Grid Animation ✧

Barrier Grid Animation

Obsessed with the scrolling grid animation on the new... Ingamana site—absolute 🔥! →show more

this product animation grid is by far my fav... section of the site we didshow more

introducing: magnetic grid animation for Framer use this component... to create responsive image grids that react to your cursor with scale, rotation, magnetism, and more. comment 'GRID' and i’ll send you the component :)show more

A comparison of Rosalina's entrance animation from Mario Tennis... Aces & Mario Tennis Fever (This time using a different grid, now it looks better)show more

Today we got some #animation #inspiration for you! 🎨... We explore transitioning from an irregular grid to an alternative view 👀 #frontend #motiondesign #webdesign #css #javascript #gsap #layout #uidesignshow more

wowwow Holy Shit I let Opus 4.7 pick any... art on my computer they'd like to use as a starting frame for an animation, and then prompt gptimage2 for animation frames however they'd like to make a 100 frame animation here was the result note - gptimage2 only made 4 images, each one was a 5x5 grid of frames, so that totals to 100show more

A very useful plugin for QGIS called the Layer... Grid View ( developed by colleges at LAPIG / animation by Leandro Leal Parente . The data shown is the monthly FAPAR time-series at 250m resolution 2000-2021 available from:show more

This animation shows how a uniform grid of points... is deformed by a flow matching model. The visualization highlights how the learned flow warps the underlying space—stretching, compressing, and bending it—to transform one probability distribution into another.show more

can your vibe coding tool do this? real prod... codebase, no setup pain prompt: "Render all the spinner animation patterns from the @​N​o​t​i​f​i​c​a​t​i​o​n component in a grid layout. render each pattern with its name below it"show more

⚽️👇 Activity Instructions 🗣️ This is a Progressive Rondo... from Drill Library. This 3-grid rondo focuses on encouraging players to switch play effectively by utilizing the free player. In either of the end grids, the possession team will have a 3v1 advantage, while in the narrow central grid, they will play with a 2v1 overload. The aim is to create quick, dynamic play by using the space and the free player to maintain possession and shift the ball efficiently between the grids. 🎨 Animation created using The Tactics Appshow more

⚽️👇 Activity Instructions This is a switch of play... rondo from This rondo is designed to develop quick and intelligent switches of play in possession. The game begins with a 3v1 in one area of the grid while two additional defenders are positioned to screen the central zone. Possession players must complete a set number of passes (e.g., 5) before attempting to switch play to the opposite side. Switches can be made in two ways - via the wide unopposed players for 1 point, or through the central zone for more points due to the difficulty and risk involved. This setup encourages decision-making, timing, and awareness of space and pressure. 🎨 Animation Created on The Tactics Appshow more

Day 23 of how I vibe code my game... engine in Cursor: Unit Sprites Like I mentioned in my buildings post: units hit the same wall once the animation steps outside the sprite’s inner silhouette. That’s where the pain starts: pixel bleeding, halos, and PBR maps becoming impossible to mask properly because they must follow the whole sprite. I almost gave in and embraced the demon lords: 3D → 2.5D. But then I had an idea: What if every PBR map (normal/emission/etc) could inherit the exact same animation as the diffuse sprite? If the motion matches 1:1, we get the full 2.5D look without breaking the animation, and we can run it at whatever framerate we want. So I built a prototype and… it actually works. (check the vid) Pretty neat, right? Next step: streamline it in-engine and scale it to all 6 hex movement directions without turning it into a manual nightmare. Also investigating the remaining white aura issue — I might regenerate diffuse + normal + emission in a 2×3 grid on both white + black backgrounds and extract cleaner alpha. After that: compositing layered units (ex: tank + turret). More pain ahead. But it’s the fun kind!show more

GPT Image 2 and Seedance 2.0 on insMind Image... Prompt: Create a 2x5 storyboard grid (10 frames) for a 15-second stylized 3D animated short film. Style: high-quality 3D animation, cinematic composition, soft depth of field, expressive character design, realistic lighting, subtle motion blur Theme: a young boy dreams he is a world-famous football star scoring a winning goal in a packed stadium, but wakes up in his bedroom and realizes it was just a dream Storyboard Frames (left to right, top to bottom): Wide establishing shot of a massive football stadium at night, glowing floodlights, cheering crowd Medium rear shot of the boy in a professional football kit standing confidently on the field Tracking shot of the boy dribbling past defenders, dynamic motion, grass particles flying Close-up of his focused face, intense expression, stadium lights reflecting in his eyes Slow-motion action shot of his foot striking the ball toward the goal Ball flying into the net, net stretching dramatically, crowd exploding in celebration Hero shot: boy celebrating with arms raised, lens flare, cinematic glow Hard cut transition frame: same pose but now in bedroom, lighting shifts abruptly Medium shot of the boy sitting on his bed, confused, soft morning sunlight entering room Wide shot of cozy bedroom with football posters, ball on floor, boy smiling with quiet determination.show more

Created with Seedance 2.0 on Yapper Prompt: An ultra-realistic,... cinematic film still of a slender young chef with curly brown hair, wearing a pristine white chef's jacket and a vibrant red ascot tie. He is energetically tossing a colorful mix of sliced red onions, bell peppers, and fresh vegetables in a steaming black wok over an intense open flame on a professional kitchen stove. High-fashion aesthetic, dramatic warm lighting hitting the smoke and fire, hyper-detailed textures of the fabric and fresh food, 5k resolution, captured on an anamorphic lens, early 2000s film texture. --ar 16:9 A detailed cinematic close-up shot of a beautifully plated gourmet dish—a perfectly seared fish fillet resting on a bed of glazed root vegetables and rich reduction sauce, topped with delicate microgreens. In the soft-focus background, a middle-aged, bearded man with a joyful expression and eyes closed takes in the aroma. Warm, atmospheric restaurant lighting, ultra-realistic food photography, high-fashion depth of field, rich textures, 5k quality. --ar 16:9 A detailed creative production storyboard layout titled "REMY & LINGUINI - KITCHEN MOMENTS". The poster features a grid of multiple hand-drawn sketch panels showing different kitchen scenes, character design sketches on the right side with height charts, costume annotations, camera notes, and color palettes at the bottom. Stylized, authentic animation concept art layout, high-end digital art presentation. --ar 3:4show more

