USC WR commit Quentin Hale is unstoppable. Two first-half... touchdowns and a 38-yard one-handed grab. Corona Centennial 21, Anaheim Servite 0show more

USC commit Quentin Hale gets loose. 14-0 Corona Centennial... over Servite first quarter.show more

USC COMMIT QUENTIN HALE WITH ONE HAND 🤯 Hale... (Quentin Hale 5⭐️) mosses the defender for an unreal grab for Centennial (CA) 🔥 Live on the NFHS Network Corona Centennial Footballshow more

Hey, ESPNAssignmentDesk, you may need to take a look... at this for #SCtop10 – give peewee football some love. Outstanding one-handed grab by 11-year-old JJ Giles of the Corona Chargers. JJ is the son of Corona Centennial basketball coach, Josh Giles. WR loading for Corona Centennial Football?show more

Second half is on deck, and don't miss our... first treat back at The Yard with a series-long Hawaiian Shirt giveaway! 👐 Grab your tix now! 🎟️show more

4-star #GoDawgs WR commit Jamir Dean creates an explosive... on 3rd-and-long. Dean catches a short one and surges upfield for a 44-yard gain. The No. 98 player in America is the fourth-highest-rated Dawg in the 2027 class.show more

Auburn LB commit Jaquez Wilkes with a big 39-yard... run on just the second Wadley offensive play of the game… which came with two minutes left in the first quarter Wadley marches down and scores to cut the Fayetteville lead to 21-8show more

BEARS HAVE HAD EVERY REASON TO BE RIGHT. THIS... IS THE FIRST ONE THAT ISN'T. Two sweeps marked the top above $126K. Two sweeps have now marked the low near $60K. Same liquidity grab, mirrored. I'm not calling a bottom on symmetry alone. But lose $60K and I'll drop this idea. Hold it, and bears have a problem.show more

🚨UPDATE: Washburn standout wide receiver Peter Afful has met... with the Denver #Broncos, Kansas City #Chiefs, Dallas #Cowboys, Washington #Commanders, and New York #Jets, source says. Afful is a 2x all-conference WR: Who had 1220 yards, 16 touchdowns, on 63 rec, and averaged 19.4 yards per catch which was 3rd in program history. Really impressive at the Kansas Pro Day: 39-inch Vertical 10’7” Broad jump 13 reps on the bench 4.42, 40-yard dash Speaking to league sources, multiple #NFL General Managers and teams have compared Peter Afful to former #Ravens speedy first-round WR and current #Cardinals standout Marquise Brown (Hollywood Brown). 👀👀👀 Afful CAN FLY🤯🤯🤯show more

The cheapest way to sell an app right now... is a face and a screen I'm running it and the conversion is stupid It's one video doing two jobs → A reaction that buys you the first second → Your app running on the screen behind it Neither half has to explain the other That's the whole thing The screen recording never changes You only ever swap the reaction on top An account with 1,584 followers did 908K views and 66.5K saves with this Ten minutes of filming is a month of adsshow more

Today, five men have been sentenced to a total... of 12 and a half years in prison for large-scale ticket fraud, following an extensive Merseyside Police investigation. The men were sentenced at Liverpool Crown Court today, after pleading guilty to the charges. They are: - Joseph Johnson, 42, of Chelford Road, Eccleston, St Helens: sentenced to four years and six months for Conspiracy to Commit Fraud by Abuse of Position; Conspiracy to Commit Fraud by False Representation; and Conspiracy to Sell Tickets Fraudulently - Louis James, 37, of Lapford Crescent, Kirkby: sentenced to two years and four months for Conspiracy to Commit Fraud by Abuse of Position; Conspiracy to Commit Fraud by False Representation; and Conspiracy to Sell Tickets Fraudulently - Liam Rice, 35, of Mount Crescent, Kirkby: sentenced to two years and 10 months for Conspiracy to Sell Tickets Fraudulently - Lee Smith, 38 of Moss Lane, Bickerstaff, Ormskirk: sentenced to two years and 10 months for Conspiracy to Commit Fraud by Abuse of Position; and Conspiracy to Sell Tickets Fraudulently - James Johnson, 34, of Westcombe Road, Anfield: sentenced to 21 months (suspended), for Conspiracy to Commit Fraud by Abuse of Position; and Conspiracy to Sell Tickets Fraudulently The group dishonestly obtained and resold tickets mainly for Liverpool FC matches at inflated prices through unofficial channels, creating over 1,000 fake memberships and even setting up a website to advertise tickets. Their scam, which grew into an international operation, has now been dismantled thanks to close work between Merseyside Police and LFC. Detective Chief Inspector Lynsay Armbruster said: "This was a complex, long-running investigation. These sentences send a clear message: ticket fraud will not be tolerated. Buying from unofficial sources risks losing money and being denied entry." LFC added: "We have zero tolerance for ticket misuse. Fans should only buy through official channels." ✅ For genuine tickets, visit LFC’s official site. ❌ Don’t risk buying from unofficial sellers.show more

