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1. Open Gemini 2. Upload your image 3. Prompt: Use my uploaded image as the exact reference for the main hero. Create a photorealistic cinematic 8-second scene from an original 1980s Indian action movie. Keep my face, identity, hairstyle, moustache, sunglasses, denim jacket, white shirt and appearance exactly consistent....

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RAVI KUMAR SAHU

72,965 subscribers

81,921 Aufrufe • vor 4 Tagen •via X (Twitter)

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MiniMax H3 Character Introduction Prompt: Use @[char ref] as the sole character reference. Preserve the exact identity, face, body proportions, hairstyle, outfit, colors, materials and overall silhouette of the character throughout the entire video. Do not redesign, simplify or replace any defining visual features. Create a cinematic character introduction focused on presence, silhouette, attitude and controlled motion. 0–4s Begin with a close shot of a defining lower-body or detail element such as boots, shoes, feet, hands, clothing hem or an important accessory. The character enters frame or settles into position. The camera slowly tracks upward while hair, clothing and secondary elements move naturally in the wind or environment. 4–8s Reveal more of the body with a medium or medium-wide shot from the back, side or three-quarter angle. The character stands in a calm, composed way inside the environment. The camera makes a smooth orbit, arc or lateral move to gradually reveal the character’s face and silhouette. 8–12s Move into a tight cinematic portrait or upper-body shot. The character performs one subtle signature action that fits their personality, such as lifting the chin, turning the head, adjusting clothing, brushing hair aside, opening a hand, looking toward camera, or shifting posture. Keep the motion minimal and intentional. The expression should match the character’s vibe. 12–15s End with a strong full-body hero shot that clearly presents the entire design and silhouette. Use a low-angle, eye-level or slightly dramatic framing depending on the character’s personality. The character settles into a natural final pose and holds it confidently for a clean final reveal. VISUAL DIRECTION Premium cinematic presentation. Match the visual medium and rendering style of @[char ref]. Emphasize clean silhouette, elegant staging, subtle secondary motion, believable hair and cloth movement, strong composition, atmospheric depth and polished lighting. The scene should feel like a high-end anime, game or film character introduction. CAMERA Use a clear progression from detail reveal to partial reveal to face reveal to full-body hero reveal. Camera movement should be smooth, controlled and intentional. Avoid chaotic motion. ENVIRONMENT Place the character in a fitting environment that supports their identity and mood. The background should enhance the character without distracting from them.

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Seedance V2 test This is from my jimeng account. Subject & Action: A multi-shot sequence featuring Groklyn (Image). • Shot 1: Medium shot in a white dressing room. Groklyn holds a phone and waves slowly and casually into the mirror. She speaks in a cool, low-pitched voice with a slight vocal fry: "안녕. It’s Groklyn. Just testing the new Seedance V2." • Shot 2: Transition to a close-up of her face. She slowly tucks a strand of blonde hair behind her ear to highlight her silver hoop earring and turns her head slightly to admire the detail. She speaks in an impressed, breathy tone: "The motion is honestly... 대박. Just look at these details." • Shot 3: Return to a medium shot. She poses in the mirror, makes a Korean finger-heart gesture near her cheek, holds it, and then winks at the camera. She asks confidently: "Does this look real to you guys? Let me know. 안녕." Camera & Scene: Cinematic camera work with slow zooms and stable tracking. The environment is a brightly lit, minimalist white studio dressing room with soft, natural lighting and sharp 4K resolution. Style & Constraints: Hyper-realistic cinematic texture with rich details and 1080p clarity. Strict consistency is required: maintain the exact face, platinum blonde hairstyle, black floral corset, and cross necklace from Image throughout all shots. Ensure smooth, fluid motion with no flickering or distortion.

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Testing MiniMax H3 to create a realistic 1947 historical sequence with an authentic vintage film look. Prompt: Create a 15-second ultra-photorealistic live-action war sequence set in the United States in 1947, designed to look like authentic historical footage captured on a 1940s film camera. The entire scene must feel grounded, documentary-like, raw, and physically realistic. Environment: A rural American town in 1947 with wooden houses, old brick buildings, telephone poles, dirt roads, vintage American cars from the 1940s, wooden fences, farmland, and period-accurate street details. Overcast afternoon light, light fog, drifting smoke, dust in the air, damaged buildings, scattered debris, and a tense wartime atmosphere. Characters: American soldiers wearing historically accurate late-1940s military uniforms, helmets, boots, and equipment. Civilians wear authentic 1940s American clothing. Natural faces, realistic skin texture, sweat, dirt, fatigue, and believable body movements. 0–3s — Establishing Shot: Wide handheld shot of a quiet rural American street suddenly filled with smoke and confusion. Vintage 1940s vehicles are parked along the road while soldiers move quickly between wooden buildings. Civilians rush toward safer areas. 3–6s — Tension: Camera moves through the street at shoulder height, following several soldiers as distant gunfire is heard. They immediately react and take cover behind a vintage vehicle and a brick wall. Their movements are cautious and realistic. 6–10s — Combat: Fast handheld tracking shot as the soldiers move between cover while distant gunfire impacts the environment. Small pieces of wood, dust, and debris fall naturally from nearby impacts. Weapon recoil, movement, and body weight must be physically accurate. Keep the violence realistic and restrained. 10–13s — Human Moment: Camera briefly focuses on a soldier helping an injured civilian move behind cover. Their breathing, facial expressions, body language, and movement should feel natural and unscripted. 13–15s — Final Shot: Camera pulls back into a wide shot of the American town as smoke slowly moves through the street. Soldiers remain behind cover while vintage vehicles and damaged buildings fill the background. The scene ends with an authentic, tense 1940s documentary feeling. Visual Style: Ultra-photorealistic live-action, authentic 1940s American environment, vintage 35mm film texture, subtle film grain, natural imperfections, realistic exposure, handheld documentary cinematography, muted historical color palette, realistic smoke and dust, natural shadows, accurate depth of field. Physics: Strictly obey real-world gravity, momentum, inertia, friction, recoil, weight, collision physics, and human biomechanics. No exaggerated explosions, impossible movements, superhero behavior, or choreographed-looking combat. Negative Prompt: modern buildings, modern cars, smartphones, modern clothing, modern weapons, futuristic technology, CGI appearance, video-game graphics, fantasy, superhero action, excessive explosions, excessive blood, gore, impossible physics, unrealistic recoil, slow-motion physics, distorted faces, extra limbs, floating objects, plastic skin, artificial-looking environments.
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Testing MiniMax H3 to create a realistic 1947 historical sequence with an authentic vintage film look. Prompt: Create a 15-second ultra-photorealistic live-action war sequence set in the United States in 1947, designed to look like authentic historical footage captured on a 1940s film camera. The entire scene must feel grounded, documentary-like, raw, and physically realistic. Environment: A rural American town in 1947 with wooden houses, old brick buildings, telephone poles, dirt roads, vintage American cars from the 1940s, wooden fences, farmland, and period-accurate street details. Overcast afternoon light, light fog, drifting smoke, dust in the air, damaged buildings, scattered debris, and a tense wartime atmosphere. Characters: American soldiers wearing historically accurate late-1940s military uniforms, helmets, boots, and equipment. Civilians wear authentic 1940s American clothing. Natural faces, realistic skin texture, sweat, dirt, fatigue, and believable body movements. 0–3s — Establishing Shot: Wide handheld shot of a quiet rural American street suddenly filled with smoke and confusion. Vintage 1940s vehicles are parked along the road while soldiers move quickly between wooden buildings. Civilians rush toward safer areas. 3–6s — Tension: Camera moves through the street at shoulder height, following several soldiers as distant gunfire is heard. They immediately react and take cover behind a vintage vehicle and a brick wall. Their movements are cautious and realistic. 6–10s — Combat: Fast handheld tracking shot as the soldiers move between cover while distant gunfire impacts the environment. Small pieces of wood, dust, and debris fall naturally from nearby impacts. Weapon recoil, movement, and body weight must be physically accurate. Keep the violence realistic and restrained. 10–13s — Human Moment: Camera briefly focuses on a soldier helping an injured civilian move behind cover. Their breathing, facial expressions, body language, and movement should feel natural and unscripted. 13–15s — Final Shot: Camera pulls back into a wide shot of the American town as smoke slowly moves through the street. Soldiers remain behind cover while vintage vehicles and damaged buildings fill the background. The scene ends with an authentic, tense 1940s documentary feeling. Visual Style: Ultra-photorealistic live-action, authentic 1940s American environment, vintage 35mm film texture, subtle film grain, natural imperfections, realistic exposure, handheld documentary cinematography, muted historical color palette, realistic smoke and dust, natural shadows, accurate depth of field. Physics: Strictly obey real-world gravity, momentum, inertia, friction, recoil, weight, collision physics, and human biomechanics. No exaggerated explosions, impossible movements, superhero behavior, or choreographed-looking combat. Negative Prompt: modern buildings, modern cars, smartphones, modern clothing, modern weapons, futuristic technology, CGI appearance, video-game graphics, fantasy, superhero action, excessive explosions, excessive blood, gore, impossible physics, unrealistic recoil, slow-motion physics, distorted faces, extra limbs, floating objects, plastic skin, artificial-looking environments.

Ruzaina

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Obsessed with skincare and UGC Seedance 2.5 Prompt : Create a high-energy, authentic UGC skincare video using the uploaded storyboard as the visual guide and the uploaded girl image as the exact character reference. Keep her face, hairstyle, makeup, body proportions, pink jacket, white top, accessories, and overall appearance consistent throughout, with no outfit or color changes. She starts in a cozy bedroom holding the pink skincare jar toward the camera and says, “Okay, I finally tried this, and I have to show you!” She opens the jar and brings it close to the lens, followed by an extreme macro shot of the glossy pink jelly cream as she stretches it between her fingers, showing its bouncy, translucent texture. She reacts playfully: “Look at this texture… it’s so bouncy and jelly-like!” Cut to a handheld selfie close-up as she applies a small amount to her cheek and says, “Look how easily this melts into my skin.” Show an ultra-detailed macro shot of the cream spreading naturally across her skin, preserving realistic pores, fine texture, and a fresh hydrated glow. Quick UGC-style cuts show her touching her cheek, smiling at the camera, holding the jar beside her face, and giving an enthusiastic thumbs-up. She finishes by bringing the product close to the camera and saying, “Honestly, I’m obsessed. This is definitely staying in my routine.” Use authentic handheld smartphone movement, natural facial expressions, quick jump cuts, close-up product shots, satisfying texture shots, soft pink bedroom lighting, realistic skin, shallow depth of field, subtle focus pulls, natural voice, light upbeat background music, and satisfying product sounds. Keep the product packaging sharp and consistent, with no distorted hands, duplicated fingers, changing clothes, changing face, or invented packaging. Vertical 9:16, polished but believable TikTok/Reels UGC aesthetic.
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Obsessed with skincare and UGC Seedance 2.5 Prompt : Create a high-energy, authentic UGC skincare video using the uploaded storyboard as the visual guide and the uploaded girl image as the exact character reference. Keep her face, hairstyle, makeup, body proportions, pink jacket, white top, accessories, and overall appearance consistent throughout, with no outfit or color changes. She starts in a cozy bedroom holding the pink skincare jar toward the camera and says, “Okay, I finally tried this, and I have to show you!” She opens the jar and brings it close to the lens, followed by an extreme macro shot of the glossy pink jelly cream as she stretches it between her fingers, showing its bouncy, translucent texture. She reacts playfully: “Look at this texture… it’s so bouncy and jelly-like!” Cut to a handheld selfie close-up as she applies a small amount to her cheek and says, “Look how easily this melts into my skin.” Show an ultra-detailed macro shot of the cream spreading naturally across her skin, preserving realistic pores, fine texture, and a fresh hydrated glow. Quick UGC-style cuts show her touching her cheek, smiling at the camera, holding the jar beside her face, and giving an enthusiastic thumbs-up. She finishes by bringing the product close to the camera and saying, “Honestly, I’m obsessed. This is definitely staying in my routine.” Use authentic handheld smartphone movement, natural facial expressions, quick jump cuts, close-up product shots, satisfying texture shots, soft pink bedroom lighting, realistic skin, shallow depth of field, subtle focus pulls, natural voice, light upbeat background music, and satisfying product sounds. Keep the product packaging sharp and consistent, with no distorted hands, duplicated fingers, changing clothes, changing face, or invented packaging. Vertical 9:16, polished but believable TikTok/Reels UGC aesthetic.

