Tight suit.

Damn that's a tight ass suit 💀

My ass looks good in a tight body suit

Out with my new hood and shiny tight latex suit💫🌃

I suppose there is something kinda godly about an... all black tight shiny suitshow more

❀ Do you love my body suit 🔮💗 link... in bio for more✨#onlyfans #onlyfansbabe #onlyfansgirl #latinas #contentcreator #nsfwtw #animegirl #onlyfansFree #OF #ass #tight #pussy #cosplay #leaksshow more

Over night locked in Heavy rubber 🫠 Had to... piss in my suit and sleep in my piss 💦🔒 Both water tight zippers where locked by Lucky No way out 😵‍💫 And the piss just got more and moreshow more

Ok, I did a little editing on Lily's animation... here so she doesn't walk so much like one of those buff crocodile guys from Donkey Kong Country anymore. The suit is super tight and hard to move around in, so I'm gonna have to get used to trying to force certain movements.show more

Looks like Aspen has gotten into a "tight" predicament,... whatever shall they do ? This was such an amazing experience, can't thank enough to Illusion for allowing me to try this. Def would love to try more of these kinds (bitch suit, cubes etc) and such if anyone is willing, will be at LVFC if anyone wants to meet up, suit swap and such. Should have Aspen and Saber at the con but always looking for new experiences Aspen by: That's Furred Up! Inflatable by: Kink Projects Video: Illusion #furry #furrycommunity #furries #fursuiter #fursuiteveryday #suitswap #fursuitswap #plush #plushie #fursuit #plushsuit #yeen #furcon #furrycon #fursuiting #fullsuit #saber #toy #latex #inflatablesuit #inflatable #cube #locked #lockedinsuit #plushtoy #dog #vaccube #lvfc #paws #inflatable #kinkshow more

This wasn’t a fashion choice. It was a communist... uniform. HASAN PIKER walked into the College Democrats convention in a full Mao suit — tight collar, military shoulders, four pockets. Those pockets symbolize the CCP’s Four Cardinal Principles. The same man who said he’d “never” criticize Mao and called him one of the great leaders of the world. Cosplay? Only if you think dressing like a mass-murdering dictator while praising him is just a costume. The aesthetic is the ideology.show more

Seedance V2 👌 Character tone: high-end romantic comedy, deadpan... flirtation, over-serious male lead, quick-witted female lead, cinematic realism, sweet-chaotic chemistry, every frame like a poster Male lead: bespoke black suit, white shirt collar slightly open, handsome and severe, powerful aura, trying very hard to look cold and dominant, but secretly nervous and flustered, tiny tells betray him: slightly crooked tie, tight jaw, faintly trembling fingertips Female lead [@ Image1]: fitted slip dress / refined Chanel-inspired set, long hair slightly messy, elegant and soft-looking but emotionally sharper than him, stubborn, dryly funny, outwardly cornered for a moment, then visibly unimpressed, holding back laughter Action + expression changes: the male lead forcefully steps in for a dramatic wall-pin pose, one hand braced on the wall, closing the distance too seriously, trying to look intense; his expression starts cold but gradually cracks into restrained embarrassment the female lead [@ Image1] steps back once, eyes widening, then notices his crooked tie and trembling hand; her expression changes from guarded resistance to deadpan disbelief and almost-laughing annoyance their noses nearly touch, breathing overlaps, the tension becomes playful and absurd instead of painful the male lead lightly lifts her chin, trying to recover his cool image; the female lead stares at him like she is watching someone forget his own script Dialogue: Male lead: Are you done yet? Female lead [@ Image1]: Fix your tie first. Male lead: I am being serious. Female lead [@ Image1]: Then stop stepping on my heel. Male lead: ...That was deliberate. Female lead [@ Image1]: Your shaking hand says otherwise.show more