From sofa to stadium in a single leap. From... living room to world-class stadium in seconds. Argentina vs Brazil, one magical run, one unstoppable strike, and a celebration heard around the world. Create your World Cup moment with SeaArt, earn free Credits and win an iPhone 17. #SeaArtWorldCup Made with Seedance Credit: SeaArt.Ai🐋 SeaArt Creator Lab Prompt: First-person POV from a comfortable reclining armchair in a cozy modern living room. From the very first frame, a large television mounted on the wall directly ahead is already showing a live Argentina vs Brazil football match in full swing. Soft afternoon sunlight streams through the windows, creating a relaxed match-day atmosphere. The viewer's legs are stretched out comfortably while wearing casual shorts, enjoying the game from a resting position. Authentic British football commentary and crowd noise play naturally from the television. At 0:02, a young woman wearing an appealing lavender-purple casual shorts outfit and a stylish half-French braid hairstyle enters from the right side of frame. She is a neutral football fan, not supporting either team. Drawn into the excitement of the match, she glances at the television, smiles, then accelerates into a sprint across the living room. At 0:04, she runs directly toward the television. The camera remains first-person and perfectly stable. At 0:05, she leaps into the TV screen in one continuous motion. No cuts, no scene jumps, no transitions breaking continuity. As she reaches the screen, the living room seamlessly dissolves away and transforms into a massive international football stadium hosting Argentina vs Brazil. Television audio smoothly expands into a deafening live stadium atmosphere. The transformation happens organically around the camera while preserving one uninterrupted shot. At 0:06, she lands smoothly on the pitch, still wearing the exact same lavender outfit and half-French braid. A single football rolls naturally toward her. IMPORTANT: Only one football exists throughout the entire video. The football must maintain perfect object permanence. The same ball remains continuously visible and physically consistent from first touch to goal. No duplication, replacement, morphing, teleportation, flickering, frame-to-frame jumps, texture changes, scaling changes, disappearing ball, floating ball, or AI artefacts. Realistic football physics only. At 0:07, she controls the football with a clean first touch. At 0:08–0:11, she dribbles continuously between Argentina and Brazil players. Every touch follows realistic momentum, spacing, and foot-to-ball contact. Defenders react naturally. No clipping, collision errors, or unnatural movements. At 0:11, she approaches the edge of the penalty area. At 0:12, she unleashes a powerful strike using the same football. The camera clearly tracks the football's entire flight path from her foot to the goal in one uninterrupted motion. Realistic spin, realistic speed, realistic trajectory. At 0:13, the football smashes into the top corner of the net. The net deforms naturally and ripples realistically. The crowd explodes with excitement. Authentic British football commentator shouts: "What a strike! Absolutely sensational!" At 0:14, she turns and sprints toward the corner flag as the camera follows closely. For the final second, she leaps high into the air and performs the iconic Siuuu celebration, rotating and landing with feet apart and arms extended downward while facing the roaring crowd. Her half-French braid swings dramatically behind her. Stadium lights illuminate the scene as thousands of fans celebrate. One continuous unbroken shot, no cuts, no scene resets, seamless living-room-to-stadium transformation, cinematic football commercial quality, authentic British football commentary, realistic player movement, physically accurate football physics, strict ball continuity, stable camera motion, premium sports broadcast visuals, dramatic stadium atmosphere, crowd chants, sprinting footsteps, grass impact sounds, powerful strike, realistic net ripple, ultra-realistic visuals, 15-second duration, 16:9 horizontal format, no logos, no text overlays, no subtitles, no watermark, no flickering objects, no AI artefacts, no visual glitches.show more