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What did you do to my friend !! 😡 This is the trending “Fight Prompt” going viral Prompt : Use the first uploaded image as the main reference for the school uniform, body proportions, pose, posture, background, camera angle, framing, and overall composition. Use the second uploaded image as the identity reference for the face and hairstyle. Create a realistic Korean influencer-style school uniform portrait where the person from the second image naturally appears wearing the school uniform from the first image, photographed in the same studio setting. Important: Keep the school uniform, blazer, shirt, tie, skirt or pants, and overall outfit design from the first image. Keep the body proportions, standing pose, hand placement, posture, camera angle, framing, and studio background from the first image. Replace the face with the person from the second image. Also preserve the hairstyle from the second image, including bangs, hairline, hair part, hair length, hair framing around the face, and overall hair silhouette. Do not use the hairstyle from the first image if it differs from the second image. Identity: The face from the second image must remain clearly recognizable. Preserve the second person’s face shape, eyes, nose, lips, skin tone, jawline, and overall facial impression. Do not turn the face into a generic attractive face. Do not beautify too heavily. Preserve the person’s recognizable identity, but do not copy the face too rigidly. Reinterpret it naturally so it looks like a realistic photo of the same person in this new school-uniform scene. Keep the same overall facial impression and identity while allowing natural refinement and seamless adaptation to the lighting, angle, and mood of the target image. Hair: Follow the hairstyle from the second image. Preserve the second person’s bangs, hairline, hair part, hair texture, hair length, and overall hairstyle impression. Only adapt the hair naturally so it fits the pose, lighting, and composition of the first image. Korean influencer mood: clean modern Korean influencer portrait polished but natural beauty soft photogenic expression subtle editorial mood stylish, slightly chic, youthful, and confident atmosphere refined but believable skin texture clear eyes with soft catchlights naturally pretty, not over-retouched avoid stiff ID-photo mood Lighting: soft Korean beauty lighting gentle facial brightness clean skin tone soft natural highlights on the face natural shadow transition subtle glow, but realistic skin texture avoid harsh flash avoid flat passport-photo lighting avoid dramatic studio glamour lighting Style: realistic photography clean studio portrait quality Korean influencer-style school portrait mood natural skin texture high detail seamless face and hair integration polished but believable Negative prompt: no identity loss no generic attractive face no over-beautified face no first-image hairstyle if different no awkward face blending no mismatched skin tone no mismatched hairline no distorted facial features no blurry eyes no deformed hands no extra fingers no change to the school uniform no change to the body pose no change to the background no cartoon style no anime style no text no watermark
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What did you do to my friend !! 😡 This is the trending “Fight Prompt” going viral Prompt : Use the first uploaded image as the main reference for the school uniform, body proportions, pose, posture, background, camera angle, framing, and overall composition. Use the second uploaded image as the identity reference for the face and hairstyle. Create a realistic Korean influencer-style school uniform portrait where the person from the second image naturally appears wearing the school uniform from the first image, photographed in the same studio setting. Important: Keep the school uniform, blazer, shirt, tie, skirt or pants, and overall outfit design from the first image. Keep the body proportions, standing pose, hand placement, posture, camera angle, framing, and studio background from the first image. Replace the face with the person from the second image. Also preserve the hairstyle from the second image, including bangs, hairline, hair part, hair length, hair framing around the face, and overall hair silhouette. Do not use the hairstyle from the first image if it differs from the second image. Identity: The face from the second image must remain clearly recognizable. Preserve the second person’s face shape, eyes, nose, lips, skin tone, jawline, and overall facial impression. Do not turn the face into a generic attractive face. Do not beautify too heavily. Preserve the person’s recognizable identity, but do not copy the face too rigidly. Reinterpret it naturally so it looks like a realistic photo of the same person in this new school-uniform scene. Keep the same overall facial impression and identity while allowing natural refinement and seamless adaptation to the lighting, angle, and mood of the target image. Hair: Follow the hairstyle from the second image. Preserve the second person’s bangs, hairline, hair part, hair texture, hair length, and overall hairstyle impression. Only adapt the hair naturally so it fits the pose, lighting, and composition of the first image. Korean influencer mood: clean modern Korean influencer portrait polished but natural beauty soft photogenic expression subtle editorial mood stylish, slightly chic, youthful, and confident atmosphere refined but believable skin texture clear eyes with soft catchlights naturally pretty, not over-retouched avoid stiff ID-photo mood Lighting: soft Korean beauty lighting gentle facial brightness clean skin tone soft natural highlights on the face natural shadow transition subtle glow, but realistic skin texture avoid harsh flash avoid flat passport-photo lighting avoid dramatic studio glamour lighting Style: realistic photography clean studio portrait quality Korean influencer-style school portrait mood natural skin texture high detail seamless face and hair integration polished but believable Negative prompt: no identity loss no generic attractive face no over-beautified face no first-image hairstyle if different no awkward face blending no mismatched skin tone no mismatched hairline no distorted facial features no blurry eyes no deformed hands no extra fingers no change to the school uniform no change to the body pose no change to the background no cartoon style no anime style no text no watermark

Ai Arainz

104,348 Aufrufe • vor 4 Monaten

It just works. Seedance 2.0 prompts are below 👇 Authentic live-action cinematic footage shot on real 35mm film as one continuous dynamic tracking shot in an urban city during overcast daylight. Natural light, real city atmosphere, subtle film grain, smooth yet energetic camera movement following the action without any cuts. Authentic physics and surprise, no CGI. Use the exact man from the reference image: 40-year-old white man with short dark beard, wearing black beanie, thick gold chains, black and grey plaid shirt over white t-shirt, blue jeans. Tough, street-wise appearance. 0-3s: The man stands clearly at the edge of a gritty urban rooftop, cornered, hands in pockets, looking down with a calm, determined expression. The camera slowly pushes in on him as he leans back and deliberately lets himself fall backwards off the roof into the void. 3-6s: As he plummets toward the ground, just before impact his body transforms in a quick burst of white mist and subtle particles into an ordinary city pigeon. The pigeon immediately takes flight with powerful wingbeats. The camera plunges down with him and then smoothly transitions into following the pigeon as it flies low over the street toward a nearby park. 6-10s: The camera continues tracking the pigeon as it flies into the park and lands among other pigeons on the ground. An old man is sitting on a bench throwing bread crumbs. The pigeon walks forward and starts eating the bread naturally. The camera moves to ground level, smoothly following the pigeon as it eats. 10-13s: While the pigeon is eating, it transforms back into the man in a quick flash of white mist and particles. He rises from a crouch, stands up, and casually shakes his shoulders and arms. The camera rises with him and continues tracking as he walks calmly toward the old man on the bench. 13-15s: The man reaches the old man. They share a quick, respectful fist bump. The man then turns and walks away confidently into the park. The camera slowly pulls back in one continuous movement, revealing the old man watching him leave with his mouth slightly open in quiet astonishment. Photorealistic real film capture, ultra-detailed skin, clothing, feathers and urban textures, perfect real-world physics during the fall and transformations, natural motion blur, cinematic color grading, heavy realistic film grain, stable real performer, no digital artifacts, authentic urban location quality, 100% practical footage feel with subtle mystical transformation effects captured on film. share yours!
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It just works. Seedance 2.0 prompts are below 👇 Authentic live-action cinematic footage shot on real 35mm film as one continuous dynamic tracking shot in an urban city during overcast daylight. Natural light, real city atmosphere, subtle film grain, smooth yet energetic camera movement following the action without any cuts. Authentic physics and surprise, no CGI. Use the exact man from the reference image: 40-year-old white man with short dark beard, wearing black beanie, thick gold chains, black and grey plaid shirt over white t-shirt, blue jeans. Tough, street-wise appearance. 0-3s: The man stands clearly at the edge of a gritty urban rooftop, cornered, hands in pockets, looking down with a calm, determined expression. The camera slowly pushes in on him as he leans back and deliberately lets himself fall backwards off the roof into the void. 3-6s: As he plummets toward the ground, just before impact his body transforms in a quick burst of white mist and subtle particles into an ordinary city pigeon. The pigeon immediately takes flight with powerful wingbeats. The camera plunges down with him and then smoothly transitions into following the pigeon as it flies low over the street toward a nearby park. 6-10s: The camera continues tracking the pigeon as it flies into the park and lands among other pigeons on the ground. An old man is sitting on a bench throwing bread crumbs. The pigeon walks forward and starts eating the bread naturally. The camera moves to ground level, smoothly following the pigeon as it eats. 10-13s: While the pigeon is eating, it transforms back into the man in a quick flash of white mist and particles. He rises from a crouch, stands up, and casually shakes his shoulders and arms. The camera rises with him and continues tracking as he walks calmly toward the old man on the bench. 13-15s: The man reaches the old man. They share a quick, respectful fist bump. The man then turns and walks away confidently into the park. The camera slowly pulls back in one continuous movement, revealing the old man watching him leave with his mouth slightly open in quiet astonishment. Photorealistic real film capture, ultra-detailed skin, clothing, feathers and urban textures, perfect real-world physics during the fall and transformations, natural motion blur, cinematic color grading, heavy realistic film grain, stable real performer, no digital artifacts, authentic urban location quality, 100% practical footage feel with subtle mystical transformation effects captured on film. share yours!

