Kids vs Mom... Made with seedance 2.0 Prompt: Cinematic 3D Pixar animation style from The Incredibles movie, highly detailed, warm kitchen night lighting, a young blonde girl (Violet) with hair in a bun wearing black and red super suit with black mask, and a young blonde boy (Dash) with short hair wearing matching black and red super suit with black mask. 0-2s: Close-up from under wooden kitchen table, Violet and Dash peeking over the edge with serious and determined expressions, hiding. 2-4s: Wide shot, both kids crawling stealthily on the kitchen floor under chairs and table, Violet on all fours, Dash smiling sneakily, low camera angle. 4-6s: Close-up, kids near plant, Violet worried with wide eyes, Dash shocked with open mouth, Violet puts her gloved hand over Dash's mouth to silence him. 6-8s: Medium shot, Violet standing on wooden stool reaching up to counter, Dash crouching and watching carefully. 8-10s: They grab a big glass jar full of colorful candies on the counter. 10-12s: Sudden wide shot, their mother (beautiful blonde Helen Parr in black top) appears behind them surprised, kids turn with shocked wide eyes and open mouths. 12-14s: Final shot, kids look guilty and panicked reaching up, mother smiling and holding the big candy jar high above her head with both hands, funny family moment, warm overhead light, high detail Pixar animation, smooth motion, 14 seconds duration, vibrant colors.show more

$3 trillion moved in 56 minutes off a single... Truth Social post. Most people saw chaos. I see something else entirely. 👇 Trump posted that Iran talks were "productive." Market surged $2 trillion in 6 minutes. Iran denied it. Market gave back $1 trillion. He's holding the markets in the palm of his hand and he's not afraid to move them. Think about what that actually means... The last 2 midterms were bear market years. The last 2 elections the incumbents lost. Trump knows this. He's not stupid. There's a real chance he's suppressing growth right now so that going into the midterms there's a massive rally from Q2 through Q4. Tariffs. War. Uncertainty. All of it creating the floor. Now look at what's coming. New Fed chair in May. Likely slashing rates 1-2% immediately. That alone unleashes a flood of liquidity into every market on earth. Follow that with an Iran deal. Strait of Hormuz reopens. Oil crashes back to $70. Gas drops. Inflation cools. Consumer confidence explodes. Tariff deals start closing. China comes to the table because their economy is getting strangled. Trade flows resume. All of it timed perfectly for the second half of 2026. The greatest bull run of our lives isn't starting next year. It's being engineered right now. Mark my words...show more

As a January 6 POLITICAL PRISONER of the Biden... Regime; I was FORCED to watch these magnificent DC Capitol fireworks from captivity, with tears in my eyes, from a rusted prison window FOUR YEARS STRAIGHT (1467 Days!!!) I felt like Francis Scott Key, cramped in the hull of a British Prisoner of War ship in the NY harbor; watching the Rockets Red Glare… Not knowing if I would EVER see them as a free American man again, I was facing 30 years in Federal Prison for standing up against the STOLEN 2020 election, The US Capitol Police literally MURDERED a women in my arms, 38 year old precious Roseanne Boyland from Georgia, I responded like any red blooded American would, with extreme PATRIOTIC FERVOR!!!! History shows: WE THE PEOPLE overtook the Capitol from the spineless tyrants & feckless traitors that call themselves CONGRESS, The Spirit of the Founding Fathers & 1776 was upon us and God HIMSELF put the iron in our blood to forever change the course of HISTORY!!!! January 6 was a day when FREEMEN stood up against TYRANNY 🇺🇸 A day of infamy when over 2,000,000+ average AMERICANS stood up to DEFEND this beautiful Republic!!!! We drew a LINE IN THE SAND, and said enough is enough, You may have taken everything from us, but YOU WILL NOT TAKE OUR VOTE!!! ✅ I remember the unspeakable pain of watching the fireworks, as a cruel joke the tyrants were flaunting in our faces, from my BASEMENT floor hellhole prison cell of squalor inside WASHINGTON DC GULAG, I endured over 900 days of solitary confinement at the hands of the Deepstate, only by the grace of the Lord Jesus Christ… Many people on social media think they know my story, The call me JEW & or a FED & or DISINGENUOUS ATTENTION SEEKER, & they think they could walk a mile in my shoes, I’m here today to remind you that I am a just average American man, I am Edward Jacob Lang, a descendant of German, Irish & Russian Jewish blood, that arrived here in this great land almost 300 years ago 1738, That there is NO BRIDGE I will not cross, NO VALLEY I will not descend into, and NO MOUNTAIN I will not climb, To violently, ruthlessly and victoriously slaughter the ENEMY of My People. I am one of many, e pluribus unum. - Edward Jacob Lang J6 Political Prisoner #376444show more