Month 1: $0 Month 2: $0 Month 3: $205... Month 4: 50,532 This is what actually happens when you stop overthinking and start a faceless YouTube channel the right way. Most people quit in the first 60 days because they see zero results and assume it doesn’t work. But the ones who push through the first two months with consistency usually see their first real payout in month 3. Here’s the simple system that makes this possible: Step 1: Pick one proven niche (history, facts, motivation, or luxury) and stick to it. Step 2: Use AI to generate 30 video ideas in one sitting so you never run out of content. Step 3: Outsource or use AI to create the videos (script + voice + editing) so you can upload consistently without burning out. Step 4: Upload 3–5 videos per week and stay consistent for 90 days without checking analytics every day. The first two months are almost always quiet. The third month is where most people either quit or finally get paid. If you’re willing to be patient for 90 days, this model still works extremely well in 2026. Watch the full breakdown in the video.show more

TIMED DIALOGUE IN A NIGHTCLUB. THREE WALLS FALL AT... ONCE. Nightclub sketch, cut in two halves. Black-and-white first - a couple making out on a couch, someone laughing off-camera. Then color reveals the setup: guy walks up with a drink, delivers a line, she gives him a one-sentence answer that changes the picture, he pauses, then kisses her anyway. None of them exist. It's fully generated, both halves. - What used to be four problems is now one clip Character consistency across a cut - same two faces in B&W and in color. Two-person dialogue with alternating lip sync - three separate English lines, all on time, all matching mouth shapes. Nightclub lighting - low light, saturated color wash, moving sources - was the last hard lighting environment for AI video to render without collapsing into noise. And a kiss - two faces contacting without merging into each other, which has been one of the persistent tells. Any one of these has been solvable for maybe six months. All four in one sketch was still a demo-reel problem in early 2026. - The B&W cut is doing two jobs The editing choice isn't style. It's engineering. Splitting a 15-second sketch into two 5-7 second clips means the model only has to hold consistency inside each segment, not across the whole thing. Monochrome also hides small differences between the two generations - if the girl's face is 3% off between the halves, B&W flattens the delta. Color grading in the second half does the reverse job. Two seams, both hidden by the aesthetic. - The comic beat is the actual craft Generating a kiss is one problem. Generating a kiss that lands as a punchline is a different one. The half-second where he pauses, processes, and decides not to care - that timing has to be prompted specifically. The default output of every current model is a rushed sequence with no beats. Deadpan comic delivery out of AI video means the operator wrote the prompt the way a screenwriter would - pauses, reactions, holds, all specified frame by frame. - What it costs Two 5-7 second clips at $3-5 each with in-model audio. Locked character references for both actors so the faces match across the cut. Prompt structured as a mini-script with beat notation. Realistically 40-60 rerolls to land the timing on all three spoken lines and the kiss. Under $200 in compute. A weekend from concept to publish-ready. - What this actually opens Short-form comedy has been the one segment of content nobody was making with AI video yet, because you can't fake comic timing when your output has drift and glitches. That barrier just came down. Which means every sketch account, every meme page, every stand-up clip factory now has a pipeline that doesn't require booking actors, renting a location, or getting a laugh out of a live crew. That's a real shift in a market that produces billions of views a month.show more

She wasn't dancing for anyone until the whole street... joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.show more

Leg curls go first in the session. Not last,... not as a finisher, not squeezed in if there is time. The knee is held together by an argument between two muscles. The quads pull the shin forwards, the hamstrings pull it back, and when those two are anywhere near matched the joint tracks properly and the load goes where it should. Now look at how the average leg day is arranged. Squats, presses and extensions while you are fresh, hammering the quads. Then curls at the end, two half-hearted sets, done in a state where you could not produce real force if you tried. Run that for a few years and it stops being an argument. One side has been training. The other has been turning up late. Put the curls at the front and you fix both halves at once. The hamstrings arrive at your heavy squats already switched on, which is the cheapest knee insurance in the building. And they finally get trained fresh, so they actually progress instead of living off the scraps. Four to six reps, heavy, two sets, then go and squat. If your knees already complain, start here. If they don't, this is how they stay that way.show more

