that uppercut

He was lucky Mike didn’t give him that uppercut 😳

It was this uppercut a minute and a half... into round one that really hurt Topuria's eyeshow more

There's no getting back up from that uppercut 💥... [📺Hype Brazil | LIVE NOW | Worldwide on TrillerTV PPV ]show more

Corey Perry's face has seen better days. Morning skate,... two days after taking an uppercut that left a bloodied gash.show more

That uppercut and chair shot from Oba Femi to... Bronson Reed looked PERSONAL 💀 The man wasn’t fighting,he was settling a score. #WWerawshow more

jun discovered that cheol’s jacket had holes in the... pockets so they started shaking hands, goofing around, and jun even gave cheol an uppercut 🥊😭 silly cuties!!show more

"That uppercut was the one that rocked him to... his boots!" The Rewatch takes you through all of the twists and turns of Fury vs Usyk. 🤝 DAZN Boxing #ad WATCH: Don't miss the rematch tonight on talkSPORT from 7.30pm 💪show more

Bam Margera reveals the ridiculous incident that became the... last time he ever drank 😭 Morgan Freeman gave him an uppercut, Bam fell into a bush and pissed his pants. “I probably deserved it big time.” 💀show more

LASHY BILLS GORGEOUS UPPERCUT!! Oh boi, thought bc he... black & tall that matters. Black guys have the weakest chin out of all the fights I’ve had to endure. Idk if it’s bc they talk so much or what but you hit that chin they SLEEP!💤show more

Here's Dustin doing something similar in his fight with... Charles: Charles tries to grab a collartie so he can pull Dustin's head even further forward into his uppercut but Dustin pulls back on the lead hook and catches Charles leaned forward reaching for that collartie.show more

PART TWO. To make matters worse, I checked the... weather forecast before I left Nigeria and it said it was going to be warm and sunny, so I packed warm. Big mistake. As we comot for airport, the cold first gimme uppercut. I quickly opened my luggage and put on 2 singlets, 3 T-shirts, 1 office shirt and a cardigan ontop. Didn’t stop shit. Anyway, fast forward to day 1 at GITEX. We got there and I found out that the company actually paid for a booth. A lot of money in dollars. I was like hmm, make I Dey watch this film, e suppose sweet. I come ask say abeg o, wetin we Dey really exhibit for this exhibition. I was then told that I should market the company’s newest and biggest product yet; a satellite (not bigger than that MTN 5G carton) that can provide data all the way from space. A SATELLITE???🤣🤣🤣 “Designed to rival Starlink but more affordable. 300 thousand units will be sent into space. We will partner with Space X and NASA for the launches” Wey data center and radio station wey Dey for ground never work??? 🤣🤣 Remember the robotics guy? He travelled down with a 3D printer. I quickly swung into action. Use your mouth to sell a product they can’t see cos it doesn’t f*king exist and give them a show while at it. So, what did I do? I set up the 3D printer to start printing a model of the largest and most popular mosque in Marrakech. That stunt pulled a looooot of people towards the booth and I kept selling this damn satellite 😭 No question wey those Arabs, Whites and other Africans no ask me. How would they be sent up? Rocket. Their brain just Dey burst. I must have spoken to at least 200 people per day over the course of the exhibition. I went and introduced myself to some of the Nigerian founders I met over there and they kept looking at me funny. I no know say that company tag be like shit for my neck. Dem don shit for church like mad and I come Dey Morocco Dey represent them. Even the 3 interviews wey I do, I had to beg the media guys to not put me on their tv stations 🤣 Met big politicians and exchanged contacts with big personalities from across the world who all wanted to be part of the satellite project. We kept waiting for money o. Luckily, I was with my Providus card and so, when they eventually sent the money to my account, I first comot my salary for that month 🤣🤣🤣🤣 We got back home. The CEO (not founder) who was also promised heaven and earth used almost 14m of his personal money to buy computers for the “AI agents” My guy, the CD had brought in a really good tech babe and they gave her a new MacBook Pro (with big screen). Na she first run after dem no pay am for that month. The AI agents started rebelling on the group they created themselves and added me to guide them. One by one, they left the group. One of the tech bros was fired because he refused to come to work after not being paid for 2 months. He say e no get transport fare 🤣 CEO come resign carry him laptop, na so police enter the matter say him embezzle 30 million naira. Him come start Dey threaten the tech babe say make she return the laptop because he bought it with his own personal money. Just when I was about to resign, dem say dem wan send us go Abu Dhabi for global tech conference. Mo ya sa lo.show more