A somatic therapist who worked with elite performers for... 20 years said frequency isn't raised by thinking. It's raised by giving the nervous system a signal it can't ignore. Here are 8 bizarre rituals that do it. 1. THE DOORWAY HANG Hang from a doorframe for 30 seconds. Decompression and grip load flood the system with physical feedback — the fastest route out of your head. 2. THE COLD SPOON Hold something cold against the back of your neck. Cold at the neck reaches the vagus nerve faster than anywhere else on the body. 3. THE WALL PRESS Press both palms flat to a wall and push hard for 20 seconds. Isometric effort with nowhere to go discharges tension the body has been storing. 4. THE VOICE DROP Say one full sentence a whole octave lower than usual. Your pitch feeds back into your nervous system. Lower reads as calmer — and the body believes it. 5. THE SOUND CUP Hum into a cupped glass and feel it vibrate against your hand. Feeling your voice as a physical object turns an abstract practice into something real. 6. THE BACKWARDS NAME Say your name backwards, out loud, once. Absurd effort interrupts a mental loop far faster than trying to stop it. 7. THE CEILING MINUTE Lie flat on a hard floor and look at the ceiling for 60 seconds. A hard surface is the one position the body cannot brace against so it stops trying. 8. THE SET DOWN Carry something heavy across the room, then put it down on purpose. The body learns release by doing it never by deciding to. THE PATTERN NO ONE TALKS ABOUT All 8 rituals share one thing: they give the nervous system a signal it cannot argue with. Not a thought. A physical fact. Frequency doesn't rise from affirmations. It rises when the body exits survival mode and the vagus nerve tells every cell: it is safe now. That's when manifestation actually starts working not because the universe changed, but because your signal did.show more

Instead of just talking about it, I wanted to... go through it and really break it down to figure out the exact reason for the difference in Jalen Duren's play between the regular season and the playoffs. *LONG BREAKDOWN COMING* First, lets list how much the difference was: Iso in RS: 82nd %ile Iso in PS: 21st %ile Post-ups in RS: 88th %ile Post-ups in PS: 59th %ile PPP on drives in RS: 1.18 ppp PPP on drives in PS: 0.80 Layups in RS: 79th %ile Layups in PS: 19th %ile It was a staggering drop off. Shocking to many of us who watched him all season. So, what happened? Well, #1 I think mentally he was letting his struggles get to him and he started to play out of control. Something that suggests this to me is this stat: He started to figure some things out himself in isolation over the last 2 games against the Cavs. He had six isolation possessions in the final two games against the Cavs; he scored on five of those possessions and drew a foul on the other. Game 6 he started to look confident and really made them pay out of isolation. I really think a ton of it was he got hit with a punch early against ORL and really struggled to handle the pressure and struggles after, and just kept stacking and stacking. So, him being in his own head is #1 for me. #2: His handle got exposed quite a bit. In the regular season, he only had a 4.2 TO% in isolation, which is incredible. In the playoffs, though, that spiked to 20 TO%. On drives in the RS, he had a TO% of 4%. In the PS, it jumped to 13.3%. The first clip below shows how the right-to-left cross he loved doing all season was really taken away from him. Too loose of a handle, and he often got his pocket picked trying this exact move over and over. I think having his go-to move taken from him shook him a bit and left him scrambling a bit in his head to find a counter. The second clip shows, imo, him starting to lose trust in his handle. He immediately turns his back to the defender, which is what you do when you're worried about losing the ball. But, even then, he loses control of the handle and it ends up in a turnover. If I'm the Pistons, I'm showing all his turnovers due to his handle and working with him on tightening his handle and also helping him get comfortable with a counter/second move so defenders don't just sit on the right-to-left cross. #3: I think he really struggled to adjust to the playoff whistle. In the regular season, he drew free throws on 21% of his isolations and 31% of his post-ups. In the PS, it dropped to 14% and 11%, respectively. There were many possessions where in the RS he would've got free throws, but did not in the PS and he was frustrated. In the third clip, you'll see how physical he was being played by Mobley (which we all want physicality in the game). But, in the RS, he probably is getting FTA's here. There are many examples of this where it felt like a lot of his value during the RS was being able to draw FTA's on his drives, and in the PS, refs just allowed more physicality, and he struggled to deal with it. #4: Ausar-Duren duo. I believe in this duo, and I do not think this was the main reason Duren struggled. However, I am not blind to the fact that there were obviously some possessions that hurt Duren. In the regular season, Duen actually got less efficient when Ausar wasn't on the floor. However, in the playoffs, Duren went from 51 TS% with Ausar on the floor (302 minutes) to 64 TS% with Ausar off the floor (121 minutes). In the 4th clip, you really see how the lack of