Sohan, a 12th-grade student, was dragged off a bus... by police near Malhargarh in Madhya Pradesh without any reason, warrant or case against him, just on suspicion of drugs, though he had NONE. When they found nothing, the cops planted 2.7 kg of opium on him, filed a false report, claimed a big drug bust, and jailed him. Bus CCTV footage showed he was empty-handed and when it went viral, the police first denied involvement but later admitted the mistake in court. SP apologized, started an inquiry and freed Sohan after TWO MONTHS IN JAIL. Ironically, this "best" awarded police station shows how easily cops can destroy innocent lives without proof like video. Without that CCTV in the bus, Sohan would have spent half of his life in Jail. The case is still ongoing. A hearing is scheduled for today, January 12th.show more

#Patriots Voluntary OTA Notes [Non-Padded] (6/2): 𝗢𝗳𝗳𝗲𝗻𝘀𝗲 • QB... Drake Maye connected with WR Kayshon Boutte for the play of the day — Maye perfectly placed the ball deep along the left side of the field and Boutte made a fingertip catch. • QB Drake Maye had no turnovers today and he had his best day of open OTAs by far — Maye completed 9 straight passes at one point. • Full QB Stats: Maye 14/16 Dobbs 11/13 Wooldridge 4/8, INT • WRs DeMario Douglas, Kayshon Boutte, Kyle Williams and Efton Chism spent the most time working with QB Drake Maye today. • WR Efton Chism III had 7 receptions on 7 targets and looked to always be open — the undrafted rookie took several snaps with QB Drake Maye and the top offensive unit. • RB Rhamondre Stevenson made an extremely impressive finger-tip grab for a 25-yard gain on a dot from QB Drake Maye. • OL Cole Strange and Wes Schweitzer were the two primary left guards today — that spot on the offensive line is truly a competition. • TE Jaheim Bell had a rough day — the former seventh-round pick had 2 bad drops. • It was a bit of a quiet day for rookie WR Kyle Williams who caught 1 of his 2 targets. • WR Stefon Diggs was limited today working with WR Ja’Lynn Polk off to the side at times — Diggs closely observed the offense towards the end of practice as they practiced plays. • Rookie TE CJ Dippre caught a nice pass thrown by QB Ben Wooldridge up the seam. • Veteran OT Morgan Moses once again stayed after practice to help and give advice to the young offensive lineman. • RG Mike Onwenu says he feels good getting back to an offense he is familiar with — Onwenu adds that he is rehabbing from a hand injury. • RB Rhamondre Stevenson says RBs coach Tony Dews flew to visit him in Las Vegas while Stevenson was dealing with his father’s passing. • Limited: WR Stefon Diggs WR Ja'Lynn Polk OL Mike Onwenu OL Jared Wilson OT Vederian Lowe TE Austin Hooper • Absent: WR Mack Hollins (Present But DNP) WR Kendrick Bourne (Unknown) RB Trayveon Williams (Unknown) OL Tyrese Robinson (Unknown) 𝗗𝗲𝗳𝗲𝗻𝘀𝗲 • DE Keion White was disruptive today — White sacked both QB Drake Maye and QB Josh Dobbs during team drills. • Rookie S Josh Minkins intercepted QB Ben Wooldridge during 11-on—11s • CB Christian Gonzalez, S Jaylinn Hawkins, and LB Monty Rice each had a pass break up. • DT Joshua Farmer batted another pass down during team drills — Farmer has been able to bat passes down consistently during OTAs. • CB Christian Gonzalez gave up a catch to WR Efton Chism — Chism got open after running an impressive dig route. • LB Jahlani Tavai went down during team period and was grabbing his left knee — the veteran had to be helped off the field after staying down for a couple minutes. • CBs Alex Austin and Marcellas Dial spent time in the slot — Austin has consistently taken reps in the slot since the start of OTAs. • The defensive line continues to disrupt the offense. • Limited: DL Jaquelin Roy DL Wilfried Pene • Absent: CB Carlton Davis (Unknown) CB Marcus Jones (Unknown) ED Anfernee Jennings (Unknown) 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗧𝗲𝗮𝗺𝘀 • Field Goals (33-50 Yards) Andy Borregales: 4/4 John Parker Romo: 2/4, missed wide right Borregales has yet to miss during open OTAs. #NEPatsshow more