TechHalla

42,633 Aufrufe • vor 2 Monaten

One girl. One sword. One unstoppable dinosaur. ⚔️🦖 When courage meets the ultimate battle, legends are born. Created with MiniMax H3 Prompt: Create a 14-second ultra-realistic Hollywood-style action fantasy film scene featuring a brave young female warrior battling a massive realistic Tyrannosaurus Rex inside an ancient jungle filled with ruined temples, giant trees, mist, mud, rain, smoke, and dramatic sunlight. Visual Style: Premium Hollywood blockbuster, photorealistic, cinematic, epic scale, realistic human anatomy, realistic dinosaur skin and movement, dramatic lighting, detailed environment, natural physics, intense facial expressions, high-end VFX, ARRI Alexa 35 look, anamorphic lens, shallow depth of field, HDR, subtle film grain, 4K cinematic quality, dynamic camera movement, realistic motion blur. 0–2 seconds — Establishing Shot: Wide cinematic shot of an ancient jungle temple in the middle of a mysterious rainforest. The female warrior stands alone in the ruins, holding a large sword in one hand. Her clothes are rugged fantasy-warrior clothing, slightly wet from the rain. Mist moves through the trees while birds fly in the distant sky. Slow camera push-in toward her. 2–3 seconds — Hero Close-Up: Cut to a dramatic close-up of the girl's face. Her hair is slightly wet and moving in the wind. She looks determined and fearless. Small scratches and dirt are visible on her face. She slowly raises her sword and prepares for battle. 3–4 seconds — Dinosaur Reveal: Suddenly, a massive realistic T-Rex emerges from behind the jungle trees and roars aggressively. Its enormous jaws open, sharp teeth visible, water and mud splashing around its feet. Low-angle camera makes the dinosaur look huge and terrifying. 4–6 seconds — First Attack: The dinosaur charges toward the girl at full speed. She runs toward the side and performs a fast dodge at the last second. The dinosaur crashes through trees and debris behind her. Use handheld camera movement, fast tracking, realistic impact and flying dust. 6–8 seconds — Sword Counterattack: The girl quickly turns around and attacks with her sword. Show a dramatic slow-motion moment as she swings the sword toward the dinosaur. The dinosaur moves its head aggressively while roaring. Strong cinematic camera movement follows the sword. 8–10 seconds — Epic Jump: The dinosaur attacks again. The girl jumps onto a large fallen tree and then leaps into the air above the dinosaur. Her hair and clothing move naturally in slow motion. Camera rotates around her as she raises the sword for the final strike. 10–12 seconds — Final Strike: She lands a powerful cinematic sword strike against the dinosaur's armored hide. Create a dramatic impact with dust, rainwater, debris and strong camera shake. Keep the action non-gory and suitable for a blockbuster fantasy film. 12–13.5 seconds — Dinosaur Falls Back: The dinosaur loses balance and falls backward into the muddy ground with a huge impact. Water, dust and leaves fly into the air. The girl lands safely and stands ready, breathing heavily. 13.5–14 seconds — Hero Ending: Slow cinematic push-in toward the girl. She lowers the sword slightly and looks directly toward the camera with a powerful, fearless expression. Behind her, the defeated dinosaur lies in the misty jungle. Golden sunlight breaks through the clouds, creating an epic silhouette and emotional Hollywood-style ending. Camera & Cinematography: Wide establishing shots, low-angle dinosaur shots, close-up facial shots, handheld action camera, tracking shots, 360-degree movement during the jump, dramatic slow motion during key action moments, shallow depth of field for close-ups, realistic motion blur, cinematic composition. Lighting & Atmosphere: Dark stormy jungle atmosphere mixed with warm golden sunlight, volumetric light rays, wet surfaces, realistic rain, mist, smoke, flying leaves, dust and water particles.
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One girl. One sword. One unstoppable dinosaur. ⚔️🦖 When courage meets the ultimate battle, legends are born. Created with MiniMax H3 Prompt: Create a 14-second ultra-realistic Hollywood-style action fantasy film scene featuring a brave young female warrior battling a massive realistic Tyrannosaurus Rex inside an ancient jungle filled with ruined temples, giant trees, mist, mud, rain, smoke, and dramatic sunlight. Visual Style: Premium Hollywood blockbuster, photorealistic, cinematic, epic scale, realistic human anatomy, realistic dinosaur skin and movement, dramatic lighting, detailed environment, natural physics, intense facial expressions, high-end VFX, ARRI Alexa 35 look, anamorphic lens, shallow depth of field, HDR, subtle film grain, 4K cinematic quality, dynamic camera movement, realistic motion blur. 0–2 seconds — Establishing Shot: Wide cinematic shot of an ancient jungle temple in the middle of a mysterious rainforest. The female warrior stands alone in the ruins, holding a large sword in one hand. Her clothes are rugged fantasy-warrior clothing, slightly wet from the rain. Mist moves through the trees while birds fly in the distant sky. Slow camera push-in toward her. 2–3 seconds — Hero Close-Up: Cut to a dramatic close-up of the girl's face. Her hair is slightly wet and moving in the wind. She looks determined and fearless. Small scratches and dirt are visible on her face. She slowly raises her sword and prepares for battle. 3–4 seconds — Dinosaur Reveal: Suddenly, a massive realistic T-Rex emerges from behind the jungle trees and roars aggressively. Its enormous jaws open, sharp teeth visible, water and mud splashing around its feet. Low-angle camera makes the dinosaur look huge and terrifying. 4–6 seconds — First Attack: The dinosaur charges toward the girl at full speed. She runs toward the side and performs a fast dodge at the last second. The dinosaur crashes through trees and debris behind her. Use handheld camera movement, fast tracking, realistic impact and flying dust. 6–8 seconds — Sword Counterattack: The girl quickly turns around and attacks with her sword. Show a dramatic slow-motion moment as she swings the sword toward the dinosaur. The dinosaur moves its head aggressively while roaring. Strong cinematic camera movement follows the sword. 8–10 seconds — Epic Jump: The dinosaur attacks again. The girl jumps onto a large fallen tree and then leaps into the air above the dinosaur. Her hair and clothing move naturally in slow motion. Camera rotates around her as she raises the sword for the final strike. 10–12 seconds — Final Strike: She lands a powerful cinematic sword strike against the dinosaur's armored hide. Create a dramatic impact with dust, rainwater, debris and strong camera shake. Keep the action non-gory and suitable for a blockbuster fantasy film. 12–13.5 seconds — Dinosaur Falls Back: The dinosaur loses balance and falls backward into the muddy ground with a huge impact. Water, dust and leaves fly into the air. The girl lands safely and stands ready, breathing heavily. 13.5–14 seconds — Hero Ending: Slow cinematic push-in toward the girl. She lowers the sword slightly and looks directly toward the camera with a powerful, fearless expression. Behind her, the defeated dinosaur lies in the misty jungle. Golden sunlight breaks through the clouds, creating an epic silhouette and emotional Hollywood-style ending. Camera & Cinematography: Wide establishing shots, low-angle dinosaur shots, close-up facial shots, handheld action camera, tracking shots, 360-degree movement during the jump, dramatic slow motion during key action moments, shallow depth of field for close-ups, realistic motion blur, cinematic composition. Lighting & Atmosphere: Dark stormy jungle atmosphere mixed with warm golden sunlight, volumetric light rays, wet surfaces, realistic rain, mist, smoke, flying leaves, dust and water particles.

liana

11,360 Aufrufe • vor 1 Monat

Teenage Parkour Runner 🏃‍♂️ Made with Seedance 2.0 by Yapper Prompt : Generate a video: "Use the person from the reference image as the main character. Preserve the same face, hairstyle, age appearance, body type, skin tone, and clothing style from the reference image throughout the entire video. Maintain strong facial consistency and character identity across all shots." 0.0s – 1.5s Use the person from the reference image as the main character. Preserve the same face, hairstyle, age appearance, body type, skin tone, and clothing style from the reference image throughout the entire video. Maintain strong facial consistency and character identity across all shots. Wide aerial shot of a dense modern city at sunset. The teenage parkour runner sprints across a rooftop. Golden sunlight reflects from skyscraper windows. Dynamic drone chase camera from behind. 1.5s – 3.0s The runner accelerates and vaults over rooftop railings and obstacles with expert parkour technique. Low-angle tracking camera emphasizes speed, agility, and athletic movement. 3.0s – 4.5s The runner leaps across a rooftop gap high above the city streets. Cinematic orbit camera during the jump, realistic physics, smooth landing. 4.5s – 6.0s The runner performs a wall-run up the side of a building, grabs a ledge, and pulls upward. Close-up action shot showing determination and fluid movement. 6.0s – 7.5s The runner rapidly climbs a vertical maintenance ladder toward higher rooftops. Camera tilts upward, revealing the glowing sunset skyline. 7.5s – 9.0s The runner emerges onto a higher rooftop and performs a final long jump toward the tallest skyscraper. Epic cinematic perspective, realistic motion, dramatic scale. 9.0s – 10.0s The runner reaches the summit of the tallest building and stands at the edge overlooking the illuminated city. The camera pulls back into a massive aerial shot as the sunset paints the skyline with orange, pink, and purple colors. Epic, inspirational ending. Style: Ultra-realistic, cinematic parkour action, golden hour lighting, realistic human motion, dynamic drone cinematography, high detail, film-quality color grading, volumetric lighting, atmospheric haze, 4K, smooth motion blur, consistent character identity from reference image. Negative Prompt: face changes, identity drift, different person, inconsistent clothing, blurry face, distorted anatomy, extra limbs, unrealistic parkour, floating, physics errors, low quality, cartoon, anime, CGI look, frame glitches, watermark, logo, text, camera shake, motion artifacts, 9:16.
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Teenage Parkour Runner 🏃‍♂️ Made with Seedance 2.0 by Yapper Prompt : Generate a video: "Use the person from the reference image as the main character. Preserve the same face, hairstyle, age appearance, body type, skin tone, and clothing style from the reference image throughout the entire video. Maintain strong facial consistency and character identity across all shots." 0.0s – 1.5s Use the person from the reference image as the main character. Preserve the same face, hairstyle, age appearance, body type, skin tone, and clothing style from the reference image throughout the entire video. Maintain strong facial consistency and character identity across all shots. Wide aerial shot of a dense modern city at sunset. The teenage parkour runner sprints across a rooftop. Golden sunlight reflects from skyscraper windows. Dynamic drone chase camera from behind. 1.5s – 3.0s The runner accelerates and vaults over rooftop railings and obstacles with expert parkour technique. Low-angle tracking camera emphasizes speed, agility, and athletic movement. 3.0s – 4.5s The runner leaps across a rooftop gap high above the city streets. Cinematic orbit camera during the jump, realistic physics, smooth landing. 4.5s – 6.0s The runner performs a wall-run up the side of a building, grabs a ledge, and pulls upward. Close-up action shot showing determination and fluid movement. 6.0s – 7.5s The runner rapidly climbs a vertical maintenance ladder toward higher rooftops. Camera tilts upward, revealing the glowing sunset skyline. 7.5s – 9.0s The runner emerges onto a higher rooftop and performs a final long jump toward the tallest skyscraper. Epic cinematic perspective, realistic motion, dramatic scale. 9.0s – 10.0s The runner reaches the summit of the tallest building and stands at the edge overlooking the illuminated city. The camera pulls back into a massive aerial shot as the sunset paints the skyline with orange, pink, and purple colors. Epic, inspirational ending. Style: Ultra-realistic, cinematic parkour action, golden hour lighting, realistic human motion, dynamic drone cinematography, high detail, film-quality color grading, volumetric lighting, atmospheric haze, 4K, smooth motion blur, consistent character identity from reference image. Negative Prompt: face changes, identity drift, different person, inconsistent clothing, blurry face, distorted anatomy, extra limbs, unrealistic parkour, floating, physics errors, low quality, cartoon, anime, CGI look, frame glitches, watermark, logo, text, camera shake, motion artifacts, 9:16.

Zar⭕on

25,900 Aufrufe • vor 3 Monaten

Made with kling 3.0 on Higgsfield AI 🧩 Video Prompt : Use the uploaded reference image as the exact identity reference for the subject. Create a hyper-realistic live IPL television broadcast crowd-shot sequence during a high-energy playoff cricket match in a packed Indian stadium. The subject from the reference image must remain fully consistent throughout: same face, same hairstyle, same outfit, same skin tone, same lighting, same seating position, and same crowd environment. Preserve identity accuracy strongly across the entire sequence. The video should feel exactly like a genuine Star Sports IPL crowd cutaway captured during a real live match — NOT cinematic, NOT influencer-style, NOT vlog-style. Show realistic live broadcast camera behavior: quick crowd cutaways, natural stadium lighting, authentic TV zoom lens movement, slight camera shake, realistic audience reactions, energetic IPL atmosphere, LED advertisement boards, match scoreboard overlays, cheering fans around the subject. The subject should react naturally to the match: smiling, clapping, looking tense during close moments, celebrating boundaries/wickets, and occasionally looking toward the field. Maintain realistic Indian stadium ambience with thousands of spectators, team jerseys, flags, chants, floodlights, and authentic IPL playoff energy. Ultra realistic skin texture, natural motion, realistic hair movement, accurate facial consistency, broadcast-quality detail, shallow depth of field, true live sports telecast aesthetic, 4K realism, highly detailed crowd environment. Prompt: cinematic lighting, music-video style, slow motion, overacting, beauty filter, influencer aesthetic, vlog framing, AI face distortion, cartoon look, unrealistic expressions, fantasy colors, excessive blur, duplicate faces, identity drift, studio lighting, posed acting, fake crowd.
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Made with kling 3.0 on Higgsfield AI 🧩 Video Prompt : Use the uploaded reference image as the exact identity reference for the subject. Create a hyper-realistic live IPL television broadcast crowd-shot sequence during a high-energy playoff cricket match in a packed Indian stadium. The subject from the reference image must remain fully consistent throughout: same face, same hairstyle, same outfit, same skin tone, same lighting, same seating position, and same crowd environment. Preserve identity accuracy strongly across the entire sequence. The video should feel exactly like a genuine Star Sports IPL crowd cutaway captured during a real live match — NOT cinematic, NOT influencer-style, NOT vlog-style. Show realistic live broadcast camera behavior: quick crowd cutaways, natural stadium lighting, authentic TV zoom lens movement, slight camera shake, realistic audience reactions, energetic IPL atmosphere, LED advertisement boards, match scoreboard overlays, cheering fans around the subject. The subject should react naturally to the match: smiling, clapping, looking tense during close moments, celebrating boundaries/wickets, and occasionally looking toward the field. Maintain realistic Indian stadium ambience with thousands of spectators, team jerseys, flags, chants, floodlights, and authentic IPL playoff energy. Ultra realistic skin texture, natural motion, realistic hair movement, accurate facial consistency, broadcast-quality detail, shallow depth of field, true live sports telecast aesthetic, 4K realism, highly detailed crowd environment. Prompt: cinematic lighting, music-video style, slow motion, overacting, beauty filter, influencer aesthetic, vlog framing, AI face distortion, cartoon look, unrealistic expressions, fantasy colors, excessive blur, duplicate faces, identity drift, studio lighting, posed acting, fake crowd.