spacing caused a tough shot from Duren. He gets a step on WCJ going right, and probably would prefer to then just use his strength to create spearation. However, he sees Suggs sitting in the right gap off of Ausar, which forces him to spin left. Once he spins left, Paolo is completely leaving Tobias open. This is one of the reasons I really think DET needs a spacing 4 because this should be an easy kickout from Duren to a shooter. He still should've made this pass to Tobias, but a legit shooting 4 I think would relocate to the corner and make an easier outlet/easier to see for Duren. But, he still coulda made the pass, tbf. Either way, you see how the lack of spacing from both Ausar and Tobias forced Duren into a really awkward drive where he was forced into an extremely tough shot. I think if the passing returned from Duren, some of these situations wouldn't happen. Hitting Ausar early as he cuts into the space would work, or hitting Tobias (who again shoulda be making himself more available) beyond the arc results in better offense. But, also, having better spacing probably allows Duren to just get to his original move once he beats WCJ off the dribble. and lastly #5: He really just didn't play well. I can't include any more clips (I'll put some in the immediate thread reply to display), but he really just didn't play well. Missed *a lot* of looks we're used to him making. His touch around the rim left him, looked like he really felt rushed in the paint. He was struggling to secure rebounds after dominating the glass all season (during the RS, he averaged 4.3 second chance points a game, in the PS it dropped to 2.3). During RS, he had a 22.0 DREB%, which dropped to 16.0% in the playoffs. So, I think a lot of factors played into why he struggled so much in the playoffs. My takeaway is I don't think these things are unfixable; actually, I think they're very fixable. Experience of dealing with what playoff physicality is I think is going to help moving forward. All young players have to adjust to that--I think Cade really learned that from NY series to this playoff run. Tightening his handle and just having a second move to go to is not something that should be considered impossible. I'd like to believe it's pretty likely with how much he works and the raw skill he already has with his handle. Pistons adding a legit spacer at the four I think solves a lot and will make Duren's life a lot easier. The most concerning part is mental. And we won't know an answer to that until the next playoffs. Did this experience help him on his journey towards becoming mentally strong and prepared enough to move forward? Did this run help him find a routine that helps him lock in mentally, as many players have said they had to discover? Or will the pressure from struggling last postseason get to him this upcoming postseason? Will he let mistakes get into his head, compound them, and start playing rashly? I don't think the second option will be the case, but no one will know until the next postseason. Honestly, I'm more concerned and critical of his defense in the playoffs (which at times was pretty good and at other times was an incredible struggle), but that would require its own thread. My ending thoughts: I still very much believe in Duren. This playoff run showed he has areas he must sharpen up and learn from, but at 22 that shouldn't be a shocker. He is incredibly talented and made a large jump during the RS. The PS posed challenges he didn't quite have answers to yet. But another run of experience, another offseason of training, and another year older should lead him down a good path. I am fully supportive of paying Duren and extending him. I am not at close to 50 million dollars. 35-40 million is where I think they'll settle on, and I'm fine with that. But, he's gotta learn from these playoffs! Every offseason he's gotten better, I don't have a reason to believe Jalen Duren won't learn and improve again this summer. He's only 22.show more

The countdown to chaos begins. GPT Image 2 +... Seedance 2.0 on Thank You AI prompt Use [Image 1](image_1)only as the layout, shot-order, camera, staging, screen direction, pacing, and spatial continuity reference. Treat every storyboard panel as an individual shot. Ignore storyboard drawing style, simplified anatomy, panel text, headers, borders, annotations, scribbles, malformed props, duplicate silhouettes, stray marks, icons, and effect sketches. Use @[Image 3](image_3) only for Character 1's final appearance, face, body proportions, long wavy blonde hair, black long coat, gloves, wardrobe materials, and overall likeness. Use @[Image 2](image_2)only for Character 2's final appearance, face, body proportions, short hair, dark hoodie, wrist device, multi-barrel handgun, wardrobe materials, and overall likeness. Create a photorealistic 15-second cinematic Hollywood action trailer with seamless continuity, maintaining exactly two lead characters throughout every shot. CHARACTER LOCK • C1: Female whip duelist only. Uses only a glowing crimson energy whip attached to her hand. • C2: Male gunner only. Uses only a blue wrist holographic device and a futuristic multi-barrel handgun. • Never merge identities. • Never duplicate either character. • Never introduce additional heroes. • Background pedestrians, guests, taxis and vehicles remain simplified environmental extras only. VISUAL STYLE Ultra photorealistic. Bright daytime. Gritty cyberpunk realism. Wet reflective New York streets. Orange construction barriers. Yellow taxis. Steam rising from manholes. Glass skyscrapers reflecting sunlight. Modern luxury glass building with a red carpet entrance. Purple architectural accent lighting. Hollywood blockbuster cinematography. Natural motion blur. Volumetric smoke. Practical explosions. Lens flares. Realistic debris. High-speed tracking. Large-scale cinematic lighting. 