Every inch of this train becomes a weapon when... survival is the only option. Made this video for @thankyouai_hq by using GPT Image 2 + Seedance 2.0 prompt Part 1 (0–15 Seconds) A cinematic 15-second realistic action sequence inside an empty modern subway train car at night. Fluorescent ceiling lights cast harsh, cool white reflections across polished gray floors, brushed metal walls, silver handrails, and blue fabric seats. The train moves at high speed, creating subtle vibrations as overhead straps sway naturally. A fierce East Asian woman in her late 20s with dark hair secured in a tight high bun wears sleek black tactical gear consisting of a fitted long-sleeve compression top, cargo pants, combat boots, fingerless gloves, and tactical harness straps. She faces four heavily armed male assassins dressed in black tactical uniforms with balaclavas. The sequence opens with a low-angle tracking shot as the assassins rapidly surround her. She instantly drops into a low combat stance, slides across the polished floor beneath a sweeping attack, and uses the momentum to sweep an opponent's legs. She springs to her feet, delivering rapid elbow strikes and spinning back kicks while weaving between vertical poles and seat rows. One attacker charges from behind; she vaults over a subway seat, plants both feet on the seatback, and launches herself into a flying kick that knocks him backward into the train doors. Another assassin swings a baton, but she ducks, rolls beneath the strike, grabs an overhead handrail, and swings through the aisle to deliver a powerful mid-air double kick that sends two attackers crashing into opposite rows of seats. Fast handheld camera, dynamic tracking shots, Dutch angles, realistic impacts, gritty high-contrast desaturated color grading, movie-quality choreography inspired by Atomic Blonde and John Wick. No music, only heavy breathing, punches, impacts, footsteps, metallic rattles, and train ambience. Part 2 (15–30 Seconds) — Continuation Continuation of the exact same subway fight with identical character appearance, clothing, lighting, camera style, and environment. The East Asian woman maintains the same hairstyle, tactical outfit, and fluid fighting style as the battle intensifies inside the moving subway car. One assassin pulls a combat knife while another rushes with a metal pipe. She sidesteps at the last second, forcing them to collide before countering with rapid knee strikes and a spinning hook kick. She dives low between seat rows, crawls beneath grabbing hands, then explodes upward into a devastating uppercut that sends one attacker crashing into a glass partition. The tempered glass shatters realistically as fragments scatter across the floor. She grabs a dropped backpack and hurls it into another attacker's face before using a vertical pole to spin around with incredible momentum, delivering a flying roundhouse kick that throws the final assassin through a subway window. Glass bursts outward in slow, realistic fragments while cold night air rushes into the train. The final moments show the floor covered with shattered glass, abandoned weapons, backpacks, and defeated assassins. She stands breathing heavily in the center aisle, adjusting her fingerless glove before calmly walking toward the subway doors as sparks flicker from damaged lighting overhead. Dynamic low-angle tracking, close-up impact shots, handheld cinematography, realistic physics, gritty desaturated color grade, razor-sharp action, cinematic lighting, no music, only realistic fight sounds, shattering glass, metallic impacts, train rumble, and heavy breathing.show more