I built a clone of the Yeezy store with... Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?show more

Seedance 2 is so good at character and scene... consistency across cuts. I tested it with a short film on something I learned last week about cats. The key is detailed prompts - take your story to an LLM to nail the structure, then to Krea to make the video. Take my prompt 👇 Style: high-quality 3D animation, expressive character acting, cozy lighting, cinematic composition Timestamped structure: 0:00 - 0:02 Open on a cozy desk setup in a home office. A black cat, Finn, is near the desk, alert and curious. The woman with brown hair and blue eyes sits at her computer, pulling up a YouTube-style bird video. The screen shows colorful birds hopping on branches. Finn immediately locks in on the movement. 0:03 - 0:05 The woman smiles knowingly and adjusts the monitor so Finn can see better. She lightly gestures toward the screen. Finn jumps onto the chair or desk edge and sits facing the monitor, ears forward, body still, completely mesmerized by the birds. 0:05 - 0:07 The woman gets up from the desk and walks away casually, leaving Finn watching. Finn remains seated, staring at the bird video with total concentration. Maybe a subtle tail flick or tiny head movement tracks the birds on screen. 0:07 - 0:10 Cut to later in the day, in the exact same office. The woman is now back at the desk in a Zoom meeting, still with the single monitor on the same desk. The computer screen now shows a video call grid or work presentation instead of the birds. She is mid-conversation, professional and focused, seated upright, saying "and now we'll move to the next slide" 0:10 - 0:12 Finn suddenly jumps up onto the desk from below, entering frame with urgency. He looks at the screen, confused and dissatisfied that the birds are gone. He starts pawing at the screen and the woman is shocked and embarrassedshow more

MiniMax H3 is incredible at text rendering! This is... a text to video prompt! Prompt : Create a 15-second cinematic text-animation video built around the quote: “Every great change begins quietly, grows through courage, and becomes impossible to ignore.” The quote should appear gradually as a visual story. Each new phrase must transform the design, atmosphere, movement, and emotional intensity of the scene. Use elegant typography, accurate spelling, cinematic lighting, smooth transitions, and perfectly readable text. 0:00–0:03 | “Every great change” Begin with a completely black screen. A tiny point of warm light slowly appears in the center, like the first spark of an idea. The words “Every great change” emerge softly from the darkness, one word at a time. Use thin, elegant serif typography with wide letter spacing. “Every” fades in gently. “Great” grows slightly larger. “Change” forms from small drifting particles that gather into solid letters. Keep the scene quiet, minimal, and mysterious. 0:03–0:06 | “begins quietly,” The camera slowly moves closer to the text. The previous words shrink and reposition toward the upper-left corner as the phrase “begins quietly,” appears in delicate lowercase letters. Animate the phrase as though it is being written by an invisible hand. Each letter should create a subtle ripple in the darkness. Introduce faint textures, soft shadows, floating dust, and gentle light rays. The comma should appear last and create a small circular pulse. 0:06–0:09 | “grows through courage,” The pulse expands and transforms the scene from darkness into a rich sunrise gradient with deep orange, red, and golden tones. The words “grows through courage” rise upward from the bottom of the frame. Animate “grows” by gradually increasing its size and weight. Animate “through” along a curved path. Animate “courage” in bold uppercase letters that push through a translucent barrier, causing it to crack into geometric fragments. The movement should feel powerful but controlled. 0:09–0:12 | “and becomes” The fragments rotate in slow motion and reorganize into a clean editorial grid. The phrase “AND BECOMES” appears across the frame in condensed sans-serif typography. Animate the letters with fast tracking changes, vertical stretching, masking, and perspective movement. The camera accelerates forward through the center of the word “BECOMES.” The sound and visual energy should steadily build. 0:12–0:14 | “impossible to ignore.” Reveal a vast bright space filled with light, moving shapes, and large-scale typography. The words “IMPOSSIBLE TO IGNORE” appear one after another. “IMPOSSIBLE” expands beyond the edges of the screen. “TO” remains small and perfectly centered. “IGNORE” slams into place with strong visual impact, briefly shaking the surrounding grid and shapes. Use bold contrast, dramatic scale, sharp shadows, and synchronized motion. 0:14–0:15 | Final quote All movement stops instantly. The complete quote appears centered on a clean off-white background: “Every great change begins quietly, grows through courage, and becomes impossible to ignore.” Use refined black typography with “change,” “courage,” and “impossible” highlighted in deep red. Hold the final composition clearly for the last second. Maintain one continuous visual journey from darkness to light, silence to impact, and simplicity to complexity. Keep every phrase connected through visual transformations rather than hard cuts. Use realistic motion blur, precise kerning, clean masks, stable letterforms, smooth camera movement, subtle film grain, cinematic sound design, rising ambient music, soft particles, controlled color transitions, and a final deep impact sound. Avoid misspelled words, warped letters, duplicated characters, unreadable text, random symbols, excessive flickering, chaotic layouts, inconsistent fonts.show more