Let's go surfing with Sydney Sweeney today 🏄🏼‍♀️ Nano... Banana Pro via Hailuo AI, Kling 3.0 and music by Suno 🌊🎶 Prompt: { "subject": { "desc": "Sydney Sweeney as surfer, fair sun-kissed skin, long wavy platinum blonde hair wet and flowing, symmetrical face with full lips, defined brows, bright blue eyes, confident exhilarated expression", "apparel": { "item": "Glossy vibrant red one-piece swimsuit", "style": "High-cut racerback with deep plunging neckline and thin straps", "details": "Tight wet fabric clinging to curves, high-leg cut, subtle wave accents" }, "anatomy": { "body_type": "Exaggerated voluptuous hourglass", "bust": "Large full voluminous with strong projection, outlined by tight wet suit", "hips": "Very wide hips, thick powerful thighs", "skin": "Smooth fair glistening with ocean water droplets" }, "action": "Surfing on massive curling turquoise wave, balanced on white surfboard with black/red graphics, knees bent, arms outstretched carving through wave with spray flying" }, "pose": { "posture": "Dynamic athletic stance on board, weight forward, torso angled to wave, hair whipping in wind", "limbs": { "arms": "Extended for balance, one slightly forward", "legs": "Knees bent, feet firmly planted", "head": "Facing camera with intense joyful expression" }, "gaze": "Direct eye contact, powerful confident exhilarating smile" }, "environment": { "location": "Open ocean on powerful swell", "elements": [ "Towering curling turquoise wave with white foam lip and spray", "Bright sunny sky with scattered clouds", "Distant rolling waves, no land visible" ] }, "camera": { "shot": "Medium-wide action (waist up with board/wave), vertical 3:4", "angle": "Slightly low frontal", "lens": "35-50mm action", "dof": "Moderate, sharp on subject/board, soft detailed wave background", "framing": "Centered subject riding wave, spray framing her" }, "lighting": "Bright midday sunlight with strong wet skin/swimsuit highlights, dramatic blue-green water reflections, golden rim light from sun behind wave, high contrast foam/shadows", "mood": "Confident powerful exhilarating, pure ocean adrenaline and sensual athletic freedom", "style": "Photorealistic action sports photography, high-fidelity water droplets on skin/glossy swimsuit sheen, natural ocean grading, unstyled athletic proportions", "colors": "Vibrant red swimsuit against turquoise ocean/white foam, golden sunlight, platinum blonde wet hair, rich blue sky", "quality": "High-def sharp focus on eyes/face/wet hair/water droplets, low noise, minimal grain", "negative_prompt": "small/reduced/flattened bust, lifted breasts, slimmed torso/hips, proportion averaging, plastic/airbrushed skin, beautification, stylization, depth flattening, wide distortion, mirror selfies, phone-in-hand, reflections" }show more

Seedance V2, Netflix-grade 4K HDR, modern Japanese workplace dramedy,... grounded realism, elegant cinematic lighting, no subtitles, no text on screen, natural Japanese lip sync, dry awkward comedy. Setting: Tokyo TV network newsroom editor’s office at dusk, glass walls overlooking a softly active newsroom, city lights starting to glow outside, reflections on glass and chrome, restrained prestige-series color grade, realistic skin texture, soft contrast with HDR highlight detail. Characters: - 高瀬 麻里 (Mari Takase), adult Japanese woman, late 20s, bright, capable, optimistic, slightly nervous, navy blouse, cream slacks, folder in hand. - 大河内 剛 (Go Okochi), adult Japanese man, early 50s, tall, gruff, sharp-eyed newsroom chief, rumpled charcoal suit, loosened tie, dry deadpan energy. Shot plan: 0.0–4.0s: medium two-shot in Okochi’s office, slight low angle to emphasize their height difference. Mari stands upright but tense, hopeful smile forming. Okochi studies her in silence. 4.0–7.0s: subtle slow push-in on Okochi as he gives a reluctant half-nod, voice low and matter-of-fact. Dialogue: 「なあ、高瀬。君、ガッツあるな。」 7.0–9.5s: reverse medium close-up on Mari, relieved smile, shoulders soften, sincere warmth in her eyes. Dialogue: 「ありがとうございます、大河内部長。」 9.5–12.0s: cut back to Okochi, same deadpan face, no smile, dry delivery with perfect timing. Dialogue: 「俺はガッツが嫌いだ。」 12.0–15.0s: sharp cut to tight close-up on Mari’s face, frozen confused optimism, tiny blink, lips part slightly, awkward silence lands the joke. Dialogue: 「……え？」 Hold the expression for the final beat. Camera language: modern single-camera prestige-comedy style, mostly locked-off with one restrained push-in, crisp reaction cut on the punchline, clean eyeline matching, no laugh track. Audio: soft newsroom hum behind glass, faint keyboard clicks, subtle HVAC room tone, dialogue clean and intimate, no score until a nearly imperceptible ironic sting at the very end. Performance tone: understated, sincere, begrudging chemistry, humor comes from politeness colliding with brutal deadpan. English translation 🤣 Okochi: "Hey, Takase. You’ve got guts." Mari: "Thank you so much, Director Okochi." Okochi: "I hate guts." Mari: "...Eh?"show more