Shahid Wani

139,457 Aufrufe • vor 3 Monaten

Made with seedance 2.5 Prompt: Create ONE continuous 12-second, 9:16, ultra-photorealistic LIVE-ACTION luxury fashion film. IMPORTANT REFERENCE MAPPING: REFERENCE Image = PRIMARY CHARACTER. Use the FIRST uploaded reference image of the woman. REFERENCE image2 = ENVIRONMENT. Use the SECOND uploaded reference image of the square. REFERENCE David Carbon = HERO OBJECT. Use the THIRD uploaded reference image of the sunglasses. Do NOT refer to these images as Image, image2 or David Carbon. Use the reference images according to their upload order. CHARACTER — REFERENCE IMAGE 1 Preserve the exact woman from REFERENCE IMAGE 1 throughout the entire video: same facial identity, facial structure, natural eyes, hairstyle, body proportions, skin appearance, clothing, footwear, jewelry, accessories and overall appearance. Do not copy the original background from REFERENCE IMAGE 1. The protagonist is the ONLY main character. ENVIRONMENT — REFERENCE IMAGE 2 Use REFERENCE IMAGE 2 only for visual language: architecture, atmosphere, warm sunset lighting, materials, monumental scale and cobblestone character. Create a NEW believable cinematic pedestrian space inspired by it. Do NOT reproduce its exact composition, exact camera angle or exact street layout. Provide enough open pedestrian space for natural walking and the collision. Respect real-world spatial logic: pedestrians remain in pedestrian areas, architecture has realistic scale and perspective, no impossible geometry. HERO OBJECT — REFERENCE IMAGE 3 The sunglasses shown in REFERENCE IMAGE 3 are the ONE and ONLY HERO OBJECT. Preserve their recognizable: shape, proportions, oversized shield silhouette, dark continuous lens, thin metallic/gold frame, temples, hinge construction, surface details, colour and material. The SAME physical sunglasses must remain recognizable: when worn by the protagonist, when released, during bullet-time macro inspection, and after landing. Do not redesign, replace, duplicate or regenerate the sunglasses. EXACT OBJECT COUNT Exactly: ONE protagonist. ONE secondary passing person. ONE Labrador. ONE leash. ONE pair of sunglasses from REFERENCE IMAGE 3. ONE takeaway paper coffee cup. ONE plastic drinking lid. ONE silver-grey OPEN clamshell flip phone. No duplicate objects or people. PERSISTENT PHONE There is exactly ONE phone in the entire video. It is a compact early-2000s silver-grey OPEN clamshell flip phone. Upper half: small illuminated display and speaker. Lower half: physical numeric keypad, navigation buttons and microphone. Visible central mechanical hinge. LOCK its appearance throughout: same silver-grey colour, same dimensions, same thickness, same hinge, same display, same keypad, same buttons, same open angle. The same phone is seen in wide, medium and macro shots. It never transforms into another phone. PERSISTENT COFFEE Exactly ONE medium disposable PAPER coffee cup with ONE lightweight plastic drinking lid and dark coffee inside. Same cup, same lid, same coffee and same proportions throughout. Before collision the lid is properly attached. Coffee remains inside until a real physical opening appears. HAND OWNERSHIP Before collision: RIGHT HAND = ONE OPEN flip phone held to the RIGHT ear. LEFT HAND = ONE coffee cup. Sunglasses = naturally worn by the protagonist. After collision: RIGHT HAND = COMPLETELY EMPTY. LEFT HAND = COMPLETELY EMPTY. Nothing replaces the phone or cup. Nothing remains attached to either palm. 0.0–2.0s — CINEMATIC CHARACTER REVEAL Begin with an extreme low close-up of the protagonist’s black leather heeled boots walking naturally across the pedestrian space. Camera performs ONE elegant continuous movement: smooth crane upward + gentle backward tracking. Reveal progressively: boots → legs → ripped light-blue baggy jeans → black corset → white tank top → jewelry/accessories → sunglasses → face → nearly full body. The protagonist wears the SAME sunglasses from REFERENCE IMAGE 3. She holds the SAME OPEN silver-grey flip phone to her RIGHT ear and the SAME coffee cup in her LEFT hand. She is actively having a phone conversation. Show subtle realistic speech: natural lip movement, jaw movement and mouth articulation. Maintain exact identity from REFERENCE IMAGE 1. Premium live-action fashion cinematography. 2.0–3.7s — WALKING / SECONDARY PERSON Maintain smooth frontal tracking. The protagonist continues walking naturally through the pedestrian area. Exactly ONE secondary person approaches from the opposite direction. That person holds exactly ONE leash attached to exactly ONE Labrador. The Labrador walks slightly ahead and gently pulls the person forward. They remain background/supporting elements. Maintain: stable protagonist identity, stable hairstyle, stable clothing, stable sunglasses, same phone, same coffee. 3.7–4.4s — ACCIDENTAL COLLISION As they pass each other, the secondary person’s ELBOW accidentally clips the protagonist’s arm/upper torso. Small, accidental, believable contact. The protagonist naturally recoils backward. This SAME collision causes THREE physical release events. SUNGLASSES The sunglasses from REFERENCE IMAGE 3 receive ONE short realistic outward impulse. They separate naturally from the protagonist’s face. They travel only a short physically believable distance. They do NOT fly toward the camera. COFFEE The SAME coffee cup leaves the LEFT hand. It receives one short outward/downward rotational impulse. The cup tilts and rotates. Because of the rotation and liquid inertia, ONE EDGE of the lightweight plastic lid partially pops loose from the cup rim. The lid does not disappear and does not explode away. A real physical gap forms between lid and rim. ONLY THEN does dark coffee begin escaping through this opening. Initial liquid movement is restrained. PHONE The SAME OPEN clamshell phone leaves the RIGHT hand. It receives one short outward/upward impulse. It keeps the SAME open angle and physical design. The instant it separates from the fingers: RIGHT HAND = EMPTY. The instant the cup separates: LEFT HAND = EMPTY. FACE / HAIR CONTINUITY Preserve the exact face from REFERENCE IMAGE 1 during the entire collision. The natural human eyes already exist behind the sunglasses. When the sunglasses separate, reveal the SAME normal eyes: stable pupils, eyelids, gaze direction, brows, nose, cheekbones and facial symmetry. Do not regenerate or alter the face. Hair remains stable with only subtle realistic inertia. No sudden hairstyle change. 4.4–5.2s — BULLET-TIME ESTABLISHMENT Time decelerates dramatically to approximately 2–3% normal speed. DO NOT immediately go into macro. FIRST show a clear medium-wide frozen view of the entire accident. The protagonist is beginning to fall backward. BOTH HANDS ARE EMPTY. Establish fixed WORLD-SPACE anchors: • sunglasses suspended near their release position; • coffee cup suspended lower and toward the LEFT-hand release side; • partially detached lid still connected to or immediately beside the cup; • restrained coffee beginning to escape through the opening; • OPEN flip phone suspended toward the RIGHT-hand release side. Objects move only microscopically. They do NOT move toward the camera. The CAMERA is the main moving element. 5.2–6.8s — SUNGLASSES HERO INSPECTION The sunglasses remain almost completely stationary at their existing world-space position. CAMERA physically dollies toward them. The sunglasses become larger ONLY because the camera gets closer. Once close, slow the camera dramatically. HOLD. Perform a restrained 20–30 degree camera orbit/parallax around the almost-stationary sunglasses. Reveal: dark shield lens, thin metallic/gold frame, temples, hinges, edges, material thickness, surface reflections, tiny manufacturing details. Use shallow photographic macro depth of field. The protagonist and sunset environment remain softly recognizable in the background. The sunglasses must look like a real luxury fashion accessory photographed with a macro cinema lens, NOT CGI product animation. Complete the inspection before moving away. 6.8–8.3s — COFFEE / LIQUID INSPECTION Only after completing the sunglasses inspection, the CAMERA leaves them at their existing world-space position. Travel diagonally through the frozen scene toward the SAME coffee cup. THE CUP DOES NOT MOVE TOWARD THE CAMERA. Hold a photographic macro close-up. Show: same paper cup, same lightweight plastic lid, ONE partially detached lid edge, clear physical gap, dark coffee escaping ONLY through that gap. Real restrained liquid physics: thin irregular stream, imperfect liquid sheet, several differently sized droplets, realistic surface tension, natural reflections. No explosive splash. No decorative CGI liquid. No perfect artificial shapes. Coffee advances only microscopically during bullet time. Perform a small restrained lateral/parallax camera movement around the cup, lid and droplets. HOLD long enough to see paper texture, plastic texture, liquid thickness and individual droplets. 8.3–9.8s — FLIP PHONE INSPECTION Only after coffee inspection, the CAMERA travels away from the cup. The cup, lid and droplets remain at their existing world-space positions. CAMERA moves through the same frozen scene toward the SINGLE OPEN silver-grey clamshell phone. THE PHONE DOES NOT MOVE TOWARD THE CAMERA. First establish the complete phone silhouette: same silver-grey housing, same upper display, same lower keypad, same central hinge, same open angle. Then CAMERA physically approaches the existing upper display. Extreme photographic macro close-up. The illuminated display reads: BOSS with one small realistic phone number underneath. HOLD. Show: real housing material, hinge, keypad texture, small scratches, surface wear, screen reflections. The phone does NOT transform to reveal its screen. It is the SAME phone seen from the beginning. The protagonist’s RIGHT HAND remains completely EMPTY in the background. 9.8–10.4s — COMPLETE FROZEN TABLEAU After phone inspection, CAMERA performs a fast but perfectly smooth dolly backward. All objects remain at their existing world-space positions. Reveal: same protagonist falling backward, both hands empty, same sunglasses, same coffee cup, same partially detached lid, same suspended coffee droplets, same OPEN flip phone, exactly one secondary person, exactly one Labrador. All positions must remain spatially consistent with the original collision and release trajectories. No object follows the camera. No object teleports. No object regenerates. Brief HOLD on the complete frozen tableau. 10.4–12.0s — TIME RETURNS / PHYSICAL PAYOFF Time suddenly snaps back to normal speed. Gravity and existing momentum resume simultaneously. Every object continues FROM ITS EXISTING WORLD-SPACE POSITION. The protagonist completes her backward fall naturally. The sunglasses continue from their suspended position and land according to their existing momentum and gravity. The coffee cup continues from its own separate position, impacts the cobblestone ground, the partially detached lid reacts naturally, and remaining coffee spills irregularly through the real opening and impact point. The OPEN flip phone continues from its own separate position, hits the ground and makes ONE small physically believable bounce. Objects land at DIFFERENT plausible locations. They do NOT suddenly converge beside the protagonist. CAMERA rapidly tilts/drops toward ground level to follow the final impacts. Finish with a cinematic low-angle composition showing the fallen protagonist and the scattered objects within the same believable sunset environment. Hard cut. BULLET-TIME CAMERA RULE — NON-NEGOTIABLE BULLET TIME = ALMOST-FROZEN PHYSICAL WORLD + FREELY MOVING CAMERA. Objects stay in WORLD SPACE. Camera moves through WORLD SPACE. Close-up is created ONLY by reducing camera-to-object distance. Never: move objects toward the lens, artificially enlarge objects, teleport objects, regenerate macro versions. STRICT CAMERA ROUTE: FULL FROZEN TABLEAU → CAMERA DOLLIES TO SUNGLASSES → HOLD → 20–30° CAMERA ORBIT → CAMERA TRAVELS TO COFFEE → HOLD → SMALL CAMERA PARALLAX → CAMERA TRAVELS TO PHONE → ESTABLISH COMPLETE PHONE → MOVE TO DISPLAY → HOLD → CAMERA DOLLIES BACK TO COMPLETE TABLEAU → TIME RETURNS CONTINUITY / CAUSALITY Wide shot → medium shot → macro shot = SAME physical object viewed from different camera distances. Sunglasses: same object, same design, same trajectory, same world-space identity. Coffee: same cup, same lid, same coffee, same rotation, same world-space identity. Phone: same open clamshell phone, same housing, hinge, keypad, display, open angle and world-space identity. Every visible change must have a physical cause. Collision causes recoil. Collision momentum separates sunglasses. Finger release changes phone position. Hand release + collision momentum rotates cup. Cup rotation/liquid inertia partially opens lid. Coffee escapes only through the physical gap. Camera movement creates apparent object scale. Gravity resumes final fall. Treat the entire sequence as ONE continuous practical-effects event photographed with a motion-control cinema camera. IDENTITY / PROP LOCK ONE protagonist. ONE secondary person. ONE Labrador. ONE leash. ONE pair of sunglasses. ONE coffee cup. ONE lid. ONE OPEN flip phone. Before collision: RIGHT HAND = phone. LEFT HAND = coffee. Sunglasses = worn. After collision: RIGHT HAND = EMPTY. LEFT HAND = EMPTY. Sunglasses = separated. No second phone. No second cup. No second sunglasses. No additional dog. No additional person. No unexplained props. No duplication. No teleportation. No unexplained scale changes. VISUAL PRIORITY 1. exact protagonist identity from REFERENCE IMAGE 1 2. natural eyes and facial anatomy 3. stable hairstyle and body proportions 4. exact clothing and accessories 5. exact sunglasses from REFERENCE IMAGE 3 6. stable phone geometry 7. empty hands after release 8. continuous physical trajectories 9. realistic environment inspired by REFERENCE IMAGE 2 PHOTOGRAPHIC REALISM Ultra-photorealistic LIVE-ACTION. High-budget international luxury fashion campaign. Real human anatomy. Natural skin pores. Natural facial micro-expressions. Detailed realistic hair. Real manufactured sunglasses. Real paper cup. Real plastic lid. Real liquid coffee. Real early-2000s flip phone. Real object mass, inertia, gravity, momentum and surface tension. ARRI Alexa 35 cinematic character. Premium cinema optics. Motivated sunset lighting inspired by REFERENCE IMAGE 2. Controlled highlights. Natural skin tones. Realistic optical depth of field. Shallow macro depth of field during object inspections. Subtle 35mm film texture. Restrained luxury editorial colour grade. Natural colours. Sharp optical clarity. Cinematic photographic texture. Bullet-time must feel like REAL high-speed practical photography with a motion-control cinema camera, NOT CGI product animation. 4K / Ultra HD. Maximum facial detail. Maximum hair detail. Maximum material fidelity. Stable identity. Stable geometry. Stable prop continuity.