4K feature-film realism. Maintain consistent geography from the street battle into the red-carpet location. SHOT SEQUENCE SHOT 1 Street-level camera positioned behind C1 on wet reflective asphalt. Steam rises from a nearby manhole. C1 plants her feet and swings the crimson energy whip low across the pavement, generating a bright red whip trail that lashes sideways while the city reflects in the wet road. SHOT 2 Wide tracking shot. C1 launches into the air over an exploding yellow taxi. Fire and debris erupt behind her as the crimson whip forms a long glowing arc through the bright daytime skyline. SHOT 3 Extreme floor-level insert. Close on C1's boot striking wet pavement while the whip tip cracks the asphalt, sending sparks, shattered concrete and glowing fragments outward. SHOT 4 Low tracking shot beside C2 sprinting directly toward camera through drifting smoke. His glowing blue wrist device illuminates one raised arm while debris flies behind him. SHOT 5 Close-medium shot. C2 extends his arm forward. A bright cyan holographic grid rapidly projects from the wrist device, expanding outward while taxis and skyscrapers remain visible in the background. SHOT 6 Extreme close-up. C2 draws a futuristic multi-barrel handgun. The weapon fires its first brilliant blue energy shot, producing an intense muzzle flash with cinematic lens flare. SHOT 7 Bird's-eye overhead shot. Street geometry clearly visible below. C1's crimson whip trail and C2's blue muzzle fire cross dramatically through opposite corners of the frame while both characters remain small at opposite edges. SHOT 8 Slow-motion tilted action shot. C2 vaults over an exploding taxi as blue muzzle flashes continue beneath him. Fireballs, smoke and debris scatter realistically through the air. SHOT 9 Hard cinematic location transition. Wide establishing shot outside a luxurious modern glass building. Bright daylight continues. A pristine red carpet stretches toward the entrance. Elegant guests stand watching. C1 and C2 occupy opposite ends of the carpet. No weapons active. No energy effects visible. SHOT 10 Close two-shot. C1 and C2 stand only an arm's length apart on the carpet. Absolute stillness. Silent confrontation. Controlled breathing. Intense eye contact. Purple architectural lighting reflects softly on the glass facade. SHOT 11 Medium shot. C2 slowly raises one hand and pulls his hood over his head while already turning three-quarters away from C1 toward the entrance. C1 remains perfectly still behind him. SHOT 12 Maintain identical framing and geography from Shot 11. C2 calmly walks toward the building entrance as guests subtly turn to watch. C1 stays motionless at the edge of frame, silently observing his departure. Hold on the unresolved tension before fading to black. CAMERA STYLE Aggressive cinematic tracking. Steadicam. Drone overhead. Ground-level perspectives. Extreme close-ups. Wide establishing shots. Smooth transitions. Natural handheld energy during action. Controlled locked-off framing during the red-carpet sequence. ACTION STYLE Fast. Powerful. Readable silhouettes. Fluid stunt choreography. Heavy environmental interaction. Convincing physics. No exaggerated anime motion. Grounded Hollywood realism. COLOR PALETTE Bright daylight. Warm sunlight. Wet asphalt reflections. Crimson energy whip. Brilliant blue muzzle flashes. Cyan holographic projections. Orange construction barriers. Yellow taxis. Black wardrobe. Red carpet. Purple entrance lighting. Natural skin tones. AUDIO Large cinematic orchestral hybrid score. Driving trailer percussion. Deep sub-bass impacts. Powerful whip cracks. Explosive booms. Metal and glass debris. Blue energy weapon blasts. Holographic interface tones. Crowd ambience fading into near silence at the red carpet. The final moments become quiet, tense and emotionally restrained before ending with a dramatic cinematic trailer hit.show more