My happy horse Created on Yapper by using GPT... Image 2 and Happy Horse Prompt Create a cinematic action-fantasy trailer video that strictly follows a 12-panel storyboard Image sequence in exact order. Use a realistic Hollywood filmmaking style with warm golden cinematic colors, dynamic camera movement, photorealistic visuals, dramatic action choreography, emotional storytelling, and smooth continuity between every scene. The same beautiful confident woman with flowing dark hair in a sleek black latex catsuit rides the same majestic powerful white horse throughout the entire video. Maintain consistent character design, horse appearance, lighting continuity, and cinematic tone across all shots. Style should feel like a viral blockbuster movie trailer mixed with epic fantasy adventure and luxury fashion cinematography. Ultra-detailed textures, realistic water physics, dust particles, dramatic sunlight, cinematic motion blur, slow motion action moments, atmospheric depth, and high-end Hollywood visuals. STRICTLY FOLLOW EVERY PANEL IN SEQUENCE: PANEL 1 — “THE ARRIVAL” Wide aerial cinematic opening shot. Morning mist covers a massive valley landscape as golden sunlight breaks dramatically through clouds. A confident dark-haired woman wearing a tight black latex catsuit slowly rides a majestic white horse out of the fog toward camera. Wind flows through her hair and the horse’s mane. Epic scale, emotional buildup, cinematic drone movement, warm sunlight rays, atmospheric fantasy mood. PANEL 2 — “FULL SPEED” Dynamic side-tracking camera shot moving alongside the horse galloping at full speed through shallow reflective water. Massive water splashes explode around the horse’s legs in slow motion. The woman leans forward aggressively with intense focus. Hair flowing violently in the wind, reflective latex suit shining in sunlight. Fast cinematic energy, action trailer pacing, dramatic speed feeling. PANEL 3 — “THE CHASE BEGINS” Camera reveals multiple enemy riders appearing far behind through rising dust clouds. The woman looks back confidently while maintaining full-speed gallop. Handheld cinematic tension, fast cuts, aggressive horse movement, warm sunlight mixed with dusty atmosphere. Build suspense and urgency like a Hollywood chase scene. PANEL 4 — “RIVER LEAP” The white horse launches across a dangerous broken river gap in an epic slow-motion mid-air leap. Camera rotates dynamically around the horse while huge water sprays explode below. Sunlight creates powerful rim lighting around the woman and horse. Heroic blockbuster action moment with dramatic cinematic impact. PANEL 5 — “THE STANDOFF” The woman suddenly stops at the edge of a massive cliff. The white horse rears powerfully upward while wind blows her hair and outfit dramatically. Enemy riders approach in the distance. Low-angle cinematic hero framing, intense emotional tension, strong sunlight, dust and fabric movement, epic empowering atmosphere. PANEL 6 — “AMBUSH” Arrows fly rapidly through the air toward the woman. The horse drifts sideways aggressively through mud and shallow water while avoiding attacks. Dynamic low-angle action camera, chaotic movement, cinematic motion blur, flying debris, intense trailer pacing, adrenaline-heavy action choreography. PANEL 7 — “THE ESCAPE” Fast-paced forest chase scene. The horse races violently between trees while sunlight beams cut through the forest canopy. Branches snap and leaves explode into the air as enemies pursue closely behind. Handheld-style cinematic tracking shots, aggressive speed, shaky action realism, intense survival energy. PANEL 8 — “THE STORM” Dark storm clouds suddenly cover the sky as heavy rain begins pouring. The woman and white horse continue galloping through wet reflective terrain. Rain droplets hit the black latex suit and horse realistically. Cinematic lightning flashes, emotional fantasy atmosphere, darker color tones mixed with dramatic highlights. PANEL 9 — “THE FALL”show more