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Made with seedance 2.5 Prompt: Create ONE continuous 12-second, 9:16, ultra-photorealistic LIVE-ACTION luxury fashion film. IMPORTANT REFERENCE MAPPING: REFERENCE Image = PRIMARY CHARACTER. Use the FIRST uploaded reference image of the woman. REFERENCE image2 = ENVIRONMENT. Use the SECOND uploaded reference image of the square. REFERENCE David Carbon = HERO OBJECT. Use the THIRD uploaded reference image of the sunglasses. Do NOT refer to these images as Image, image2 or David Carbon. Use the reference images according to their upload order. CHARACTER — REFERENCE IMAGE 1 Preserve the exact woman from REFERENCE IMAGE 1 throughout the entire video: same facial identity, facial structure, natural eyes, hairstyle, body proportions, skin appearance, clothing, footwear, jewelry, accessories and overall appearance. Do not copy the original background from REFERENCE IMAGE 1. The protagonist is the ONLY main character. ENVIRONMENT — REFERENCE IMAGE 2 Use REFERENCE IMAGE 2 only for visual language: architecture, atmosphere, warm sunset lighting, materials, monumental scale and cobblestone character. Create a NEW believable cinematic pedestrian space inspired by it. Do NOT reproduce its exact composition, exact camera angle or exact street layout. Provide enough open pedestrian space for natural walking and the collision. Respect real-world spatial logic: pedestrians remain in pedestrian areas, architecture has realistic scale and perspective, no impossible geometry. HERO OBJECT — REFERENCE IMAGE 3 The sunglasses shown in REFERENCE IMAGE 3 are the ONE and ONLY HERO OBJECT. Preserve their recognizable: shape, proportions, oversized shield silhouette, dark continuous lens, thin metallic/gold frame, temples, hinge construction, surface details, colour and material. The SAME physical sunglasses must remain recognizable: when worn by the protagonist, when released, during bullet-time macro inspection, and after landing. Do not redesign, replace, duplicate or regenerate the sunglasses. EXACT OBJECT COUNT Exactly: ONE protagonist. ONE secondary passing person. ONE Labrador. ONE leash. ONE pair of sunglasses from REFERENCE IMAGE 3. ONE takeaway paper coffee cup. ONE plastic drinking lid. ONE silver-grey OPEN clamshell flip phone. No duplicate objects or people. PERSISTENT PHONE There is exactly ONE phone in the entire video. It is a compact early-2000s silver-grey OPEN clamshell flip phone. Upper half: small illuminated display and speaker. Lower half: physical numeric keypad, navigation buttons and microphone. Visible central mechanical hinge. LOCK its appearance throughout: same silver-grey colour, same dimensions, same thickness, same hinge, same display, same keypad, same buttons, same open angle. The same phone is seen in wide, medium and macro shots. It never transforms into another phone. PERSISTENT COFFEE Exactly ONE medium disposable PAPER coffee cup with ONE lightweight plastic drinking lid and dark coffee inside. Same cup, same lid, same coffee and same proportions throughout. Before collision the lid is properly attached. Coffee remains inside until a real physical opening appears. HAND OWNERSHIP Before collision: RIGHT HAND = ONE OPEN flip phone held to the RIGHT ear. LEFT HAND = ONE coffee cup. Sunglasses = naturally worn by the protagonist. After collision: RIGHT HAND = COMPLETELY EMPTY. LEFT HAND = COMPLETELY EMPTY. Nothing replaces the phone or cup. Nothing remains attached to either palm. 0.0–2.0s — CINEMATIC CHARACTER REVEAL Begin with an extreme low close-up of the protagonist’s black leather heeled boots walking naturally across the pedestrian space. Camera performs ONE elegant continuous movement: smooth crane upward + gentle backward tracking. Reveal progressively: boots → legs → ripped light-blue baggy jeans → black corset → white tank top → jewelry/accessories → sunglasses → face → nearly full body. The protagonist wears the SAME sunglasses from REFERENCE IMAGE 3. She holds the SAME OPEN silver-grey flip phone to her RIGHT ear and the SAME coffee cup in her LEFT hand. She is actively having a phone conversation. Show subtle realistic speech: natural lip movement, jaw movement and mouth articulation. Maintain exact identity from REFERENCE IMAGE 1. Premium live-action fashion cinematography. 2.0–3.7s — WALKING / SECONDARY PERSON Maintain smooth frontal tracking. The protagonist continues walking naturally through the pedestrian area. Exactly ONE secondary person approaches from the opposite direction. That person holds exactly ONE leash attached to exactly ONE Labrador. The Labrador walks slightly ahead and gently pulls the person forward. They remain background/supporting elements. Maintain: stable protagonist identity, stable hairstyle, stable clothing, stable sunglasses, same phone, same coffee. 3.7–4.4s — ACCIDENTAL COLLISION As they pass each other, the secondary person’s ELBOW accidentally clips the protagonist’s arm/upper torso. Small, accidental, believable contact. The protagonist naturally recoils backward. This SAME collision causes THREE physical release events. SUNGLASSES The sunglasses from REFERENCE IMAGE 3 receive ONE short realistic outward impulse. They separate naturally from the protagonist’s face. They travel only a short physically believable distance. They do NOT fly toward the camera. COFFEE The SAME coffee cup leaves the LEFT hand. It receives one short outward/downward rotational impulse. The cup tilts and rotates. Because of the rotation and liquid inertia, ONE EDGE of the lightweight plastic lid partially pops loose from the cup rim. The lid does not disappear and does not explode away. A real physical gap forms between lid and rim. ONLY THEN does dark coffee begin escaping through this opening. Initial liquid movement is restrained. PHONE The SAME OPEN clamshell phone leaves the RIGHT hand. It receives one short outward/upward impulse. It keeps the SAME open angle and physical design. The instant it separates from the fingers: RIGHT HAND = EMPTY. The instant the cup separates: LEFT HAND = EMPTY. FACE / HAIR CONTINUITY Preserve the exact face from REFERENCE IMAGE 1 during the entire collision. The natural human eyes already exist behind the sunglasses. When the sunglasses separate, reveal the SAME normal eyes: stable pupils, eyelids, gaze direction, brows, nose, cheekbones and facial symmetry. Do not regenerate or alter the face. Hair remains stable with only subtle realistic inertia. No sudden hairstyle change. 4.4–5.2s — BULLET-TIME ESTABLISHMENT Time decelerates dramatically to approximately 2–3% normal speed. DO NOT immediately go into macro. FIRST show a clear medium-wide frozen view of the entire accident. The protagonist is beginning to fall backward. BOTH HANDS ARE EMPTY. Establish fixed WORLD-SPACE anchors: • sunglasses suspended near their release position; • coffee cup suspended lower and toward the LEFT-hand release side; • partially detached lid still connected to or immediately beside the cup; • restrained coffee beginning to escape through the opening; • OPEN flip phone suspended toward the RIGHT-hand release side. Objects move only microscopically. They do NOT move toward the camera. The CAMERA is the main moving element. 5.2–6.8s — SUNGLASSES HERO INSPECTION The sunglasses remain almost completely stationary at their existing world-space position. CAMERA physically dollies toward them. The sunglasses become larger ONLY because the camera gets closer. Once close, slow the camera dramatically. HOLD. Perform a restrained 20–30 degree camera orbit/parallax around the almost-stationary sunglasses. Reveal: dark shield lens, thin metallic/gold frame, temples, hinges, edges, material thickness, surface reflections, tiny manufacturing details. Use shallow photographic macro depth of field. The protagonist and sunset environment remain softly recognizable in the background. The sunglasses must look like a real luxury fashion accessory photographed with a macro cinema lens, NOT CGI product animation. Complete the inspection before moving away. 6.8–8.3s — COFFEE / LIQUID INSPECTION Only after completing the sunglasses inspection, the CAMERA leaves them at their existing world-space position. Travel diagonally through the frozen scene toward the SAME coffee cup. THE CUP DOES NOT MOVE TOWARD THE CAMERA. Hold a photographic macro close-up. Show: same paper cup, same lightweight plastic lid, ONE partially detached lid edge, clear physical gap, dark coffee escaping ONLY through that gap. Real restrained liquid physics: thin irregular stream, imperfect liquid sheet, several differently sized droplets, realistic surface tension, natural reflections. No explosive splash. No decorative CGI liquid. No perfect artificial shapes. Coffee advances only microscopically during bullet time. Perform a small restrained lateral/parallax camera movement around the cup, lid and droplets. HOLD long enough to see paper texture, plastic texture, liquid thickness and individual droplets. 8.3–9.8s — FLIP PHONE INSPECTION Only after coffee inspection, the CAMERA travels away from the cup. The cup, lid and droplets remain at their existing world-space positions. CAMERA moves through the same frozen scene toward the SINGLE OPEN silver-grey clamshell phone. THE PHONE DOES NOT MOVE TOWARD THE CAMERA. First establish the complete phone silhouette: same silver-grey housing, same upper display, same lower keypad, same central hinge, same open angle. Then CAMERA physically approaches the existing upper display. Extreme photographic macro close-up. The illuminated display reads: BOSS with one small realistic phone number underneath. HOLD. Show: real housing material, hinge, keypad texture, small scratches, surface wear, screen reflections. The phone does NOT transform to reveal its screen. It is the SAME phone seen from the beginning. The protagonist’s RIGHT HAND remains completely EMPTY in the background. 9.8–10.4s — COMPLETE FROZEN TABLEAU After phone inspection, CAMERA performs a fast but perfectly smooth dolly backward. All objects remain at their existing world-space positions. Reveal: same protagonist falling backward, both hands empty, same sunglasses, same coffee cup, same partially detached lid, same suspended coffee droplets, same OPEN flip phone, exactly one secondary person, exactly one Labrador. All positions must remain spatially consistent with the original collision and release trajectories. No object follows the camera. No object teleports. No object regenerates. Brief HOLD on the complete frozen tableau. 10.4–12.0s — TIME RETURNS / PHYSICAL PAYOFF Time suddenly snaps back to normal speed. Gravity and existing momentum resume simultaneously. Every object continues FROM ITS EXISTING WORLD-SPACE POSITION. The protagonist completes her backward fall naturally. The sunglasses continue from their suspended position and land according to their existing momentum and gravity. The coffee cup continues from its own separate position, impacts the cobblestone ground, the partially detached lid reacts naturally, and remaining coffee spills irregularly through the real opening and impact point. The OPEN flip phone continues from its own separate position, hits the ground and makes ONE small physically believable bounce. Objects land at DIFFERENT plausible locations. They do NOT suddenly converge beside the protagonist. CAMERA rapidly tilts/drops toward ground level to follow the final impacts. Finish with a cinematic low-angle composition showing the fallen protagonist and the scattered objects within the same believable sunset environment. Hard cut. BULLET-TIME CAMERA RULE — NON-NEGOTIABLE BULLET TIME = ALMOST-FROZEN PHYSICAL WORLD + FREELY MOVING CAMERA. Objects stay in WORLD SPACE. Camera moves through WORLD SPACE. Close-up is created ONLY by reducing camera-to-object distance. Never: move objects toward the lens, artificially enlarge objects, teleport objects, regenerate macro versions. STRICT CAMERA ROUTE: FULL FROZEN TABLEAU → CAMERA DOLLIES TO SUNGLASSES → HOLD → 20–30° CAMERA ORBIT → CAMERA TRAVELS TO COFFEE → HOLD → SMALL CAMERA PARALLAX → CAMERA TRAVELS TO PHONE → ESTABLISH COMPLETE PHONE → MOVE TO DISPLAY → HOLD → CAMERA DOLLIES BACK TO COMPLETE TABLEAU → TIME RETURNS CONTINUITY / CAUSALITY Wide shot → medium shot → macro shot = SAME physical object viewed from different camera distances. Sunglasses: same object, same design, same trajectory, same world-space identity. Coffee: same cup, same lid, same coffee, same rotation, same world-space identity. Phone: same open clamshell phone, same housing, hinge, keypad, display, open angle and world-space identity. Every visible change must have a physical cause. Collision causes recoil. Collision momentum separates sunglasses. Finger release changes phone position. Hand release + collision momentum rotates cup. Cup rotation/liquid inertia partially opens lid. Coffee escapes only through the physical gap. Camera movement creates apparent object scale. Gravity resumes final fall. Treat the entire sequence as ONE continuous practical-effects event photographed with a motion-control cinema camera. IDENTITY / PROP LOCK ONE protagonist. ONE secondary person. ONE Labrador. ONE leash. ONE pair of sunglasses. ONE coffee cup. ONE lid. ONE OPEN flip phone. Before collision: RIGHT HAND = phone. LEFT HAND = coffee. Sunglasses = worn. After collision: RIGHT HAND = EMPTY. LEFT HAND = EMPTY. Sunglasses = separated. No second phone. No second cup. No second sunglasses. No additional dog. No additional person. No unexplained props. No duplication. No teleportation. No unexplained scale changes. VISUAL PRIORITY 1. exact protagonist identity from REFERENCE IMAGE 1 2. natural eyes and facial anatomy 3. stable hairstyle and body proportions 4. exact clothing and accessories 5. exact sunglasses from REFERENCE IMAGE 3 6. stable phone geometry 7. empty hands after release 8. continuous physical trajectories 9. realistic environment inspired by REFERENCE IMAGE 2 PHOTOGRAPHIC REALISM Ultra-photorealistic LIVE-ACTION. High-budget international luxury fashion campaign. Real human anatomy. Natural skin pores. Natural facial micro-expressions. Detailed realistic hair. Real manufactured sunglasses. Real paper cup. Real plastic lid. Real liquid coffee. Real early-2000s flip phone. Real object mass, inertia, gravity, momentum and surface tension. ARRI Alexa 35 cinematic character. Premium cinema optics. Motivated sunset lighting inspired by REFERENCE IMAGE 2. Controlled highlights. Natural skin tones. Realistic optical depth of field. Shallow macro depth of field during object inspections. Subtle 35mm film texture. Restrained luxury editorial colour grade. Natural colours. Sharp optical clarity. Cinematic photographic texture. Bullet-time must feel like REAL high-speed practical photography with a motion-control cinema camera, NOT CGI product animation. 4K / Ultra HD. Maximum facial detail. Maximum hair detail. Maximum material fidelity. Stable identity. Stable geometry. Stable prop continuity.