Ice hits, can slams. Fizz explodes. Zero story, pure... product. SOLA — sparkling yuzu, hard cuts only. Made with Minimax H3 on Fish Creative Prompt: Flat 2D vector motion graphics commercial advertisement, 15 seconds, 16:9 widescreen, high energy product-focused ad style, zero storytelling, zero narrative arc, pure fast paced product hero showcase. Inspired by Pinterest botanical sparkling-can packaging (clean fruit-soda cans, Twist-style fruit fizz, Petali botanical soda, tropical mocktail cans) but fully original. Tokyo modern editorial pop with risograph print sensibility, refined premium energy, non-stop motion in every single frame, hard cuts only, no dissolves, no static holds until the final end card. Subtle paper grain and risograph ink texture throughout. Cool porcelain background base color hex F4F1EA, generous negative space, grid-aligned composition. Locked palette of three colors only: deep ink teal hex 123C3A, luminous citron hex E8F06A, pure white, plus faint ice-mint highlights. No other colors anywhere in frame. The product is a fictional sparkling yuzu soda brand called SOLA, a sleek deep teal can with a minimal white sun-burst yuzu slice emblem and a thin citron ring accent, consistent in every scene. AUDIO LAYER, drives the cut timing: warm punchy French-house-flavored electronic commercial track, four on the floor kick starting at 0.0s, bass drop synced to the can launch at 4.0s, whoosh sound effect on every camera whip pan, sharp crack sound effect on the can opening, fizzy sustained sparkle sound during the fizz explosion, deep sub bass thud on every impact and squash landing, glass clink sound effect on every ice cube landing, citrus peel snap on fruit slice hits, rising riser sound effect building into the logo lock, satisfying snap sound effect on the logo lock, music hits a full stop exactly on the final frame. SCENE 1, 0.0s to 1.0s: bold editorial open, a sweeping citron light ray wipes diagonally across the clean porcelain background in one confident motion, revealing a rising deep teal silhouette taking shape behind it, sharp and deliberate, zero clutter, premium controlled energy, a thin hairline teal rule draws itself across the lower third, kick drum hits exactly on the wipe. SCENE 2, 1.0s to 2.0s: hard cut, the silhouette snaps into full color and detail as the SOLA soda can in a single confident beat, condensation already gleaming on its surface as flat white crescent shapes, soft upward white rays radiating behind it, camera holds a slow deliberate push in, poised and polished rather than chaotic. SCENE 3, 2.0s to 3.0s: hard cut, the circular white yuzu-slice sun emblem with a citron ring flashes onto the can face with a sharp lens flare burst and a satisfying mechanical snap, one clean ring of citron light pulses outward once and fades, tiny white small-caps microtype arcs around the emblem, confident and premium. SCENE 4, 3.0s to 4.0s: quick controlled zoom out, the can now fully formed hangs centered and commanding in frame over vast porcelain negative space, camera whip reframes to hero angle, tension builds for one beat, bass drop hits exactly as the can launches. SCENE 5, 4.0s to 5.2s: hard cut, the can launches downward from its hover like a meteor, trailing a white ice crystal comet tail and curved teal speed lines, slams into center frame with heavy squash and stretch, ground cracks outward in a starburst pattern, radial citron and teal shockwave ring bursts from the impact point, sub bass thud lands on impact. SCENE 6, 5.2s to 6.2s: hard cut, six chunky white ice cubes cannonball into frame from both left and right edges in a fast alternating rhythm, each landing throws flat white splash droplets outward in a fan burst, glass clink sound effect on every landing, camera whip pans following the rhythm left then right. SCENE 7, 6.2s to 7.4s: hard cut, extreme close push into the can top, the tab cracks open in one sharp motion, crack sound effect syncs exactly to the open, a vertical explosion of white fizz and faint ice-mint sparkling soda rockets straight up past the top of frame, camera shakes once on the burst. SCENE 8, 7.4s to 8.8s: hard cut, three flat white yuzu wheels slice in from the top edge and pin themselves around the can in a tight orbit, each slice throws a thin citron juice arc, citrus peel snap on every hit, camera orbits 20 degrees around the hero can, still locked to 16:9 center. SCENE 9, 8.8s to 10.2s: hard cut, the can tilts and pours a graphic stream of white sparkling liquid into a waiting teal-outlined glass at lower right, liquid fills in stepped beats, ice cubes already inside bounce once, fizz beads climb the glass wall as small white dots, whoosh on the pour start. SCENE 10, 10.2s to 11.6s: hard cut, three matching SOLA cans slam into a tight diagonal product stack from off-frame, each lands with squash and a teal shock ring, middle can stays hero-size, condensation crescents multiply, camera whip to a low 16:9 product-shelf angle. SCENE 11, 11.6s to 13.2s: hard cut, bold teal wordmark SOLA slams on from the left as oversized editorial type, citron underline draws itself in one stroke beneath it, micro line YUZU SPARKLING snaps under in tiny white small-caps, riser builds hard. SCENE 12, 13.2s to 15.0s: hard cut to end card, single centered SOLA can, emblem locked, vast porcelain negative space, teal wordmark and citron ring lock into final position with a snap, one last white fizz sparkle flickers once at the can rim then freezes. Hold only on the last frame. Music stops dead on 15.0s.show more