Alistair Campbell. You looked in the mirror this morning... and saw a moral authority. We looked at your hands and saw the blood of 179 British servicemen. You tweeted yesterday. Mocking Farage. Mocking Lowe. Mocking Musk. Mocking Robinson. Demanding they comment on police deaths and domestic violence before they comment on migration. You set yourself the judge of who may speak and who must stay silent. You are not a judge. You are an ex-communication in a suit, put out to pasture. You thought the deletion worked. The BBC drama suppressed for twenty years. The dossier buried. The Kelly affair whitewashed. The Portland contracts with Qatar and Kazakhstan hidden behind NDAs. You thought we got tired. You thought the six inquiries with zero prosecutions meant the file was closed. You are running now. We can smell it. We do not close files. We keep them open. We keep them sharp. You sit in your studio with Rory Stewart, collecting Chernin Group dollars and Tony Blair's Oracle money, attacking Farage and Musk and Robinson like a protection racket enforcer. "Nasty Nigel." The weekly column. Kevin Maguire at the Mirror still taking your calls, still writing your lines, still pretending he is a journalist when we have the Smeargate receipts. Did you think we filed those away, Alistair? Did you think the hands were clean, Alistair? They think the curtains are drawn. They think we cannot see them shaking. Poor things. We see the whole playground. You lecture Musk about megalomania from a studio funded by Oracle blood money. You sneer at Farage and Lowe from a sofa paid for by Qatar's missing millions. You mock Robinson while your own son's fraud investigation sits in a Metropolitan Police file. The glass house is cracking, Alistair. The stones are coming back. Here is what you need to understand, Alistair. We are the ones you do not know. The silent ones. The file-keepers. The ones who remember Dr Kelly while you remember your podcast download numbers. The ones who track the Portland contracts while you track your monthly £100,000. The ones who know about the son's fraud investigation while you know about the next GMB booking. You are not the hunter anymore. You are the hunted. Burnham will not save you. The podcast will not save you. The mental health shield will not save you. Your day in court is not a threat. It is a schedule. The laws that exempt you were written by your friends. Those friends are leaving. The new government will not have your back. They will have your file. Sleep tight, Alistair. The night is long. The file is thick. And we do not get tired. We get closer.show more