Oogie

18,923 Aufrufe • vor 15 Tagen

UGC on Seedance 2.5 is on another level Awesome Results Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text.
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UGC on Seedance 2.5 is on another level Awesome Results Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text.

Smiling Khan

15,032 Aufrufe • vor 1 Monat

Going with the trend of viral Korean baseball video Seedance for video GPT Image 2 for image Prompt : Use the uploaded reference image as the strongest identity anchor. The woman must look like the exact same adult Japanese woman from the reference image, not a similar person. Preserve her exact facial identity, same soft oval face, same glossy lips, same delicate nose, same large expressive eyes, same pale smooth skin, and same long voluminous curly blonde hair with soft layered bangs. Create an ultra-realistic candid KBO baseball broadcast video scene during a lively night game. The woman is seated in the crowd beside her boyfriend, both wearing casual baseball jerseys among energetic cheering fans. She naturally watches the game while smiling and laughing softly with him. No dialogue, no talking, no cinematic acting. The interaction should feel completely natural and unscripted, like a real live broadcast moment accidentally captured by the stadium camera. She holds yellow cheering sticks and lightly taps them together while cheering for the team. The boyfriend leans closer and they share a very short soft kiss lasting about one second, subtle and natural, not dramatic or romanticized. Immediately after the kiss, she realizes the live stadium camera is focused on them on the giant screen. She becomes shy and slightly embarrassed for a moment, then gives a soft cute smile toward the camera while trying not to laugh. Her reaction should feel authentic, candid, and spontaneous, like a real fan unexpectedly shown on TV. Use realistic Korean baseball TV broadcast cinematography: long telephoto lens compression, slight handheld camera movement, subtle motion blur from cheering fans, realistic stadium lighting, shallow depth of field, natural skin texture, broadcast softness, authentic crowd reactions, imperfect framing, 16:9 live sports broadcast composition, genuine candid atmosphere.
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Going with the trend of viral Korean baseball video Seedance for video GPT Image 2 for image Prompt : Use the uploaded reference image as the strongest identity anchor. The woman must look like the exact same adult Japanese woman from the reference image, not a similar person. Preserve her exact facial identity, same soft oval face, same glossy lips, same delicate nose, same large expressive eyes, same pale smooth skin, and same long voluminous curly blonde hair with soft layered bangs. Create an ultra-realistic candid KBO baseball broadcast video scene during a lively night game. The woman is seated in the crowd beside her boyfriend, both wearing casual baseball jerseys among energetic cheering fans. She naturally watches the game while smiling and laughing softly with him. No dialogue, no talking, no cinematic acting. The interaction should feel completely natural and unscripted, like a real live broadcast moment accidentally captured by the stadium camera. She holds yellow cheering sticks and lightly taps them together while cheering for the team. The boyfriend leans closer and they share a very short soft kiss lasting about one second, subtle and natural, not dramatic or romanticized. Immediately after the kiss, she realizes the live stadium camera is focused on them on the giant screen. She becomes shy and slightly embarrassed for a moment, then gives a soft cute smile toward the camera while trying not to laugh. Her reaction should feel authentic, candid, and spontaneous, like a real fan unexpectedly shown on TV. Use realistic Korean baseball TV broadcast cinematography: long telephoto lens compression, slight handheld camera movement, subtle motion blur from cheering fans, realistic stadium lighting, shallow depth of field, natural skin texture, broadcast softness, authentic crowd reactions, imperfect framing, 16:9 live sports broadcast composition, genuine candid atmosphere.

Synthia

11,860 Aufrufe • vor 4 Monaten

Real life → Anime → Hollywood. 🎬 One girl. One continuous shot. Three worlds. The real magic is making the transformation feel seamless. 🔥 Created this with Seedance 2.5 on BudgetPixel AI Prompt 🤝 Create a premium cinematic 15-second transformation story following the SAME young female protagonist continuously through three visual styles: realistic live-action → high-end anime/3D animation → Hollywood blockbuster. 0–5s — REALISTIC WORLD A stylish young woman walks alone through a modern city at night. Rain falls lightly. Neon signs reflect across the wet street. She wears a sophisticated black streetwear outfit with subtle red accents. She hears a powerful hip-hop beat. She stops. Close-up of her eyes. She looks toward camera and begins a confident dance-inspired movement. Typography appears: “WHO ARE YOU?” Camera rapidly pushes toward her hand as she raises it toward the lens. 5–10s — ANIMATED WORLD The exact hand movement triggers the transformation. The live-action city smoothly becomes a breathtaking high-end animated world. The SAME girl, SAME outfit, SAME pose and SAME movement continue without interruption. Stylized energy particles surround her. Buildings stretch upward. Neon colors pulse with the beat. She performs a powerful choreographed movement through the animated city. Typography dynamically forms around her: “WHO YOU CHOOSE TO BE.” Use fluid premium animation, detailed facial expressions, realistic cloth movement and cinematic camera choreography. 10–15s — HOLLYWOOD BLOCKBUSTER During her final animated movement, the environment suddenly transforms into an epic Hollywood-style cinematic cityscape. The SAME girl lands on a rooftop overlooking a massive glowing metropolis. Realistic wind moves her hair and clothes. Dramatic clouds, atmospheric haze, anamorphic lens flare and powerful backlighting create blockbuster scale. Camera circles her as she turns toward the lens. Final beat. She confidently smiles. Huge cinematic typography appears: “BECOME UNSTOPPABLE.” Final hero frame with dramatic music impact and premium movie-trailer finish. VISUAL RULE: The transformation should feel like ONE continuous shot/story—not three separate clips. Preserve the girl's identity, clothing, movement, camera direction and emotional expression through every style transition.
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Real life → Anime → Hollywood. 🎬 One girl. One continuous shot. Three worlds. The real magic is making the transformation feel seamless. 🔥 Created this with Seedance 2.5 on BudgetPixel AI Prompt 🤝 Create a premium cinematic 15-second transformation story following the SAME young female protagonist continuously through three visual styles: realistic live-action → high-end anime/3D animation → Hollywood blockbuster. 0–5s — REALISTIC WORLD A stylish young woman walks alone through a modern city at night. Rain falls lightly. Neon signs reflect across the wet street. She wears a sophisticated black streetwear outfit with subtle red accents. She hears a powerful hip-hop beat. She stops. Close-up of her eyes. She looks toward camera and begins a confident dance-inspired movement. Typography appears: “WHO ARE YOU?” Camera rapidly pushes toward her hand as she raises it toward the lens. 5–10s — ANIMATED WORLD The exact hand movement triggers the transformation. The live-action city smoothly becomes a breathtaking high-end animated world. The SAME girl, SAME outfit, SAME pose and SAME movement continue without interruption. Stylized energy particles surround her. Buildings stretch upward. Neon colors pulse with the beat. She performs a powerful choreographed movement through the animated city. Typography dynamically forms around her: “WHO YOU CHOOSE TO BE.” Use fluid premium animation, detailed facial expressions, realistic cloth movement and cinematic camera choreography. 10–15s — HOLLYWOOD BLOCKBUSTER During her final animated movement, the environment suddenly transforms into an epic Hollywood-style cinematic cityscape. The SAME girl lands on a rooftop overlooking a massive glowing metropolis. Realistic wind moves her hair and clothes. Dramatic clouds, atmospheric haze, anamorphic lens flare and powerful backlighting create blockbuster scale. Camera circles her as she turns toward the lens. Final beat. She confidently smiles. Huge cinematic typography appears: “BECOME UNSTOPPABLE.” Final hero frame with dramatic music impact and premium movie-trailer finish. VISUAL RULE: The transformation should feel like ONE continuous shot/story—not three separate clips. Preserve the girl's identity, clothing, movement, camera direction and emotional expression through every style transition.