A lot has been said about my Mum. Allow... me say this. Frame one; That’s my home back in the village. Frame two; It’s the new home I built for my mum after I graduated in 2021 at the age of 21. In my whole generation no one has ever built a permanent house EVER!! Frame Three; Is my happy mum when I took her home and handed over the house to her. Frame four; This is her small business I opened for her in Mukuru slums to sell fruits as she does tailoring and repairing clothes for customers. Remember she has been a house girl for all these years to provide for all of us. So kabla nipate kazi nimtoe apo. The little I got nilimuekea biashara. You can see how happy she is. All said and done. Now you know why it’s a big deal Kupewa affordable house na my DAD William Samoei Ruto, PhD I’ll forever sing the TUTAM gospel Juu me ndio najua what he has done for us. Mambo ni TUTAM!!show more

Ever wanted to enter the TV during a match?... Made this video using Seedance 2.0 on Picsart Try here: prompt First-person POV from a comfortable reclining armchair in a cozy modern living room decorated with elegant baby-pink accents. Soft baby-pink cushions, a pastel pink knitted blanket, subtle blush décor, and warm neutral furniture create a stylish modern aesthetic. From the very first frame, a large wall-mounted television directly ahead is already broadcasting a live Argentina vs Spain football match in full swing. Soft golden afternoon sunlight pours through the windows, filling the room with a warm, inviting match-day atmosphere. The viewer's legs are stretched out comfortably while wearing casual shorts, enjoying the game from a relaxed position. Authentic British football commentary and realistic crowd ambience naturally play from the television. At 0:02, a beautiful young woman wearing a fashionable baby-pink casual shorts outfit with white sneakers enters from the right side of the frame. Her hair is styled in a neat half-French braid that moves naturally with every step. She is a neutral football fan, supporting neither team. She notices the intensity of the Argentina vs Spain match, smiles with excitement, then suddenly accelerates into a sprint across the living room. At 0:04, she runs directly toward the television. The camera remains perfectly stable in a first-person perspective without shaking or zooming. At 0:05, she leaps directly into the television screen in one continuous motion. No cuts, no edits, no transitions. As she reaches the display, the entire living room organically dissolves into a gigantic international football stadium hosting Argentina vs Spain. The television audio naturally expands into an overwhelming live stadium atmosphere while maintaining one uninterrupted continuous shot. At 0:06, she lands smoothly on the football pitch still wearing the exact same baby-pink outfit and identical half-French braid. A single football rolls naturally toward her. STRICT OBJECT PERMANENCE: Only one football exists during the entire video. The same football remains continuously visible from first touch until the goal. No duplication, replacement, teleportation, morphing, flickering, disappearing, texture changes, scaling inconsistencies, floating ball, clipping, frame jumps, or AI artefacts. Realistic football physics only. At 0:07, she cushions the ball perfectly with a controlled first touch. From 0:08–0:11, she dribbles continuously through both Argentina and Spain defenders using realistic footwork, believable acceleration, proper spacing, authentic body balance, and natural player reactions. Every touch follows realistic momentum with accurate football physics. No clipping, collision issues, or unnatural animation. At 0:11, she reaches the edge of the penalty area. At 0:12, she unleashes a powerful long-range strike using the same football. The camera smoothly tracks the ball's entire flight from her foot to the goal in one uninterrupted motion. Realistic spin, natural speed, believable trajectory, premium broadcast-quality tracking. At 0:13, the football rockets into the top corner of the net. The goal net stretches and ripples realistically as the stadium erupts. Authentic British football commentator shouts: "What a strike! Absolutely sensational!" Crowd chants become deafening. At 0:14, she turns and sprints toward the corner flag as the camera follows closely behind. For the final second, she leaps high into the air and performs the iconic Siuuu celebration, rotating before landing confidently with feet apart and arms extended downward while facing the roaring crowd. Her half-French braid swings dramatically through the air. Brilliant stadium floodlights illuminate the scene as tens of thousands of fans celebrate around her. **Ultra-realistic cinematic football commercial, premium sports broadcast quality, seamless living-room-to-stadium transformation, one continuous unbroken shot, authentic British football commentary, realistic player movement, physically accurate football physics, strict single-ball continuity, stable first-person camera, cinematic lighting, dramatic atmosphere, crowd chants, sprinting footsteps, grass impact sounds, realistic ball contact, powerful strike, natural net deformation, HDR, ultra-detailed textures, premium realism, 15-second duration, portrait 9:16, baby-pink aesthetic, no logos, no text overlays, no subtitles, no watermark, no flickering objects, no AI artefacts, no visual glitches.show more