Fast-paced action, cinematic atmosphere, and intense visuals. I created... this with Seedance 2.5 on WeryAI Create yours here 👇 Prompt: REFERENCE / IDENTITY LOCK Use Reference Image 1 as the exact identity lock for the adult male spy. Preserve identical face, facial proportions, black hairstyle, skin tone, physique, outfit and accessories throughout. No identity or wardrobe changes. 15-SECOND CINEMATIC ACTION — 24FPS, REAL-TIME Photorealistic Hollywood spy-action, ARRI Alexa Mini, 27mm spherical lens, 4K, 24fps, realistic physics, sharp cinematic film grain, aggressive handheld camera, dynamic tracking, whip-pans, low-angle combat shots and realistic motion blur. 9:16 vertical. ENVIRONMENT Continue inside the same oil-soaked industrial factory. Thick smoke, flickering cyan-white fluorescent lights, sparks, steam bursts, broken glass, damaged machinery, oil-covered concrete, fallen enemies, barrels, conveyor belts, steel columns, overhead crane and elevated platforms. Maintain perfect continuity. 0–4 SEC: Immediately after the final gunshot, two armed reinforcements burst through a steel security door while another enemy rappels from an overhead crane. The spy instantly sprints forward, steps onto a fallen crate and launches into a flying side kick, crushing Enemy 6 into the steel door. He seamlessly follows with a spinning tornado kick, knocking Enemy 7 from the rappel line into stacked barrels. 4–7 SEC: Enemy 8 opens automatic fire. The spy rolls underneath the gunfire, draws a combat knife with his left hand, slashes the weapon arm and disarms him. He traps the wrist, pivots with precise Kung Fu footwork, throws Enemy 8 over his shoulder and finishes with a powerful downward axe kick. 7–10 SEC: Warning alarms activate as a heavily armored operative with a ballistic shield charges. The spy sprints toward him, rebounds from a steel column, performs a short wall-run and launches an aerial bicycle kick, knocking the shield upward. He lands behind the operative, executes a rapid arm lock, elbows, knees and spinning back kick, sending him through a steel railing onto the lower floor. 10–13 SEC: Enemies on elevated platforms open fire. The spy dives behind a moving conveyor, slides underneath it and fires four rapid tactical shots through narrow openings, eliminating two attackers. He emerges, grabs a hanging industrial chain, swings across a machinery gap and launches a flying double-foot kick into the final attacker, smashing him through reinforced safety glass. 13–15 SEC: The spy lands in a controlled three-point stance. Red emergency lights replace the fluorescent lighting. A massive fuel pipeline ruptures behind him, creating a realistic towering wall of fire. Without looking back, he calmly turns toward a dark industrial corridor. Brief cinematic push-in, then hard cut to black at 15 seconds. CAMERA / LIGHTING: Aggressive handheld shaky-cam, fast dolly tracking, rapid whip-pans, dynamic low angles, close over-the-shoulder shots, realistic camera inertia. Cyan-white industrial lighting transitions into flashing red emergency lights and realistic orange fire illumination. Dense smoke, sparks, steam, muzzle flashes and realistic debris. PHYSICS: Grounded Kung Fu choreography, realistic human weight, momentum, impacts and ragdoll behavior. No wire-fu or superhero movement. Weapons and bodies remain physically consistent. NEGATIVE PROMPT: No slow motion, time-lapse, bullet-time, dreamy effects, superhero movement, unrealistic physics, exaggerated wire-fu, impossible parkour, poor anatomy, distorted face, identity changes, wardrobe changes, CGI artifacts, jitter, ghosting, duplicated limbs, weapon clipping, teleportation, unrealistic explosions, fake glass destruction, continuity errors or video-game movement. FINAL: 15 seconds, 9:16, 24fps, 4K, photorealistic Hollywood action, cinematic realism, sharp film grain.show more

"Every sunrise blooms into peaceful countryside magic." Created with... Google flow: Prompt: Create a breathtaking 10-second cinematic anime film in a Studio Ghibli-inspired style. Maintain the EXACT SAME main character throughout the entire video: a beautiful young anime girl with expressive brown eyes, long flowing dark hair, fair skin, wearing a simple cream blouse, light green apron dress, brown boots, and the same fluffy white cat. Keep the same cozy countryside cottage, flower garden, fruit orchard, warm color palette, and magical atmosphere. Character consistency is mandatory. Do not change face, hairstyle, clothing, age, body proportions, or environment. Scene 1 (0–3s): Golden sunrise enters her cozy wooden bedroom. She slowly opens her eyes, stretches naturally, smiles warmly, opens the wooden window, and enjoys the fresh morning breeze. Dust sparkles in the sunlight while birds sing outside. Her fluffy white cat jumps gently onto the bed. Scene 2 (3–6s): She prepares breakfast in her rustic kitchen. Fresh eggs sizzle in a pan, bread toasts, tea steams softly. She enjoys a peaceful breakfast while the same white cat patiently waits beside her chair. Scene 3 (6–10s): She walks to the charming wooden henhouse. Opening the small gate, cheerful chickens run into the lush green yard. She gently scatters grain from a woven basket as the chickens gather happily around her. The camera follows with smooth cinematic tracking. Scene 4 (10–14s): She strolls through her