Ai Girllie

20,329 Aufrufe • vor 1 Monat

UGC on Seedance 2.5 is just crazy Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text on it
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UGC on Seedance 2.5 is just crazy Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text on it

Synthia

54,462 Aufrufe • vor 1 Monat

Every touch unlocks a new masterpiece. PROMPT ⬇ Use my uploaded character sheet as the ONLY reference for the character. Preserve the exact facial features, hairstyle, body proportions, skin tone, age, outfit, and identity throughout the entire video. Do NOT change the character in any way—only the vehicle changes. Create a 15-second ultra-luxury automotive commercial inside a futuristic luxury showroom with polished marble floors, floor-to-ceiling glass walls, cinematic architectural lighting, premium reflections, and an exclusive VIP atmosphere. The character confidently walks through the showroom while interacting with a series of luxury cars. The camera uses smooth cinematic tracking shots with premium commercial-quality movement. Vehicle Transformation Sequence: • Car 1: Luxury sports coupe. The character gently places a hand on the hood. As the hand glides across the paint, the entire vehicle seamlessly transforms into Car 2. • Car 2: Premium executive luxury sedan. The character opens the driver's door and slowly closes it. As the door shuts, the car transforms into Car 3. • Car 3: High-performance supercar. The character walks around the front of the vehicle, lightly tracing a finger along the headlight. During the movement, the car morphs into Car 4. • Car 4: Ultra-luxury SUV. The character presses the key fob to lock the vehicle. The flashing lights trigger a seamless transformation into Car 5. • Car 5: Luxury electric performance car. The character slides a hand across the roofline while walking beside the vehicle. The bodywork smoothly transforms into Car 6. • Car 6: Exotic hypercar. The character opens the butterfly/scissor door, sits briefly, then steps back out. As the door closes, the vehicle transforms into Car 7. • Car 7: Limited-edition flagship luxury vehicle (Hero Car). The character stands confidently beside the final car as the camera performs a dramatic cinematic orbit, highlighting the vehicle from every angle before ending on a premium hero shot. Every transformation is triggered by a realistic interaction with the vehicle—touching the hood, opening a door, pressing the key, or walking alongside it. The transformations feature seamless body-panel morphing, realistic reflections, premium paint finishes, and flawless cinematic transitions. The character's face, body, hairstyle, outfit, accessories, and identity remain completely unchanged. Only the vehicle transforms. Camera: Smooth cinematic tracking, low-angle hero shots, elegant orbit shots, 50mm and 85mm lenses, shallow depth of field, premium automotive cinematography. Lighting: Luxury showroom lighting with realistic reflections, soft volumetric light, polished marble reflections, and dramatic rim lighting. Style: Ferrari, Lamborghini, Rolls-Royce, Bentley, Porsche, Mercedes-Maybach, McLaren campaign aesthetic, ultra-realistic, 8K HDR, award-winning automotive commercial, premium color grading, flawless reflections, no glitches, no identity changes, no text, no watermark.
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Every touch unlocks a new masterpiece. PROMPT ⬇ Use my uploaded character sheet as the ONLY reference for the character. Preserve the exact facial features, hairstyle, body proportions, skin tone, age, outfit, and identity throughout the entire video. Do NOT change the character in any way—only the vehicle changes. Create a 15-second ultra-luxury automotive commercial inside a futuristic luxury showroom with polished marble floors, floor-to-ceiling glass walls, cinematic architectural lighting, premium reflections, and an exclusive VIP atmosphere. The character confidently walks through the showroom while interacting with a series of luxury cars. The camera uses smooth cinematic tracking shots with premium commercial-quality movement. Vehicle Transformation Sequence: • Car 1: Luxury sports coupe. The character gently places a hand on the hood. As the hand glides across the paint, the entire vehicle seamlessly transforms into Car 2. • Car 2: Premium executive luxury sedan. The character opens the driver's door and slowly closes it. As the door shuts, the car transforms into Car 3. • Car 3: High-performance supercar. The character walks around the front of the vehicle, lightly tracing a finger along the headlight. During the movement, the car morphs into Car 4. • Car 4: Ultra-luxury SUV. The character presses the key fob to lock the vehicle. The flashing lights trigger a seamless transformation into Car 5. • Car 5: Luxury electric performance car. The character slides a hand across the roofline while walking beside the vehicle. The bodywork smoothly transforms into Car 6. • Car 6: Exotic hypercar. The character opens the butterfly/scissor door, sits briefly, then steps back out. As the door closes, the vehicle transforms into Car 7. • Car 7: Limited-edition flagship luxury vehicle (Hero Car). The character stands confidently beside the final car as the camera performs a dramatic cinematic orbit, highlighting the vehicle from every angle before ending on a premium hero shot. Every transformation is triggered by a realistic interaction with the vehicle—touching the hood, opening a door, pressing the key, or walking alongside it. The transformations feature seamless body-panel morphing, realistic reflections, premium paint finishes, and flawless cinematic transitions. The character's face, body, hairstyle, outfit, accessories, and identity remain completely unchanged. Only the vehicle transforms. Camera: Smooth cinematic tracking, low-angle hero shots, elegant orbit shots, 50mm and 85mm lenses, shallow depth of field, premium automotive cinematography. Lighting: Luxury showroom lighting with realistic reflections, soft volumetric light, polished marble reflections, and dramatic rim lighting. Style: Ferrari, Lamborghini, Rolls-Royce, Bentley, Porsche, Mercedes-Maybach, McLaren campaign aesthetic, ultra-realistic, 8K HDR, award-winning automotive commercial, premium color grading, flawless reflections, no glitches, no identity changes, no text, no watermark.

Zephyra Leigh

17,572 Aufrufe • vor 2 Monaten

Created with Kling 3.0 on Kling AI Prompt: Create a 15-second high-fashion editorial film starring the adult character in >> . Preserve their exact appearance, outfit, accessories and visual style. Render the entire film in the reference’s aesthetic. Use a minimal studio with a reflective floor, bold directional lighting and rhythmic photographic flashes. Show exactly 10 distinct fashion poses, each with a different silhouette and camera angle: 1. A confident standing pose, filmed from floor level with dramatic wide-angle perspective. 2. One hand beside the face, captured in an extreme side-profile close-up. 3. An asymmetric seated pose, seen directly overhead as the camera rotates. 4. One leg extended toward the lens, the foot or reference footwear dominating the foreground through foreshortening. 5. A quick, fluid leg cross, captured from a low diagonal angle. 6. Fingertips catching the edge of an existing sleeve or collar, framed in a tight detail shot. 7. A rear three-quarter turn with a deliberate glance back into the camera. 8. A forward lean toward the lens, ending with the palm briefly covering it. 9. An elongated upward stretch, revealed in a sharply tilted wide shot with strong side lighting. 10. A commanding full-body hero pose, looking down into the lens as the camera rapidly pulls back. Keep the performance fast and rhythmically tight. Flow naturally between poses, holding each for only a fraction of a second while keeping its silhouette clearly readable. No repeated poses or additional pose changes. Connect angles through whip pans, movement-matched cuts, snap zooms, flashes and lens occlusions. Orbit against the character’s turn, sweep from their floor reflection toward their face and plunge from overhead to floor level. Alternate intimate details with dramatic wide compositions. Accelerate between poses and brake sharply on each hold. Keep the sensual gestures quick, confident and fully clothed. Hair and fabric react naturally. No slow motion, lingering shots or gradual camera drift. Build momentum toward the tenth pose, then stop sharply for a crisp final hold. Stable identity and anatomy throughout. No outfit changes, added accessories or text. Sound: a driving 140 BPM fashion beat, rhythmic shutter clicks and subtle fabric movement.
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Created with Kling 3.0 on Kling AI Prompt: Create a 15-second high-fashion editorial film starring the adult character in >> . Preserve their exact appearance, outfit, accessories and visual style. Render the entire film in the reference’s aesthetic. Use a minimal studio with a reflective floor, bold directional lighting and rhythmic photographic flashes. Show exactly 10 distinct fashion poses, each with a different silhouette and camera angle: 1. A confident standing pose, filmed from floor level with dramatic wide-angle perspective. 2. One hand beside the face, captured in an extreme side-profile close-up. 3. An asymmetric seated pose, seen directly overhead as the camera rotates. 4. One leg extended toward the lens, the foot or reference footwear dominating the foreground through foreshortening. 5. A quick, fluid leg cross, captured from a low diagonal angle. 6. Fingertips catching the edge of an existing sleeve or collar, framed in a tight detail shot. 7. A rear three-quarter turn with a deliberate glance back into the camera. 8. A forward lean toward the lens, ending with the palm briefly covering it. 9. An elongated upward stretch, revealed in a sharply tilted wide shot with strong side lighting. 10. A commanding full-body hero pose, looking down into the lens as the camera rapidly pulls back. Keep the performance fast and rhythmically tight. Flow naturally between poses, holding each for only a fraction of a second while keeping its silhouette clearly readable. No repeated poses or additional pose changes. Connect angles through whip pans, movement-matched cuts, snap zooms, flashes and lens occlusions. Orbit against the character’s turn, sweep from their floor reflection toward their face and plunge from overhead to floor level. Alternate intimate details with dramatic wide compositions. Accelerate between poses and brake sharply on each hold. Keep the sensual gestures quick, confident and fully clothed. Hair and fabric react naturally. No slow motion, lingering shots or gradual camera drift. Build momentum toward the tenth pose, then stop sharply for a crisp final hold. Stable identity and anatomy throughout. No outfit changes, added accessories or text. Sound: a driving 140 BPM fashion beat, rhythmic shutter clicks and subtle fabric movement.