Seedance 2.0 on FlovaAI =================== Prompt: [Reference Identity Lock]... Image 1 is ONLY the main female protagonist. Her face, hairstyle, body type, and outfit must match Image 1 exactly and stay consistent for the entire video. Image 2 is ONLY a uniform reference. All four opponents wear the school uniform shown in Image 2. Never swap, merge, duplicate, or blend identities. The protagonist's identity comes ONLY from Image 1. The four opponents have NO reference images. They are defined by the text descriptions below. The four opponents must not resemble the protagonist, and they must not resemble each other. All five characters must remain clearly distinct and recognizable until the end. [Priority Order] 1. Preserve the protagonist's identity from Image 1. 2. Keep the four opponents visually distinct from her and from each other. 3. Maintain one continuous shot with no cuts. 4. Keep the classroom layout spatially consistent. 5. Make the action fast but readable and physically connected. 6. Keep the tone as a Korean school action drama, stylish but grounded. Korean school action drama classroom fight scene — 15 seconds, ONE CONTINUOUS SHOT, NO CUTS. A single uninterrupted handheld shot. No cuts, no scene transitions, no montage. The camera should feel handheld, with micro-jitters, slight rolling shutter, and raw unstable realism. The camera must physically travel through the same classroom space. Every transition must be motivated by camera movement, not editing. Whip pans are allowed, but they must not hide a cut. Do not teleport the camera or characters. The classroom layout and character positions must remain spatially consistent. Audio: No music. Only realistic school and classroom ambient sounds: old fluorescent light hum, distant hallway noise, ceiling fan, shoes scraping the floor, desks dragging, chair legs screeching, cloth friction, dull body impacts, and breathing that gradually becomes heavier. Breathing continues throughout the scene and keeps building. Lighting: Late afternoon in a Korean high school classroom. Mixed cool fluorescent light and warm sunlight through the windows. Dust floating in the sunlight. Soft fan shadows moving across desks and school uniforms. Main character: The Korean female high school student from Image 1, age 17–18. Cold, emotionless, calm, and intimidating. She barely speaks and does not scream during the fight. She remains composed from beginning to end. Her movements are efficient, explosive, and precise. Even if her frame is not large, she dominates through speed, timing, and accuracy. Main outfit: Exactly the outfit shown in Image 1. Do not change its colors, design, or details. Her jacket or outer layer is either removed and hanging on a chair, or worn in a slightly messy way. The action must be non-sexualized and combat-focused. Fabric movement, dust, sweat, wrinkles, and impact response should feel realistic. Opponent rules: Four Korean female high school students, all wearing the Hanlim Multi Art School uniform shown in Image 2. They have no reference images. Define them strictly by these descriptions and keep each one consistent: Opponent A: short black bob with straight bangs, medium build, round face. Opponent B: long straight hair tied in a high ponytail, tall and lean, sharp jawline. Opponent C: shoulder-length hair with side-swept bangs, slim build, narrow face. Opponent D: long wavy hair worn loose, slightly stocky and broad-shouldered. A, B, C, and D must each keep clearly different faces, hairstyles, body shapes, and silhouettes. They must not resemble the protagonist, and they must not resemble each other. No face duplication, no face merging, no identity confusion. Environment: An empty classroom at Hanlim Multi Art School, a Korean performing arts high school in Seoul. Green chalkboard, chalk tray, worn wooden desks, plastic chairs, classroom clock, class schedule poster, discipline/life-guidance posters, cleaning tools, blinds or curtains, wall study materials, and a slightly scuffed floor. Desks and chairs should react naturally to impacts, sliding, shaking, and collapsing when hit. Camera framing rules: Even during kicks, framing should stay around chest-level or eye-level. No low-angle shots under the skirt. Do not focus on legs, thighs, underwear, or fetish-like details. All action framing must prioritize faces, upper-body motion, impact, and spatial choreography. Continuous action and camera choreography: From 0 to 15 seconds, the fight continues without any cuts. The action should be stylish but readable, and every movement must be physically connected. 0–3s: The camera starts behind the protagonist at a slightly low handheld angle, drifting left through the classroom aisle. Opponent A grabs the protagonist's shoulder roughly and says in Korean: "야, 너 지금 뭐 하자는 거야?" The protagonist silently turns and lands one hard straight punch to A's face. At impact, use a very brief 15% slow motion: cheek ripple, dust particles, deep thud. A falls sideways into a desk. The camera dips slightly from the shock, then whip-pans right without cutting. 3–6s: Opponent B charges in from the right. The protagonist steps forward instead of retreating. A short body shot to the stomach. Immediate uppercut to the chin. Without pausing, she drives forward into a flying knee to B's chest. B is thrown backward across or into a desk. The camera follows the forward motion low, then rebounds upward with the impact. 6–9s: Opponent D attacks with two fast punches. The protagonist deflects both strikes with her arms, then flows into a turning backfist to D's face. As D staggers, she continues the same rotation into a spinning back elbow that lands hard on D's jaw or temple. D crashes sideways into two or three desks. The camera arcs around her shoulder and jitters slightly at each impact. No cuts. 9–12s: Opponent C rushes in from the chalkboard side. The protagonist clearly grabs C's collar with her left hand. C's face must be fully visible from the front and clearly different from the protagonist. The protagonist lands one short, hard punch to C's face, then immediately throws a powerful high kick or flying high kick into C's chest. The force sends C backward into the green chalkboard. The protagonist remains in the foreground and never touches the board. The protagonist's face should be side-profile or partially obscured. C's face should be clearly visible from the front at the moment of impact. Their faces must never overlap in frame. Use a very brief 20% slow motion at the chalkboard impact: chalk dust bursts outward, and C slides down the board. The camera pushes up with the impact, then tilts down as C slides. 12–15s: Through the chalk dust, the camera hard-pans right. D makes one final charge. The protagonist sidesteps and lands a tight uppercut to D's chin, followed immediately by a cross. D crashes into a row of desks, causing a chain reaction of collapsing desks and chairs. The camera drifts forward slowly. The protagonist adjusts her loose tie or ribbon and brushes chalk dust off her shoulder. Her expression stays cold and serious. She walks past the camera and exits the frame. Dust floats in the sunlight. Natural ending. =================== Made with Flova #FlovaAI #FlovaCPPshow more