vibrant garden filled with colorful flowers and fruit trees. She carefully picks ripe apples, oranges, peaches, and strawberries into a wicker basket. Butterflies flutter around while the same white cat playfully chases them. Scene 5 (14–17s): Back inside the cottage, she tidies the room, sweeps the wooden floor, wipes the table, arranges fresh flowers, washes the fruit, blends fresh juice, and pours it into a crystal-clear glass filled with ice cubes. Scene 6 (17–20s): During warm golden hour, she sits peacefully on a wooden chair in front of the cottage gate, slowly sipping fresh fruit juice. Her fluffy white cat curls up beside her while the chickens happily peck at grain in the background. Trees sway gently in the breeze as the camera slowly pulls back, revealing the beautiful countryside glowing under the setting sun. Style: Studio Ghibli-inspired anime, ultra-detailed, masterpiece composition, cinematic camera movement, realistic animation, volumetric golden-hour lighting, soft depth of field, peaceful countryside ambience, HDR, 4K, 60 FPS, seamless continuation from Part 1, no text, no subtitles, no watermark.show more

I created this short ad video using GPT Imagge... 2 + Seedance 2.0 on Creatify AI Prompt Create a 12-shot cinematic luxury fashion film in a pure white infinity studio. The video MUST follow ALL 12 panels EXACTLY in order from 1 to 12 without skipping, combining ultra-realistic fashion editorial cinematography, luxury commercial aesthetics, warm cinematic tones, glossy baby pink metallic textures, dramatic studio lighting, reflective chrome highlights, soft haze, slow-motion elegance, and premium Vogue-style camera work. **SHOT 1 — Panther Close-Up** Ultra-realistic extreme close-up portrait of a majestic black panther staring directly into camera with piercing yellow-green eyes, dramatic high-contrast lighting, ultra-sharp black fur texture, white background, subtle breathing movement, cinematic macro lens. **SHOT 2 — Chrome Logo Reveal** Highly detailed 3D metallic chrome “CREATIFY” logo in elegant cursive script floating above reflective white surface, reflective baby pink and silver tones, soft studio shadows, slow cinematic rotation, luxury branding commercial style. **SHOT 3 — Standing Model in Dress** Full-body fashion editorial shot of beautiful blonde model wearing flowing floor-length baby pink metallic gown, standing gracefully on white seamless background, soft studio lighting, elegant pose, slow push-in camera movement. **SHOT 4 — Model Walking With Panther** Elegant model in shimmering baby pink metallic gown walking side-by-side with sleek black panther toward camera, graceful synchronized movement, flowing dress motion, white studio environment, luxury fashion cinematography. **SHOT 5 — Liquid Metal Fabric** Extreme macro close-up of luxurious liquid metallic baby pink fabric with glossy folds and reflective chrome-like texture, dramatic lighting, soft movement rippling across material, high-end fashion product commercial look. **SHOT 6 — Luxury Handbag Reveal** Luxury baby pink metallic handbag with sleek curved design displayed on transparent glass pedestal with perfect reflection underneath, minimalist white studio setting, slow rotating product shot, soft cinematic spotlight. **SHOT 7 — Kneeling With Panther** Stunning blonde model in baby pink metallic crop top and skirt kneeling beside large black panther, gently touching its face, intimate emotional connection, dramatic editorial lighting, white studio background. **SHOT 8 — Flowing Hair & Fabric** Dynamic fashion shot of model with long blonde hair dramatically flowing into waves of shiny baby pink metallic fabric, strong wind effect, fluid sculptural motion, high-fashion editorial cinematography. **SHOT 9 — Jewelry Showcase** Luxury baby pink metallic jewelry collection including thick rings, cuffs, and chain necklace arranged on reflective white surface, sparkling highlights, macro camera glide, premium luxury product-commercial aesthetic. **SHOT 10 — Lying With Panther** Beautiful model in shiny baby pink metallic outfit lying beside relaxed black panther on white seamless floor, both looking directly at camera, intimate luxury editorial atmosphere, soft dramatic shadows. **SHOT 11 — Motion Walking With Panther** High-fashion motion shot of model confidently walking with black panther, flowing baby pink metallic gown trailing behind, subtle motion blur on legs and fabric, dynamic runway energy, cinematic tracking shot. **SHOT 12 — Final Hero Shot** Elegant full-body composition of model in long baby pink metallic dress standing gracefully beside small black panther, both facing forward in minimal white studio setting, soft glowing light, final chrome “CREATIFY” logo appearing elegantly as ending frame.show more