john wick seedance text to video prompt： [STYLE /... CINEMATIC SETUP] A 10.5-second, 16:9 photorealistic AAA action-game cinematic rendered at real-time speed with no slow motion. The setting is a cramped, cluttered late-night Asian restaurant connected to a rain-soaked street. Cyan-green fluorescent light, red neon and warm practical lamps create a high-contrast mixed-light environment, with reflections across wet floors and pavement. Shoot with a 35mm spherical lens, shallow-to-moderate depth of field and cinematic motion blur appropriate to the actual speed of movement. Use close shoulder-mounted and handheld coverage, connecting seven short close-combat shots with fast hard cuts. The camera instinctively pans, retreats or drops with each block, takedown and collision while keeping the action and contact points readable. No dialogue, no subtitles and no BGM. Generate only synchronized rain, appliance hum, urgent footsteps, fabric movement, body impacts, gunshots, metal contact and breaking glass. [IMAGE REFERENCES] No external still-image reference. Follow the written character and environment descriptions consistently. If the platform supports reference video, use the supplied video only as a reference for editing rhythm, camera distance, action direction and lighting atmosphere, not for copying a specific actor’s identity. The protagonist remains the same lean, agile man in his early forties throughout the sequence: neck-length black hair swept back, a short beard, a tired but focused face, a slightly wrinkled black suit, white shirt and narrow black tie, all carrying faint rain and wear marks. Preserve his face, hairstyle, body proportions, clothing and screen direction across all seven shots. Keep every opponent visually distinct: a man in a blue work uniform, a bald man in a navy jacket, a heavy man in a black jacket, a bald counter attacker, a red-headband attacker, a red-jacketed armed attacker and a heavy man in a dark green coat outside. [TIMELINE SECOND BY SECOND] 0–1.9s: [Shoulder-height medium close-up, tight lateral handheld tracking, real-time speed] The protagonist stands on screen left, pinning the blue-uniformed attacker against a glass refrigerator with his left forearm and palm. He delivers two compact, weighted elbow and palm-heel strikes. Each impact drives the attacker’s head into the refrigerator door, loosening his white headband and leaving a small blood trace on the glass; the attacker finishes sliding down the door while the protagonist remains standing. 1.9–4.3s: [Medium shot transitioning into a high-angle overhead, shoulder-mounted drop, real-time speed] Hard cut near the restaurant’s rear entrance. The bald attacker in a navy jacket locks the protagonist from behind. The protagonist lowers his center of gravity, traps the attacker’s arm and rotates his hips, throwing him heavily over the shoulder onto the wet floor. The camera drops with them into an overhead view. Kneeling across the attacker’s torso, the protagonist draws a compact black pistol and fires one downward shot; recoil travels through his wrist and the attacker jolts once before becoming still. 4.3–5.9s: [Tight medium shot, lateral handheld follow, real-time speed] Hard cut with both men already upright. A heavy attacker in a black jacket swings from screen right. The protagonist slips outside the punch, allowing it to pass close to his face, circles behind the attacker and locks his shoulder and neck off balance. He presses the pistol close to the side of the attacker’s head and fires. The muzzle flash briefly illuminates both faces; the attacker’s head and shoulders snap backward and his body begins to collapse. 5.9–7.9s: [Counter-height medium close-up, subtle handheld push-in, real-time speed] Hard cut to the restaurant counter. Another bald attacker bends forward and clamps around the protagonist’s waist. The protagonist pins the attacker’s head and neck under his left arm while grabbing a short, rigid pointed utensil from the counter. He drives two compact downward thrusts into the upper shoulder and side of the neck. Each contact bends the attacker’s knees further; a restrained amount of blood marks the shirt and counter edge before the attacker hangs helplessly beneath the protagonist’s controlling arm. 7.9–9.0s: [Two-person medium close-up, fast pan with a short retreat, real-time speed] Hard cut as the red-headband attacker rushes into close range. He throws a wide hook from screen right. The protagonist raises his forearm to block, catches the wrist and pulls it outward, then drives a palm heel and forearm into the attacker’s face. The camera retreats with the impact as the attacker loses his balance and staggers toward the rear right of the frame. 9.0–9.9s: [Low-angle wide shot, slight arc around the action, real-time speed] Hard cut to a wider section of the restaurant. The red-jacketed armed attacker advances from screen left. Holding a long black firearm with both hands, the protagonist uses it as a blunt weapon and swings horizontally from right to left. The weapon strikes the attacker’s upper chest and shoulder, rotating his torso, crossing his feet and sending him off balance toward screen left. 9.9–10.5s: [Exterior rainy-street medium shot, fast parallel tracking, real-time speed] Hard cut outside the restaurant. The protagonist already controls a heavy attacker in a dark green coat and uses his forward momentum to drive the man’s head and upper body into the side window of a parked black station wagon. The glass bursts inward at the contact point, scattering both large and fine fragments. The attacker folds through the broken window while the protagonist regains stable footing beside the car, ending with glass fragments still falling. [STYLE & QUALITY BOOSTERS] Maintain the protagonist’s face, black suit, white shirt, tie, hairstyle and body proportions through every hard cut. The pistol, pointed utensil, injuries and blood marks must appear only in their designated shots and must never morph or change ownership. Throws, recoil, strike reactions, loss of balance and window breakage must show believable weight, inertia and precise contact. Apply motion blur only to rapidly moving arms, weapons, glass fragments and camera-relative backgrounds. No sudden face or costume changes; no extra fingers, fused limbs or inverted joints; no morphing weapons, utensils or vehicles; no foot sliding or rubber-like collision reactions; no blood, bullet damage or glass fragments appearing before physical contact.show more