Zara

19,645 Aufrufe • vor 9 Tagen

As I lay there on the highway, he came close, still pointing the gun at me, but I lay still, praying in my mind, “Don’t shoot again.” My Blood was everywhere, and he confirmed I was dead before rushing back to the car and driving off, leaving me in my pool of blood around 1 a.m. I lay there in agony, thinking I was going to die. I asked myself why they had to shoot me again. I wasn’t a threat anymore; why shoot me again? That question echoed in my mind. Cars continued to pass without stopping, avoiding my body in the middle of the road. I waved my hands for help as they drove by, but none stopped. I couldn’t move any part of my body except my hands. Over 30 cars passed without anyone stopping. I realized no help was coming; my motionless body lay in the middle of the road. After some time, I tried shaking my legs, and to my surprise, they moved! I was relieved because I thought they were numb. I decided to move my body out of the road. I attempted to stand but fell because the bullet passed through my hip, only my flesh on the right was holding it. I could feel the pain; the other side was swollen. I wasn’t sure how bad it was, but all my waist was on fire. Some drivers nearly ran over me, forcing me to move my body away from the center of the highway toward the pavements that divide the road. That night was brutal. I lay there, bleeding and in pain, for about two hours, knowing that help wasn't coming. I felt sure I was going to die. As I lay there helpless, my life flashed before me. I thought about my family and how I had come to Awka to bury my mom, now I will be buried. I feared for my siblings, who depended on me, and I called on God for help. Only the sounds of birds and the occasional passing car broke the silence, and I realized no human was coming to help me. I called on my late parents, especially my sweet mom, telling her I was coming because I was so tired. My vision blurred, my throat was dry, and I was too exhausted to wave. I prayed, accepting my fate, gave my life to Christ again, and asked Him to accept my soul. Looking up, I saw only darkness, no hope anywhere, just my blood-soaked body. I was becoming weaker, dizzy, and had a strong urge to sleep, knowing that if I closed my eyes, all the agony would go away. So I decided to let go, imagining my friends finding my body in the morning and taking me to the morgue. I imagined being buried beside my mom and how heartbroken my friends and siblings would be. But still, no help came. I could only guess the time, but I knew the night was long, and daybreak was far off. Just as I was about to close my eyes and accept my death, I saw a torchlight in the distance, about 500 meters away. Hope surged back into me. I knew I could get help if I could reach the light, but I was weak, how can I move my motionless body with damaged waist. I tried to stand, despite the pain in my waist. I moved to the pavement divider, trying to pull myself up, but I fell, hitting my waist painfully on the ground. I tried again, holding onto the pavement, moving slowly toward the light, but the pain was too much, and I fell again. Finally, I decided to crawl toward it. Pushing my body along the rough highway surface with only my elbows and arms, I kept low. Whenever I spotted a car, I lay flat, pretending to be dead, hoping they wouldn’t come back and shoot me a third time. The friction against the rough ground gave me cuts, and my arms began to bleed, but I kept moving. Eventually, I reached there and it was aluminum company near the highway and I began shouting for help. I was so cold, shivering, and very thirsty. I kept calling out, “Help! I need a hospital!” After about 30 minutes, they pointed a torchlight toward me, and a few men came out, cocking their guns—around four armed men. Terrified, I started screaming, “Don’t shoot!”
0:15

As I lay there on the highway, he came close, still pointing the gun at me, but I lay still, praying in my mind, “Don’t shoot again.” My Blood was everywhere, and he confirmed I was dead before rushing back to the car and driving off, leaving me in my pool of blood around 1 a.m. I lay there in agony, thinking I was going to die. I asked myself why they had to shoot me again. I wasn’t a threat anymore; why shoot me again? That question echoed in my mind. Cars continued to pass without stopping, avoiding my body in the middle of the road. I waved my hands for help as they drove by, but none stopped. I couldn’t move any part of my body except my hands. Over 30 cars passed without anyone stopping. I realized no help was coming; my motionless body lay in the middle of the road. After some time, I tried shaking my legs, and to my surprise, they moved! I was relieved because I thought they were numb. I decided to move my body out of the road. I attempted to stand but fell because the bullet passed through my hip, only my flesh on the right was holding it. I could feel the pain; the other side was swollen. I wasn’t sure how bad it was, but all my waist was on fire. Some drivers nearly ran over me, forcing me to move my body away from the center of the highway toward the pavements that divide the road. That night was brutal. I lay there, bleeding and in pain, for about two hours, knowing that help wasn't coming. I felt sure I was going to die. As I lay there helpless, my life flashed before me. I thought about my family and how I had come to Awka to bury my mom, now I will be buried. I feared for my siblings, who depended on me, and I called on God for help. Only the sounds of birds and the occasional passing car broke the silence, and I realized no human was coming to help me. I called on my late parents, especially my sweet mom, telling her I was coming because I was so tired. My vision blurred, my throat was dry, and I was too exhausted to wave. I prayed, accepting my fate, gave my life to Christ again, and asked Him to accept my soul. Looking up, I saw only darkness, no hope anywhere, just my blood-soaked body. I was becoming weaker, dizzy, and had a strong urge to sleep, knowing that if I closed my eyes, all the agony would go away. So I decided to let go, imagining my friends finding my body in the morning and taking me to the morgue. I imagined being buried beside my mom and how heartbroken my friends and siblings would be. But still, no help came. I could only guess the time, but I knew the night was long, and daybreak was far off. Just as I was about to close my eyes and accept my death, I saw a torchlight in the distance, about 500 meters away. Hope surged back into me. I knew I could get help if I could reach the light, but I was weak, how can I move my motionless body with damaged waist. I tried to stand, despite the pain in my waist. I moved to the pavement divider, trying to pull myself up, but I fell, hitting my waist painfully on the ground. I tried again, holding onto the pavement, moving slowly toward the light, but the pain was too much, and I fell again. Finally, I decided to crawl toward it. Pushing my body along the rough highway surface with only my elbows and arms, I kept low. Whenever I spotted a car, I lay flat, pretending to be dead, hoping they wouldn’t come back and shoot me a third time. The friction against the rough ground gave me cuts, and my arms began to bleed, but I kept moving. Eventually, I reached there and it was aluminum company near the highway and I began shouting for help. I was so cold, shivering, and very thirsty. I kept calling out, “Help! I need a hospital!” After about 30 minutes, they pointed a torchlight toward me, and a few men came out, cocking their guns—around four armed men. Terrified, I started screaming, “Don’t shoot!”

Daiso Dike

77,897 Aufrufe • vor 1 Jahr

Chasing sunsets, collecting moments, and getting lost in the beauty of Istanbul. Created with Seedance 2.5 Prompt: Create a highly realistic cinematic travel video of a young woman enjoying a peaceful sunset moment on an elegant waterfront terrace overlooking the Bosphorus in Istanbul, Turkey. She is wearing a sophisticated flowing cream-colored dress with delicate fabric details. Her long dark hair moves naturally in the gentle evening breeze. The video begins with a wide cinematic establishing shot of the Bosphorus, showing elegant waterfront buildings, traditional Turkish architecture, boats slowly moving across the water, and the Istanbul skyline glowing under the setting sun. The camera then slowly moves toward the woman from behind as she walks along the terrace beside a stylish glass railing. She gently places one hand on the railing and looks toward the Bosphorus. After a moment, she turns toward the camera with a subtle natural smile. The camera smoothly moves from a wide shot into a medium close-up, capturing her face, flowing hair, and the warm sunset reflections on the water. End with the camera slowly pulling back to reveal the woman standing against the breathtaking Istanbul skyline. Use realistic environmental movement: gentle waves on the Bosphorus, distant boats moving naturally, subtle wind, moving hair and dress fabric, birds flying in the distance, and soft atmospheric haze. Camera: smooth cinematic tracking, slow dolly movement, gentle orbit around the subject, natural parallax, 35mm lens, shallow depth of field, realistic motion blur, premium travel-film cinematography. Lighting: warm golden-hour sunlight, soft sunset glow, natural rim lighting on her hair and shoulders, realistic shadows, subtle lens flare, cinematic exposure. Visual Style: ultra-photorealistic, luxury travel commercial, premium tourism advertisement, realistic skin texture, detailed hair strands, natural facial expression, realistic fabric physics, cinematic composition, highly detailed Istanbul environment, 4K quality. Negative Prompt: cartoon, anime, CGI look, plastic skin, artificial face, distorted anatomy, extra fingers, extra limbs, deformed hands, unnatural walking, stiff movements, flickering, jittery camera, warped buildings, unrealistic water, duplicate people, oversaturated colors, excessive blur, low resolution, text, subtitles, watermark, logo.
0:15

Chasing sunsets, collecting moments, and getting lost in the beauty of Istanbul. Created with Seedance 2.5 Prompt: Create a highly realistic cinematic travel video of a young woman enjoying a peaceful sunset moment on an elegant waterfront terrace overlooking the Bosphorus in Istanbul, Turkey. She is wearing a sophisticated flowing cream-colored dress with delicate fabric details. Her long dark hair moves naturally in the gentle evening breeze. The video begins with a wide cinematic establishing shot of the Bosphorus, showing elegant waterfront buildings, traditional Turkish architecture, boats slowly moving across the water, and the Istanbul skyline glowing under the setting sun. The camera then slowly moves toward the woman from behind as she walks along the terrace beside a stylish glass railing. She gently places one hand on the railing and looks toward the Bosphorus. After a moment, she turns toward the camera with a subtle natural smile. The camera smoothly moves from a wide shot into a medium close-up, capturing her face, flowing hair, and the warm sunset reflections on the water. End with the camera slowly pulling back to reveal the woman standing against the breathtaking Istanbul skyline. Use realistic environmental movement: gentle waves on the Bosphorus, distant boats moving naturally, subtle wind, moving hair and dress fabric, birds flying in the distance, and soft atmospheric haze. Camera: smooth cinematic tracking, slow dolly movement, gentle orbit around the subject, natural parallax, 35mm lens, shallow depth of field, realistic motion blur, premium travel-film cinematography. Lighting: warm golden-hour sunlight, soft sunset glow, natural rim lighting on her hair and shoulders, realistic shadows, subtle lens flare, cinematic exposure. Visual Style: ultra-photorealistic, luxury travel commercial, premium tourism advertisement, realistic skin texture, detailed hair strands, natural facial expression, realistic fabric physics, cinematic composition, highly detailed Istanbul environment, 4K quality. Negative Prompt: cartoon, anime, CGI look, plastic skin, artificial face, distorted anatomy, extra fingers, extra limbs, deformed hands, unnatural walking, stiff movements, flickering, jittery camera, warped buildings, unrealistic water, duplicate people, oversaturated colors, excessive blur, low resolution, text, subtitles, watermark, logo.

Calira

13,540 Aufrufe • vor 15 Tagen

👉OK, so a few days back I saw a photo in my phone, that prior I had not caught the significance of. Frank Turek, was standing in the far left corner of the photo & it looked to me, like he is pointing his phone to film Rick Cutler. -Allegedly. So my friend here, sent me the original video that someone had caught, at some point, & asked me to see what I can do with it. -The first video is the original one that I was sent. -The second item, is a picture of the video that I took. Something to me, looked a lot like a face, & sunglasses. I then saved that image & edited it in my basic phone adjustments, to try to define what I thought I am seeing, as best I could. -Next, is the picture, that gave me the original impression, that Turek was filming Cutler. -And then I edited a video to highlight what I think… I am seeing. -ALLEGEDLY… Thoughts please? Honesty alway’s welcome. Charliesangels47 Candace Owens Baron Coleman Project Constitution Jon Bray Diligent Denizen 🇺🇸
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👉OK, so a few days back I saw a photo in my phone, that prior I had not caught the significance of. Frank Turek, was standing in the far left corner of the photo & it looked to me, like he is pointing his phone to film Rick Cutler. -Allegedly. So my friend here, sent me the original video that someone had caught, at some point, & asked me to see what I can do with it. -The first video is the original one that I was sent. -The second item, is a picture of the video that I took. Something to me, looked a lot like a face, & sunglasses. I then saved that image & edited it in my basic phone adjustments, to try to define what I thought I am seeing, as best I could. -Next, is the picture, that gave me the original impression, that Turek was filming Cutler. -And then I edited a video to highlight what I think… I am seeing. -ALLEGEDLY… Thoughts please? Honesty alway’s welcome. Charliesangels47 Candace Owens Baron Coleman Project Constitution Jon Bray Diligent Denizen 🇺🇸

Selina Anne

32,464 Aufrufe • vor 1 Monat