SuReal Estate Seedance 2.0 prompts are below 👇 Raw... vertical iPhone footage style, real mobile phone recording shot on iPhone 16 Pro, natural bright daylight on a private clifftop, strong sun, endless horizon views, handheld with natural shake and micro movements, authentic phone camera look, no cinematic emulation, no film grain, no photorealism, looks exactly like a real influencer video posted on Instagram, natural vibrant colors. [IMAGE REFERENCES] No reference images provided. Generate a fully consistent female influencer: mid 20s, attractive, energetic Dragon Ball fan vibe, tanned skin, long dark hair in a high ponytail, wearing a stylish casual-luxury outfit with subtle yellow and green accents, very expressive and excited when showing details. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld phone shot, natural shake] The influencer walks toward a modern luxury villa built on a private clifftop with 360º views. The villa has a distinctive rounded yellow and white design. Parked outside is a small, quirky luxury car in bright yellow. She points at it smiling: "Look at this. They actually made the car real." 3-6s: [Quick cut to main living area] She enters the bright open-plan living space. The entire back wall is glass with insane views of the sea and horizon. She gestures at the minimalist but warm interior and says: "Everything is designed so you feel like you're floating above the world." 6-9s: [Quick cut to garden terrace] She walks out onto a large circular terrace with perfectly cut grass and a small garden area. There’s a big round stone table in the center. She runs her hand over it and says: "This is where you sit and watch the clouds go by for hours." 9-12s: [Quick cut inside special room] She enters a round meditation-style room with floor-to-ceiling curved windows. The light fills the entire space. She turns slowly and says with a smile: "This room… you can literally see the whole world from here. No exaggeration." 12-15s: [Quick cut to edge of terrace] She stands at the very edge of the terrace, wind in her hair, with nothing but open sky and sea behind her. She looks at the camera and says: "Private clifftop villa. Feels like your own little planet. Would you live here?" [STYLE & QUALITY BOOSTERS] Real iPhone 16 Pro footage look, natural bright daylight, authentic mobile camera movement and slight shake, natural vibrant colors, coherent physics, stable character, real phone video quality, no film look, no artifacts, looks like genuine Instagram Reel footage shot on location.show more

Every touch unlocks a new masterpiece. PROMPT ⬇ Use... my uploaded character sheet as the ONLY reference for the character. Preserve the exact facial features, hairstyle, body proportions, skin tone, age, outfit, and identity throughout the entire video. Do NOT change the character in any way—only the vehicle changes. Create a 15-second ultra-luxury automotive commercial inside a futuristic luxury showroom with polished marble floors, floor-to-ceiling glass walls, cinematic architectural lighting, premium reflections, and an exclusive VIP atmosphere. The character confidently walks through the showroom while interacting with a series of luxury cars. The camera uses smooth cinematic tracking shots with premium commercial-quality movement. Vehicle Transformation Sequence: • Car 1: Luxury sports coupe. The character gently places a hand on the hood. As the hand glides across the paint, the entire vehicle seamlessly transforms into Car 2. • Car 2: Premium executive luxury sedan. The character opens the driver's door and slowly closes it. As the door shuts, the car transforms into Car 3. • Car 3: High-performance supercar. The character walks around the front of the vehicle, lightly tracing a finger along the headlight. During the movement, the car morphs into Car 4. • Car 4: Ultra-luxury SUV. The character presses the key fob to lock the vehicle. The flashing lights trigger a seamless transformation into Car 5. • Car 5: Luxury electric performance car. The character slides a hand across the roofline while walking beside the vehicle. The bodywork smoothly transforms into Car 6. • Car 6: Exotic hypercar. The character opens the butterfly/scissor door, sits briefly, then steps back out. As the door closes, the vehicle transforms into Car 7. • Car 7: Limited-edition flagship luxury vehicle (Hero Car). The character stands confidently beside the final car as the camera performs a dramatic cinematic orbit, highlighting the vehicle from every angle before ending on a premium hero shot. Every transformation is triggered by a realistic interaction with the vehicle—touching the hood, opening a door, pressing the key, or walking alongside it. The transformations feature seamless body-panel morphing, realistic reflections, premium paint finishes, and flawless cinematic transitions. The character's face, body, hairstyle, outfit, accessories, and identity remain completely unchanged. Only the vehicle transforms. Camera: Smooth cinematic tracking, low-angle hero shots, elegant orbit shots, 50mm and 85mm lenses, shallow depth of field, premium automotive cinematography. Lighting: Luxury showroom lighting with realistic reflections, soft volumetric light, polished marble reflections, and dramatic rim lighting. Style: Ferrari, Lamborghini, Rolls-Royce, Bentley, Porsche, Mercedes-Maybach, McLaren campaign aesthetic, ultra-realistic, 8K HDR, award-winning automotive commercial, premium color grading, flawless reflections, no glitches, no identity changes, no text, no watermark.show more